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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #591FDB it is the complementary color #A6E024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #591FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #591FDB shade: #5E1FD6, #6F31E9, #8043FC, #9155FF and #A267FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #591FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #591FDB shade: #591FDB, #480DC8, #3700B5, #2600A2 and #15008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #591FDB shade: #591FDB, #8C1FDB, #BE1FDB, #DB1FC5 and #DB1F92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #591FDB shade: #591FDB, #271FDB and #1F1FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #591FDB shade matches the following richer shades: #591FDB and #510BEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #591FDB shade: #591FDB, #6133C6, #6948B2, #705C9E and #78708A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #591FDB shade: #1F4BDB, #251FDB, #571FDB, #891FDB and #BB1FDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #591FDB shade: #3C1592, #4A1AB7, #591FDB, #7240E4 and #8D64E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #591FDB shade: #591FDB, #DB1F7D and #32DB1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #591FDB shade: #591FDB, #DB571F and #1FDB57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #591FDB shade: #591FDB, #DB1F7D, #A2DB1F and #1FDB7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #591FDB shade: #591FDB, #DB1F45, #A2DB1F and #1FDBB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

Complementary color

CMYK 26 / 0 / 84 / 12

HEX #A6E024

RGB 166 224 36

HSL 78.51, 0.75%, 0.51%

LAB 82.67, -42.36, 76.14

 

CMYK 56 / 86 / 0 / 16

HEX #5E1FD6

RGB 94 31 214

HSL 260.66, 0.75%, 0.48%

LAB 34.43, 65.7, -80.85

 

CMYK 52 / 79 / 0 / 9

HEX #6F31E9

RGB 111 49 233

HSL 260.22, 0.81%, 0.55%

LAB 40.34, 65.81, -81.9

 

CMYK 49 / 73 / 0 / 1

HEX #8043FC

RGB 128 67 252

HSL 259.78, 0.97%, 0.63%

LAB 46.49, 65.24, -82.44

 

CMYK 43 / 67 / 0 / 0

HEX #9155FF

RGB 145 85 255

HSL 261.18, 1%, 0.67%

LAB 51.54, 60.22, -75.78

 

CMYK 36 / 60 / 0 / 0

HEX #A267FF

RGB 162 103 255

HSL 263.29, 1%, 0.7%

LAB 56.69, 54.4, -67.36

 

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

CMYK 64 / 94 / 0 / 22

HEX #480DC8

RGB 72 13 200

HSL 258.93, 0.88%, 0.42%

LAB 28.99, 65.26, -81.77

 

CMYK 70 / 100 / 0 / 29

HEX #3700B5

RGB 55 0 181

HSL 258.23, 1%, 0.35%

LAB 24.16, 62.29, -78.62

 

CMYK 77 / 100 / 0 / 36

HEX #2600A2

RGB 38 0 162

HSL 254.07, 1%, 0.32%

LAB 20.13, 57.02, -73.9

 

CMYK 85 / 100 / 0 / 44

HEX #15008F

RGB 21 0 143

HSL 248.81, 1%, 0.28%

LAB 16.22, 51.75, -68.73

 

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

CMYK 36 / 86 / 0 / 14

HEX #8C1FDB

RGB 140 31 219

HSL 274.79, 0.75%, 0.49%

LAB 40.69, 72.09, -73.22

 

CMYK 13 / 86 / 0 / 14

HEX #BE1FDB

RGB 190 31 219

HSL 290.74, 0.75%, 0.49%

LAB 48.31, 79.5, -60.48

 

CMYK 0 / 86 / 10 / 14

HEX #DB1FC5

RGB 219 31 197

HSL 307.02, 0.75%, 0.49%

LAB 51.92, 81.26, -41.8

 

CMYK 0 / 86 / 33 / 14

HEX #DB1F92

RGB 219 31 146

HSL 323.3, 0.75%, 0.49%

LAB 49.64, 75.1, -15.29

 

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

CMYK 82 / 86 / 0 / 14

HEX #271FDB

RGB 39 31 219

HSL 242.55, 0.75%, 0.49%

LAB 30.7, 63.46, -90.04

 

CMYK 86 / 86 / 0 / 14

HEX #1F1FDB

RGB 31 31 219

HSL 240, 0.75%, 0.49%

LAB 30.37, 63.2, -90.61

 

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

CMYK 66 / 95 / 0 / 6

HEX #510BEF

RGB 81 11 239

HSL 258.42, 0.91%, 0.49%

LAB 34.44, 75.42, -95.18

 

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

CMYK 51 / 74 / 0 / 22

HEX #6133C6

RGB 97 51 198

HSL 258.78, 0.59%, 0.49%

LAB 35.96, 53.87, -69.02

 

CMYK 41 / 60 / 0 / 30

HEX #6948B2

RGB 105 72 178

HSL 258.68, 0.42%, 0.49%

LAB 39.33, 38.61, -51.75

 

CMYK 29 / 42 / 0 / 38

HEX #705C9E

RGB 112 92 158

HSL 258.18, 0.26%, 0.49%

LAB 43.61, 23.01, -33.03

 

CMYK 13 / 19 / 0 / 46

HEX #78708A

RGB 120 112 138

HSL 258.46, 0.1%, 0.49%

LAB 48.78, 8.58, -13.1

 

CMYK 86 / 66 / 0 / 14

HEX #1F4BDB

RGB 31 75 219

HSL 225.96, 0.75%, 0.49%

LAB 38.62, 39.89, -76.95

 

CMYK 83 / 86 / 0 / 14

HEX #251FDB

RGB 37 31 219

HSL 241.91, 0.75%, 0.49%

LAB 30.61, 63.39, -90.2

 

CMYK 60 / 86 / 0 / 14

HEX #571FDB

RGB 87 31 219

HSL 257.87, 0.75%, 0.49%

LAB 34.23, 66.33, -84.08

 

CMYK 37 / 86 / 0 / 14

HEX #891FDB

RGB 137 31 219

HSL 273.83, 0.75%, 0.49%

LAB 40.27, 71.7, -73.92

 

CMYK 15 / 86 / 0 / 14

HEX #BB1FDB

RGB 187 31 219

HSL 289.79, 0.75%, 0.49%

LAB 47.83, 79.01, -61.29

 

CMYK 59 / 86 / 0 / 43

HEX #3C1592

RGB 60 21 146

HSL 258.72, 0.75%, 0.33%

LAB 22.2, 48.06, -60.55

 

CMYK 60 / 86 / 0 / 28

HEX #4A1AB7

RGB 74 26 183

HSL 258.34, 0.75%, 0.41%

LAB 28.42, 57.57, -72.69

 

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

CMYK 50 / 72 / 0 / 11

HEX #7240E4

RGB 114 64 228

HSL 258.29, 0.75%, 0.57%

LAB 42.53, 58.28, -75.46

 

CMYK 39 / 57 / 0 / 9

HEX #8D64E9

RGB 141 100 233

HSL 258.5, 0.75%, 0.65%

LAB 52.58, 45.79, -61.85

 

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

CMYK 0 / 86 / 43 / 14

HEX #DB1F7D

RGB 219 31 125

HSL 330, 0.75%, 0.49%

LAB 48.91, 73.07, -3.68

 

CMYK 77 / 0 / 86 / 14

HEX #32DB1F

RGB 50 219 31

HSL 113.94, 0.75%, 0.49%

LAB 76.94, -72.37, 70.6

 

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

CMYK 0 / 60 / 86 / 14

HEX #DB571F

RGB 219 87 31

HSL 17.87, 0.75%, 0.49%

LAB 54, 49.23, 55.3

 

CMYK 86 / 0 / 60 / 14

HEX #1FDB57

RGB 31 219 87

HSL 137.87, 0.75%, 0.49%

LAB 77.07, -69.98, 51.66

 

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

CMYK 0 / 86 / 43 / 14

HEX #DB1F7D

RGB 219 31 125

HSL 330, 0.75%, 0.49%

LAB 48.91, 73.07, -3.68

 

CMYK 26 / 0 / 86 / 14

HEX #A2DB1F

RGB 162 219 31

HSL 78.19, 0.75%, 0.49%

LAB 80.98, -41.85, 75.66

 

CMYK 86 / 0 / 43 / 14

HEX #1FDB7D

RGB 31 219 125

HSL 150, 0.75%, 0.49%

LAB 77.54, -64.28, 34.15

 

CMYK 59 / 86 / 0 / 14

HEX #591FDB

RGB 89 31 219

HSL 258.51, 0.75%, 0.49%

LAB 34.43, 66.5, -83.74

 

CMYK 0 / 86 / 68 / 14

HEX #DB1F45

RGB 219 31 69

HSL 347.87, 0.75%, 0.49%

LAB 47.58, 69.28, 28.8

 

CMYK 26 / 0 / 86 / 14

HEX #A2DB1F

RGB 162 219 31

HSL 78.19, 0.75%, 0.49%

LAB 80.98, -41.85, 75.66

 

CMYK 86 / 0 / 17 / 14

HEX #1FDBB5

RGB 31 219 181

HSL 167.87, 0.75%, 0.49%

LAB 78.63, -52.13, 6.44

 

Description

Color code: HEX #591FDB | qconv.com Color code: HEX #591FDB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 31 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 31 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 86 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 86% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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