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Color name
HEX #594725

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #594725 it is the complementary color #A6B8DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #594725. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #594725 shade: #5E4720, #6F5933, #806B46, #917D59 and #A28F6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #594725. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #594725 shade: #594725, #483512, #372300, #261100 and #150000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #594725 shade: #5A4826, #5A3A26, #5A2C26 and #5A2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #594725 shade: #5A4826, #5A5626, #505A26, #425A26 and #345A26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #594725 shade matches the following richer shades: #5A4826, #644B1B, #6F4E11 and #795107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #594725 shade: #5A4826, #504530, #45413A, #3B3E45 and #313B4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #594725 shade: #5A2C26, #5A3A26, #5A4826, #5A5626 and #505A26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #594725 shade: #20190D, #3D3119, #5A4826, #775F32 and #94763E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #594725 shade: #594725, #2D5A26 and #33265A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #594725 shade: #594725, #265A48 and #48265A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #594725 shade: #594725, #2D5A26, #26385A and #52265A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #594725 shade: #594725, #265A2D, #26385A and #5A2652

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 58 / 65

HEX #594725

RGB 89 71 37

HSL 39.23, 0.41%, 0.25%

LAB 31.26, 2.9, 23.15

 

Complementary color

CMYK 24 / 16 / 0 / 15

HEX #A6B8DA

RGB 166 184 218

HSL 219.23, 0.41%, 0.75%

LAB 74.48, 1.21, -19.12

 

CMYK 0 / 24 / 66 / 63

HEX #5E4720

RGB 94 71 32

HSL 37.74, 0.49%, 0.25%

LAB 31.79, 4.9, 26.78

 

CMYK 0 / 20 / 54 / 56

HEX #6F5933

RGB 111 89 51

HSL 38, 0.37%, 0.32%

LAB 39.18, 3.78, 25.26

 

CMYK 0 / 16 / 45 / 50

HEX #806B46

RGB 128 107 70

HSL 38.28, 0.29%, 0.39%

LAB 46.37, 2.93, 23.81

 

CMYK 0 / 14 / 39 / 43

HEX #917D59

RGB 145 125 89

HSL 38.57, 0.24%, 0.46%

LAB 53.39, 2.27, 22.48

 

CMYK 0 / 12 / 33 / 36

HEX #A28F6C

RGB 162 143 108

HSL 38.89, 0.23%, 0.53%

LAB 60.26, 1.73, 21.25

 

CMYK 0 / 20 / 58 / 65

HEX #594725

RGB 89 71 37

HSL 39.23, 0.41%, 0.25%

LAB 31.26, 2.9, 23.15

 

CMYK 0 / 26 / 75 / 72

HEX #483512

RGB 72 53 18

HSL 38.89, 0.6%, 0.18%

LAB 23.56, 4.17, 24.66

 

CMYK 0 / 36 / 100 / 78

HEX #372300

RGB 55 35 0

HSL 38.18, 1%, 0.11%

LAB 15.56, 5.94, 22.91

 

CMYK 0 / 55 / 100 / 85

HEX #261100

RGB 38 17 0

HSL 26.84, 1%, 0.07%

LAB 7.34, 8.93, 11.17

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 20 / 58 / 65

HEX #5A4826

RGB 90 72 38

HSL 39.23, 0.41%, 0.25%

LAB 31.69, 2.86, 23.1

 

CMYK 0 / 36 / 58 / 65

HEX #5A3A26

RGB 90 58 38

HSL 23.08, 0.41%, 0.25%

LAB 27.68, 11.68, 18.14

 

CMYK 0 / 51 / 58 / 65

HEX #5A2C26

RGB 90 44 38

HSL 6.92, 0.41%, 0.25%

LAB 24.05, 20.39, 13.44

 

CMYK 0 / 58 / 58 / 65

HEX #5A2626

RGB 90 38 38

HSL 0, 0.41%, 0.25%

LAB 22.65, 23.92, 11.59

 

CMYK 0 / 20 / 58 / 65

HEX #5A4826

RGB 90 72 38

HSL 39.23, 0.41%, 0.25%

LAB 31.69, 2.86, 23.1

 

CMYK 0 / 4 / 58 / 65

HEX #5A5626

RGB 90 86 38

HSL 55.38, 0.41%, 0.25%

LAB 35.92, -5.66, 28.14

 

CMYK 11 / 0 / 58 / 65

HEX #505A26

RGB 80 90 38

HSL 71.54, 0.41%, 0.25%

LAB 36.29, -12.7, 28.33

 

CMYK 27 / 0 / 58 / 65

HEX #425A26

RGB 66 90 38

HSL 87.69, 0.41%, 0.25%

LAB 35.22, -18.95, 26.81

 

CMYK 42 / 0 / 58 / 65

HEX #345A26

RGB 52 90 38

HSL 103.85, 0.41%, 0.25%

LAB 34.36, -24.59, 25.58

 

CMYK 0 / 20 / 58 / 65

HEX #5A4826

RGB 90 72 38

HSL 39.23, 0.41%, 0.25%

LAB 31.69, 2.86, 23.1

 

CMYK 0 / 25 / 73 / 61

HEX #644B1B

RGB 100 75 27

HSL 39.45, 0.57%, 0.25%

LAB 33.61, 5.02, 31.67

 

CMYK 0 / 30 / 85 / 56

HEX #6F4E11

RGB 111 78 17

HSL 38.94, 0.73%, 0.25%

LAB 35.73, 8.09, 38.74

 

CMYK 0 / 33 / 94 / 53

HEX #795107

RGB 121 81 7

HSL 38.95, 0.89%, 0.25%

LAB 37.78, 10.86, 44.23

 

CMYK 0 / 20 / 58 / 65

HEX #5A4826

RGB 90 72 38

HSL 39.23, 0.41%, 0.25%

LAB 31.69, 2.86, 23.1

 

CMYK 0 / 14 / 40 / 69

HEX #504530

RGB 80 69 48

HSL 39.38, 0.25%, 0.25%

LAB 29.85, 1.12, 14.43

 

CMYK 0 / 6 / 16 / 73

HEX #45413A

RGB 69 65 58

HSL 38.18, 0.09%, 0.25%

LAB 27.71, 0.27, 4.88

 

CMYK 14 / 10 / 0 / 73

HEX #3B3E45

RGB 59 62 69

HSL 222, 0.08%, 0.25%

LAB 26.17, 0.45, -4.71

 

CMYK 38 / 25 / 0 / 69

HEX #313B4F

RGB 49 59 79

HSL 220, 0.23%, 0.25%

LAB 24.78, 1.57, -13.5

 

CMYK 0 / 51 / 58 / 65

HEX #5A2C26

RGB 90 44 38

HSL 6.92, 0.41%, 0.25%

LAB 24.05, 20.39, 13.44

 

CMYK 0 / 36 / 58 / 65

HEX #5A3A26

RGB 90 58 38

HSL 23.08, 0.41%, 0.25%

LAB 27.68, 11.68, 18.14

 

CMYK 0 / 20 / 58 / 65

HEX #5A4826

RGB 90 72 38

HSL 39.23, 0.41%, 0.25%

LAB 31.69, 2.86, 23.1

 

CMYK 0 / 4 / 58 / 65

HEX #5A5626

RGB 90 86 38

HSL 55.38, 0.41%, 0.25%

LAB 35.92, -5.66, 28.14

 

CMYK 11 / 0 / 58 / 65

HEX #505A26

RGB 80 90 38

HSL 71.54, 0.41%, 0.25%

LAB 36.29, -12.7, 28.33

 

CMYK 0 / 22 / 59 / 87

HEX #20190D

RGB 32 25 13

HSL 37.89, 0.42%, 0.09%

LAB 9.25, 1.3, 8.42

 

CMYK 0 / 20 / 59 / 76

HEX #3D3119

RGB 61 49 25

HSL 40, 0.42%, 0.17%

LAB 21.05, 1.71, 17.25

 

CMYK 0 / 20 / 58 / 65

HEX #5A4826

RGB 90 72 38

HSL 39.23, 0.41%, 0.25%

LAB 31.69, 2.86, 23.1

 

CMYK 0 / 20 / 58 / 53

HEX #775F32

RGB 119 95 50

HSL 39.13, 0.41%, 0.33%

LAB 41.75, 3.83, 29.15

 

CMYK 0 / 20 / 58 / 42

HEX #94763E

RGB 148 118 62

HSL 39.07, 0.41%, 0.41%

LAB 51.38, 4.76, 34.89

 

CMYK 0 / 20 / 58 / 65

HEX #594725

RGB 89 71 37

HSL 39.23, 0.41%, 0.25%

LAB 31.26, 2.9, 23.15

 

CMYK 50 / 0 / 58 / 65

HEX #2D5A26

RGB 45 90 38

HSL 111.92, 0.41%, 0.25%

LAB 34, -27.09, 25.07

 

CMYK 43 / 58 / 0 / 65

HEX #33265A

RGB 51 38 90

HSL 255, 0.41%, 0.25%

LAB 19.34, 20.17, -29.34

 

CMYK 0 / 20 / 58 / 65

HEX #594725

RGB 89 71 37

HSL 39.23, 0.41%, 0.25%

LAB 31.26, 2.9, 23.15

 

CMYK 58 / 0 / 20 / 65

HEX #265A48

RGB 38 90 72

HSL 159.23, 0.41%, 0.25%

LAB 34.38, -22.3, 5.19

 

CMYK 20 / 58 / 0 / 65

HEX #48265A

RGB 72 38 90

HSL 279.23, 0.41%, 0.25%

LAB 21.95, 26.36, -25.02

 

CMYK 0 / 20 / 58 / 65

HEX #594725

RGB 89 71 37

HSL 39.23, 0.41%, 0.25%

LAB 31.26, 2.9, 23.15

 

CMYK 50 / 0 / 58 / 65

HEX #2D5A26

RGB 45 90 38

HSL 111.92, 0.41%, 0.25%

LAB 34, -27.09, 25.07

 

CMYK 58 / 38 / 0 / 65

HEX #26385A

RGB 38 56 90

HSL 219.23, 0.41%, 0.25%

LAB 23.6, 4.08, -22.64

 

CMYK 9 / 58 / 0 / 65

HEX #52265A

RGB 82 38 90

HSL 290.77, 0.41%, 0.25%

LAB 23.4, 29.46, -22.64

 

CMYK 0 / 20 / 58 / 65

HEX #594725

RGB 89 71 37

HSL 39.23, 0.41%, 0.25%

LAB 31.26, 2.9, 23.15

 

CMYK 58 / 0 / 50 / 65

HEX #265A2D

RGB 38 90 45

HSL 128.08, 0.41%, 0.25%

LAB 33.8, -28.21, 20.79

 

CMYK 58 / 38 / 0 / 65

HEX #26385A

RGB 38 56 90

HSL 219.23, 0.41%, 0.25%

LAB 23.6, 4.08, -22.64

 

CMYK 0 / 58 / 9 / 65

HEX #5A2652

RGB 90 38 82

HSL 309.23, 0.41%, 0.25%

LAB 24.22, 30.39, -15.95

 

Description

Color code: HEX #594725 | qconv.com Color code: HEX #594725 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 71 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 71 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 58 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 58% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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