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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58DF03 it is the complementary color #A720FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58DF03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58DF03 shade: #5DDF00, #6EF111, #7FFF24, #90FF37 and #A1FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58DF03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58DF03 shade: #58DF03, #47CD00, #36BB00, #25A900 and #149700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58DF03 shade: #57DD03, #92DD03, #CDDD03, #DDB303 and #DD7803

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58DF03 shade: #57DD03, #1DDD03, #03DD25, #03DD5F and #03DD9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58DF03 shade matches the following richer shades: #57DD03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58DF03 shade: #57DD03, #5CCB16, #60B928, #64A73A and #68944C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58DF03 shade: #CFDD03, #94DD03, #5ADD03, #20DD03 and #03DD20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58DF03 shade: #378C02, #47B403, #57DD03, #6AFB0E and #83FC37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58DF03 shade: #58DF03, #03DDB2 and #DD03B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58DF03 shade: #58DF03, #035ADD and #DD035A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58DF03 shade: #58DF03, #03DDB2, #8603DD and #DD032F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58DF03 shade: #58DF03, #03C7DD, #8603DD and #DD1903

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 99 / 13

HEX #58DF03

RGB 88 223 3

HSL 96.82, 0.97%, 0.44%

LAB 78.96, -67.26, 76.37

 

Complementary color

CMYK 34 / 87 / 0 / 1

HEX #A720FC

RGB 167 32 252

HSL 276.82, 0.97%, 0.56%

LAB 47.34, 82.02, -80.86

 

CMYK 58 / 0 / 100 / 13

HEX #5DDF00

RGB 93 223 0

HSL 94.98, 1%, 0.44%

LAB 79.1, -66.1, 76.82

 

CMYK 54 / 0 / 93 / 5

HEX #6EF111

RGB 110 241 17

HSL 95.09, 0.89%, 0.51%

LAB 85.13, -67.61, 80.33

 

CMYK 50 / 0 / 86 / 0

HEX #7FFF24

RGB 127 255 36

HSL 95.07, 1%, 0.57%

LAB 89.93, -67.4, 81.68

 

CMYK 44 / 0 / 78 / 0

HEX #90FF37

RGB 144 255 55

HSL 93.3, 1%, 0.61%

LAB 90.65, -61.68, 78.15

 

CMYK 37 / 0 / 71 / 0

HEX #A1FF4A

RGB 161 255 74

HSL 91.16, 1%, 0.65%

LAB 91.5, -55.23, 73.36

 

CMYK 61 / 0 / 99 / 13

HEX #58DF03

RGB 88 223 3

HSL 96.82, 0.97%, 0.44%

LAB 78.96, -67.26, 76.37

 

CMYK 65 / 0 / 100 / 20

HEX #47CD00

RGB 71 205 0

HSL 99.22, 1%, 0.4%

LAB 72.89, -65.26, 71.65

 

CMYK 71 / 0 / 100 / 27

HEX #36BB00

RGB 54 187 0

HSL 102.67, 1%, 0.37%

LAB 66.77, -62.91, 66.62

 

CMYK 78 / 0 / 100 / 34

HEX #25A900

RGB 37 169 0

HSL 106.86, 1%, 0.33%

LAB 60.58, -60.17, 61.55

 

CMYK 87 / 0 / 100 / 41

HEX #149700

RGB 20 151 0

HSL 112.05, 1%, 0.3%

LAB 54.32, -56.87, 56.46

 

CMYK 61 / 0 / 99 / 13

HEX #57DD03

RGB 87 221 3

HSL 96.88, 0.97%, 0.44%

LAB 78.31, -66.84, 75.85

 

CMYK 34 / 0 / 99 / 13

HEX #92DD03

RGB 146 221 3

HSL 80.64, 0.97%, 0.44%

LAB 80.64, -49.11, 78.68

 

CMYK 7 / 0 / 99 / 13

HEX #CDDD03

RGB 205 221 3

HSL 64.4, 0.97%, 0.44%

LAB 84.33, -26.02, 83.1

 

CMYK 0 / 19 / 99 / 13

HEX #DDB303

RGB 221 179 3

HSL 48.44, 0.97%, 0.44%

LAB 74.58, 1.99, 76.61

 

CMYK 0 / 46 / 99 / 13

HEX #DD7803

RGB 221 120 3

HSL 32.2, 0.97%, 0.44%

LAB 60.62, 33.36, 67.19

 

CMYK 61 / 0 / 99 / 13

HEX #57DD03

RGB 87 221 3

HSL 96.88, 0.97%, 0.44%

LAB 78.31, -66.84, 75.85

 

CMYK 87 / 0 / 99 / 13

HEX #1DDD03

RGB 29 221 3

HSL 112.84, 0.97%, 0.44%

LAB 77.27, -75.88, 74.57

 

CMYK 99 / 0 / 83 / 13

HEX #03DD25

RGB 3 221 37

HSL 129.36, 0.97%, 0.44%

LAB 77.2, -76.21, 69.33

 

CMYK 99 / 0 / 57 / 13

HEX #03DD5F

RGB 3 221 95

HSL 145.32, 0.97%, 0.44%

LAB 77.61, -70.97, 48.67

 

CMYK 99 / 0 / 30 / 13

HEX #03DD9A

RGB 3 221 154

HSL 161.56, 0.97%, 0.44%

LAB 78.5, -60.48, 20.49

 

CMYK 61 / 0 / 99 / 13

HEX #57DD03

RGB 87 221 3

HSL 96.88, 0.97%, 0.44%

LAB 78.31, -66.84, 75.85

 

CMYK 61 / 0 / 99 / 13

HEX #57DD03

RGB 87 221 3

HSL 96.88, 0.97%, 0.44%

LAB 78.31, -66.84, 75.85

 

CMYK 55 / 0 / 89 / 20

HEX #5CCB16

RGB 92 203 22

HSL 96.8, 0.8%, 0.44%

LAB 72.92, -59.06, 69.24

 

CMYK 48 / 0 / 78 / 27

HEX #60B928

RGB 96 185 40

HSL 96.83, 0.64%, 0.44%

LAB 67.53, -50.48, 60.16

 

CMYK 40 / 0 / 65 / 35

HEX #64A73A

RGB 100 167 58

HSL 96.88, 0.48%, 0.44%

LAB 62.21, -40.54, 48.14

 

CMYK 30 / 0 / 49 / 42

HEX #68944C

RGB 104 148 76

HSL 96.67, 0.32%, 0.44%

LAB 56.73, -28.47, 33.19

 

CMYK 6 / 0 / 99 / 13

HEX #CFDD03

RGB 207 221 3

HSL 63.85, 0.97%, 0.44%

LAB 84.48, -25.19, 83.27

 

CMYK 33 / 0 / 99 / 13

HEX #94DD03

RGB 148 221 3

HSL 80.09, 0.97%, 0.44%

LAB 80.75, -48.4, 78.8

 

CMYK 59 / 0 / 99 / 13

HEX #5ADD03

RGB 90 221 3

HSL 96.06, 0.97%, 0.44%

LAB 78.4, -66.12, 75.95

 

CMYK 86 / 0 / 99 / 13

HEX #20DD03

RGB 32 221 3

HSL 112.02, 0.97%, 0.44%

LAB 77.3, -75.63, 74.6

 

CMYK 99 / 0 / 86 / 13

HEX #03DD20

RGB 3 221 32

HSL 127.98, 0.97%, 0.44%

LAB 77.18, -76.43, 70.44

 

CMYK 61 / 0 / 99 / 45

HEX #378C02

RGB 55 140 2

HSL 96.96, 0.97%, 0.28%

LAB 51.35, -46.9, 54.03

 

CMYK 61 / 0 / 98 / 29

HEX #47B403

RGB 71 180 3

HSL 96.95, 0.97%, 0.36%

LAB 64.95, -56.91, 64.98

 

CMYK 61 / 0 / 99 / 13

HEX #57DD03

RGB 87 221 3

HSL 96.88, 0.97%, 0.44%

LAB 78.31, -66.84, 75.85

 

CMYK 58 / 0 / 94 / 2

HEX #6AFB0E

RGB 106 251 14

HSL 96.71, 0.97%, 0.52%

LAB 88.01, -72.02, 82.93

 

CMYK 48 / 0 / 78 / 1

HEX #83FC37

RGB 131 252 55

HSL 96.85, 0.97%, 0.6%

LAB 89.26, -64.42, 76.67

 

CMYK 61 / 0 / 99 / 13

HEX #58DF03

RGB 88 223 3

HSL 96.82, 0.97%, 0.44%

LAB 78.96, -67.26, 76.37

 

CMYK 99 / 0 / 19 / 13

HEX #03DDB2

RGB 3 221 178

HSL 168.17, 0.97%, 0.44%

LAB 79.01, -54.84, 8.55

 

CMYK 0 / 99 / 19 / 13

HEX #DD03B2

RGB 221 3 178

HSL 311.83, 0.97%, 0.44%

LAB 50.28, 82.3, -33.28

 

CMYK 61 / 0 / 99 / 13

HEX #58DF03

RGB 88 223 3

HSL 96.82, 0.97%, 0.44%

LAB 78.96, -67.26, 76.37

 

CMYK 99 / 59 / 0 / 13

HEX #035ADD

RGB 3 90 221

HSL 216.06, 0.97%, 0.44%

LAB 42.08, 29.95, -72.43

 

CMYK 0 / 99 / 59 / 13

HEX #DD035A

RGB 221 3 90

HSL 336.06, 0.97%, 0.44%

LAB 47.2, 74.3, 15.47

 

CMYK 61 / 0 / 99 / 13

HEX #58DF03

RGB 88 223 3

HSL 96.82, 0.97%, 0.44%

LAB 78.96, -67.26, 76.37

 

CMYK 99 / 0 / 19 / 13

HEX #03DDB2

RGB 3 221 178

HSL 168.17, 0.97%, 0.44%

LAB 79.01, -54.84, 8.55

 

CMYK 39 / 99 / 0 / 13

HEX #8603DD

RGB 134 3 221

HSL 276.06, 0.97%, 0.44%

LAB 38.47, 76.41, -78.04

 

CMYK 0 / 99 / 79 / 13

HEX #DD032F

RGB 221 3 47

HSL 347.89, 0.97%, 0.44%

LAB 46.5, 72.4, 40.68

 

CMYK 61 / 0 / 99 / 13

HEX #58DF03

RGB 88 223 3

HSL 96.82, 0.97%, 0.44%

LAB 78.96, -67.26, 76.37

 

CMYK 99 / 10 / 0 / 13

HEX #03C7DD

RGB 3 199 221

HSL 186.06, 0.97%, 0.44%

LAB 73.6, -32.98, -22.56

 

CMYK 39 / 99 / 0 / 13

HEX #8603DD

RGB 134 3 221

HSL 276.06, 0.97%, 0.44%

LAB 38.47, 76.41, -78.04

 

CMYK 0 / 89 / 99 / 13

HEX #DD1903

RGB 221 25 3

HSL 6.06, 0.97%, 0.44%

LAB 47.07, 69.26, 59.78

 

Description

Color code: HEX #58DF03 | qconv.com Color code: HEX #58DF03 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 223 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 223 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 99 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 99% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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