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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58E5AA it is the complementary color #A71A55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58E5AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58E5AA shade: #5DE5A5, #6EF7B8, #7FFFCB, #90FFDE and #A1FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58E5AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58E5AA shade: #58E5AA, #47D397, #36C184, #25AF71 and #149D5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58E5AA shade: #57E5AA, #57E583, #57E55D, #78E557 and #9EE557

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58E5AA shade: #57E5AA, #57E5D0, #57D4E5, #57AEE5 and #5787E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58E5AA shade matches the following richer shades: #57E5AA and #48F5AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58E5AA shade: #57E5AA, #67D5A7, #77C5A5, #86B6A2 and #96A69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58E5AA shade: #57E55C, #57E582, #57E5A8, #57E5CD and #57D7E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58E5AA shade: #20CA83, #34DF97, #57E5AA, #7BEABC and #9FF0CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58E5AA shade: #58E5AA, #5778E5 and #E56F57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58E5AA shade: #58E5AA, #A857E5 and #E5A857

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58E5AA shade: #58E5AA, #5778E5, #E55795 and #E5C457

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58E5AA shade: #58E5AA, #6157E5, #E55795 and #DBE557

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 26 / 10

HEX #58E5AA

RGB 88 229 170

HSL 154.89, 0.73%, 0.62%

LAB 82.39, -51.59, 17.7

 

Complementary color

CMYK 0 / 84 / 49 / 35

HEX #A71A55

RGB 167 26 85

HSL 334.89, 0.73%, 0.38%

LAB 37.13, 57.82, 2.89

 

CMYK 59 / 0 / 28 / 10

HEX #5DE5A5

RGB 93 229 165

HSL 151.76, 0.72%, 0.63%

LAB 82.42, -51.66, 20.37

 

CMYK 55 / 0 / 26 / 3

HEX #6EF7B8

RGB 110 247 184

HSL 152.41, 0.9%, 0.7%

LAB 88.59, -51.7, 19.19

 

CMYK 50 / 0 / 20 / 0

HEX #7FFFCB

RGB 127 255 203

HSL 155.63, 1%, 0.75%

LAB 91.84, -47.43, 14.06

 

CMYK 44 / 0 / 13 / 0

HEX #90FFDE

RGB 144 255 222

HSL 162.16, 1%, 0.78%

LAB 92.89, -39.39, 5.87

 

CMYK 37 / 0 / 5 / 0

HEX #A1FFF1

RGB 161 255 241

HSL 171.06, 1%, 0.82%

LAB 94.08, -30.95, -2.14

 

CMYK 62 / 0 / 26 / 10

HEX #58E5AA

RGB 88 229 170

HSL 154.89, 0.73%, 0.62%

LAB 82.39, -51.59, 17.7

 

CMYK 66 / 0 / 28 / 17

HEX #47D397

RGB 71 211 151

HSL 154.29, 0.61%, 0.55%

LAB 76.17, -51.34, 18.97

 

CMYK 72 / 0 / 32 / 24

HEX #36C184

RGB 54 193 132

HSL 153.67, 0.56%, 0.48%

LAB 69.89, -50.89, 20.36

 

CMYK 79 / 0 / 35 / 31

HEX #25AF71

RGB 37 175 113

HSL 153.04, 0.65%, 0.42%

LAB 63.55, -50.14, 21.88

 

CMYK 87 / 0 / 40 / 38

HEX #149D5E

RGB 20 157 94

HSL 152.41, 0.77%, 0.35%

LAB 57.14, -48.94, 23.58

 

CMYK 62 / 0 / 26 / 10

HEX #57E5AA

RGB 87 229 170

HSL 155.07, 0.73%, 0.62%

LAB 82.36, -51.77, 17.66

 

CMYK 62 / 0 / 43 / 10

HEX #57E583

RGB 87 229 131

HSL 138.59, 0.73%, 0.62%

LAB 81.68, -59.1, 36.7

 

CMYK 62 / 0 / 59 / 10

HEX #57E55D

RGB 87 229 93

HSL 122.54, 0.73%, 0.62%

LAB 81.21, -64.34, 54.05

 

CMYK 48 / 0 / 62 / 10

HEX #78E557

RGB 120 229 87

HSL 106.06, 0.73%, 0.62%

LAB 82.23, -56.72, 58.07

 

CMYK 31 / 0 / 62 / 10

HEX #9EE557

RGB 158 229 87

HSL 90, 0.73%, 0.62%

LAB 83.96, -44.56, 60.47

 

CMYK 62 / 0 / 26 / 10

HEX #57E5AA

RGB 87 229 170

HSL 155.07, 0.73%, 0.62%

LAB 82.36, -51.77, 17.66

 

CMYK 62 / 0 / 9 / 10

HEX #57E5D0

RGB 87 229 208

HSL 171.13, 0.73%, 0.62%

LAB 83.24, -42.93, -1.08

 

CMYK 62 / 7 / 0 / 10

HEX #57D4E5

RGB 87 212 229

HSL 187.18, 0.73%, 0.62%

LAB 78.91, -29.41, -18.7

 

CMYK 62 / 24 / 0 / 10

HEX #57AEE5

RGB 87 174 229

HSL 203.24, 0.73%, 0.62%

LAB 67.99, -9.85, -35.44

 

CMYK 62 / 41 / 0 / 10

HEX #5787E5

RGB 87 135 229

HSL 219.72, 0.73%, 0.62%

LAB 57.09, 12.59, -52.6

 

CMYK 62 / 0 / 26 / 10

HEX #57E5AA

RGB 87 229 170

HSL 155.07, 0.73%, 0.62%

LAB 82.36, -51.77, 17.66

 

CMYK 71 / 0 / 30 / 4

HEX #48F5AC

RGB 72 245 172

HSL 154.68, 0.9%, 0.62%

LAB 86.83, -60.08, 22.77

 

CMYK 62 / 0 / 26 / 10

HEX #57E5AA

RGB 87 229 170

HSL 155.07, 0.73%, 0.62%

LAB 82.36, -51.77, 17.66

 

CMYK 52 / 0 / 22 / 16

HEX #67D5A7

RGB 103 213 167

HSL 154.91, 0.57%, 0.62%

LAB 78.03, -42.32, 13.23

 

CMYK 40 / 0 / 16 / 23

HEX #77C5A5

RGB 119 197 165

HSL 155.38, 0.4%, 0.62%

LAB 73.91, -31.36, 8.55

 

CMYK 26 / 0 / 11 / 29

HEX #86B6A2

RGB 134 182 162

HSL 155, 0.25%, 0.62%

LAB 70.27, -20.14, 5.05

 

CMYK 10 / 0 / 4 / 35

HEX #96A69F

RGB 150 166 159

HSL 153.75, 0.08%, 0.62%

LAB 66.72, -7.01, 1.7

 

CMYK 62 / 0 / 60 / 10

HEX #57E55C

RGB 87 229 92

HSL 122.11, 0.73%, 0.62%

LAB 81.2, -64.45, 54.48

 

CMYK 62 / 0 / 43 / 10

HEX #57E582

RGB 87 229 130

HSL 138.17, 0.73%, 0.62%

LAB 81.66, -59.26, 37.18

 

CMYK 62 / 0 / 27 / 10

HEX #57E5A8

RGB 87 229 168

HSL 154.23, 0.73%, 0.62%

LAB 82.32, -52.19, 18.64

 

CMYK 62 / 0 / 10 / 10

HEX #57E5CD

RGB 87 229 205

HSL 169.86, 0.73%, 0.62%

LAB 83.16, -43.69, 0.4

 

CMYK 62 / 6 / 0 / 10

HEX #57D7E5

RGB 87 215 229

HSL 185.92, 0.73%, 0.62%

LAB 79.78, -30.86, -17.39

 

CMYK 84 / 0 / 35 / 21

HEX #20CA83

RGB 32 202 131

HSL 154.94, 0.73%, 0.46%

LAB 72.35, -57.04, 24.19

 

CMYK 77 / 0 / 32 / 13

HEX #34DF97

RGB 52 223 151

HSL 154.74, 0.73%, 0.54%

LAB 79.47, -58.69, 23.44

 

CMYK 62 / 0 / 26 / 10

HEX #57E5AA

RGB 87 229 170

HSL 155.07, 0.73%, 0.62%

LAB 82.36, -51.77, 17.66

 

CMYK 47 / 0 / 20 / 8

HEX #7BEABC

RGB 123 234 188

HSL 155.14, 0.73%, 0.7%

LAB 85.35, -42.38, 12.62

 

CMYK 34 / 0 / 14 / 6

HEX #9FF0CE

RGB 159 240 206

HSL 154.81, 0.73%, 0.78%

LAB 88.99, -31.9, 8.64

 

CMYK 62 / 0 / 26 / 10

HEX #58E5AA

RGB 88 229 170

HSL 154.89, 0.73%, 0.62%

LAB 82.39, -51.59, 17.7

 

CMYK 62 / 48 / 0 / 10

HEX #5778E5

RGB 87 120 229

HSL 226.06, 0.73%, 0.62%

LAB 53.08, 21.72, -59.01

 

CMYK 0 / 52 / 62 / 10

HEX #E56F57

RGB 229 111 87

HSL 10.14, 0.73%, 0.62%

LAB 60.53, 43.94, 34.83

 

CMYK 62 / 0 / 26 / 10

HEX #58E5AA

RGB 88 229 170

HSL 154.89, 0.73%, 0.62%

LAB 82.39, -51.59, 17.7

 

CMYK 27 / 62 / 0 / 10

HEX #A857E5

RGB 168 87 229

HSL 274.23, 0.73%, 0.62%

LAB 52.73, 57.65, -59.2

 

CMYK 0 / 27 / 62 / 10

HEX #E5A857

RGB 229 168 87

HSL 34.23, 0.73%, 0.62%

LAB 73.12, 14.12, 49.82

 

CMYK 62 / 0 / 26 / 10

HEX #58E5AA

RGB 88 229 170

HSL 154.89, 0.73%, 0.62%

LAB 82.39, -51.59, 17.7

 

CMYK 62 / 48 / 0 / 10

HEX #5778E5

RGB 87 120 229

HSL 226.06, 0.73%, 0.62%

LAB 53.08, 21.72, -59.01

 

CMYK 0 / 62 / 35 / 10

HEX #E55795

RGB 229 87 149

HSL 333.8, 0.73%, 0.62%

LAB 57.7, 60.58, -4.81

 

CMYK 0 / 14 / 62 / 10

HEX #E5C457

RGB 229 196 87

HSL 46.06, 0.73%, 0.62%

LAB 80.08, -0.61, 57.65

 

CMYK 62 / 0 / 26 / 10

HEX #58E5AA

RGB 88 229 170

HSL 154.89, 0.73%, 0.62%

LAB 82.39, -51.59, 17.7

 

CMYK 58 / 62 / 0 / 10

HEX #6157E5

RGB 97 87 229

HSL 244.23, 0.73%, 0.62%

LAB 45.65, 43.46, -70.99

 

CMYK 0 / 62 / 35 / 10

HEX #E55795

RGB 229 87 149

HSL 333.8, 0.73%, 0.62%

LAB 57.7, 60.58, -4.81

 

CMYK 4 / 0 / 62 / 10

HEX #DBE557

RGB 219 229 87

HSL 64.23, 0.73%, 0.62%

LAB 87.87, -21.29, 65.83

 

Description

Color code: HEX #58E5AA | qconv.com Color code: HEX #58E5AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 229 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 229 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 26 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 26% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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