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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58B222 it is the complementary color #A74DDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58B222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58B222 shade: #5DB21D, #6EC430, #7FD643, #90E856 and #A1FA69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58B222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58B222 shade: #58B222, #47A00F, #368E00, #257C00 and #146A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58B222 shade: #59B422, #80B422, #A7B422, #B49922 and #B47222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58B222 shade: #59B422, #32B422, #22B43A, #22B461 and #22B489

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58B222 shade matches the following richer shades: #59B422 and #55C511

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58B222 shade: #59B422, #5DA334, #629145, #668056 and #6A6F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58B222 shade: #A8B422, #81B422, #5AB422, #33B422 and #22B438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58B222 shade: #376F15, #48911C, #59B422, #6AD629 and #82DD4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58B222 shade: #58B222, #22B499 and #B42294

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58B222 shade: #58B222, #225AB4 and #B4225A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58B222 shade: #58B222, #22B499, #7C22B4 and #B4223D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58B222 shade: #58B222, #22A3B4, #7C22B4 and #B43322

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 81 / 30

HEX #58B222

RGB 88 178 34

HSL 97.5, 0.68%, 0.42%

LAB 64.99, -50.53, 59.45

 

Complementary color

CMYK 24 / 65 / 0 / 13

HEX #A74DDD

RGB 167 77 221

HSL 277.5, 0.68%, 0.58%

LAB 50.39, 60.38, -58.45

 

CMYK 48 / 0 / 84 / 30

HEX #5DB21D

RGB 93 178 29

HSL 94.23, 0.72%, 0.41%

LAB 65.17, -49.24, 61.04

 

CMYK 44 / 0 / 76 / 23

HEX #6EC430

RGB 110 196 48

HSL 94.86, 0.61%, 0.48%

LAB 71.56, -49.94, 61.67

 

CMYK 41 / 0 / 69 / 16

HEX #7FD643

RGB 127 214 67

HSL 95.51, 0.64%, 0.55%

LAB 77.88, -50.38, 61.5

 

CMYK 38 / 0 / 63 / 9

HEX #90E856

RGB 144 232 86

HSL 96.16, 0.76%, 0.62%

LAB 84.13, -50.64, 60.87

 

CMYK 36 / 0 / 58 / 2

HEX #A1FA69

RGB 161 250 105

HSL 96.83, 0.94%, 0.7%

LAB 90.31, -50.77, 59.99

 

CMYK 51 / 0 / 81 / 30

HEX #58B222

RGB 88 178 34

HSL 97.5, 0.68%, 0.42%

LAB 64.99, -50.53, 59.45

 

CMYK 56 / 0 / 91 / 37

HEX #47A00F

RGB 71 160 15

HSL 96.83, 0.83%, 0.34%

LAB 58.52, -49.49, 58

 

CMYK 62 / 0 / 100 / 44

HEX #368E00

RGB 54 142 0

HSL 97.18, 1%, 0.28%

LAB 51.98, -47.95, 54.89

 

CMYK 70 / 0 / 100 / 51

HEX #257C00

RGB 37 124 0

HSL 102.1, 1%, 0.24%

LAB 45.37, -45.68, 49.44

 

CMYK 81 / 0 / 100 / 58

HEX #146A00

RGB 20 106 0

HSL 108.68, 1%, 0.21%

LAB 38.65, -42.84, 43.93

 

CMYK 51 / 0 / 81 / 29

HEX #59B422

RGB 89 180 34

HSL 97.4, 0.68%, 0.42%

LAB 65.66, -51, 60.08

 

CMYK 29 / 0 / 81 / 29

HEX #80B422

RGB 128 180 34

HSL 81.37, 0.68%, 0.42%

LAB 67.54, -37.54, 62.49

 

CMYK 7 / 0 / 81 / 29

HEX #A7B422

RGB 167 180 34

HSL 65.34, 0.68%, 0.42%

LAB 70.16, -21.56, 65.82

 

CMYK 0 / 15 / 81 / 29

HEX #B49922

RGB 180 153 34

HSL 48.9, 0.68%, 0.42%

LAB 63.84, -1.8, 60.71

 

CMYK 0 / 37 / 81 / 29

HEX #B47222

RGB 180 114 34

HSL 32.88, 0.68%, 0.42%

LAB 53.87, 19.74, 51.8

 

CMYK 51 / 0 / 81 / 29

HEX #59B422

RGB 89 180 34

HSL 97.4, 0.68%, 0.42%

LAB 65.66, -51, 60.08

 

CMYK 72 / 0 / 81 / 29

HEX #32B422

RGB 50 180 34

HSL 113.42, 0.68%, 0.42%

LAB 64.51, -60.3, 58.61

 

CMYK 81 / 0 / 68 / 29

HEX #22B43A

RGB 34 180 58

HSL 129.86, 0.68%, 0.42%

LAB 64.39, -60.76, 49.93

 

CMYK 81 / 0 / 46 / 29

HEX #22B461

RGB 34 180 97

HSL 145.89, 0.68%, 0.42%

LAB 64.84, -55.38, 32.04

 

CMYK 81 / 0 / 24 / 29

HEX #22B489

RGB 34 180 137

HSL 162.33, 0.68%, 0.42%

LAB 65.58, -47.02, 11.62

 

CMYK 51 / 0 / 81 / 29

HEX #59B422

RGB 89 180 34

HSL 97.4, 0.68%, 0.42%

LAB 65.66, -51, 60.08

 

CMYK 57 / 0 / 91 / 23

HEX #55C511

RGB 85 197 17

HSL 97.33, 0.84%, 0.42%

LAB 70.8, -58.95, 68.18

 

CMYK 51 / 0 / 81 / 29

HEX #59B422

RGB 89 180 34

HSL 97.4, 0.68%, 0.42%

LAB 65.66, -51, 60.08

 

CMYK 43 / 0 / 68 / 36

HEX #5DA334

RGB 93 163 52

HSL 97.84, 0.52%, 0.42%

LAB 60.58, -41.72, 48.82

 

CMYK 32 / 0 / 52 / 43

HEX #629145

RGB 98 145 69

HSL 97.11, 0.36%, 0.42%

LAB 55.36, -30.14, 35.05

 

CMYK 20 / 0 / 33 / 50

HEX #668056

RGB 102 128 86

HSL 97.14, 0.2%, 0.42%

LAB 50.61, -17.65, 19.83

 

CMYK 5 / 0 / 6 / 56

HEX #6A6F68

RGB 106 111 104

HSL 102.86, 0.03%, 0.42%

LAB 46.22, -3.34, 3.23

 

CMYK 7 / 0 / 81 / 29

HEX #A8B422

RGB 168 180 34

HSL 64.93, 0.68%, 0.42%

LAB 70.23, -21.14, 65.91

 

CMYK 28 / 0 / 81 / 29

HEX #81B422

RGB 129 180 34

HSL 80.96, 0.68%, 0.42%

LAB 67.59, -37.15, 62.57

 

CMYK 50 / 0 / 81 / 29

HEX #5AB422

RGB 90 180 34

HSL 96.99, 0.68%, 0.42%

LAB 65.7, -50.7, 60.13

 

CMYK 72 / 0 / 81 / 29

HEX #33B422

RGB 51 180 34

HSL 113.01, 0.68%, 0.42%

LAB 64.53, -60.13, 58.64

 

CMYK 81 / 0 / 69 / 29

HEX #22B438

RGB 34 180 56

HSL 129.04, 0.68%, 0.42%

LAB 64.38, -60.95, 50.72

 

CMYK 50 / 0 / 81 / 56

HEX #376F15

RGB 55 111 21

HSL 97.33, 0.68%, 0.26%

LAB 41.59, -34.77, 41.1

 

CMYK 50 / 0 / 81 / 43

HEX #48911C

RGB 72 145 28

HSL 97.44, 0.68%, 0.34%

LAB 53.72, -42.85, 50.53

 

CMYK 51 / 0 / 81 / 29

HEX #59B422

RGB 89 180 34

HSL 97.4, 0.68%, 0.42%

LAB 65.66, -51, 60.08

 

CMYK 50 / 0 / 81 / 16

HEX #6AD629

RGB 106 214 41

HSL 97.46, 0.68%, 0.5%

LAB 76.87, -58.4, 68.7

 

CMYK 41 / 0 / 66 / 13

HEX #82DD4C

RGB 130 221 76

HSL 97.66, 0.68%, 0.58%

LAB 80.17, -51.53, 60.45

 

CMYK 51 / 0 / 81 / 30

HEX #58B222

RGB 88 178 34

HSL 97.5, 0.68%, 0.42%

LAB 64.99, -50.53, 59.45

 

CMYK 81 / 0 / 15 / 29

HEX #22B499

RGB 34 180 153

HSL 168.9, 0.68%, 0.42%

LAB 65.97, -42.95, 3.35

 

CMYK 0 / 81 / 18 / 29

HEX #B42294

RGB 180 34 148

HSL 313.15, 0.68%, 0.42%

LAB 42.74, 66.05, -27.73

 

CMYK 51 / 0 / 81 / 30

HEX #58B222

RGB 88 178 34

HSL 97.5, 0.68%, 0.42%

LAB 64.99, -50.53, 59.45

 

CMYK 81 / 50 / 0 / 29

HEX #225AB4

RGB 34 90 180

HSL 216.99, 0.68%, 0.42%

LAB 39.49, 15.44, -52.89

 

CMYK 0 / 81 / 50 / 29

HEX #B4225A

RGB 180 34 90

HSL 336.99, 0.68%, 0.42%

LAB 40.55, 59.67, 4.95

 

CMYK 51 / 0 / 81 / 30

HEX #58B222

RGB 88 178 34

HSL 97.5, 0.68%, 0.42%

LAB 64.99, -50.53, 59.45

 

CMYK 81 / 0 / 15 / 29

HEX #22B499

RGB 34 180 153

HSL 168.9, 0.68%, 0.42%

LAB 65.97, -42.95, 3.35

 

CMYK 31 / 81 / 0 / 29

HEX #7C22B4

RGB 124 34 180

HSL 276.99, 0.68%, 0.42%

LAB 35.45, 60.63, -59.12

 

CMYK 0 / 81 / 66 / 29

HEX #B4223D

RGB 180 34 61

HSL 348.9, 0.68%, 0.42%

LAB 39.89, 57.66, 22.4

 

CMYK 51 / 0 / 81 / 30

HEX #58B222

RGB 88 178 34

HSL 97.5, 0.68%, 0.42%

LAB 64.99, -50.53, 59.45

 

CMYK 81 / 9 / 0 / 29

HEX #22A3B4

RGB 34 163 180

HSL 186.99, 0.68%, 0.42%

LAB 61.51, -27.11, -18.35

 

CMYK 31 / 81 / 0 / 29

HEX #7C22B4

RGB 124 34 180

HSL 276.99, 0.68%, 0.42%

LAB 35.45, 60.63, -59.12

 

CMYK 0 / 72 / 81 / 29

HEX #B43322

RGB 180 51 34

HSL 6.99, 0.68%, 0.42%

LAB 41.51, 50.96, 40.15

 

Description

Color code: HEX #58B222 | qconv.com Color code: HEX #58B222 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 178 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 178 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 81 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 81% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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