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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58D00D it is the complementary color #A72FF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58D00D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58D00D shade: #5DD008, #6EE21B, #7FF42E, #90FF41 and #A1FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58D00D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58D00D shade: #58D00D, #47BE00, #36AC00, #259A00 and #148800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58D00D shade: #57CE0D, #8BCE0D, #BFCE0D, #CEA90D and #CE750D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58D00D shade: #57CE0D, #23CE0D, #0DCE2B, #0DCE5F and #0DCE93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58D00D shade matches the following richer shades: #57CE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58D00D shade: #57CE0D, #5BBC1F, #60AB31, #649942 and #688754

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58D00D shade: #C1CE0D, #8ECE0D, #5ACE0D, #27CE0D and #0DCE27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58D00D shade: #378108, #47A70B, #57CE0D, #69F015 and #82F33B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58D00D shade: #58D00D, #0DCEA8 and #CE0DA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58D00D shade: #58D00D, #0D5ACE and #CE0D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58D00D shade: #58D00D, #0DCEA8, #810DCE and #CE0D34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58D00D shade: #58D00D, #0DBBCE, #810DCE and #CE200D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 94 / 18

HEX #58D00D

RGB 88 208 13

HSL 96.92, 0.88%, 0.43%

LAB 74.33, -62.07, 71.66

 

Complementary color

CMYK 31 / 81 / 0 / 5

HEX #A72FF2

RGB 167 47 242

HSL 276.92, 0.88%, 0.57%

LAB 47.83, 76.23, -74.45

 

CMYK 55 / 0 / 96 / 18

HEX #5DD008

RGB 93 208 8

HSL 94.5, 0.93%, 0.42%

LAB 74.48, -60.86, 72.37

 

CMYK 51 / 0 / 88 / 11

HEX #6EE21B

RGB 110 226 27

HSL 94.97, 0.79%, 0.5%

LAB 80.62, -62.14, 75.14

 

CMYK 48 / 0 / 81 / 4

HEX #7FF42E

RGB 127 244 46

HSL 95.45, 0.9%, 0.57%

LAB 86.71, -63.09, 76.64

 

CMYK 44 / 0 / 75 / 0

HEX #90FF41

RGB 144 255 65

HSL 95.05, 1%, 0.63%

LAB 90.7, -61.16, 75.27

 

CMYK 37 / 0 / 67 / 0

HEX #A1FF54

RGB 161 255 84

HSL 92.98, 1%, 0.66%

LAB 91.57, -54.56, 69.84

 

CMYK 58 / 0 / 94 / 18

HEX #58D00D

RGB 88 208 13

HSL 96.92, 0.88%, 0.43%

LAB 74.33, -62.07, 71.66

 

CMYK 63 / 0 / 100 / 25

HEX #47BE00

RGB 71 190 0

HSL 97.58, 1%, 0.37%

LAB 68.14, -60.36, 67.89

 

CMYK 69 / 0 / 100 / 33

HEX #36AC00

RGB 54 172 0

HSL 101.16, 1%, 0.34%

LAB 61.9, -58.15, 62.75

 

CMYK 76 / 0 / 100 / 40

HEX #259A00

RGB 37 154 0

HSL 105.58, 1%, 0.3%

LAB 55.59, -55.54, 57.57

 

CMYK 85 / 0 / 100 / 47

HEX #148800

RGB 20 136 0

HSL 111.18, 1%, 0.27%

LAB 49.2, -52.36, 52.36

 

CMYK 58 / 0 / 94 / 19

HEX #57CE0D

RGB 87 206 13

HSL 96.99, 0.88%, 0.43%

LAB 73.67, -61.64, 71.11

 

CMYK 33 / 0 / 94 / 19

HEX #8BCE0D

RGB 139 206 13

HSL 80.83, 0.88%, 0.43%

LAB 75.86, -45.27, 73.79

 

CMYK 7 / 0 / 94 / 19

HEX #BFCE0D

RGB 191 206 13

HSL 64.66, 0.88%, 0.43%

LAB 79.18, -24.57, 77.82

 

CMYK 0 / 18 / 94 / 19

HEX #CEA90D

RGB 206 169 13

HSL 48.5, 0.88%, 0.43%

LAB 70.54, 0.77, 71.84

 

CMYK 0 / 43 / 94 / 19

HEX #CE750D

RGB 206 117 13

HSL 32.33, 0.88%, 0.43%

LAB 57.92, 28.82, 62.7

 

CMYK 58 / 0 / 94 / 19

HEX #57CE0D

RGB 87 206 13

HSL 96.99, 0.88%, 0.43%

LAB 73.67, -61.64, 71.11

 

CMYK 83 / 0 / 94 / 19

HEX #23CE0D

RGB 35 206 13

HSL 113.16, 0.88%, 0.43%

LAB 72.58, -70.97, 69.76

 

CMYK 94 / 0 / 79 / 19

HEX #0DCE2B

RGB 13 206 43

HSL 129.33, 0.88%, 0.43%

LAB 72.5, -71.36, 63.38

 

CMYK 94 / 0 / 54 / 19

HEX #0DCE5F

RGB 13 206 95

HSL 145.49, 0.88%, 0.43%

LAB 72.93, -65.96, 43.07

 

CMYK 94 / 0 / 29 / 19

HEX #0DCE93

RGB 13 206 147

HSL 161.66, 0.88%, 0.43%

LAB 73.76, -56.19, 17.63

 

CMYK 58 / 0 / 94 / 19

HEX #57CE0D

RGB 87 206 13

HSL 96.99, 0.88%, 0.43%

LAB 73.67, -61.64, 71.11

 

CMYK 58 / 0 / 94 / 19

HEX #57CE0D

RGB 87 206 13

HSL 96.99, 0.88%, 0.43%

LAB 73.67, -61.64, 71.11

 

CMYK 52 / 0 / 84 / 26

HEX #5BBC1F

RGB 91 188 31

HSL 97.07, 0.72%, 0.43%

LAB 68.23, -53.57, 63.25

 

CMYK 44 / 0 / 71 / 33

HEX #60AB31

RGB 96 171 49

HSL 96.89, 0.55%, 0.43%

LAB 63.21, -44.3, 52.8

 

CMYK 35 / 0 / 57 / 40

HEX #649942

RGB 100 153 66

HSL 96.55, 0.4%, 0.43%

LAB 57.93, -33.5, 39.63

 

CMYK 23 / 0 / 38 / 47

HEX #688754

RGB 104 135 84

HSL 96.47, 0.23%, 0.43%

LAB 52.85, -20.85, 23.95

 

CMYK 6 / 0 / 94 / 19

HEX #C1CE0D

RGB 193 206 13

HSL 64.04, 0.88%, 0.43%

LAB 79.33, -23.73, 78

 

CMYK 31 / 0 / 94 / 19

HEX #8ECE0D

RGB 142 206 13

HSL 79.9, 0.88%, 0.43%

LAB 76.02, -44.16, 73.99

 

CMYK 56 / 0 / 94 / 19

HEX #5ACE0D

RGB 90 206 13

HSL 96.06, 0.88%, 0.43%

LAB 73.77, -60.87, 71.23

 

CMYK 81 / 0 / 94 / 19

HEX #27CE0D

RGB 39 206 13

HSL 111.92, 0.88%, 0.43%

LAB 72.63, -70.53, 69.82

 

CMYK 94 / 0 / 81 / 19

HEX #0DCE27

RGB 13 206 39

HSL 128.08, 0.88%, 0.43%

LAB 72.48, -71.59, 64.49

 

CMYK 57 / 0 / 94 / 49

HEX #378108

RGB 55 129 8

HSL 96.69, 0.88%, 0.27%

LAB 47.66, -42.61, 49.89

 

CMYK 57 / 0 / 93 / 35

HEX #47A70B

RGB 71 167 11

HSL 96.92, 0.88%, 0.35%

LAB 60.78, -52.16, 60.55

 

CMYK 58 / 0 / 94 / 19

HEX #57CE0D

RGB 87 206 13

HSL 96.99, 0.88%, 0.43%

LAB 73.67, -61.64, 71.11

 

CMYK 56 / 0 / 91 / 6

HEX #69F015

RGB 105 240 21

HSL 96.99, 0.88%, 0.51%

LAB 84.68, -68.48, 79.4

 

CMYK 47 / 0 / 76 / 5

HEX #82F33B

RGB 130 243 59

HSL 96.85, 0.88%, 0.59%

LAB 86.58, -61.2, 72.96

 

CMYK 58 / 0 / 94 / 18

HEX #58D00D

RGB 88 208 13

HSL 96.92, 0.88%, 0.43%

LAB 74.33, -62.07, 71.66

 

CMYK 94 / 0 / 18 / 19

HEX #0DCEA8

RGB 13 206 168

HSL 168.19, 0.88%, 0.43%

LAB 74.23, -51.12, 7.05

 

CMYK 0 / 94 / 18 / 19

HEX #CE0DA8

RGB 206 13 168

HSL 311.81, 0.88%, 0.43%

LAB 47.28, 77.46, -32.27

 

CMYK 58 / 0 / 94 / 18

HEX #58D00D

RGB 88 208 13

HSL 96.92, 0.88%, 0.43%

LAB 74.33, -62.07, 71.66

 

CMYK 94 / 56 / 0 / 19

HEX #0D5ACE

RGB 13 90 206

HSL 216.06, 0.88%, 0.43%

LAB 40.98, 24.36, -65.62

 

CMYK 0 / 94 / 56 / 19

HEX #CE0D5A

RGB 206 13 90

HSL 336.06, 0.88%, 0.43%

LAB 44.44, 69.94, 11.19

 

CMYK 58 / 0 / 94 / 18

HEX #58D00D

RGB 88 208 13

HSL 96.92, 0.88%, 0.43%

LAB 74.33, -62.07, 71.66

 

CMYK 94 / 0 / 18 / 19

HEX #0DCEA8

RGB 13 206 168

HSL 168.19, 0.88%, 0.43%

LAB 74.23, -51.12, 7.05

 

CMYK 37 / 94 / 0 / 19

HEX #810DCE

RGB 129 13 206

HSL 276.06, 0.88%, 0.43%

LAB 36.76, 71.63, -72.21

 

CMYK 0 / 94 / 75 / 19

HEX #CE0D34

RGB 206 13 52

HSL 347.88, 0.88%, 0.43%

LAB 43.74, 67.99, 33.83

 

CMYK 58 / 0 / 94 / 18

HEX #58D00D

RGB 88 208 13

HSL 96.92, 0.88%, 0.43%

LAB 74.33, -62.07, 71.66

 

CMYK 94 / 9 / 0 / 19

HEX #0DBBCE

RGB 13 187 206

HSL 185.91, 0.88%, 0.43%

LAB 69.53, -31.75, -20.59

 

CMYK 37 / 94 / 0 / 19

HEX #810DCE

RGB 129 13 206

HSL 276.06, 0.88%, 0.43%

LAB 36.76, 71.63, -72.21

 

CMYK 0 / 84 / 94 / 19

HEX #CE200D

RGB 206 32 13

HSL 5.91, 0.88%, 0.43%

LAB 44.5, 64, 53.87

 

Description

Color code: HEX #58D00D | qconv.com Color code: HEX #58D00D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 208 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 208 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 94 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 94% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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