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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59333C it is the complementary color #A6CCC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59333C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59333C shade: #5E3337, #6F454A, #80575D, #916970 and #A27B83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59333C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59333C shade: #59333C, #482129, #370F16, #260003 and #150000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59333C shade: #57323B and #573232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59333C shade: #57323B, #573245, #57324F, #563257 and #4C3257

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59333C shade matches the following richer shades: #57323B, #632735, #6E1C2F, #791129 and #840624

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59333C shade: #57323B, #4C3D41, #414947, #36544D and #2B5F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59333C shade: #57324F, #573245, #57323C, #573332 and #573D32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59333C shade: #231418, #3D2329, #57323B, #72414D and #8C505E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59333C shade: #59333C, #575632 and #324A57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59333C shade: #59333C, #3C5732 and #323C57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59333C shade: #59333C, #575632, #32574E and #323457

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59333C shade: #59333C, #4E5732, #32574E and #3C3257

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 33 / 65

HEX #59333C

RGB 89 51 60

HSL 345.79, 0.27%, 0.27%

LAB 26.21, 18.46, 1.72

 

Complementary color

CMYK 19 / 0 / 4 / 20

HEX #A6CCC3

RGB 166 204 195

HSL 165.79, 0.27%, 0.73%

LAB 79.18, -14.38, 0.3

 

CMYK 0 / 46 / 41 / 63

HEX #5E3337

RGB 94 51 55

HSL 354.42, 0.3%, 0.28%

LAB 26.8, 19.87, 5.99

 

CMYK 0 / 38 / 33 / 56

HEX #6F454A

RGB 111 69 74

HSL 352.86, 0.23%, 0.35%

LAB 34.25, 18.8, 4.57

 

CMYK 0 / 32 / 27 / 50

HEX #80575D

RGB 128 87 93

HSL 351.22, 0.19%, 0.42%

LAB 41.53, 17.89, 3.41

 

CMYK 0 / 28 / 23 / 43

HEX #916970

RGB 145 105 112

HSL 349.5, 0.16%, 0.49%

LAB 48.63, 17.1, 2.41

 

CMYK 0 / 24 / 19 / 36

HEX #A27B83

RGB 162 123 131

HSL 347.69, 0.17%, 0.56%

LAB 55.57, 16.42, 1.53

 

CMYK 0 / 43 / 33 / 65

HEX #59333C

RGB 89 51 60

HSL 345.79, 0.27%, 0.27%

LAB 26.21, 18.46, 1.72

 

CMYK 0 / 54 / 43 / 72

HEX #482129

RGB 72 33 41

HSL 347.69, 0.37%, 0.21%

LAB 18.48, 19.57, 3.26

 

CMYK 0 / 73 / 60 / 78

HEX #370F16

RGB 55 15 22

HSL 349.5, 0.57%, 0.14%

LAB 10.64, 20.64, 5.57

 

CMYK 0 / 100 / 92 / 85

HEX #260003

RGB 38 0 3

HSL 355.26, 1%, 0.07%

LAB 3.78, 17.12, 4.75

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 43 / 32 / 66

HEX #57323B

RGB 87 50 59

HSL 345.41, 0.27%, 0.27%

LAB 25.63, 18.08, 1.52

 

CMYK 0 / 43 / 43 / 66

HEX #573232

RGB 87 50 50

HSL 0, 0.27%, 0.27%

LAB 25.37, 16.76, 7.17

 

CMYK 0 / 43 / 32 / 66

HEX #57323B

RGB 87 50 59

HSL 345.41, 0.27%, 0.27%

LAB 25.63, 18.08, 1.52

 

CMYK 0 / 43 / 21 / 66

HEX #573245

RGB 87 50 69

HSL 329.19, 0.27%, 0.27%

LAB 25.97, 19.76, -4.66

 

CMYK 0 / 43 / 9 / 66

HEX #57324F

RGB 87 50 79

HSL 312.97, 0.27%, 0.27%

LAB 26.37, 21.67, -10.71

 

CMYK 1 / 43 / 0 / 66

HEX #563257

RGB 86 50 87

HSL 298.38, 0.27%, 0.27%

LAB 26.59, 22.97, -15.65

 

CMYK 13 / 43 / 0 / 66

HEX #4C3257

RGB 76 50 87

HSL 282.16, 0.27%, 0.27%

LAB 25.28, 19.39, -17.78

 

CMYK 0 / 43 / 32 / 66

HEX #57323B

RGB 87 50 59

HSL 345.41, 0.27%, 0.27%

LAB 25.63, 18.08, 1.52

 

CMYK 0 / 61 / 46 / 61

HEX #632735

RGB 99 39 53

HSL 346, 0.43%, 0.27%

LAB 24.83, 28.62, 4.66

 

CMYK 0 / 75 / 57 / 57

HEX #6E1C2F

RGB 110 28 47

HSL 346.1, 0.59%, 0.27%

LAB 24.8, 37.25, 9

 

CMYK 0 / 86 / 66 / 53

HEX #791129

RGB 121 17 41

HSL 346.15, 0.75%, 0.27%

LAB 25.64, 43.98, 14.62

 

CMYK 0 / 95 / 73 / 48

HEX #840624

RGB 132 6 36

HSL 345.71, 0.91%, 0.27%

LAB 27.19, 49.06, 20.47

 

CMYK 0 / 43 / 32 / 66

HEX #57323B

RGB 87 50 59

HSL 345.41, 0.27%, 0.27%

LAB 25.63, 18.08, 1.52

 

CMYK 0 / 20 / 14 / 70

HEX #4C3D41

RGB 76 61 65

HSL 344, 0.11%, 0.27%

LAB 27.45, 7.31, 0.01

 

CMYK 11 / 0 / 3 / 71

HEX #414947

RGB 65 73 71

HSL 165, 0.06%, 0.27%

LAB 30.26, -3.7, 0.08

 

CMYK 36 / 0 / 8 / 67

HEX #36544D

RGB 54 84 77

HSL 166, 0.22%, 0.27%

LAB 33.27, -12.92, 0.54

 

CMYK 55 / 0 / 13 / 63

HEX #2B5F53

RGB 43 95 83

HSL 166.15, 0.38%, 0.27%

LAB 36.6, -20.69, 1.57

 

CMYK 0 / 43 / 9 / 66

HEX #57324F

RGB 87 50 79

HSL 312.97, 0.27%, 0.27%

LAB 26.37, 21.67, -10.71

 

CMYK 0 / 43 / 21 / 66

HEX #573245

RGB 87 50 69

HSL 329.19, 0.27%, 0.27%

LAB 25.97, 19.76, -4.66

 

CMYK 0 / 43 / 31 / 66

HEX #57323C

RGB 87 50 60

HSL 343.78, 0.27%, 0.27%

LAB 25.66, 18.24, 0.89

 

CMYK 0 / 41 / 43 / 66

HEX #573332

RGB 87 51 50

HSL 1.62, 0.27%, 0.27%

LAB 25.64, 16.13, 7.53

 

CMYK 0 / 30 / 43 / 66

HEX #573D32

RGB 87 61 50

HSL 17.84, 0.27%, 0.27%

LAB 28.36, 9.78, 11.29

 

CMYK 0 / 43 / 31 / 86

HEX #231418

RGB 35 20 24

HSL 344, 0.27%, 0.11%

LAB 8.34, 8.47, 0.3

 

CMYK 0 / 43 / 33 / 76

HEX #3D2329

RGB 61 35 41

HSL 346.15, 0.27%, 0.19%

LAB 17.25, 13.4, 1.26

 

CMYK 0 / 43 / 32 / 66

HEX #57323B

RGB 87 50 59

HSL 345.41, 0.27%, 0.27%

LAB 25.63, 18.08, 1.52

 

CMYK 0 / 43 / 32 / 55

HEX #72414D

RGB 114 65 77

HSL 345.31, 0.27%, 0.35%

LAB 33.76, 22.88, 2

 

CMYK 0 / 43 / 33 / 45

HEX #8C505E

RGB 140 80 94

HSL 346, 0.27%, 0.43%

LAB 41.41, 26.92, 2.82

 

CMYK 0 / 43 / 33 / 65

HEX #59333C

RGB 89 51 60

HSL 345.79, 0.27%, 0.27%

LAB 26.21, 18.46, 1.72

 

CMYK 0 / 1 / 43 / 66

HEX #575632

RGB 87 86 50

HSL 58.38, 0.27%, 0.27%

LAB 35.81, -5.74, 21.1

 

CMYK 43 / 15 / 0 / 66

HEX #324A57

RGB 50 74 87

HSL 201.08, 0.27%, 0.27%

LAB 30.07, -5.36, -10.62

 

CMYK 0 / 43 / 33 / 65

HEX #59333C

RGB 89 51 60

HSL 345.79, 0.27%, 0.27%

LAB 26.21, 18.46, 1.72

 

CMYK 31 / 0 / 43 / 66

HEX #3C5732

RGB 60 87 50

HSL 103.78, 0.27%, 0.27%

LAB 34, -18.13, 18.33

 

CMYK 43 / 31 / 0 / 66

HEX #323C57

RGB 50 60 87

HSL 223.78, 0.27%, 0.27%

LAB 25.56, 3.76, -17.55

 

CMYK 0 / 43 / 33 / 65

HEX #59333C

RGB 89 51 60

HSL 345.79, 0.27%, 0.27%

LAB 26.21, 18.46, 1.72

 

CMYK 0 / 1 / 43 / 66

HEX #575632

RGB 87 86 50

HSL 58.38, 0.27%, 0.27%

LAB 35.81, -5.74, 21.1

 

CMYK 43 / 0 / 10 / 66

HEX #32574E

RGB 50 87 78

HSL 165.41, 0.27%, 0.27%

LAB 34.08, -15.67, 1.06

 

CMYK 43 / 40 / 0 / 66

HEX #323457

RGB 50 52 87

HSL 236.76, 0.27%, 0.27%

LAB 23.07, 9.23, -21.43

 

CMYK 0 / 43 / 33 / 65

HEX #59333C

RGB 89 51 60

HSL 345.79, 0.27%, 0.27%

LAB 26.21, 18.46, 1.72

 

CMYK 10 / 0 / 43 / 66

HEX #4E5732

RGB 78 87 50

HSL 74.59, 0.27%, 0.27%

LAB 35.33, -10.44, 20.32

 

CMYK 43 / 0 / 10 / 66

HEX #32574E

RGB 50 87 78

HSL 165.41, 0.27%, 0.27%

LAB 34.08, -15.67, 1.06

 

CMYK 31 / 43 / 0 / 66

HEX #3C3257

RGB 60 50 87

HSL 256.22, 0.27%, 0.27%

LAB 23.44, 13.85, -20.79

 

Description

Color code: HEX #59333C | qconv.com Color code: HEX #59333C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 51 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 51 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 33 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 33% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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