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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #593AD8CE it is the complementary color #A6C527CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #593AD8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #593AD8CE shade: #5E3AD3CE, #6F4CE6CE, #805EF9CE, #9170FFCE and #A282FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #593AD8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #593AD8CE shade: #593AD8CE, #4828C5CE, #3716B2CE, #26049FCE and #15008CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #593AD8CE shade: #5A3BD8, #843BD8, #AF3BD8, #D83BD7 and #D83BAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #593AD8CE shade: #5A3BD8 and #3B3BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #593AD8CE shade matches the following richer shades: #5A3BD8, #4E28EB and #4315FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #593AD8CE shade: #5A3BD8, #654EC5, #7161B2, #7D749F and #88878C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #593AD8CE shade: #3B72D8, #3B48D8, #583BD8, #823BD8 and #AC3BD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #593AD8CE shade: #3920A1, #4527C4, #5A3BD8, #775EDF and #9480E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #593AD8CE shade: #593AD8, #D83B9C and #5DD83B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #593AD8CE shade: #593AD8, #D8583B and #3BD858

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #593AD8CE shade: #593AD8, #D83B9C, #BBD83B and #3BD877

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #593AD8CE shade: #593AD8, #D83B6D, #BBD83B and #3BD8A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 59 / 0 / 12

HEX #593AD8CE

RGBA 89 58 216 0.81

HSLA 251.77, 0.67%, 0.54%, 0.81

LABA 38.04, 54.37, -76.07, 0.81

 

Complementary color

CMYK 13 / 0 / 65 / 18

HEX #A6C527CE

RGBA 166 197 39 0.81

HSLA 71.77, 0.67%, 0.46%, 0.81

LABA 74.94, -30.03, 68.66, 0.81

 

CMYK 45 / 59 / 0 / 14

HEX #5E3AD3CE

RGBA 94 58 211 0.81

HSLA 254.12, 0.63%, 0.53%, 0.81

LABA 38.04, 53.61, -73.17, 0.81

 

CMYK 42 / 54 / 0 / 8

HEX #6F4CE6CE

RGBA 111 76 230 0.81

HSLA 253.64, 0.75%, 0.6%, 0.81

LABA 44.61, 52.24, -73.21, 0.81

 

CMYK 39 / 50 / 0 / 2

HEX #805EF9CE

RGBA 128 94 249 0.81

HSLA 253.16, 0.93%, 0.67%, 0.81

LABA 51.19, 50.83, -73.09, 0.81

 

CMYK 35 / 45 / 0 / 0

HEX #9170FFCE

RGBA 145 112 255 0.81

HSLA 253.85, 1%, 0.72%, 0.81

LABA 56.91, 45.9, -67.09, 0.81

 

CMYK 30 / 40 / 0 / 0

HEX #A282FFCE

RGBA 162 130 255 0.81

HSLA 255.36, 1%, 0.75%, 0.81

LABA 62.39, 39.68, -58.21, 0.81

 

CMYK 48 / 59 / 0 / 12

HEX #593AD8CE

RGBA 89 58 216 0.81

HSLA 251.77, 0.67%, 0.54%, 0.81

LABA 38.04, 54.37, -76.07, 0.81

 

CMYK 51 / 65 / 0 / 18

HEX #4828C5CE

RGBA 72 40 197 0.81

HSLA 252.23, 0.66%, 0.46%, 0.81

LABA 31.64, 55.6, -75.63, 0.81

 

CMYK 56 / 71 / 0 / 24

HEX #3716B2CE

RGBA 55 22 178 0.81

HSLA 252.69, 0.78%, 0.39%, 0.81

LABA 25.56, 56.08, -74.48, 0.81

 

CMYK 62 / 79 / 0 / 30

HEX #26049FCE

RGBA 38 4 159 0.81

HSLA 253.16, 0.95%, 0.32%, 0.81

LABA 20.05, 55.19, -72.19, 0.81

 

CMYK 69 / 81 / 0 / 37

HEX #15008CCE

RGBA 21 0 140 0.81

HSLA 249, 1%, 0.27%, 0.81

LABA 15.76, 50.97, -67.61, 0.81

 

CMYK 58 / 73 / 0 / 15

HEX #5A3BD8

RGB 90 59 216

HSL 251.85, 0.67%, 0.54%

LAB 38.3, 53.99, -75.62

 

CMYK 39 / 73 / 0 / 15

HEX #843BD8

RGB 132 59 216

HSL 267.9, 0.67%, 0.54%

LAB 42.75, 60.47, -68.17

 

CMYK 19 / 73 / 0 / 15

HEX #AF3BD8

RGB 175 59 216

HSL 284.33, 0.67%, 0.54%

LAB 48.51, 68.45, -58.56

 

CMYK 0 / 73 / 0 / 15

HEX #D83BD7

RGB 216 59 215

HSL 300.38, 0.67%, 0.54%

LAB 54.69, 76.58, -47.75

 

CMYK 0 / 73 / 20 / 15

HEX #D83BAD

RGB 216 59 173

HSL 316.43, 0.67%, 0.54%

LAB 52.67, 70.49, -26.69

 

CMYK 58 / 73 / 0 / 15

HEX #5A3BD8

RGB 90 59 216

HSL 251.85, 0.67%, 0.54%

LAB 38.3, 53.99, -75.62

 

CMYK 73 / 73 / 0 / 15

HEX #3B3BD8

RGB 59 59 216

HSL 240, 0.67%, 0.54%

LAB 36.01, 50.5, -79.47

 

CMYK 58 / 73 / 0 / 15

HEX #5A3BD8

RGB 90 59 216

HSL 251.85, 0.67%, 0.54%

LAB 38.3, 53.99, -75.62

 

CMYK 67 / 83 / 0 / 8

HEX #4E28EB

RGB 78 40 235

HSL 251.69, 0.83%, 0.54%

LAB 36.24, 66.63, -89.92

 

CMYK 74 / 92 / 0 / 0

HEX #4315FE

RGB 67 21 254

HSL 251.85, 0.99%, 0.54%

LAB 35.76, 76.6, -101.46

 

CMYK 58 / 73 / 0 / 15

HEX #5A3BD8

RGB 90 59 216

HSL 251.85, 0.67%, 0.54%

LAB 38.3, 53.99, -75.62

 

CMYK 49 / 60 / 0 / 23

HEX #654EC5

RGB 101 78 197

HSL 251.6, 0.51%, 0.54%

LAB 41.61, 39.73, -59.21

 

CMYK 37 / 46 / 0 / 30

HEX #7161B2

RGB 113 97 178

HSL 251.85, 0.34%, 0.54%

LAB 46.01, 25.7, -41.02

 

CMYK 21 / 27 / 0 / 38

HEX #7D749F

RGB 125 116 159

HSL 252.56, 0.18%, 0.54%

LAB 51.1, 12.86, -21.88

 

CMYK 3 / 4 / 0 / 45

HEX #88878C

RGB 136 135 140

HSL 252, 0.02%, 0.54%

LAB 56.54, 1.37, -2.55

 

CMYK 73 / 47 / 0 / 15

HEX #3B72D8

RGB 59 114 216

HSL 218.98, 0.67%, 0.54%

LAB 49.4, 16.56, -57.65

 

CMYK 73 / 67 / 0 / 15

HEX #3B48D8

RGB 59 72 216

HSL 235.03, 0.67%, 0.54%

LAB 38.76, 42.96, -74.95

 

CMYK 59 / 73 / 0 / 15

HEX #583BD8

RGB 88 59 216

HSL 251.08, 0.67%, 0.54%

LAB 38.13, 53.73, -75.92

 

CMYK 40 / 73 / 0 / 15

HEX #823BD8

RGB 130 59 216

HSL 267.13, 0.67%, 0.54%

LAB 42.51, 60.13, -68.57

 

CMYK 20 / 73 / 0 / 15

HEX #AC3BD8

RGB 172 59 216

HSL 283.18, 0.67%, 0.54%

LAB 48.08, 67.87, -59.28

 

CMYK 65 / 80 / 0 / 37

HEX #3920A1

RGB 57 32 161

HSL 251.63, 0.67%, 0.38%

LAB 25.19, 47.26, -64.84

 

CMYK 65 / 80 / 0 / 23

HEX #4527C4

RGB 69 39 196

HSL 251.46, 0.67%, 0.46%

LAB 31.12, 55.46, -75.92

 

CMYK 58 / 73 / 0 / 15

HEX #5A3BD8

RGB 90 59 216

HSL 251.85, 0.67%, 0.54%

LAB 38.3, 53.99, -75.62

 

CMYK 47 / 58 / 0 / 13

HEX #775EDF

RGB 119 94 223

HSL 251.63, 0.67%, 0.62%

LAB 48.58, 41.7, -62.76

 

CMYK 36 / 44 / 0 / 10

HEX #9480E6

RGB 148 128 230

HSL 251.76, 0.67%, 0.7%

LAB 59.39, 30.74, -49.25

 

CMYK 59 / 73 / 0 / 15

HEX #593AD8

RGB 89 58 216

HSL 251.77, 0.67%, 0.54%

LAB 38.04, 54.37, -76.07

 

CMYK 0 / 73 / 28 / 15

HEX #D83B9C

RGB 216 59 156

HSL 322.93, 0.67%, 0.54%

LAB 51.98, 68.35, -17.74

 

CMYK 57 / 0 / 73 / 15

HEX #5DD83B

RGB 93 216 59

HSL 107.01, 0.67%, 0.54%

LAB 77.13, -61.54, 63.23

 

CMYK 59 / 73 / 0 / 15

HEX #593AD8

RGB 89 58 216

HSL 251.77, 0.67%, 0.54%

LAB 38.04, 54.37, -76.07

 

CMYK 0 / 59 / 73 / 15

HEX #D8583B

RGB 216 88 59

HSL 11.08, 0.67%, 0.54%

LAB 53.91, 48.63, 41.8

 

CMYK 73 / 0 / 59 / 15

HEX #3BD858

RGB 59 216 88

HSL 131.08, 0.67%, 0.54%

LAB 76.52, -65.64, 50.69

 

CMYK 59 / 73 / 0 / 15

HEX #593AD8

RGB 89 58 216

HSL 251.77, 0.67%, 0.54%

LAB 38.04, 54.37, -76.07

 

CMYK 0 / 73 / 28 / 15

HEX #D83B9C

RGB 216 59 156

HSL 322.93, 0.67%, 0.54%

LAB 51.98, 68.35, -17.74

 

CMYK 13 / 0 / 73 / 15

HEX #BBD83B

RGB 187 216 59

HSL 71.08, 0.67%, 0.54%

LAB 81.83, -29.59, 69.44

 

CMYK 73 / 0 / 45 / 15

HEX #3BD877

RGB 59 216 119

HSL 142.93, 0.67%, 0.54%

LAB 76.9, -61.2, 36.41

 

CMYK 59 / 73 / 0 / 15

HEX #593AD8

RGB 89 58 216

HSL 251.77, 0.67%, 0.54%

LAB 38.04, 54.37, -76.07

 

CMYK 0 / 73 / 50 / 15

HEX #D83B6D

RGB 216 59 109

HSL 340.89, 0.67%, 0.54%

LAB 50.49, 63.56, 8.26

 

CMYK 13 / 0 / 73 / 15

HEX #BBD83B

RGB 187 216 59

HSL 71.08, 0.67%, 0.54%

LAB 81.83, -29.59, 69.44

 

CMYK 73 / 0 / 23 / 15

HEX #3BD8A7

RGB 59 216 167

HSL 161.27, 0.67%, 0.54%

LAB 77.78, -51.6, 12.71

 

Description

Color code: HEX #593AD8CE | qconv.com Color code: HEX #593AD8CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 58 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 58 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 59 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 59% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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