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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58E264 it is the complementary color #A71D9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58E264. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58E264 shade: #5DE25F, #6EF472, #7FFF85, #90FF98 and #A1FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58E264. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58E264 shade: #58E264, #47D051, #36BE3E, #25AC2B and #149A18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58E264 shade: #5AE266, #73E25A, #98E25A, #BCE25A and #E1E25A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58E264 shade: #5AE266, #5AE28B, #5AE2AF, #5AE2D4 and #5ACBE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58E264 shade matches the following richer shades: #5AE266 and #4BF259

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58E264 shade: #5AE266, #6AD273, #7AC380, #89B38D and #99A39A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58E264 shade: #97E25A, #73E25A, #5AE266, #5AE28A and #5AE2AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58E264 shade: #23C731, #37DC46, #5AE266, #7DE887 and #A0EEA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58E264 shade: #58E264, #5ABBE2 and #E25A85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58E264 shade: #58E264, #665AE2 and #E2665A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58E264 shade: #58E264, #5ABBE2, #E25AD7 and #E2815A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58E264 shade: #58E264, #5A93E2, #E25AD7 and #E2A95A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 56 / 11

HEX #58E264

RGB 88 226 100

HSL 125.22, 0.7%, 0.62%

LAB 80.4, -62.24, 49.98

 

Complementary color

CMYK 0 / 83 / 7 / 35

HEX #A71D9B

RGB 167 29 155

HSL 305.22, 0.7%, 0.38%

LAB 40.35, 65.48, -35.89

 

CMYK 59 / 0 / 58 / 11

HEX #5DE25F

RGB 93 226 95

HSL 120.9, 0.7%, 0.63%

LAB 80.49, -61.73, 52.37

 

CMYK 55 / 0 / 53 / 4

HEX #6EF472

RGB 110 244 114

HSL 121.79, 0.86%, 0.69%

LAB 86.62, -62.03, 51.16

 

CMYK 50 / 0 / 48 / 0

HEX #7FFF85

RGB 127 255 133

HSL 122.81, 1%, 0.75%

LAB 90.65, -59.49, 47.38

 

CMYK 44 / 0 / 40 / 0

HEX #90FF98

RGB 144 255 152

HSL 124.32, 1%, 0.78%

LAB 91.56, -52.25, 39.51

 

CMYK 37 / 0 / 33 / 0

HEX #A1FFAB

RGB 161 255 171

HSL 126.38, 1%, 0.82%

LAB 92.59, -44.43, 31.58

 

CMYK 61 / 0 / 56 / 11

HEX #58E264

RGB 88 226 100

HSL 125.22, 0.7%, 0.62%

LAB 80.4, -62.24, 49.98

 

CMYK 66 / 0 / 61 / 18

HEX #47D051

RGB 71 208 81

HSL 124.38, 0.59%, 0.55%

LAB 74.22, -61.66, 51.21

 

CMYK 72 / 0 / 67 / 25

HEX #36BE3E

RGB 54 190 62

HSL 123.53, 0.56%, 0.48%

LAB 67.99, -60.7, 52.27

 

CMYK 78 / 0 / 75 / 33

HEX #25AC2B

RGB 37 172 43

HSL 122.67, 0.65%, 0.41%

LAB 61.72, -59.19, 52.93

 

CMYK 87 / 0 / 84 / 40

HEX #149A18

RGB 20 154 24

HSL 121.79, 0.77%, 0.34%

LAB 55.41, -56.89, 52.79

 

CMYK 60 / 0 / 55 / 11

HEX #5AE266

RGB 90 226 102

HSL 125.29, 0.7%, 0.62%

LAB 80.47, -61.56, 49.17

 

CMYK 49 / 0 / 60 / 11

HEX #73E25A

RGB 115 226 90

HSL 108.97, 0.7%, 0.62%

LAB 81.17, -56.69, 55.55

 

CMYK 33 / 0 / 60 / 11

HEX #98E25A

RGB 152 226 90

HSL 92.65, 0.7%, 0.62%

LAB 82.81, -45.1, 57.84

 

CMYK 17 / 0 / 60 / 11

HEX #BCE25A

RGB 188 226 90

HSL 76.76, 0.7%, 0.62%

LAB 84.91, -31.9, 60.75

 

CMYK 0 / 0 / 60 / 11

HEX #E1E25A

RGB 225 226 90

HSL 60.44, 0.7%, 0.62%

LAB 87.55, -17.21, 64.4

 

CMYK 60 / 0 / 55 / 11

HEX #5AE266

RGB 90 226 102

HSL 125.29, 0.7%, 0.62%

LAB 80.47, -61.56, 49.17

 

CMYK 60 / 0 / 38 / 11

HEX #5AE28B

RGB 90 226 139

HSL 141.62, 0.7%, 0.62%

LAB 80.98, -56, 31.78

 

CMYK 60 / 0 / 23 / 11

HEX #5AE2AF

RGB 90 226 175

HSL 157.5, 0.7%, 0.62%

LAB 81.65, -48.9, 14.06

 

CMYK 60 / 0 / 6 / 11

HEX #5AE2D4

RGB 90 226 212

HSL 173.82, 0.7%, 0.62%

LAB 82.55, -40.07, -4.2

 

CMYK 60 / 10 / 0 / 11

HEX #5ACBE2

RGB 90 203 226

HSL 190.15, 0.7%, 0.62%

LAB 76.3, -25.35, -21.03

 

CMYK 60 / 0 / 55 / 11

HEX #5AE266

RGB 90 226 102

HSL 125.29, 0.7%, 0.62%

LAB 80.47, -61.56, 49.17

 

CMYK 69 / 0 / 63 / 5

HEX #4BF259

RGB 75 242 89

HSL 125.03, 0.87%, 0.62%

LAB 84.85, -71.43, 59.79

 

CMYK 60 / 0 / 55 / 11

HEX #5AE266

RGB 90 226 102

HSL 125.29, 0.7%, 0.62%

LAB 80.47, -61.56, 49.17

 

CMYK 50 / 0 / 45 / 18

HEX #6AD273

RGB 106 210 115

HSL 125.19, 0.54%, 0.62%

LAB 76.31, -49.75, 37.92

 

CMYK 37 / 0 / 34 / 24

HEX #7AC380

RGB 122 195 128

HSL 124.93, 0.38%, 0.62%

LAB 72.71, -36.59, 26.69

 

CMYK 23 / 0 / 21 / 30

HEX #89B38D

RGB 137 179 141

HSL 125.71, 0.22%, 0.62%

LAB 69.1, -21.73, 14.91

 

CMYK 6 / 0 / 6 / 36

HEX #99A39A

RGB 153 163 154

HSL 126, 0.05%, 0.62%

LAB 65.98, -5.29, 3.44

 

CMYK 33 / 0 / 60 / 11

HEX #97E25A

RGB 151 226 90

HSL 93.09, 0.7%, 0.62%

LAB 82.76, -45.44, 57.77

 

CMYK 49 / 0 / 60 / 11

HEX #73E25A

RGB 115 226 90

HSL 108.97, 0.7%, 0.62%

LAB 81.17, -56.69, 55.55

 

CMYK 60 / 0 / 55 / 11

HEX #5AE266

RGB 90 226 102

HSL 125.29, 0.7%, 0.62%

LAB 80.47, -61.56, 49.17

 

CMYK 60 / 0 / 39 / 11

HEX #5AE28A

RGB 90 226 138

HSL 141.18, 0.7%, 0.62%

LAB 80.96, -56.17, 32.26

 

CMYK 60 / 0 / 23 / 11

HEX #5AE2AE

RGB 90 226 174

HSL 157.06, 0.7%, 0.62%

LAB 81.63, -49.12, 14.55

 

CMYK 82 / 0 / 75 / 22

HEX #23C731

RGB 35 199 49

HSL 125.12, 0.7%, 0.46%

LAB 70.47, -67.27, 59.59

 

CMYK 75 / 0 / 68 / 14

HEX #37DC46

RGB 55 220 70

HSL 125.45, 0.7%, 0.54%

LAB 77.54, -69.43, 59.32

 

CMYK 60 / 0 / 55 / 11

HEX #5AE266

RGB 90 226 102

HSL 125.29, 0.7%, 0.62%

LAB 80.47, -61.56, 49.17

 

CMYK 46 / 0 / 42 / 9

HEX #7DE887

RGB 125 232 135

HSL 125.61, 0.7%, 0.7%

LAB 83.87, -50.6, 37.79

 

CMYK 33 / 0 / 30 / 7

HEX #A0EEA7

RGB 160 238 167

HSL 125.38, 0.7%, 0.78%

LAB 87.69, -37.86, 26.98

 

CMYK 61 / 0 / 56 / 11

HEX #58E264

RGB 88 226 100

HSL 125.22, 0.7%, 0.62%

LAB 80.4, -62.24, 49.98

 

CMYK 60 / 17 / 0 / 11

HEX #5ABBE2

RGB 90 187 226

HSL 197.21, 0.7%, 0.62%

LAB 71.69, -17.19, -28.07

 

CMYK 0 / 60 / 41 / 11

HEX #E25A85

RGB 226 90 133

HSL 341.03, 0.7%, 0.62%

LAB 57.25, 56.64, 3.85

 

CMYK 61 / 0 / 56 / 11

HEX #58E264

RGB 88 226 100

HSL 125.22, 0.7%, 0.62%

LAB 80.4, -62.24, 49.98

 

CMYK 55 / 60 / 0 / 11

HEX #665AE2

RGB 102 90 226

HSL 245.29, 0.7%, 0.62%

LAB 46.48, 41.64, -67.92

 

CMYK 0 / 55 / 60 / 11

HEX #E2665A

RGB 226 102 90

HSL 5.29, 0.7%, 0.62%

LAB 58.42, 47.42, 30.42

 

CMYK 61 / 0 / 56 / 11

HEX #58E264

RGB 88 226 100

HSL 125.22, 0.7%, 0.62%

LAB 80.4, -62.24, 49.98

 

CMYK 60 / 17 / 0 / 11

HEX #5ABBE2

RGB 90 187 226

HSL 197.21, 0.7%, 0.62%

LAB 71.69, -17.19, -28.07

 

CMYK 0 / 60 / 5 / 11

HEX #E25AD7

RGB 226 90 215

HSL 304.85, 0.7%, 0.62%

LAB 60.24, 67.58, -38.9

 

CMYK 0 / 43 / 60 / 11

HEX #E2815A

RGB 226 129 90

HSL 17.21, 0.7%, 0.62%

LAB 63.84, 33.83, 37.19

 

CMYK 61 / 0 / 56 / 11

HEX #58E264

RGB 88 226 100

HSL 125.22, 0.7%, 0.62%

LAB 80.4, -62.24, 49.98

 

CMYK 60 / 35 / 0 / 11

HEX #5A93E2

RGB 90 147 226

HSL 214.85, 0.7%, 0.62%

LAB 60.37, 5.02, -45.72

 

CMYK 0 / 60 / 5 / 11

HEX #E25AD7

RGB 226 90 215

HSL 304.85, 0.7%, 0.62%

LAB 60.24, 67.58, -38.9

 

CMYK 0 / 25 / 60 / 11

HEX #E2A95A

RGB 226 169 90

HSL 34.85, 0.7%, 0.62%

LAB 73.08, 12.54, 48.23

 

Description

Color code: HEX #58E264 | qconv.com Color code: HEX #58E264 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 226 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 226 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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