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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5909E2 it is the complementary color #A6F61D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5909E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5909E2 shade: #5E09DD, #6F1BF0, #802DFF, #913FFF and #A251FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5909E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5909E2 shade: #5909E2, #4800CF, #3700BC, #2600A9 and #150096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5909E2 shade: #5909E1, #9309E1, #CD09E1, #E109BB and #E10981

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5909E2 shade: #5909E1, #1F09E1 and #0909E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5909E2 shade matches the following richer shades: #5909E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5909E2 shade: #5909E1, #5E1CCE, #632FBB, #6842A8 and #6D5595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5909E2 shade: #092DE1, #1F09E1, #5909E1, #9209E1 and #CC09E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5909E2 shade: #3A0692, #4908BA, #5909E1, #6E1EF6 and #8746F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5909E2 shade: #5909E2, #E10967 and #11E109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5909E2 shade: #5909E2, #E15909 and #09E159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5909E2 shade: #5909E2, #E10967, #92E109 and #09E184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5909E2 shade: #5909E2, #E10926, #92E109 and #09E1C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 96 / 0 / 11

HEX #5909E2

RGB 89 9 226

HSL 262.12, 0.92%, 0.46%

LAB 33.58, 73.11, -89.17

 

Complementary color

CMYK 33 / 0 / 88 / 4

HEX #A6F61D

RGB 166 246 29

HSL 82.12, 0.92%, 0.54%

LAB 88.97, -51.82, 82.79

 

CMYK 57 / 96 / 0 / 13

HEX #5E09DD

RGB 94 9 221

HSL 264.06, 0.92%, 0.45%

LAB 33.55, 72.28, -86.33

 

CMYK 54 / 89 / 0 / 6

HEX #6F1BF0

RGB 111 27 240

HSL 263.66, 0.88%, 0.52%

LAB 38.65, 74.56, -88.67

 

CMYK 50 / 82 / 0 / 0

HEX #802DFF

RGB 128 45 255

HSL 263.71, 1%, 0.59%

LAB 43.78, 74.59, -88.56

 

CMYK 43 / 75 / 0 / 0

HEX #913FFF

RGB 145 63 255

HSL 265.63, 1%, 0.62%

LAB 48, 70.17, -81.56

 

CMYK 36 / 68 / 0 / 0

HEX #A251FF

RGB 162 81 255

HSL 267.93, 1%, 0.66%

LAB 52.71, 65.22, -73.79

 

CMYK 61 / 96 / 0 / 11

HEX #5909E2

RGB 89 9 226

HSL 262.12, 0.92%, 0.46%

LAB 33.58, 73.11, -89.17

 

CMYK 65 / 100 / 0 / 19

HEX #4800CF

RGB 72 0 207

HSL 260.87, 1%, 0.41%

LAB 29.11, 69.19, -85.67

 

CMYK 71 / 100 / 0 / 26

HEX #3700BC

RGB 55 0 188

HSL 257.55, 1%, 0.37%

LAB 25.09, 63.98, -81.24

 

CMYK 78 / 100 / 0 / 34

HEX #2600A9

RGB 38 0 169

HSL 253.49, 1%, 0.33%

LAB 21.12, 58.77, -76.5

 

CMYK 86 / 100 / 0 / 41

HEX #150096

RGB 21 0 150

HSL 248.4, 1%, 0.29%

LAB 17.28, 53.56, -71.31

 

CMYK 60 / 96 / 0 / 12

HEX #5909E1

RGB 89 9 225

HSL 262.22, 0.92%, 0.46%

LAB 33.47, 72.88, -88.78

 

CMYK 35 / 96 / 0 / 12

HEX #9309E1

RGB 147 9 225

HSL 278.33, 0.92%, 0.46%

LAB 40.95, 77.93, -76.18

 

CMYK 9 / 96 / 0 / 12

HEX #CD09E1

RGB 205 9 225

HSL 294.44, 0.92%, 0.46%

LAB 50.23, 85.65, -60.68

 

CMYK 0 / 96 / 17 / 12

HEX #E109BB

RGB 225 9 187

HSL 310.56, 0.92%, 0.46%

LAB 51.6, 83.69, -36.42

 

CMYK 0 / 96 / 43 / 12

HEX #E10981

RGB 225 9 129

HSL 326.67, 0.92%, 0.46%

LAB 49.24, 77.56, -5.5

 

CMYK 60 / 96 / 0 / 12

HEX #5909E1

RGB 89 9 225

HSL 262.22, 0.92%, 0.46%

LAB 33.47, 72.88, -88.78

 

CMYK 86 / 96 / 0 / 12

HEX #1F09E1

RGB 31 9 225

HSL 246.11, 0.92%, 0.46%

LAB 29.22, 70.74, -95.98

 

CMYK 96 / 96 / 0 / 12

HEX #0909E1

RGB 9 9 225

HSL 240, 0.92%, 0.46%

LAB 28.62, 70.49, -97

 

CMYK 60 / 96 / 0 / 12

HEX #5909E1

RGB 89 9 225

HSL 262.22, 0.92%, 0.46%

LAB 33.47, 72.88, -88.78

 

CMYK 60 / 96 / 0 / 12

HEX #5909E1

RGB 89 9 225

HSL 262.22, 0.92%, 0.46%

LAB 33.47, 72.88, -88.78

 

CMYK 54 / 86 / 0 / 19

HEX #5E1CCE

RGB 94 28 206

HSL 262.25, 0.76%, 0.46%

LAB 33.28, 64.66, -78.11

 

CMYK 47 / 75 / 0 / 27

HEX #632FBB

RGB 99 47 187

HSL 262.29, 0.6%, 0.46%

LAB 34.55, 53.12, -64.87

 

CMYK 38 / 61 / 0 / 34

HEX #6842A8

RGB 104 66 168

HSL 262.35, 0.44%, 0.46%

LAB 37.24, 39.07, -49.19

 

CMYK 27 / 43 / 0 / 42

HEX #6D5595

RGB 109 85 149

HSL 262.5, 0.27%, 0.46%

LAB 41.09, 24.02, -31.64

 

CMYK 96 / 80 / 0 / 12

HEX #092DE1

RGB 9 45 225

HSL 230, 0.92%, 0.46%

LAB 32.64, 58.39, -90.29

 

CMYK 86 / 96 / 0 / 12

HEX #1F09E1

RGB 31 9 225

HSL 246.11, 0.92%, 0.46%

LAB 29.22, 70.74, -95.98

 

CMYK 60 / 96 / 0 / 12

HEX #5909E1

RGB 89 9 225

HSL 262.22, 0.92%, 0.46%

LAB 33.47, 72.88, -88.78

 

CMYK 35 / 96 / 0 / 12

HEX #9209E1

RGB 146 9 225

HSL 278.06, 0.92%, 0.46%

LAB 40.8, 77.81, -76.43

 

CMYK 9 / 96 / 0 / 12

HEX #CC09E1

RGB 204 9 225

HSL 294.17, 0.92%, 0.46%

LAB 50.06, 85.5, -60.96

 

CMYK 60 / 96 / 0 / 43

HEX #3A0692

RGB 58 6 146

HSL 262.29, 0.92%, 0.3%

LAB 20.46, 52.41, -63.44

 

CMYK 61 / 96 / 0 / 27

HEX #4908BA

RGB 73 8 186

HSL 261.91, 0.92%, 0.38%

LAB 27.12, 62.86, -76.63

 

CMYK 60 / 96 / 0 / 12

HEX #5909E1

RGB 89 9 225

HSL 262.22, 0.92%, 0.46%

LAB 33.47, 72.88, -88.78

 

CMYK 55 / 88 / 0 / 4

HEX #6E1EF6

RGB 110 30 246

HSL 262.22, 0.92%, 0.54%

LAB 39.41, 75.13, -90.8

 

CMYK 45 / 72 / 0 / 3

HEX #8746F7

RGB 135 70 247

HSL 262.03, 0.92%, 0.62%

LAB 47.3, 63.66, -78.29

 

CMYK 61 / 96 / 0 / 11

HEX #5909E2

RGB 89 9 226

HSL 262.12, 0.92%, 0.46%

LAB 33.58, 73.11, -89.17

 

CMYK 0 / 96 / 54 / 12

HEX #E10967

RGB 225 9 103

HSL 333.89, 0.92%, 0.46%

LAB 48.49, 75.56, 9.34

 

CMYK 92 / 0 / 96 / 12

HEX #11E109

RGB 17 225 9

HSL 117.78, 0.92%, 0.46%

LAB 78.46, -77.62, 74.95

 

CMYK 61 / 96 / 0 / 11

HEX #5909E2

RGB 89 9 226

HSL 262.12, 0.92%, 0.46%

LAB 33.58, 73.11, -89.17

 

CMYK 0 / 60 / 96 / 12

HEX #E15909

RGB 225 89 9

HSL 22.22, 0.92%, 0.46%

LAB 55.25, 50.15, 63.09

 

CMYK 96 / 0 / 60 / 12

HEX #09E159

RGB 9 225 89

HSL 142.22, 0.92%, 0.46%

LAB 78.83, -72.75, 52.77

 

CMYK 61 / 96 / 0 / 11

HEX #5909E2

RGB 89 9 226

HSL 262.12, 0.92%, 0.46%

LAB 33.58, 73.11, -89.17

 

CMYK 0 / 96 / 54 / 12

HEX #E10967

RGB 225 9 103

HSL 333.89, 0.92%, 0.46%

LAB 48.49, 75.56, 9.34

 

CMYK 35 / 0 / 96 / 12

HEX #92E109

RGB 146 225 9

HSL 81.94, 0.92%, 0.46%

LAB 81.83, -50.67, 79.07

 

CMYK 96 / 0 / 41 / 12

HEX #09E184

RGB 9 225 132

HSL 154.17, 0.92%, 0.46%

LAB 79.37, -66.16, 32.99

 

CMYK 61 / 96 / 0 / 11

HEX #5909E2

RGB 89 9 226

HSL 262.12, 0.92%, 0.46%

LAB 33.58, 73.11, -89.17

 

CMYK 0 / 96 / 83 / 12

HEX #E10926

RGB 225 9 38

HSL 351.94, 0.92%, 0.46%

LAB 47.42, 72.64, 46.81

 

CMYK 35 / 0 / 96 / 12

HEX #92E109

RGB 146 225 9

HSL 81.94, 0.92%, 0.46%

LAB 81.83, -50.67, 79.07

 

CMYK 96 / 0 / 13 / 12

HEX #09E1C4

RGB 9 225 196

HSL 171.94, 0.92%, 0.46%

LAB 80.68, -51.64, 1.41

 

Description

Color code: HEX #5909E2 | qconv.com Color code: HEX #5909E2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 9 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 9 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 96 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 96% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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