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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #591275 it is the complementary color #A6ED8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #591275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #591275 shade: #5E1270, #6F2483, #803696, #9148A9 and #A25ABC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #591275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #591275 shade: #591275, #480062, #37004F, #26003C and #150029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #591275 shade: #571273, #711273, #73125A, #731240 and #731226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #591275 shade: #571273, #3D1273, #231273 and #121273

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #591275 shade matches the following richer shades: #571273 and #5C077D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #591275 shade: #571273, #531D68, #4E275D, #493253 and #453D48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #591275 shade: #241273, #3D1273, #571273, #711273 and #73125A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #591275 shade: #21072B, #3C0C4F, #571273, #721796 and #8E1DBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #591275 shade: #591275, #73121A and #127331

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #591275 shade: #591275, #735712 and #127357

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #591275 shade: #591275, #73121A, #2D7312 and #12736B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #591275 shade: #591275, #732712, #2D7312 and #125E73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 85 / 0 / 54

HEX #591275

RGB 89 18 117

HSL 283.03, 0.73%, 0.26%

LAB 23.14, 46.21, -40.58

 

Complementary color

CMYK 30 / 0 / 42 / 7

HEX #A6ED8A

RGB 166 237 138

HSL 103.03, 0.73%, 0.74%

LAB 87.25, -39.8, 41.02

 

CMYK 16 / 84 / 0 / 56

HEX #5E1270

RGB 94 18 112

HSL 288.51, 0.72%, 0.25%

LAB 23.61, 46.14, -36.55

 

CMYK 15 / 73 / 0 / 49

HEX #6F2483

RGB 111 36 131

HSL 287.37, 0.57%, 0.33%

LAB 30.11, 46.99, -38.02

 

CMYK 15 / 64 / 0 / 41

HEX #803696

RGB 128 54 150

HSL 286.25, 0.47%, 0.4%

LAB 36.8, 46.91, -38.89

 

CMYK 14 / 57 / 0 / 34

HEX #9148A9

RGB 145 72 169

HSL 285.15, 0.4%, 0.47%

LAB 43.54, 46.4, -39.43

 

CMYK 14 / 52 / 0 / 26

HEX #A25ABC

RGB 162 90 188

HSL 284.08, 0.42%, 0.55%

LAB 50.25, 45.7, -39.79

 

CMYK 24 / 85 / 0 / 54

HEX #591275

RGB 89 18 117

HSL 283.03, 0.73%, 0.26%

LAB 23.14, 46.21, -40.58

 

CMYK 27 / 100 / 0 / 62

HEX #480062

RGB 72 0 98

HSL 284.08, 1%, 0.19%

LAB 16.79, 44.44, -38.63

 

CMYK 30 / 100 / 0 / 69

HEX #37004F

RGB 55 0 79

HSL 281.77, 1%, 0.15%

LAB 11.8, 37.95, -34.07

 

CMYK 37 / 100 / 0 / 76

HEX #26003C

RGB 38 0 60

HSL 278, 1%, 0.12%

LAB 6.67, 30.83, -29.19

 

CMYK 49 / 100 / 0 / 84

HEX #150029

RGB 21 0 41

HSL 270.73, 1%, 0.08%

LAB 2.89, 16.62, -21.26

 

CMYK 24 / 84 / 0 / 55

HEX #571273

RGB 87 18 115

HSL 282.68, 0.73%, 0.26%

LAB 22.64, 45.4, -40.11

 

CMYK 2 / 84 / 0 / 55

HEX #711273

RGB 113 18 115

HSL 298.76, 0.73%, 0.26%

LAB 27.24, 50.59, -32.47

 

CMYK 0 / 84 / 22 / 55

HEX #73125A

RGB 115 18 90

HSL 315.46, 0.73%, 0.26%

LAB 26.2, 47.1, -17.83

 

CMYK 0 / 84 / 44 / 55

HEX #731240

RGB 115 18 64

HSL 331.55, 0.73%, 0.26%

LAB 25.1, 43.89, -2.05

 

CMYK 0 / 84 / 67 / 55

HEX #731226

RGB 115 18 38

HSL 347.63, 0.73%, 0.26%

LAB 24.38, 41.71, 14.77

 

CMYK 24 / 84 / 0 / 55

HEX #571273

RGB 87 18 115

HSL 282.68, 0.73%, 0.26%

LAB 22.64, 45.4, -40.11

 

CMYK 47 / 84 / 0 / 55

HEX #3D1273

RGB 61 18 115

HSL 266.6, 0.73%, 0.26%

LAB 18.64, 40.94, -46.82

 

CMYK 70 / 84 / 0 / 55

HEX #231273

RGB 35 18 115

HSL 250.52, 0.73%, 0.26%

LAB 15.63, 37.63, -51.87

 

CMYK 84 / 84 / 0 / 55

HEX #121273

RGB 18 18 115

HSL 240, 0.73%, 0.26%

LAB 14.4, 36.28, -53.96

 

CMYK 24 / 84 / 0 / 55

HEX #571273

RGB 87 18 115

HSL 282.68, 0.73%, 0.26%

LAB 22.64, 45.4, -40.11

 

CMYK 26 / 94 / 0 / 51

HEX #5C077D

RGB 92 7 125

HSL 283.22, 0.89%, 0.26%

LAB 23.36, 51.18, -45.29

 

CMYK 24 / 84 / 0 / 55

HEX #571273

RGB 87 18 115

HSL 282.68, 0.73%, 0.26%

LAB 22.64, 45.4, -40.11

 

CMYK 20 / 72 / 0 / 59

HEX #531D68

RGB 83 29 104

HSL 283.2, 0.56%, 0.26%

LAB 22.71, 37.66, -32.91

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 12 / 40 / 0 / 67

HEX #493253

RGB 73 50 83

HSL 281.82, 0.25%, 0.26%

LAB 24.71, 17.33, -16.05

 

CMYK 4 / 15 / 0 / 72

HEX #453D48

RGB 69 61 72

HSL 283.64, 0.08%, 0.26%

LAB 26.93, 5.87, -5.44

 

CMYK 69 / 84 / 0 / 55

HEX #241273

RGB 36 18 115

HSL 251.13, 0.73%, 0.26%

LAB 15.72, 37.73, -51.72

 

CMYK 47 / 84 / 0 / 55

HEX #3D1273

RGB 61 18 115

HSL 266.6, 0.73%, 0.26%

LAB 18.64, 40.94, -46.82

 

CMYK 24 / 84 / 0 / 55

HEX #571273

RGB 87 18 115

HSL 282.68, 0.73%, 0.26%

LAB 22.64, 45.4, -40.11

 

CMYK 2 / 84 / 0 / 55

HEX #711273

RGB 113 18 115

HSL 298.76, 0.73%, 0.26%

LAB 27.24, 50.59, -32.47

 

CMYK 0 / 84 / 22 / 55

HEX #73125A

RGB 115 18 90

HSL 315.46, 0.73%, 0.26%

LAB 26.2, 47.1, -17.83

 

CMYK 23 / 84 / 0 / 83

HEX #21072B

RGB 33 7 43

HSL 283.33, 0.72%, 0.1%

LAB 5.87, 20.16, -17.99

 

CMYK 24 / 85 / 0 / 69

HEX #3C0C4F

RGB 60 12 79

HSL 282.99, 0.74%, 0.18%

LAB 14.33, 34.1, -29.91

 

CMYK 24 / 84 / 0 / 55

HEX #571273

RGB 87 18 115

HSL 282.68, 0.73%, 0.26%

LAB 22.64, 45.4, -40.11

 

CMYK 24 / 85 / 0 / 41

HEX #721796

RGB 114 23 150

HSL 282.99, 0.73%, 0.34%

LAB 30.38, 56.04, -49.32

 

CMYK 24 / 84 / 0 / 27

HEX #8E1DBA

RGB 142 29 186

HSL 283.18, 0.73%, 0.42%

LAB 38.15, 66.22, -58.14

 

CMYK 24 / 85 / 0 / 54

HEX #591275

RGB 89 18 117

HSL 283.03, 0.73%, 0.26%

LAB 23.14, 46.21, -40.58

 

CMYK 0 / 84 / 77 / 55

HEX #73121A

RGB 115 18 26

HSL 355.05, 0.73%, 0.26%

LAB 24.17, 41.06, 22.57

 

CMYK 84 / 0 / 57 / 55

HEX #127331

RGB 18 115 49

HSL 139.18, 0.73%, 0.26%

LAB 42.17, -41.82, 28.8

 

CMYK 24 / 85 / 0 / 54

HEX #591275

RGB 89 18 117

HSL 283.03, 0.73%, 0.26%

LAB 23.14, 46.21, -40.58

 

CMYK 0 / 24 / 84 / 55

HEX #735712

RGB 115 87 18

HSL 42.68, 0.73%, 0.26%

LAB 38.73, 4.66, 41.23

 

CMYK 84 / 0 / 24 / 55

HEX #127357

RGB 18 115 87

HSL 162.68, 0.73%, 0.26%

LAB 42.88, -33.76, 8.05

 

CMYK 24 / 85 / 0 / 54

HEX #591275

RGB 89 18 117

HSL 283.03, 0.73%, 0.26%

LAB 23.14, 46.21, -40.58

 

CMYK 0 / 84 / 77 / 55

HEX #73121A

RGB 115 18 26

HSL 355.05, 0.73%, 0.26%

LAB 24.17, 41.06, 22.57

 

CMYK 61 / 0 / 84 / 55

HEX #2D7312

RGB 45 115 18

HSL 103.3, 0.73%, 0.26%

LAB 42.56, -39.65, 42.86

 

CMYK 84 / 0 / 7 / 55

HEX #12736B

RGB 18 115 107

HSL 175.05, 0.73%, 0.26%

LAB 43.44, -28.01, -3.13

 

CMYK 24 / 85 / 0 / 54

HEX #591275

RGB 89 18 117

HSL 283.03, 0.73%, 0.26%

LAB 23.14, 46.21, -40.58

 

CMYK 0 / 66 / 84 / 55

HEX #732712

RGB 115 39 18

HSL 12.99, 0.73%, 0.26%

LAB 27.13, 32.35, 30.51

 

CMYK 61 / 0 / 84 / 55

HEX #2D7312

RGB 45 115 18

HSL 103.3, 0.73%, 0.26%

LAB 42.56, -39.65, 42.86

 

CMYK 84 / 18 / 0 / 55

HEX #125E73

RGB 18 94 115

HSL 192.99, 0.73%, 0.26%

LAB 36.69, -14.13, -18.19

 

Description

Color code: HEX #591275 | qconv.com Color code: HEX #591275 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 18 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 18 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 85 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 85% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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