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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58CCEB it is the complementary color #A73314. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58CCEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58CCEB shade: #5DCCE6, #6EDEF9, #7FF0FF, #90FFFF and #A1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58CCEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58CCEB shade: #58CCEB, #47BAD8, #36A8C5, #2596B2 and #14849F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58CCEB shade: #56CCEB, #56A4EB, #567BEB, #5956EB and #8156EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58CCEB shade: #56CCEB, #56A4EB, #567BEB and #5656EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58CCEB shade matches the following richer shades: #56CCEB and #47D5FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58CCEB shade: #56CCEB, #65C3DC, #75BACD, #84B1BD and #93A8AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58CCEB shade: #56EBB9, #56EBE1, #56CDEB, #56A6EB and #567EEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58CCEB shade: #19AED6, #31C1E7, #56CCEB, #7BD7F0 and #A0E2F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58CCEB shade: #58CCEB, #9256EB and #EBCD56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58CCEB shade: #58CCEB, #EB56CD and #CDEB56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58CCEB shade: #58CCEB, #9256EB, #EB7456 and #B0EB56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58CCEB shade: #58CCEB, #BE56EB, #EB7456 and #83EB56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 13 / 0 / 8

HEX #58CCEB

RGB 88 204 235

HSL 192.65, 0.79%, 0.63%

LAB 76.84, -23.55, -25.06

 

Complementary color

CMYK 0 / 69 / 88 / 35

HEX #A73314

RGB 167 51 20

HSL 12.65, 0.79%, 0.37%

LAB 38.96, 46.19, 43.75

 

CMYK 60 / 11 / 0 / 10

HEX #5DCCE6

RGB 93 204 230

HSL 191.39, 0.73%, 0.63%

LAB 76.82, -24.16, -22.39

 

CMYK 56 / 11 / 0 / 2

HEX #6EDEF9

RGB 110 222 249

HSL 191.65, 0.92%, 0.7%

LAB 83.12, -24.57, -22.88

 

CMYK 50 / 6 / 0 / 0

HEX #7FF0FF

RGB 127 240 255

HSL 187.03, 1%, 0.75%

LAB 88.95, -28.35, -17.18

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 63 / 13 / 0 / 8

HEX #58CCEB

RGB 88 204 235

HSL 192.65, 0.79%, 0.63%

LAB 76.84, -23.55, -25.06

 

CMYK 67 / 14 / 0 / 15

HEX #47BAD8

RGB 71 186 216

HSL 192.41, 0.65%, 0.56%

LAB 70.47, -22.87, -24.55

 

CMYK 73 / 15 / 0 / 23

HEX #36A8C5

RGB 54 168 197

HSL 192.17, 0.57%, 0.49%

LAB 64.02, -21.98, -23.99

 

CMYK 79 / 16 / 0 / 30

HEX #2596B2

RGB 37 150 178

HSL 191.91, 0.66%, 0.42%

LAB 57.48, -20.81, -23.36

 

CMYK 87 / 17 / 0 / 38

HEX #14849F

RGB 20 132 159

HSL 191.65, 0.78%, 0.35%

LAB 50.87, -19.24, -22.65

 

CMYK 63 / 13 / 0 / 8

HEX #56CCEB

RGB 86 204 235

HSL 192.48, 0.79%, 0.63%

LAB 76.78, -23.88, -25.16

 

CMYK 63 / 30 / 0 / 8

HEX #56A4EB

RGB 86 164 235

HSL 208.59, 0.79%, 0.63%

LAB 65.38, -2.54, -42.81

 

CMYK 63 / 48 / 0 / 8

HEX #567BEB

RGB 86 123 235

HSL 225.1, 0.79%, 0.63%

LAB 54.18, 21.73, -60.6

 

CMYK 62 / 63 / 0 / 8

HEX #5956EB

RGB 89 86 235

HSL 241.21, 0.79%, 0.63%

LAB 45.33, 44.7, -74.93

 

CMYK 45 / 63 / 0 / 8

HEX #8156EB

RGB 129 86 235

HSL 257.32, 0.79%, 0.63%

LAB 48.66, 51.49, -69.36

 

CMYK 63 / 13 / 0 / 8

HEX #56CCEB

RGB 86 204 235

HSL 192.48, 0.79%, 0.63%

LAB 76.78, -23.88, -25.16

 

CMYK 63 / 30 / 0 / 8

HEX #56A4EB

RGB 86 164 235

HSL 208.59, 0.79%, 0.63%

LAB 65.38, -2.54, -42.81

 

CMYK 63 / 48 / 0 / 8

HEX #567BEB

RGB 86 123 235

HSL 225.1, 0.79%, 0.63%

LAB 54.18, 21.73, -60.6

 

CMYK 63 / 63 / 0 / 8

HEX #5656EB

RGB 86 86 235

HSL 240, 0.79%, 0.63%

LAB 45.13, 44.27, -75.27

 

CMYK 63 / 13 / 0 / 8

HEX #56CCEB

RGB 86 204 235

HSL 192.48, 0.79%, 0.63%

LAB 76.78, -23.88, -25.16

 

CMYK 72 / 15 / 0 / 2

HEX #47D5FA

RGB 71 213 250

HSL 192.4, 0.95%, 0.63%

LAB 79.52, -25.96, -29.02

 

CMYK 63 / 13 / 0 / 8

HEX #56CCEB

RGB 86 204 235

HSL 192.48, 0.79%, 0.63%

LAB 76.78, -23.88, -25.16

 

CMYK 54 / 11 / 0 / 14

HEX #65C3DC

RGB 101 195 220

HSL 192.61, 0.63%, 0.63%

LAB 74.17, -20.95, -21

 

CMYK 43 / 9 / 0 / 20

HEX #75BACD

RGB 117 186 205

HSL 192.95, 0.47%, 0.63%

LAB 71.76, -16.81, -16.41

 

CMYK 30 / 6 / 0 / 26

HEX #84B1BD

RGB 132 177 189

HSL 192.63, 0.3%, 0.63%

LAB 69.49, -12.07, -10.97

 

CMYK 16 / 3 / 0 / 32

HEX #93A8AE

RGB 147 168 174

HSL 193.33, 0.14%, 0.63%

LAB 67.47, -6, -5.56

 

CMYK 63 / 0 / 21 / 8

HEX #56EBB9

RGB 86 235 185

HSL 159.87, 0.79%, 0.63%

LAB 84.43, -51.14, 12.73

 

CMYK 63 / 0 / 4 / 8

HEX #56EBE1

RGB 86 235 225

HSL 175.97, 0.79%, 0.63%

LAB 85.42, -41.38, -6.84

 

CMYK 63 / 13 / 0 / 8

HEX #56CDEB

RGB 86 205 235

HSL 192.08, 0.79%, 0.63%

LAB 77.06, -24.38, -24.72

 

CMYK 63 / 29 / 0 / 8

HEX #56A6EB

RGB 86 166 235

HSL 207.79, 0.79%, 0.63%

LAB 65.94, -3.67, -41.92

 

CMYK 63 / 46 / 0 / 8

HEX #567EEB

RGB 86 126 235

HSL 223.89, 0.79%, 0.63%

LAB 54.97, 19.9, -59.33

 

CMYK 88 / 19 / 0 / 16

HEX #19AED6

RGB 25 174 214

HSL 192.7, 0.79%, 0.47%

LAB 66.01, -22.08, -30.38

 

CMYK 79 / 16 / 0 / 9

HEX #31C1E7

RGB 49 193 231

HSL 192.53, 0.79%, 0.55%

LAB 72.6, -24.35, -29.47

 

CMYK 63 / 13 / 0 / 8

HEX #56CCEB

RGB 86 204 235

HSL 192.48, 0.79%, 0.63%

LAB 76.78, -23.88, -25.16

 

CMYK 49 / 10 / 0 / 6

HEX #7BD7F0

RGB 123 215 240

HSL 192.82, 0.8%, 0.71%

LAB 81.35, -20.89, -20.76

 

CMYK 34 / 7 / 0 / 4

HEX #A0E2F4

RGB 160 226 244

HSL 192.86, 0.79%, 0.79%

LAB 86.21, -16.39, -15.38

 

CMYK 63 / 13 / 0 / 8

HEX #58CCEB

RGB 88 204 235

HSL 192.65, 0.79%, 0.63%

LAB 76.84, -23.55, -25.06

 

CMYK 38 / 63 / 0 / 8

HEX #9256EB

RGB 146 86 235

HSL 264.16, 0.79%, 0.63%

LAB 50.41, 54.85, -66.44

 

CMYK 0 / 13 / 63 / 8

HEX #EBCD56

RGB 235 205 86

HSL 47.92, 0.79%, 0.63%

LAB 82.91, -2.8, 61.33

 

CMYK 63 / 13 / 0 / 8

HEX #58CCEB

RGB 88 204 235

HSL 192.65, 0.79%, 0.63%

LAB 76.84, -23.55, -25.06

 

CMYK 0 / 63 / 13 / 8

HEX #EB56CD

RGB 235 86 205

HSL 312.08, 0.79%, 0.63%

LAB 60.54, 69.94, -32.68

 

CMYK 13 / 0 / 63 / 8

HEX #CDEB56

RGB 205 235 86

HSL 72.08, 0.79%, 0.63%

LAB 88.48, -29.77, 66.59

 

CMYK 63 / 13 / 0 / 8

HEX #58CCEB

RGB 88 204 235

HSL 192.65, 0.79%, 0.63%

LAB 76.84, -23.55, -25.06

 

CMYK 38 / 63 / 0 / 8

HEX #9256EB

RGB 146 86 235

HSL 264.16, 0.79%, 0.63%

LAB 50.41, 54.85, -66.44

 

CMYK 0 / 51 / 63 / 8

HEX #EB7456

RGB 235 116 86

HSL 12.08, 0.79%, 0.63%

LAB 62.36, 43.64, 37.82

 

CMYK 25 / 0 / 63 / 8

HEX #B0EB56

RGB 176 235 86

HSL 83.76, 0.79%, 0.63%

LAB 86.66, -40.79, 64.1

 

CMYK 63 / 13 / 0 / 8

HEX #58CCEB

RGB 88 204 235

HSL 192.65, 0.79%, 0.63%

LAB 76.84, -23.55, -25.06

 

CMYK 19 / 63 / 0 / 8

HEX #BE56EB

RGB 190 86 235

HSL 281.88, 0.79%, 0.63%

LAB 55.69, 64.32, -57.67

 

CMYK 0 / 51 / 63 / 8

HEX #EB7456

RGB 235 116 86

HSL 12.08, 0.79%, 0.63%

LAB 62.36, 43.64, 37.82

 

CMYK 44 / 0 / 63 / 8

HEX #83EB56

RGB 131 235 86

HSL 101.88, 0.79%, 0.63%

LAB 84.44, -55.91, 61.05

 

Description

Color code: HEX #58CCEB | qconv.com Color code: HEX #58CCEB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 204 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 204 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 13 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 13% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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