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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58C4DB it is the complementary color #A73B24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58C4DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58C4DB shade: #5DC4D6, #6ED6E9, #7FE8FC, #90FAFF and #A1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58C4DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58C4DB shade: #58C4DB, #47B2C8, #36A0B5, #258EA2 and #147C8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58C4DB shade: #57C4DB, #57A0DB, #577DDB, #5759DB and #7857DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58C4DB shade: #57C4DB, #57A0DB, #577DDB, #5759DB and #5757DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58C4DB shade matches the following richer shades: #57C4DB, #46CFEC and #36D9FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58C4DB shade: #57C4DB, #67B9CB, #78AFBA, #88A4AA and #999999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58C4DB shade: #57DBAB, #57DBCE, #57C5DB, #57A2DB and #577EDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58C4DB shade: #279FB8, #35B8D4, #57C4DB, #79D0E3 and #9BDCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58C4DB shade: #58C4DB, #8757DB and #DBBC57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58C4DB shade: #58C4DB, #DB57C5 and #C5DB57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58C4DB shade: #58C4DB, #8757DB, #DB6D57 and #ABDB57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58C4DB shade: #58C4DB, #AF57DB, #DB6D57 and #83DB57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 11 / 0 / 14

HEX #58C4DB

RGB 88 196 219

HSL 190.53, 0.65%, 0.6%

LAB 73.98, -24.24, -20.79

 

Complementary color

CMYK 0 / 65 / 78 / 35

HEX #A73B24

RGB 167 59 36

HSL 10.53, 0.65%, 0.4%

LAB 40.36, 43.22, 37.15

 

CMYK 57 / 8 / 0 / 16

HEX #5DC4D6

RGB 93 196 214

HSL 188.93, 0.6%, 0.6%

LAB 73.97, -24.74, -18.07

 

CMYK 53 / 8 / 0 / 9

HEX #6ED6E9

RGB 110 214 233

HSL 189.27, 0.74%, 0.67%

LAB 80.34, -25.04, -18.6

 

CMYK 50 / 8 / 0 / 1

HEX #7FE8FC

RGB 127 232 252

HSL 189.6, 0.95%, 0.74%

LAB 86.63, -25.26, -19.1

 

CMYK 44 / 2 / 0 / 0

HEX #90FAFF

RGB 144 250 255

HSL 182.7, 1%, 0.78%

LAB 92.36, -29.44, -12

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 60 / 11 / 0 / 14

HEX #58C4DB

RGB 88 196 219

HSL 190.53, 0.65%, 0.6%

LAB 73.98, -24.24, -20.79

 

CMYK 65 / 11 / 0 / 22

HEX #47B2C8

RGB 71 178 200

HSL 190.23, 0.54%, 0.53%

LAB 67.54, -23.69, -20.23

 

CMYK 70 / 12 / 0 / 29

HEX #36A0B5

RGB 54 160 181

HSL 189.92, 0.54%, 0.46%

LAB 61.01, -22.95, -19.63

 

CMYK 77 / 12 / 0 / 36

HEX #258EA2

RGB 37 142 162

HSL 189.6, 0.63%, 0.39%

LAB 54.39, -21.95, -18.95

 

CMYK 86 / 13 / 0 / 44

HEX #147C8F

RGB 20 124 143

HSL 189.27, 0.75%, 0.32%

LAB 47.68, -20.54, -18.17

 

CMYK 60 / 11 / 0 / 14

HEX #57C4DB

RGB 87 196 219

HSL 190.45, 0.65%, 0.6%

LAB 73.95, -24.41, -20.84

 

CMYK 60 / 27 / 0 / 14

HEX #57A0DB

RGB 87 160 219

HSL 206.82, 0.65%, 0.6%

LAB 63.58, -5.28, -36.81

 

CMYK 60 / 43 / 0 / 14

HEX #577DDB

RGB 87 125 219

HSL 222.73, 0.65%, 0.6%

LAB 53.82, 15.29, -52.2

 

CMYK 60 / 59 / 0 / 14

HEX #5759DB

RGB 87 89 219

HSL 239.09, 0.65%, 0.6%

LAB 44.64, 37.44, -66.99

 

CMYK 45 / 60 / 0 / 14

HEX #7857DB

RGB 120 87 219

HSL 255, 0.65%, 0.6%

LAB 46.87, 44.76, -63.24

 

CMYK 60 / 11 / 0 / 14

HEX #57C4DB

RGB 87 196 219

HSL 190.45, 0.65%, 0.6%

LAB 73.95, -24.41, -20.84

 

CMYK 60 / 27 / 0 / 14

HEX #57A0DB

RGB 87 160 219

HSL 206.82, 0.65%, 0.6%

LAB 63.58, -5.28, -36.81

 

CMYK 60 / 43 / 0 / 14

HEX #577DDB

RGB 87 125 219

HSL 222.73, 0.65%, 0.6%

LAB 53.82, 15.29, -52.2

 

CMYK 60 / 59 / 0 / 14

HEX #5759DB

RGB 87 89 219

HSL 239.09, 0.65%, 0.6%

LAB 44.64, 37.44, -66.99

 

CMYK 60 / 60 / 0 / 14

HEX #5757DB

RGB 87 87 219

HSL 240, 0.65%, 0.6%

LAB 44.17, 38.65, -67.75

 

CMYK 60 / 11 / 0 / 14

HEX #57C4DB

RGB 87 196 219

HSL 190.45, 0.65%, 0.6%

LAB 73.95, -24.41, -20.84

 

CMYK 70 / 12 / 0 / 7

HEX #46CFEC

RGB 70 207 236

HSL 190.48, 0.81%, 0.6%

LAB 77.27, -27.4, -24.98

 

CMYK 79 / 14 / 0 / 1

HEX #36D9FC

RGB 54 217 252

HSL 190.61, 0.97%, 0.6%

LAB 80.43, -29.12, -28.72

 

CMYK 60 / 11 / 0 / 14

HEX #57C4DB

RGB 87 196 219

HSL 190.45, 0.65%, 0.6%

LAB 73.95, -24.41, -20.84

 

CMYK 49 / 9 / 0 / 20

HEX #67B9CB

RGB 103 185 203

HSL 190.8, 0.49%, 0.6%

LAB 70.8, -20.16, -16.84

 

CMYK 35 / 6 / 0 / 27

HEX #78AFBA

RGB 120 175 186

HSL 190, 0.32%, 0.6%

LAB 68.17, -15.17, -11.36

 

CMYK 20 / 4 / 0 / 33

HEX #88A4AA

RGB 136 164 170

HSL 190.59, 0.17%, 0.6%

LAB 65.5, -8.31, -6.33

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 60 / 0 / 22 / 14

HEX #57DBAB

RGB 87 219 171

HSL 158.18, 0.65%, 0.6%

LAB 79.4, -47.41, 12.98

 

CMYK 60 / 0 / 6 / 14

HEX #57DBCE

RGB 87 219 206

HSL 174.09, 0.65%, 0.6%

LAB 80.26, -38.97, -4.39

 

CMYK 60 / 10 / 0 / 14

HEX #57C5DB

RGB 87 197 219

HSL 190, 0.65%, 0.6%

LAB 74.24, -24.91, -20.4

 

CMYK 60 / 26 / 0 / 14

HEX #57A2DB

RGB 87 162 219

HSL 205.91, 0.65%, 0.6%

LAB 64.15, -6.4, -35.92

 

CMYK 60 / 42 / 0 / 14

HEX #577EDB

RGB 87 126 219

HSL 222.27, 0.65%, 0.6%

LAB 54.09, 14.68, -51.77

 

CMYK 79 / 14 / 0 / 28

HEX #279FB8

RGB 39 159 184

HSL 190.34, 0.65%, 0.44%

LAB 60.51, -23.3, -22.12

 

CMYK 75 / 13 / 0 / 17

HEX #35B8D4

RGB 53 184 212

HSL 190.57, 0.65%, 0.52%

LAB 69.32, -25.48, -24.15

 

CMYK 60 / 11 / 0 / 14

HEX #57C4DB

RGB 87 196 219

HSL 190.45, 0.65%, 0.6%

LAB 73.95, -24.41, -20.84

 

CMYK 47 / 8 / 0 / 11

HEX #79D0E3

RGB 121 208 227

HSL 190.75, 0.65%, 0.68%

LAB 78.88, -21.29, -17.56

 

CMYK 34 / 6 / 0 / 8

HEX #9BDCEA

RGB 155 220 234

HSL 190.63, 0.65%, 0.76%

LAB 84.02, -17.08, -13.41

 

CMYK 60 / 11 / 0 / 14

HEX #58C4DB

RGB 88 196 219

HSL 190.53, 0.65%, 0.6%

LAB 73.98, -24.24, -20.79

 

CMYK 38 / 60 / 0 / 14

HEX #8757DB

RGB 135 87 219

HSL 261.82, 0.65%, 0.6%

LAB 48.36, 47.92, -60.76

 

CMYK 0 / 14 / 60 / 14

HEX #DBBC57

RGB 219 188 87

HSL 45.91, 0.65%, 0.6%

LAB 77.11, -0.64, 54.08

 

CMYK 60 / 11 / 0 / 14

HEX #58C4DB

RGB 88 196 219

HSL 190.53, 0.65%, 0.6%

LAB 73.98, -24.24, -20.79

 

CMYK 0 / 60 / 10 / 14

HEX #DB57C5

RGB 219 87 197

HSL 310, 0.65%, 0.6%

LAB 57.95, 64.19, -32.33

 

CMYK 10 / 0 / 60 / 14

HEX #C5DB57

RGB 197 219 87

HSL 70, 0.65%, 0.6%

LAB 83.56, -25.3, 60.72

 

CMYK 60 / 11 / 0 / 14

HEX #58C4DB

RGB 88 196 219

HSL 190.53, 0.65%, 0.6%

LAB 73.98, -24.24, -20.79

 

CMYK 38 / 60 / 0 / 14

HEX #8757DB

RGB 135 87 219

HSL 261.82, 0.65%, 0.6%

LAB 48.36, 47.92, -60.76

 

CMYK 0 / 50 / 60 / 14

HEX #DB6D57

RGB 219 109 87

HSL 10, 0.65%, 0.6%

LAB 58.68, 41.2, 32.21

 

CMYK 22 / 0 / 60 / 14

HEX #ABDB57

RGB 171 219 87

HSL 81.82, 0.65%, 0.6%

LAB 81.84, -35.4, 58.35

 

CMYK 60 / 11 / 0 / 14

HEX #58C4DB

RGB 88 196 219

HSL 190.53, 0.65%, 0.6%

LAB 73.98, -24.24, -20.79

 

CMYK 20 / 60 / 0 / 14

HEX #AF57DB

RGB 175 87 219

HSL 280, 0.65%, 0.6%

LAB 53, 57.09, -53.07

 

CMYK 0 / 50 / 60 / 14

HEX #DB6D57

RGB 219 109 87

HSL 10, 0.65%, 0.6%

LAB 58.68, 41.2, 32.21

 

CMYK 40 / 0 / 60 / 14

HEX #83DB57

RGB 131 219 87

HSL 100, 0.65%, 0.6%

LAB 79.71, -49.42, 55.38

 

Description

Color code: HEX #58C4DB | qconv.com Color code: HEX #58C4DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 196 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 196 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 11 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 11% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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