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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58DC44 it is the complementary color #A723BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58DC44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58DC44 shade: #5DDC3F, #6EEE52, #7FFF65, #90FF78 and #A1FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58DC44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58DC44 shade: #58DC44, #47CA31, #36B81E, #25A60B and #149400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58DC44 shade: #57DB43, #80DB43, #A9DB43, #D2DB43 and #DBBB43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58DC44 shade: #57DB43, #43DB58, #43DB81, #43DBAA and #43DBD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58DC44 shade matches the following richer shades: #57DB43 and #49ED30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58DC44 shade: #57DB43, #64C955, #71B767, #7FA579 and #8C928B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58DC44 shade: #A8DB43, #80DB43, #57DB43, #43DB57 and #43DB80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58DC44 shade: #33AB20, #3DCD27, #57DB43, #76E265 and #95E888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58DC44 shade: #58DC44, #43D1DB and #DB4394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58DC44 shade: #58DC44, #4357DB and #DB4357

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58DC44 shade: #58DC44, #43D1DB, #C743DB and #DB4D43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58DC44 shade: #58DC44, #43A3DB, #C743DB and #DB7A43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 69 / 14

HEX #58DC44

RGB 88 220 68

HSL 112.11, 0.68%, 0.56%

LAB 78.27, -63.44, 61.08

 

Complementary color

CMYK 11 / 81 / 0 / 27

HEX #A723BB

RGB 167 35 187

HSL 292.11, 0.68%, 0.44%

LAB 42.77, 69.19, -51.07

 

CMYK 58 / 0 / 71 / 14

HEX #5DDC3F

RGB 93 220 63

HSL 108.54, 0.69%, 0.55%

LAB 78.39, -62.65, 63.09

 

CMYK 54 / 0 / 66 / 7

HEX #6EEE52

RGB 110 238 82

HSL 109.23, 0.82%, 0.63%

LAB 84.52, -63.24, 62.52

 

CMYK 50 / 0 / 60 / 0

HEX #7FFF65

RGB 127 255 101

HSL 109.87, 1%, 0.7%

LAB 90.31, -63.23, 61.32

 

CMYK 44 / 0 / 53 / 0

HEX #90FF78

RGB 144 255 120

HSL 109.33, 1%, 0.74%

LAB 91.15, -56.46, 54.15

 

CMYK 37 / 0 / 45 / 0

HEX #A1FF8B

RGB 161 255 139

HSL 108.62, 1%, 0.77%

LAB 92.11, -49.06, 46.65

 

CMYK 60 / 0 / 69 / 14

HEX #58DC44

RGB 88 220 68

HSL 112.11, 0.68%, 0.56%

LAB 78.27, -63.44, 61.08

 

CMYK 65 / 0 / 76 / 21

HEX #47CA31

RGB 71 202 49

HSL 111.37, 0.61%, 0.49%

LAB 72.1, -62.5, 61.41

 

CMYK 71 / 0 / 84 / 28

HEX #36B81E

RGB 54 184 30

HSL 110.65, 0.72%, 0.42%

LAB 65.87, -61.08, 60.97

 

CMYK 78 / 0 / 93 / 35

HEX #25A60B

RGB 37 166 11

HSL 109.94, 0.88%, 0.35%

LAB 59.61, -58.98, 59.22

 

CMYK 86 / 0 / 100 / 42

HEX #149400

RGB 20 148 0

HSL 111.89, 1%, 0.29%

LAB 53.31, -55.98, 55.64

 

CMYK 60 / 0 / 69 / 14

HEX #57DB43

RGB 87 219 67

HSL 112.11, 0.68%, 0.56%

LAB 77.93, -63.4, 61.09

 

CMYK 42 / 0 / 69 / 14

HEX #80DB43

RGB 128 219 67

HSL 95.92, 0.68%, 0.56%

LAB 79.42, -52.06, 63.1

 

CMYK 23 / 0 / 69 / 14

HEX #A9DB43

RGB 169 219 67

HSL 79.74, 0.68%, 0.56%

LAB 81.57, -37.59, 65.98

 

CMYK 4 / 0 / 69 / 14

HEX #D2DB43

RGB 210 219 67

HSL 63.55, 0.68%, 0.56%

LAB 84.37, -21.26, 69.7

 

CMYK 0 / 15 / 69 / 14

HEX #DBBB43

RGB 219 187 67

HSL 47.37, 0.68%, 0.56%

LAB 76.68, -1.33, 62.27

 

CMYK 60 / 0 / 69 / 14

HEX #57DB43

RGB 87 219 67

HSL 112.11, 0.68%, 0.56%

LAB 77.93, -63.4, 61.09

 

CMYK 69 / 0 / 60 / 14

HEX #43DB58

RGB 67 219 88

HSL 128.29, 0.68%, 0.56%

LAB 77.62, -65.34, 51.99

 

CMYK 69 / 0 / 41 / 14

HEX #43DB81

RGB 67 219 129

HSL 144.47, 0.68%, 0.56%

LAB 78.13, -59.34, 33.01

 

CMYK 69 / 0 / 22 / 14

HEX #43DBAA

RGB 67 219 170

HSL 160.66, 0.68%, 0.56%

LAB 78.9, -51.01, 12.73

 

CMYK 69 / 0 / 4 / 14

HEX #43DBD3

RGB 67 219 211

HSL 176.84, 0.68%, 0.56%

LAB 79.93, -40.67, -7.6

 

CMYK 60 / 0 / 69 / 14

HEX #57DB43

RGB 87 219 67

HSL 112.11, 0.68%, 0.56%

LAB 77.93, -63.4, 61.09

 

CMYK 69 / 0 / 80 / 7

HEX #49ED30

RGB 73 237 48

HSL 112.06, 0.84%, 0.56%

LAB 83.02, -73.39, 72.16

 

CMYK 60 / 0 / 69 / 14

HEX #57DB43

RGB 87 219 67

HSL 112.11, 0.68%, 0.56%

LAB 77.93, -63.4, 61.09

 

CMYK 50 / 0 / 58 / 21

HEX #64C955

RGB 100 201 85

HSL 112.24, 0.52%, 0.56%

LAB 72.98, -51.72, 48.23

 

CMYK 38 / 0 / 44 / 28

HEX #71B767

RGB 113 183 103

HSL 112.5, 0.36%, 0.56%

LAB 68.28, -37.92, 33.84

 

CMYK 23 / 0 / 27 / 35

HEX #7FA579

RGB 127 165 121

HSL 111.82, 0.2%, 0.56%

LAB 64, -21.68, 18.7

 

CMYK 4 / 0 / 5 / 43

HEX #8C928B

RGB 140 146 139

HSL 111.43, 0.03%, 0.56%

LAB 59.89, -3.55, 2.94

 

CMYK 23 / 0 / 69 / 14

HEX #A8DB43

RGB 168 219 67

HSL 80.13, 0.68%, 0.56%

LAB 81.51, -37.97, 65.9

 

CMYK 42 / 0 / 69 / 14

HEX #80DB43

RGB 128 219 67

HSL 95.92, 0.68%, 0.56%

LAB 79.42, -52.06, 63.1

 

CMYK 60 / 0 / 69 / 14

HEX #57DB43

RGB 87 219 67

HSL 112.11, 0.68%, 0.56%

LAB 77.93, -63.4, 61.09

 

CMYK 69 / 0 / 60 / 14

HEX #43DB57

RGB 67 219 87

HSL 127.89, 0.68%, 0.56%

LAB 77.61, -65.45, 52.42

 

CMYK 69 / 0 / 42 / 14

HEX #43DB80

RGB 67 219 128

HSL 144.08, 0.68%, 0.56%

LAB 78.12, -59.52, 33.49

 

CMYK 70 / 0 / 81 / 33

HEX #33AB20

RGB 51 171 32

HSL 111.8, 0.68%, 0.4%

LAB 61.6, -57.31, 56.47

 

CMYK 70 / 0 / 81 / 20

HEX #3DCD27

RGB 61 205 39

HSL 112.05, 0.68%, 0.48%

LAB 72.76, -66.03, 64.97

 

CMYK 60 / 0 / 69 / 14

HEX #57DB43

RGB 87 219 67

HSL 112.11, 0.68%, 0.56%

LAB 77.93, -63.4, 61.09

 

CMYK 48 / 0 / 55 / 11

HEX #76E265

RGB 118 226 101

HSL 111.84, 0.68%, 0.64%

LAB 81.39, -54.66, 50.94

 

CMYK 36 / 0 / 41 / 9

HEX #95E888

RGB 149 232 136

HSL 111.88, 0.68%, 0.72%

LAB 84.94, -43.37, 38.87

 

CMYK 60 / 0 / 69 / 14

HEX #58DC44

RGB 88 220 68

HSL 112.11, 0.68%, 0.56%

LAB 78.27, -63.44, 61.08

 

CMYK 69 / 5 / 0 / 14

HEX #43D1DB

RGB 67 209 219

HSL 183.95, 0.68%, 0.56%

LAB 77.23, -33.81, -15.93

 

CMYK 0 / 69 / 32 / 14

HEX #DB4394

RGB 219 67 148

HSL 328.03, 0.68%, 0.56%

LAB 53.18, 65.45, -11.13

 

CMYK 60 / 0 / 69 / 14

HEX #58DC44

RGB 88 220 68

HSL 112.11, 0.68%, 0.56%

LAB 78.27, -63.44, 61.08

 

CMYK 69 / 60 / 0 / 14

HEX #4357DB

RGB 67 87 219

HSL 232.11, 0.68%, 0.56%

LAB 42.95, 35.72, -69.8

 

CMYK 0 / 69 / 60 / 14

HEX #DB4357

RGB 219 67 87

HSL 352.11, 0.68%, 0.56%

LAB 51.57, 59.97, 23.08

 

CMYK 60 / 0 / 69 / 14

HEX #58DC44

RGB 88 220 68

HSL 112.11, 0.68%, 0.56%

LAB 78.27, -63.44, 61.08

 

CMYK 69 / 5 / 0 / 14

HEX #43D1DB

RGB 67 209 219

HSL 183.95, 0.68%, 0.56%

LAB 77.23, -33.81, -15.93

 

CMYK 9 / 69 / 0 / 14

HEX #C743DB

RGB 199 67 219

HSL 292.11, 0.68%, 0.56%

LAB 53.24, 70.99, -52.49

 

CMYK 0 / 65 / 69 / 14

HEX #DB4D43

RGB 219 77 67

HSL 3.95, 0.68%, 0.56%

LAB 52.7, 54.87, 36.15

 

CMYK 60 / 0 / 69 / 14

HEX #58DC44

RGB 88 220 68

HSL 112.11, 0.68%, 0.56%

LAB 78.27, -63.44, 61.08

 

CMYK 69 / 26 / 0 / 14

HEX #43A3DB

RGB 67 163 219

HSL 202.11, 0.68%, 0.56%

LAB 63.76, -10.3, -36.58

 

CMYK 9 / 69 / 0 / 14

HEX #C743DB

RGB 199 67 219

HSL 292.11, 0.68%, 0.56%

LAB 53.24, 70.99, -52.49

 

CMYK 0 / 44 / 69 / 14

HEX #DB7A43

RGB 219 122 67

HSL 21.71, 0.68%, 0.56%

LAB 61.12, 33.28, 45.77

 

Description

Color code: HEX #58DC44 | qconv.com Color code: HEX #58DC44 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 220 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 220 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 69 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 69% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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