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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58CEEA it is the complementary color #A73115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58CEEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58CEEA shade: #5DCEE5, #6EE0F8, #7FF2FF, #90FFFF and #A1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58CEEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58CEEA shade: #58CEEA, #47BCD7, #36AAC4, #2598B1 and #14869E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58CEEA shade: #57CEEA, #57A6EA, #577FEA, #5757EA and #7F57EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58CEEA shade: #57CEEA, #57A6EA, #577FEA and #5757EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58CEEA shade matches the following richer shades: #57CEEA and #48D7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58CEEA shade: #57CEEA, #66C5DB, #76BBCC, #85B2BC and #94A8AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58CEEA shade: #57EAB7, #57EADE, #57CFEA, #57A8EA and #5781EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58CEEA shade: #1AB1D5, #32C3E6, #57CEEA, #7CD9EF and #A0E3F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58CEEA shade: #58CEEA, #8F57EA and #EACA57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58CEEA shade: #58CEEA, #EA57CF and #CFEA57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58CEEA shade: #58CEEA, #8F57EA, #EA7257 and #B2EA57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58CEEA shade: #58CEEA, #BC57EA, #EA7257 and #86EA57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 12 / 0 / 8

HEX #58CEEA

RGB 88 206 234

HSL 191.51, 0.78%, 0.63%

LAB 77.38, -24.85, -23.7

 

Complementary color

CMYK 0 / 71 / 87 / 35

HEX #A73115

RGB 167 49 21

HSL 11.51, 0.78%, 0.37%

LAB 38.67, 47.02, 43.07

 

CMYK 59 / 10 / 0 / 10

HEX #5DCEE5

RGB 93 206 229

HSL 190.15, 0.72%, 0.63%

LAB 77.36, -25.44, -21.03

 

CMYK 56 / 10 / 0 / 3

HEX #6EE0F8

RGB 110 224 248

HSL 190.43, 0.91%, 0.7%

LAB 83.65, -25.84, -21.55

 

CMYK 50 / 5 / 0 / 0

HEX #7FF2FF

RGB 127 242 255

HSL 186.09, 1%, 0.75%

LAB 89.5, -29.31, -16.34

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 62 / 12 / 0 / 8

HEX #58CEEA

RGB 88 206 234

HSL 191.51, 0.78%, 0.63%

LAB 77.38, -24.85, -23.7

 

CMYK 67 / 13 / 0 / 16

HEX #47BCD7

RGB 71 188 215

HSL 191.25, 0.64%, 0.56%

LAB 71.02, -24.19, -23.16

 

CMYK 72 / 13 / 0 / 23

HEX #36AAC4

RGB 54 170 196

HSL 190.99, 0.57%, 0.49%

LAB 64.58, -23.33, -22.57

 

CMYK 79 / 14 / 0 / 31

HEX #2598B1

RGB 37 152 177

HSL 190.71, 0.65%, 0.42%

LAB 58.06, -22.19, -21.91

 

CMYK 87 / 15 / 0 / 38

HEX #14869E

RGB 20 134 158

HSL 190.43, 0.78%, 0.35%

LAB 51.46, -20.66, -21.16

 

CMYK 63 / 12 / 0 / 8

HEX #57CEEA

RGB 87 206 234

HSL 191.43, 0.78%, 0.63%

LAB 77.35, -25.01, -23.75

 

CMYK 63 / 29 / 0 / 8

HEX #57A6EA

RGB 87 166 234

HSL 207.76, 0.78%, 0.63%

LAB 65.93, -3.82, -41.39

 

CMYK 63 / 46 / 0 / 8

HEX #577FEA

RGB 87 127 234

HSL 223.67, 0.78%, 0.63%

LAB 55.22, 19.12, -58.36

 

CMYK 63 / 63 / 0 / 8

HEX #5757EA

RGB 87 87 234

HSL 240, 0.78%, 0.63%

LAB 45.34, 43.5, -74.36

 

CMYK 46 / 63 / 0 / 8

HEX #7F57EA

RGB 127 87 234

HSL 256.33, 0.78%, 0.63%

LAB 48.6, 50.3, -68.91

 

CMYK 63 / 12 / 0 / 8

HEX #57CEEA

RGB 87 206 234

HSL 191.43, 0.78%, 0.63%

LAB 77.35, -25.01, -23.75

 

CMYK 63 / 29 / 0 / 8

HEX #57A6EA

RGB 87 166 234

HSL 207.76, 0.78%, 0.63%

LAB 65.93, -3.82, -41.39

 

CMYK 63 / 46 / 0 / 8

HEX #577FEA

RGB 87 127 234

HSL 223.67, 0.78%, 0.63%

LAB 55.22, 19.12, -58.36

 

CMYK 63 / 63 / 0 / 8

HEX #5757EA

RGB 87 87 234

HSL 240, 0.78%, 0.63%

LAB 45.34, 43.5, -74.36

 

CMYK 63 / 12 / 0 / 8

HEX #57CEEA

RGB 87 206 234

HSL 191.43, 0.78%, 0.63%

LAB 77.35, -25.01, -23.75

 

CMYK 71 / 14 / 0 / 2

HEX #48D7FA

RGB 72 215 250

HSL 191.8, 0.95%, 0.63%

LAB 80.11, -26.82, -28.1

 

CMYK 63 / 12 / 0 / 8

HEX #57CEEA

RGB 87 206 234

HSL 191.43, 0.78%, 0.63%

LAB 77.35, -25.01, -23.75

 

CMYK 53 / 10 / 0 / 14

HEX #66C5DB

RGB 102 197 219

HSL 191.28, 0.62%, 0.63%

LAB 74.74, -22.05, -19.58

 

CMYK 42 / 8 / 0 / 20

HEX #76BBCC

RGB 118 187 204

HSL 191.86, 0.46%, 0.63%

LAB 72.06, -17.35, -15.41

 

CMYK 29 / 5 / 0 / 26

HEX #85B2BC

RGB 133 178 188

HSL 190.91, 0.29%, 0.63%

LAB 69.79, -12.55, -9.96

 

CMYK 14 / 3 / 0 / 32

HEX #94A8AD

RGB 148 168 173

HSL 192, 0.13%, 0.63%

LAB 67.52, -5.89, -4.94

 

CMYK 63 / 0 / 22 / 8

HEX #57EAB7

RGB 87 234 183

HSL 159.18, 0.78%, 0.63%

LAB 84.12, -51, 13.33

 

CMYK 63 / 0 / 5 / 8

HEX #57EADE

RGB 87 234 222

HSL 175.1, 0.78%, 0.63%

LAB 85.07, -41.56, -5.77

 

CMYK 63 / 12 / 0 / 8

HEX #57CFEA

RGB 87 207 234

HSL 191.02, 0.78%, 0.63%

LAB 77.63, -25.51, -23.31

 

CMYK 63 / 28 / 0 / 8

HEX #57A8EA

RGB 87 168 234

HSL 206.94, 0.78%, 0.63%

LAB 66.5, -4.94, -40.5

 

CMYK 63 / 45 / 0 / 8

HEX #5781EA

RGB 87 129 234

HSL 222.86, 0.78%, 0.63%

LAB 55.75, 17.9, -57.51

 

CMYK 88 / 17 / 0 / 16

HEX #1AB1D5

RGB 26 177 213

HSL 191.55, 0.78%, 0.47%

LAB 66.88, -23.91, -28.49

 

CMYK 78 / 15 / 0 / 10

HEX #32C3E6

RGB 50 195 230

HSL 191.67, 0.78%, 0.55%

LAB 73.17, -25.58, -28.06

 

CMYK 63 / 12 / 0 / 8

HEX #57CEEA

RGB 87 206 234

HSL 191.43, 0.78%, 0.63%

LAB 77.35, -25.01, -23.75

 

CMYK 48 / 9 / 0 / 6

HEX #7CD9EF

RGB 124 217 239

HSL 191.48, 0.78%, 0.71%

LAB 81.92, -21.94, -19.36

 

CMYK 34 / 7 / 0 / 5

HEX #A0E3F3

RGB 160 227 243

HSL 191.57, 0.78%, 0.79%

LAB 86.45, -17.13, -14.5

 

CMYK 62 / 12 / 0 / 8

HEX #58CEEA

RGB 88 206 234

HSL 191.51, 0.78%, 0.63%

LAB 77.38, -24.85, -23.7

 

CMYK 39 / 63 / 0 / 8

HEX #8F57EA

RGB 143 87 234

HSL 262.86, 0.78%, 0.63%

LAB 50.21, 53.47, -66.22

 

CMYK 0 / 14 / 63 / 8

HEX #EACA57

RGB 234 202 87

HSL 46.94, 0.78%, 0.63%

LAB 82.07, -1.62, 59.95

 

CMYK 62 / 12 / 0 / 8

HEX #58CEEA

RGB 88 206 234

HSL 191.51, 0.78%, 0.63%

LAB 77.38, -24.85, -23.7

 

CMYK 0 / 63 / 12 / 8

HEX #EA57CF

RGB 234 87 207

HSL 311.02, 0.78%, 0.63%

LAB 60.62, 69.59, -33.7

 

CMYK 12 / 0 / 63 / 8

HEX #CFEA57

RGB 207 234 87

HSL 71.02, 0.78%, 0.63%

LAB 88.35, -28.45, 66.09

 

CMYK 62 / 12 / 0 / 8

HEX #58CEEA

RGB 88 206 234

HSL 191.51, 0.78%, 0.63%

LAB 77.38, -24.85, -23.7

 

CMYK 39 / 63 / 0 / 8

HEX #8F57EA

RGB 143 87 234

HSL 262.86, 0.78%, 0.63%

LAB 50.21, 53.47, -66.22

 

CMYK 0 / 51 / 63 / 8

HEX #EA7257

RGB 234 114 87

HSL 11.02, 0.78%, 0.63%

LAB 61.84, 44.32, 36.61

 

CMYK 24 / 0 / 63 / 8

HEX #B2EA57

RGB 178 234 87

HSL 82.86, 0.78%, 0.63%

LAB 86.5, -39.54, 63.56

 

CMYK 62 / 12 / 0 / 8

HEX #58CEEA

RGB 88 206 234

HSL 191.51, 0.78%, 0.63%

LAB 77.38, -24.85, -23.7

 

CMYK 20 / 63 / 0 / 8

HEX #BC57EA

RGB 188 87 234

HSL 281.22, 0.78%, 0.63%

LAB 55.53, 63.22, -57.38

 

CMYK 0 / 51 / 63 / 8

HEX #EA7257

RGB 234 114 87

HSL 11.02, 0.78%, 0.63%

LAB 61.84, 44.32, 36.61

 

CMYK 43 / 0 / 63 / 8

HEX #86EA57

RGB 134 234 87

HSL 100.82, 0.78%, 0.63%

LAB 84.28, -54.52, 60.49

 

Description

Color code: HEX #58CEEA | qconv.com Color code: HEX #58CEEA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 206 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 206 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 12 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 12% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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