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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595097 it is the complementary color #A6AF68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595097. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595097 shade: #5E5092, #6F62A5, #8074B8, #9186CB and #A298DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595097. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595097 shade: #595097, #483E84, #372C71, #261A5E and #15084B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595097 shade: #584F96, #6B4F96, #7F4F96, #924F96 and #964F88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595097 shade: #584F96 and #4F4F96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595097 shade matches the following richer shades: #584F96, #4A3DA9, #3C2ABB, #2F17CE and #2105E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595097 shade: #584F96, #666284, #747471, #82875F and #90994C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595097 shade: #4F6D96, #4F5A96, #574F96, #6A4F96 and #7D4F96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595097 shade: #383360, #48417B, #584F96, #6C62AC and #857DBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595097 shade: #595097, #964F80 and #63964F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595097 shade: #595097, #96574F and #4F9657

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595097 shade: #595097, #964F80, #8E964F and #4F9666

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595097 shade: #595097, #964F6A, #8E964F and #4F967B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 47 / 0 / 41

HEX #595097

RGB 89 80 151

HSL 247.61, 0.31%, 0.45%

LAB 38.01, 21.96, -37.83

 

Complementary color

CMYK 5 / 0 / 41 / 31

HEX #A6AF68

RGB 166 175 104

HSL 67.61, 0.31%, 0.55%

LAB 69.3, -14.31, 35.3

 

CMYK 36 / 45 / 0 / 43

HEX #5E5092

RGB 94 80 146

HSL 252.73, 0.29%, 0.44%

LAB 38.19, 21.88, -34.5

 

CMYK 33 / 41 / 0 / 35

HEX #6F62A5

RGB 111 98 165

HSL 251.64, 0.27%, 0.52%

LAB 45.4, 20.94, -34.36

 

CMYK 30 / 37 / 0 / 28

HEX #8074B8

RGB 128 116 184

HSL 250.59, 0.32%, 0.59%

LAB 52.44, 20.13, -34.27

 

CMYK 29 / 34 / 0 / 20

HEX #9186CB

RGB 145 134 203

HSL 249.57, 0.4%, 0.66%

LAB 59.33, 19.42, -34.23

 

CMYK 27 / 32 / 0 / 13

HEX #A298DE

RGB 162 152 222

HSL 248.57, 0.51%, 0.73%

LAB 66.07, 18.8, -34.24

 

CMYK 41 / 47 / 0 / 41

HEX #595097

RGB 89 80 151

HSL 247.61, 0.31%, 0.45%

LAB 38.01, 21.96, -37.83

 

CMYK 45 / 53 / 0 / 48

HEX #483E84

RGB 72 62 132

HSL 248.57, 0.36%, 0.38%

LAB 30.61, 23.2, -38.1

 

CMYK 51 / 61 / 0 / 56

HEX #372C71

RGB 55 44 113

HSL 249.57, 0.44%, 0.31%

LAB 23.02, 24.7, -38.42

 

CMYK 60 / 72 / 0 / 63

HEX #261A5E

RGB 38 26 94

HSL 250.59, 0.57%, 0.24%

LAB 15.27, 26.48, -38.66

 

CMYK 72 / 89 / 0 / 71

HEX #15084B

RGB 21 8 75

HSL 251.64, 0.81%, 0.16%

LAB 7.6, 28.17, -38.4

 

CMYK 41 / 47 / 0 / 41

HEX #584F96

RGB 88 79 150

HSL 247.61, 0.31%, 0.45%

LAB 37.61, 22.02, -37.88

 

CMYK 29 / 47 / 0 / 41

HEX #6B4F96

RGB 107 79 150

HSL 263.66, 0.31%, 0.45%

LAB 39.45, 27.34, -34.84

 

CMYK 15 / 47 / 0 / 41

HEX #7F4F96

RGB 127 79 150

HSL 280.56, 0.31%, 0.45%

LAB 41.7, 33.31, -31.14

 

CMYK 3 / 47 / 0 / 41

HEX #924F96

RGB 146 79 150

HSL 296.62, 0.31%, 0.45%

LAB 44.1, 39.13, -27.21

 

CMYK 0 / 47 / 9 / 41

HEX #964F88

RGB 150 79 136

HSL 311.83, 0.31%, 0.45%

LAB 44.02, 37.77, -18.85

 

CMYK 41 / 47 / 0 / 41

HEX #584F96

RGB 88 79 150

HSL 247.61, 0.31%, 0.45%

LAB 37.61, 22.02, -37.88

 

CMYK 47 / 47 / 0 / 41

HEX #4F4F96

RGB 79 79 150

HSL 240, 0.31%, 0.45%

LAB 36.85, 19.69, -39.13

 

CMYK 41 / 47 / 0 / 41

HEX #584F96

RGB 88 79 150

HSL 247.61, 0.31%, 0.45%

LAB 37.61, 22.02, -37.88

 

CMYK 56 / 64 / 0 / 34

HEX #4A3DA9

RGB 74 61 169

HSL 247.22, 0.47%, 0.45%

LAB 33.26, 36.07, -56.37

 

CMYK 68 / 78 / 0 / 27

HEX #3C2ABB

RGB 60 42 187

HSL 247.45, 0.63%, 0.45%

LAB 29.92, 50.51, -72.61

 

CMYK 77 / 89 / 0 / 19

HEX #2F17CE

RGB 47 23 206

HSL 247.87, 0.8%, 0.45%

LAB 28.57, 62.95, -86.04

 

CMYK 85 / 98 / 0 / 12

HEX #2105E1

RGB 33 5 225

HSL 247.64, 0.96%, 0.45%

LAB 29.08, 71.46, -96.21

 

CMYK 41 / 47 / 0 / 41

HEX #584F96

RGB 88 79 150

HSL 247.61, 0.31%, 0.45%

LAB 37.61, 22.02, -37.88

 

CMYK 23 / 26 / 0 / 48

HEX #666284

RGB 102 98 132

HSL 247.06, 0.15%, 0.45%

LAB 43.1, 9.38, -18.31

 

CMYK 0 / 0 / 3 / 55

HEX #747471

RGB 116 116 113

HSL 60, 0.01%, 0.45%

LAB 48.76, -0.6, 1.65

 

CMYK 4 / 0 / 30 / 47

HEX #82875F

RGB 130 135 95

HSL 67.5, 0.17%, 0.45%

LAB 54.97, -8.83, 20.95

 

CMYK 6 / 0 / 50 / 40

HEX #90994C

RGB 144 153 76

HSL 67.01, 0.34%, 0.45%

LAB 60.99, -14.95, 39.01

 

CMYK 47 / 27 / 0 / 41

HEX #4F6D96

RGB 79 109 150

HSL 214.65, 0.31%, 0.45%

LAB 45.36, 0.81, -25.72

 

CMYK 47 / 40 / 0 / 41

HEX #4F5A96

RGB 79 90 150

HSL 230.7, 0.31%, 0.45%

LAB 39.88, 12.65, -34.32

 

CMYK 42 / 47 / 0 / 41

HEX #574F96

RGB 87 79 150

HSL 246.76, 0.31%, 0.45%

LAB 37.52, 21.76, -38.02

 

CMYK 29 / 47 / 0 / 41

HEX #6A4F96

RGB 106 79 150

HSL 262.82, 0.31%, 0.45%

LAB 39.34, 27.05, -35.01

 

CMYK 17 / 47 / 0 / 41

HEX #7D4F96

RGB 125 79 150

HSL 278.87, 0.31%, 0.45%

LAB 41.46, 32.7, -31.53

 

CMYK 42 / 47 / 0 / 62

HEX #383360

RGB 56 51 96

HSL 246.67, 0.31%, 0.29%

LAB 23.85, 14.67, -26.08

 

CMYK 41 / 47 / 0 / 52

HEX #48417B

RGB 72 65 123

HSL 247.24, 0.31%, 0.37%

LAB 30.85, 18.43, -32.11

 

CMYK 41 / 47 / 0 / 41

HEX #584F96

RGB 88 79 150

HSL 247.61, 0.31%, 0.45%

LAB 37.61, 22.02, -37.88

 

CMYK 37 / 43 / 0 / 33

HEX #6C62AC

RGB 108 98 172

HSL 248.11, 0.31%, 0.53%

LAB 45.5, 22.04, -38.34

 

CMYK 29 / 33 / 0 / 27

HEX #857DBB

RGB 133 125 187

HSL 247.74, 0.31%, 0.61%

LAB 55.32, 17.06, -31.47

 

CMYK 41 / 47 / 0 / 41

HEX #595097

RGB 89 80 151

HSL 247.61, 0.31%, 0.45%

LAB 38.01, 21.96, -37.83

 

CMYK 0 / 47 / 15 / 41

HEX #964F80

RGB 150 79 128

HSL 318.59, 0.31%, 0.45%

LAB 43.7, 36.39, -14.49

 

CMYK 34 / 0 / 47 / 41

HEX #63964F

RGB 99 150 79

HSL 103.1, 0.31%, 0.45%

LAB 57.1, -30.86, 32.03

 

CMYK 41 / 47 / 0 / 41

HEX #595097

RGB 89 80 151

HSL 247.61, 0.31%, 0.45%

LAB 38.01, 21.96, -37.83

 

CMYK 0 / 42 / 47 / 41

HEX #96574F

RGB 150 87 79

HSL 6.76, 0.31%, 0.45%

LAB 44.04, 25.1, 15.89

 

CMYK 47 / 0 / 42 / 41

HEX #4F9657

RGB 79 150 87

HSL 126.76, 0.31%, 0.45%

LAB 56.25, -36.21, 26.48

 

CMYK 41 / 47 / 0 / 41

HEX #595097

RGB 89 80 151

HSL 247.61, 0.31%, 0.45%

LAB 38.01, 21.96, -37.83

 

CMYK 0 / 47 / 15 / 41

HEX #964F80

RGB 150 79 128

HSL 318.59, 0.31%, 0.45%

LAB 43.7, 36.39, -14.49

 

CMYK 5 / 0 / 47 / 41

HEX #8E964F

RGB 142 150 79

HSL 66.76, 0.31%, 0.45%

LAB 60, -13.91, 36.26

 

CMYK 47 / 0 / 32 / 41

HEX #4F9666

RGB 79 150 102

HSL 139.44, 0.31%, 0.45%

LAB 56.52, -33.5, 18.59

 

CMYK 41 / 47 / 0 / 41

HEX #595097

RGB 89 80 151

HSL 247.61, 0.31%, 0.45%

LAB 38.01, 21.96, -37.83

 

CMYK 0 / 47 / 29 / 41

HEX #964F6A

RGB 150 79 106

HSL 337.18, 0.31%, 0.45%

LAB 42.94, 32.95, -2.18

 

CMYK 5 / 0 / 47 / 41

HEX #8E964F

RGB 142 150 79

HSL 66.76, 0.31%, 0.45%

LAB 60, -13.91, 36.26

 

CMYK 47 / 0 / 18 / 41

HEX #4F967B

RGB 79 150 123

HSL 157.18, 0.31%, 0.45%

LAB 56.98, -29.02, 7.39

 

Description

Color code: HEX #595097 | qconv.com Color code: HEX #595097 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 80 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 80 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 47 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 47% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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