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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58C201 it is the complementary color #A73DFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58C201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58C201 shade: #5DC200, #6ED40F, #7FE622, #90F835 and #A1FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58C201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58C201 shade: #58C201, #47B000, #369E00, #258C00 and #147A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58C201 shade: #57C101, #8BC101, #BFC101, #C18F01 and #C15B01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58C201 shade: #57C101, #24C101, #01C112, #01C146 and #01C179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58C201 shade matches the following richer shades: #57C101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58C201 shade: #57C101, #59B111, #5BA120, #5C9230 and #5E8240

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58C201 shade: #C1C101, #8EC101, #5BC101, #27C101 and #01C10E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58C201 shade: #326F01, #459801, #57C101, #6AEA01 and #7FFE16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58C201 shade: #58C201, #01C18E and #C101A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58C201 shade: #58C201, #015BC1 and #C1015B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58C201 shade: #58C201, #01C18E, #6701C1 and #C10134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58C201 shade: #58C201, #01BAC1, #6701C1 and #C10701

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 99 / 24

HEX #58C201

RGB 88 194 1

HSL 92.95, 0.99%, 0.38%

LAB 69.94, -57.4, 69.41

 

Complementary color

CMYK 34 / 76 / 0 / 0

HEX #A73DFE

RGB 167 61 254

HSL 272.95, 0.99%, 0.62%

LAB 50.34, 74.09, -77.06

 

CMYK 52 / 0 / 100 / 24

HEX #5DC200

RGB 93 194 0

HSL 91.24, 1%, 0.38%

LAB 70.11, -56, 69.74

 

CMYK 48 / 0 / 93 / 17

HEX #6ED40F

RGB 110 212 15

HSL 91.07, 0.87%, 0.45%

LAB 76.34, -57.34, 73.38

 

CMYK 45 / 0 / 85 / 10

HEX #7FE622

RGB 127 230 34

HSL 91.53, 0.8%, 0.52%

LAB 82.5, -58.37, 75.66

 

CMYK 42 / 0 / 79 / 3

HEX #90F835

RGB 144 248 53

HSL 92, 0.93%, 0.59%

LAB 88.6, -59.12, 76.8

 

CMYK 37 / 0 / 72 / 0

HEX #A1FF48

RGB 161 255 72

HSL 90.82, 1%, 0.64%

LAB 91.49, -55.36, 74.02

 

CMYK 55 / 0 / 99 / 24

HEX #58C201

RGB 88 194 1

HSL 92.95, 0.99%, 0.38%

LAB 69.94, -57.4, 69.41

 

CMYK 60 / 0 / 100 / 31

HEX #47B000

RGB 71 176 0

HSL 95.8, 1%, 0.35%

LAB 63.66, -55.59, 64.34

 

CMYK 66 / 0 / 100 / 38

HEX #369E00

RGB 54 158 0

HSL 99.49, 1%, 0.31%

LAB 57.31, -53.51, 59.1

 

CMYK 74 / 0 / 100 / 45

HEX #258C00

RGB 37 140 0

HSL 104.14, 1%, 0.27%

LAB 50.86, -51.05, 53.81

 

CMYK 84 / 0 / 100 / 52

HEX #147A00

RGB 20 122 0

HSL 110.16, 1%, 0.24%

LAB 44.33, -48.01, 48.46

 

CMYK 55 / 0 / 99 / 24

HEX #57C101

RGB 87 193 1

HSL 93.13, 0.99%, 0.38%

LAB 69.59, -57.31, 69.12

 

CMYK 28 / 0 / 99 / 24

HEX #8BC101

RGB 139 193 1

HSL 76.88, 0.99%, 0.38%

LAB 71.98, -39.85, 72.02

 

CMYK 1 / 0 / 99 / 24

HEX #BFC101

RGB 191 193 1

HSL 60.63, 0.99%, 0.38%

LAB 75.59, -18.33, 76.32

 

CMYK 0 / 26 / 99 / 24

HEX #C18F01

RGB 193 143 1

HSL 44.38, 0.99%, 0.38%

LAB 62.49, 8.84, 67.06

 

CMYK 0 / 53 / 99 / 24

HEX #C15B01

RGB 193 91 1

HSL 28.13, 0.99%, 0.38%

LAB 50.48, 36.94, 59.29

 

CMYK 55 / 0 / 99 / 24

HEX #57C101

RGB 87 193 1

HSL 93.13, 0.99%, 0.38%

LAB 69.59, -57.31, 69.12

 

CMYK 81 / 0 / 99 / 24

HEX #24C101

RGB 36 193 1

HSL 109.06, 0.99%, 0.38%

LAB 68.4, -67.38, 67.68

 

CMYK 99 / 0 / 91 / 24

HEX #01C112

RGB 1 193 18

HSL 125.31, 0.99%, 0.38%

LAB 68.16, -69.43, 65.24

 

CMYK 99 / 0 / 64 / 24

HEX #01C146

RGB 1 193 70

HSL 141.56, 0.99%, 0.38%

LAB 68.45, -65.69, 49.24

 

CMYK 99 / 0 / 37 / 24

HEX #01C179

RGB 1 193 121

HSL 157.5, 0.99%, 0.38%

LAB 69.13, -57.49, 25.08

 

CMYK 55 / 0 / 99 / 24

HEX #57C101

RGB 87 193 1

HSL 93.13, 0.99%, 0.38%

LAB 69.59, -57.31, 69.12

 

CMYK 55 / 0 / 99 / 24

HEX #57C101

RGB 87 193 1

HSL 93.13, 0.99%, 0.38%

LAB 69.59, -57.31, 69.12

 

CMYK 50 / 0 / 90 / 31

HEX #59B111

RGB 89 177 17

HSL 93, 0.82%, 0.38%

LAB 64.65, -50.52, 63.09

 

CMYK 43 / 0 / 80 / 37

HEX #5BA120

RGB 91 161 32

HSL 92.56, 0.67%, 0.38%

LAB 59.72, -42.93, 55.21

 

CMYK 37 / 0 / 67 / 43

HEX #5C9230

RGB 92 146 48

HSL 93.06, 0.51%, 0.38%

LAB 55.12, -35, 44.69

 

CMYK 28 / 0 / 51 / 49

HEX #5E8240

RGB 94 130 64

HSL 92.73, 0.34%, 0.38%

LAB 50.35, -24.97, 31.51

 

CMYK 0 / 0 / 99 / 24

HEX #C1C101

RGB 193 193 1

HSL 60, 0.99%, 0.38%

LAB 75.75, -17.47, 76.52

 

CMYK 26 / 0 / 99 / 24

HEX #8EC101

RGB 142 193 1

HSL 75.94, 0.99%, 0.38%

LAB 72.16, -38.68, 72.23

 

CMYK 53 / 0 / 99 / 24

HEX #5BC101

RGB 91 193 1

HSL 91.88, 0.99%, 0.38%

LAB 69.73, -56.2, 69.3

 

CMYK 80 / 0 / 99 / 24

HEX #27C101

RGB 39 193 1

HSL 108.13, 0.99%, 0.38%

LAB 68.44, -67.01, 67.73

 

CMYK 99 / 0 / 93 / 24

HEX #01C10E

RGB 1 193 14

HSL 124.06, 0.99%, 0.38%

LAB 68.15, -69.54, 65.84

 

CMYK 55 / 0 / 99 / 56

HEX #326F01

RGB 50 111 1

HSL 93.27, 0.98%, 0.22%

LAB 41.29, -37.32, 46.14

 

CMYK 55 / 0 / 99 / 40

HEX #459801

RGB 69 152 1

HSL 92.98, 0.99%, 0.3%

LAB 55.81, -47.45, 57.96

 

CMYK 55 / 0 / 99 / 24

HEX #57C101

RGB 87 193 1

HSL 93.13, 0.99%, 0.38%

LAB 69.59, -57.31, 69.12

 

CMYK 55 / 0 / 100 / 8

HEX #6AEA01

RGB 106 234 1

HSL 92.96, 0.99%, 0.46%

LAB 82.87, -66.5, 79.88

 

CMYK 50 / 0 / 91 / 0

HEX #7FFE16

RGB 127 254 22

HSL 92.84, 0.99%, 0.54%

LAB 89.61, -67.41, 83.63

 

CMYK 55 / 0 / 99 / 24

HEX #58C201

RGB 88 194 1

HSL 92.95, 0.99%, 0.38%

LAB 69.94, -57.4, 69.41

 

CMYK 99 / 0 / 26 / 24

HEX #01C18E

RGB 1 193 142

HSL 164.06, 0.99%, 0.38%

LAB 69.54, -52.83, 14.42

 

CMYK 0 / 99 / 13 / 24

HEX #C101A7

RGB 193 1 167

HSL 308.13, 0.99%, 0.38%

LAB 44.45, 75.98, -36.3

 

CMYK 55 / 0 / 99 / 24

HEX #58C201

RGB 88 194 1

HSL 92.95, 0.99%, 0.38%

LAB 69.94, -57.4, 69.41

 

CMYK 99 / 53 / 0 / 24

HEX #015BC1

RGB 1 91 193

HSL 211.88, 0.99%, 0.38%

LAB 40.15, 18.09, -59.46

 

CMYK 0 / 99 / 53 / 24

HEX #C1015B

RGB 193 1 91

HSL 331.88, 0.99%, 0.38%

LAB 41.4, 68.15, 5.88

 

CMYK 55 / 0 / 99 / 24

HEX #58C201

RGB 88 194 1

HSL 92.95, 0.99%, 0.38%

LAB 69.94, -57.4, 69.41

 

CMYK 99 / 0 / 26 / 24

HEX #01C18E

RGB 1 193 142

HSL 164.06, 0.99%, 0.38%

LAB 69.54, -52.83, 14.42

 

CMYK 47 / 99 / 0 / 24

HEX #6701C1

RGB 103 1 193

HSL 271.88, 0.99%, 0.38%

LAB 31.24, 67.94, -73.82

 

CMYK 0 / 99 / 73 / 24

HEX #C10134

RGB 193 1 52

HSL 344.06, 0.99%, 0.38%

LAB 40.58, 65.97, 29.47

 

CMYK 55 / 0 / 99 / 24

HEX #58C201

RGB 88 194 1

HSL 92.95, 0.99%, 0.38%

LAB 69.94, -57.4, 69.41

 

CMYK 99 / 4 / 0 / 24

HEX #01BAC1

RGB 1 186 193

HSL 182.19, 0.99%, 0.38%

LAB 68.73, -35.75, -14.66

 

CMYK 47 / 99 / 0 / 24

HEX #6701C1

RGB 103 1 193

HSL 271.88, 0.99%, 0.38%

LAB 31.24, 67.94, -73.82

 

CMYK 0 / 96 / 99 / 24

HEX #C10701

RGB 193 7 1

HSL 1.88, 0.99%, 0.38%

LAB 40.4, 64.25, 54.22

 

Description

Color code: HEX #58C201 | qconv.com Color code: HEX #58C201 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 194 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 194 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 99 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 99% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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