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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #594374 it is the complementary color #A6BC8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #594374. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #594374 shade: #5E436F, #6F5582, #806795, #9179A8 and #A28BBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #594374. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #594374 shade: #594374, #483161, #371F4E, #260D3B and #150028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #594374 shade: #594375, #674375, #744375, #754368 and #75435A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #594374 shade: #594375, #4C4375 and #434375

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #594374 shade matches the following richer shades: #594375, #583483, #562592, #5516A1 and #5308B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #594374 shade: #594375, #5B5266, #5C6157, #5E7048 and #5F7E39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #594374 shade: #434875, #4B4375, #584375, #664375 and #734375

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #594374 shade: #312540, #45345A, #594375, #6D528F and #8264A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #594374 shade: #594374, #754355 and #437545

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #594374 shade: #594374, #755843 and #437558

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #594374 shade: #594374, #754355, #5F7543 and #437562

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #594374 shade: #594374, #754346, #5F7543 and #437571

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 42 / 0 / 55

HEX #594374

RGB 89 67 116

HSL 266.94, 0.27%, 0.36%

LAB 32.7, 20.32, -24.7

 

Complementary color

CMYK 12 / 0 / 26 / 26

HEX #A6BC8B

RGB 166 188 139

HSL 86.94, 0.27%, 0.64%

LAB 73.5, -16.27, 22.37

 

CMYK 15 / 40 / 0 / 56

HEX #5E436F

RGB 94 67 111

HSL 276.82, 0.25%, 0.35%

LAB 33.01, 20.73, -21.03

 

CMYK 15 / 35 / 0 / 49

HEX #6F5582

RGB 111 85 130

HSL 274.67, 0.21%, 0.42%

LAB 40.39, 19.94, -21.2

 

CMYK 14 / 31 / 0 / 42

HEX #806795

RGB 128 103 149

HSL 272.61, 0.18%, 0.49%

LAB 47.57, 19.24, -21.4

 

CMYK 14 / 28 / 0 / 34

HEX #9179A8

RGB 145 121 168

HSL 270.64, 0.21%, 0.57%

LAB 54.58, 18.62, -21.61

 

CMYK 13 / 26 / 0 / 27

HEX #A28BBB

RGB 162 139 187

HSL 268.75, 0.26%, 0.64%

LAB 61.42, 18.06, -21.84

 

CMYK 23 / 42 / 0 / 55

HEX #594374

RGB 89 67 116

HSL 266.94, 0.27%, 0.36%

LAB 32.7, 20.32, -24.7

 

CMYK 26 / 49 / 0 / 62

HEX #483161

RGB 72 49 97

HSL 268.75, 0.33%, 0.29%

LAB 25.07, 21.28, -24.69

 

CMYK 29 / 60 / 0 / 69

HEX #371F4E

RGB 55 31 78

HSL 270.64, 0.43%, 0.21%

LAB 17.19, 22.34, -24.68

 

CMYK 36 / 78 / 0 / 77

HEX #260D3B

RGB 38 13 59

HSL 272.61, 0.64%, 0.14%

LAB 9.12, 23.31, -24.49

 

CMYK 48 / 100 / 0 / 84

HEX #150028

RGB 21 0 40

HSL 271.5, 1%, 0.08%

LAB 2.82, 16.19, -20.59

 

CMYK 24 / 43 / 0 / 54

HEX #594375

RGB 89 67 117

HSL 266.4, 0.27%, 0.36%

LAB 32.75, 20.58, -25.24

 

CMYK 12 / 43 / 0 / 54

HEX #674375

RGB 103 67 117

HSL 283.2, 0.27%, 0.36%

LAB 34.36, 25.2, -22.61

 

CMYK 1 / 43 / 0 / 54

HEX #744375

RGB 116 67 117

HSL 298.8, 0.27%, 0.36%

LAB 36.01, 29.56, -19.92

 

CMYK 0 / 43 / 11 / 54

HEX #754368

RGB 117 67 104

HSL 315.6, 0.27%, 0.36%

LAB 35.59, 27.37, -12.41

 

CMYK 0 / 43 / 23 / 54

HEX #75435A

RGB 117 67 90

HSL 332.4, 0.27%, 0.36%

LAB 35.07, 24.91, -4.33

 

CMYK 24 / 43 / 0 / 54

HEX #594375

RGB 89 67 117

HSL 266.4, 0.27%, 0.36%

LAB 32.75, 20.58, -25.24

 

CMYK 35 / 43 / 0 / 54

HEX #4C4375

RGB 76 67 117

HSL 250.8, 0.27%, 0.36%

LAB 31.43, 16.49, -27.41

 

CMYK 43 / 43 / 0 / 54

HEX #434375

RGB 67 67 117

HSL 240, 0.27%, 0.36%

LAB 30.62, 13.82, -28.74

 

CMYK 24 / 43 / 0 / 54

HEX #594375

RGB 89 67 117

HSL 266.4, 0.27%, 0.36%

LAB 32.75, 20.58, -25.24

 

CMYK 33 / 60 / 0 / 49

HEX #583483

RGB 88 52 131

HSL 267.34, 0.43%, 0.36%

LAB 29.84, 33.24, -38.63

 

CMYK 41 / 75 / 0 / 43

HEX #562592

RGB 86 37 146

HSL 266.97, 0.6%, 0.36%

LAB 27.78, 44.84, -51.27

 

CMYK 47 / 86 / 0 / 37

HEX #5516A1

RGB 85 22 161

HSL 267.19, 0.76%, 0.36%

LAB 26.96, 54.5, -61.82

 

CMYK 53 / 95 / 0 / 31

HEX #5308B0

RGB 83 8 176

HSL 266.79, 0.91%, 0.36%

LAB 27.15, 61.24, -70.57

 

CMYK 24 / 43 / 0 / 54

HEX #594375

RGB 89 67 117

HSL 266.4, 0.27%, 0.36%

LAB 32.75, 20.58, -25.24

 

CMYK 11 / 20 / 0 / 60

HEX #5B5266

RGB 91 82 102

HSL 267, 0.11%, 0.36%

LAB 36.4, 8.03, -10.21

 

CMYK 5 / 0 / 10 / 62

HEX #5C6157

RGB 92 97 87

HSL 90, 0.05%, 0.36%

LAB 40.43, -4.02, 5.03

 

CMYK 16 / 0 / 36 / 56

HEX #5E7048

RGB 94 112 72

HSL 87, 0.22%, 0.36%

LAB 44.85, -14.42, 20.09

 

CMYK 25 / 0 / 55 / 51

HEX #5F7E39

RGB 95 126 57

HSL 86.96, 0.38%, 0.36%

LAB 49.07, -23.39, 33.64

 

CMYK 43 / 38 / 0 / 54

HEX #434875

RGB 67 72 117

HSL 234, 0.27%, 0.36%

LAB 32.06, 10.52, -26.47

 

CMYK 36 / 43 / 0 / 54

HEX #4B4375

RGB 75 67 117

HSL 249.6, 0.27%, 0.36%

LAB 31.33, 16.18, -27.57

 

CMYK 25 / 43 / 0 / 54

HEX #584375

RGB 88 67 117

HSL 265.2, 0.27%, 0.36%

LAB 32.64, 20.26, -25.42

 

CMYK 13 / 43 / 0 / 54

HEX #664375

RGB 102 67 117

HSL 282, 0.27%, 0.36%

LAB 34.24, 24.86, -22.81

 

CMYK 2 / 43 / 0 / 54

HEX #734375

RGB 115 67 117

HSL 297.6, 0.27%, 0.36%

LAB 35.88, 29.23, -20.14

 

CMYK 23 / 42 / 0 / 75

HEX #312540

RGB 49 37 64

HSL 266.67, 0.27%, 0.2%

LAB 17.21, 12.26, -15.09

 

CMYK 23 / 42 / 0 / 65

HEX #45345A

RGB 69 52 90

HSL 266.84, 0.27%, 0.28%

LAB 25.14, 16.41, -20.04

 

CMYK 24 / 43 / 0 / 54

HEX #594375

RGB 89 67 117

HSL 266.4, 0.27%, 0.36%

LAB 32.75, 20.58, -25.24

 

CMYK 24 / 43 / 0 / 44

HEX #6D528F

RGB 109 82 143

HSL 266.56, 0.27%, 0.44%

LAB 40.03, 24.31, -29.68

 

CMYK 22 / 40 / 0 / 35

HEX #8264A6

RGB 130 100 166

HSL 267.27, 0.27%, 0.52%

LAB 47.77, 25.7, -31.11

 

CMYK 23 / 42 / 0 / 55

HEX #594374

RGB 89 67 116

HSL 266.94, 0.27%, 0.36%

LAB 32.7, 20.32, -24.7

 

CMYK 0 / 43 / 27 / 54

HEX #754355

RGB 117 67 85

HSL 338.4, 0.27%, 0.36%

LAB 34.91, 24.11, -1.39

 

CMYK 43 / 0 / 41 / 54

HEX #437545

RGB 67 117 69

HSL 122.4, 0.27%, 0.36%

LAB 44.72, -27.68, 21.33

 

CMYK 23 / 42 / 0 / 55

HEX #594374

RGB 89 67 116

HSL 266.94, 0.27%, 0.36%

LAB 32.7, 20.32, -24.7

 

CMYK 0 / 25 / 43 / 54

HEX #755843

RGB 117 88 67

HSL 25.2, 0.27%, 0.36%

LAB 39.86, 8.93, 16.8

 

CMYK 43 / 0 / 25 / 54

HEX #437558

RGB 67 117 88

HSL 145.2, 0.27%, 0.36%

LAB 45.11, -23.97, 10.81

 

CMYK 23 / 42 / 0 / 55

HEX #594374

RGB 89 67 116

HSL 266.94, 0.27%, 0.36%

LAB 32.7, 20.32, -24.7

 

CMYK 0 / 43 / 27 / 54

HEX #754355

RGB 117 67 85

HSL 338.4, 0.27%, 0.36%

LAB 34.91, 24.11, -1.39

 

CMYK 19 / 0 / 43 / 54

HEX #5F7543

RGB 95 117 67

HSL 86.4, 0.27%, 0.36%

LAB 46.39, -17.45, 24.95

 

CMYK 43 / 0 / 16 / 54

HEX #437562

RGB 67 117 98

HSL 157.2, 0.27%, 0.36%

LAB 45.36, -21.69, 5.23

 

CMYK 23 / 42 / 0 / 55

HEX #594374

RGB 89 67 116

HSL 266.94, 0.27%, 0.36%

LAB 32.7, 20.32, -24.7

 

CMYK 0 / 43 / 40 / 54

HEX #754346

RGB 117 67 70

HSL 356.4, 0.27%, 0.36%

LAB 34.47, 21.96, 7.54

 

CMYK 19 / 0 / 43 / 54

HEX #5F7543

RGB 95 117 67

HSL 86.4, 0.27%, 0.36%

LAB 46.39, -17.45, 24.95

 

CMYK 43 / 0 / 3 / 54

HEX #437571

RGB 67 117 113

HSL 175.2, 0.27%, 0.36%

LAB 45.78, -17.88, -3.09

 

Description

Color code: HEX #594374 | qconv.com Color code: HEX #594374 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 67 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 67 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 42 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 42% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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