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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58FB93 it is the complementary color #A7046C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58FB93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58FB93 shade: #5DFB8E, #6EFFA1, #7FFFB4, #90FFC7 and #A1FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58FB93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58FB93 shade: #58FB93, #47E980, #36D76D, #25C55A and #14B347

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58FB93 shade: #56FB92, #56FB65, #73FB56, #A0FB56 and #CCFB56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58FB93 shade: #56FB92, #56FBBE, #56FBEA, #56DEFB and #56B2FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58FB93 shade matches the following richer shades: #56FB92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58FB93 shade: #56FB92, #64ED95, #72DF99, #80D19D and #8EC3A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58FB93 shade: #74FB56, #56FB64, #56FB90, #56FBBC and #56FBE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58FB93 shade: #06F85E, #2EFA78, #56FB92, #7EFCAC and #A6FDC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58FB93 shade: #58FB93, #56A0FB and #FB565E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58FB93 shade: #58FB93, #9056FB and #FB9056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58FB93 shade: #58FB93, #56A0FB, #FB56C1 and #FBB156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58FB93 shade: #58FB93, #566FFB, #FB56C1 and #FBE256

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 41 / 2

HEX #58FB93

RGB 88 251 147

HSL 141.72, 0.95%, 0.66%

LAB 88.53, -64.4, 37.68

 

Complementary color

CMYK 0 / 98 / 35 / 35

HEX #A7046C

RGB 167 4 108

HSL 321.72, 0.95%, 0.34%

LAB 36.72, 63.52, -12.44

 

CMYK 63 / 0 / 43 / 2

HEX #5DFB8E

RGB 93 251 142

HSL 138.61, 0.95%, 0.67%

LAB 88.58, -64.29, 40.21

 

CMYK 57 / 0 / 37 / 0

HEX #6EFFA1

RGB 110 255 161

HSL 141.1, 1%, 0.72%

LAB 90.51, -59.2, 33.46

 

CMYK 50 / 0 / 29 / 0

HEX #7FFFB4

RGB 127 255 180

HSL 144.84, 1%, 0.75%

LAB 91.38, -51.96, 25.18

 

CMYK 44 / 0 / 22 / 0

HEX #90FFC7

RGB 144 255 199

HSL 149.73, 1%, 0.78%

LAB 92.39, -44.13, 16.98

 

CMYK 37 / 0 / 15 / 0

HEX #A1FFDA

RGB 161 255 218

HSL 156.38, 1%, 0.82%

LAB 93.52, -35.86, 8.92

 

CMYK 65 / 0 / 41 / 2

HEX #58FB93

RGB 88 251 147

HSL 141.72, 0.95%, 0.66%

LAB 88.53, -64.4, 37.68

 

CMYK 70 / 0 / 45 / 9

HEX #47E980

RGB 71 233 128

HSL 141.11, 0.79%, 0.6%

LAB 82.47, -63.92, 39.13

 

CMYK 75 / 0 / 49 / 16

HEX #36D76D

RGB 54 215 109

HSL 140.5, 0.67%, 0.53%

LAB 76.37, -63.16, 40.65

 

CMYK 81 / 0 / 54 / 23

HEX #25C55A

RGB 37 197 90

HSL 139.88, 0.68%, 0.46%

LAB 70.22, -62, 42.22

 

CMYK 89 / 0 / 60 / 30

HEX #14B347

RGB 20 179 71

HSL 139.25, 0.8%, 0.39%

LAB 64.03, -60.28, 43.79

 

CMYK 66 / 0 / 42 / 2

HEX #56FB92

RGB 86 251 146

HSL 141.82, 0.95%, 0.66%

LAB 88.47, -64.92, 38.09

 

CMYK 66 / 0 / 60 / 2

HEX #56FB65

RGB 86 251 101

HSL 125.45, 0.95%, 0.66%

LAB 87.93, -71.14, 58.29

 

CMYK 54 / 0 / 66 / 2

HEX #73FB56

RGB 115 251 86

HSL 109.45, 0.95%, 0.66%

LAB 88.6, -66.27, 65.38

 

CMYK 36 / 0 / 66 / 2

HEX #A0FB56

RGB 160 251 86

HSL 93.09, 0.95%, 0.66%

LAB 90.39, -53.13, 67.83

 

CMYK 19 / 0 / 66 / 2

HEX #CCFB56

RGB 204 251 86

HSL 77.09, 0.95%, 0.66%

LAB 92.8, -37.48, 71.1

 

CMYK 66 / 0 / 42 / 2

HEX #56FB92

RGB 86 251 146

HSL 141.82, 0.95%, 0.66%

LAB 88.47, -64.92, 38.09

 

CMYK 66 / 0 / 24 / 2

HEX #56FBBE

RGB 86 251 190

HSL 157.82, 0.95%, 0.66%

LAB 89.25, -56.51, 16.93

 

CMYK 66 / 0 / 7 / 2

HEX #56FBEA

RGB 86 251 234

HSL 173.82, 0.95%, 0.66%

LAB 90.28, -46.09, -4.37

 

CMYK 66 / 12 / 0 / 2

HEX #56DEFB

RGB 86 222 251

HSL 190.55, 0.95%, 0.66%

LAB 82.48, -28.05, -24.99

 

CMYK 66 / 29 / 0 / 2

HEX #56B2FB

RGB 86 178 251

HSL 206.55, 0.95%, 0.66%

LAB 70.02, -5.15, -44.24

 

CMYK 66 / 0 / 42 / 2

HEX #56FB92

RGB 86 251 146

HSL 141.82, 0.95%, 0.66%

LAB 88.47, -64.92, 38.09

 

CMYK 66 / 0 / 42 / 2

HEX #56FB92

RGB 86 251 146

HSL 141.82, 0.95%, 0.66%

LAB 88.47, -64.92, 38.09

 

CMYK 58 / 0 / 37 / 7

HEX #64ED95

RGB 100 237 149

HSL 141.46, 0.79%, 0.66%

LAB 84.71, -56.43, 31.72

 

CMYK 49 / 0 / 31 / 13

HEX #72DF99

RGB 114 223 153

HSL 141.47, 0.63%, 0.66%

LAB 81.1, -46.75, 24.9

 

CMYK 39 / 0 / 25 / 18

HEX #80D19D

RGB 128 209 157

HSL 141.48, 0.47%, 0.66%

LAB 77.65, -36.02, 18.15

 

CMYK 27 / 0 / 17 / 24

HEX #8EC3A1

RGB 142 195 161

HSL 141.51, 0.31%, 0.66%

LAB 74.42, -24.3, 11.58

 

CMYK 54 / 0 / 66 / 2

HEX #74FB56

RGB 116 251 86

HSL 109.09, 0.95%, 0.66%

LAB 88.63, -66.02, 65.43

 

CMYK 66 / 0 / 60 / 2

HEX #56FB64

RGB 86 251 100

HSL 125.09, 0.95%, 0.66%

LAB 87.92, -71.25, 58.7

 

CMYK 66 / 0 / 43 / 2

HEX #56FB90

RGB 86 251 144

HSL 141.09, 0.95%, 0.66%

LAB 88.44, -65.25, 39.03

 

CMYK 66 / 0 / 25 / 2

HEX #56FBBC

RGB 86 251 188

HSL 157.09, 0.95%, 0.66%

LAB 89.21, -56.94, 17.9

 

CMYK 66 / 0 / 8 / 2

HEX #56FBE7

RGB 86 251 231

HSL 172.73, 0.95%, 0.66%

LAB 90.2, -46.85, -2.93

 

CMYK 98 / 0 / 62 / 3

HEX #06F85E

RGB 6 248 94

HSL 141.82, 0.95%, 0.5%

LAB 86, -79.01, 58.8

 

CMYK 82 / 0 / 52 / 2

HEX #2EFA78

RGB 46 250 120

HSL 141.76, 0.95%, 0.58%

LAB 87.15, -74, 48.72

 

CMYK 66 / 0 / 42 / 2

HEX #56FB92

RGB 86 251 146

HSL 141.82, 0.95%, 0.66%

LAB 88.47, -64.92, 38.09

 

CMYK 50 / 0 / 32 / 1

HEX #7EFCAC

RGB 126 252 172

HSL 141.9, 0.95%, 0.74%

LAB 90.34, -52.42, 27.8

 

CMYK 34 / 0 / 22 / 1

HEX #A6FDC6

RGB 166 253 198

HSL 142.07, 0.96%, 0.82%

LAB 92.77, -37.43, 18.16

 

CMYK 65 / 0 / 41 / 2

HEX #58FB93

RGB 88 251 147

HSL 141.72, 0.95%, 0.66%

LAB 88.53, -64.4, 37.68

 

CMYK 66 / 36 / 0 / 2

HEX #56A0FB

RGB 86 160 251

HSL 213.09, 0.95%, 0.66%

LAB 65.03, 5.05, -52.11

 

CMYK 0 / 66 / 63 / 2

HEX #FB565E

RGB 251 86 94

HSL 357.09, 0.95%, 0.66%

LAB 59.86, 63.08, 30.8

 

CMYK 65 / 0 / 41 / 2

HEX #58FB93

RGB 88 251 147

HSL 141.72, 0.95%, 0.66%

LAB 88.53, -64.4, 37.68

 

CMYK 43 / 66 / 0 / 2

HEX #9056FB

RGB 144 86 251

HSL 261.09, 0.95%, 0.66%

LAB 51.32, 58.52, -73.91

 

CMYK 0 / 43 / 66 / 2

HEX #FB9056

RGB 251 144 86

HSL 21.09, 0.95%, 0.66%

LAB 70.27, 35.62, 47.71

 

CMYK 65 / 0 / 41 / 2

HEX #58FB93

RGB 88 251 147

HSL 141.72, 0.95%, 0.66%

LAB 88.53, -64.4, 37.68

 

CMYK 66 / 36 / 0 / 2

HEX #56A0FB

RGB 86 160 251

HSL 213.09, 0.95%, 0.66%

LAB 65.03, 5.05, -52.11

 

CMYK 0 / 66 / 23 / 2

HEX #FB56C1

RGB 251 86 193

HSL 321.09, 0.95%, 0.66%

LAB 62.52, 72.41, -22.6

 

CMYK 0 / 29 / 66 / 2

HEX #FBB156

RGB 251 177 86

HSL 33.09, 0.95%, 0.66%

LAB 77.65, 18.43, 56.05

 

CMYK 65 / 0 / 41 / 2

HEX #58FB93

RGB 88 251 147

HSL 141.72, 0.95%, 0.66%

LAB 88.53, -64.4, 37.68

 

CMYK 66 / 56 / 0 / 2

HEX #566FFB

RGB 86 111 251

HSL 230.91, 0.95%, 0.66%

LAB 52.19, 34.5, -72.71

 

CMYK 0 / 66 / 23 / 2

HEX #FB56C1

RGB 251 86 193

HSL 321.09, 0.95%, 0.66%

LAB 62.52, 72.41, -22.6

 

CMYK 0 / 10 / 66 / 2

HEX #FBE256

RGB 251 226 86

HSL 50.91, 0.95%, 0.66%

LAB 89.66, -6.8, 68.92

 

Description

Color code: HEX #58FB93 | qconv.com Color code: HEX #58FB93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 251 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 251 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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