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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58AE1F it is the complementary color #A751E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58AE1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58AE1F shade: #5DAE1A, #6EC02D, #7FD240, #90E453 and #A1F666

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58AE1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58AE1F shade: #58AE1F, #479C0C, #368A00, #257800 and #146600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58AE1F shade: #58AD1F, #7EAD1F, #A5AD1F, #AD901F and #AD691F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58AE1F shade: #58AD1F, #31AD1F, #1FAD33, #1FAD59 and #1FAD80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58AE1F shade matches the following richer shades: #58AD1F and #54BE0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58AE1F shade: #58AD1F, #5B9D2F, #5E8C40, #627C50 and #656B61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58AE1F shade: #A4AD1F, #7EAD1F, #58AD1F, #32AD1F and #1FAD32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58AE1F shade: #346712, #468A18, #58AD1F, #69D025 and #7FDD41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58AE1F shade: #58AE1F, #1FAD91 and #AD1F91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58AE1F shade: #58AE1F, #1F58AD and #AD1F58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58AE1F shade: #58AE1F, #1FAD91, #741FAD and #AD1F3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58AE1F shade: #58AE1F, #1F9FAD, #741FAD and #AD2D1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 82 / 32

HEX #58AE1F

RGB 88 174 31

HSL 96.08, 0.7%, 0.4%

LAB 63.71, -49.15, 59.12

 

Complementary color

CMYK 25 / 64 / 0 / 12

HEX #A751E0

RGB 167 81 224

HSL 276.08, 0.7%, 0.6%

LAB 51.25, 59.18, -58.76

 

CMYK 47 / 0 / 85 / 32

HEX #5DAE1A

RGB 93 174 26

HSL 92.84, 0.74%, 0.39%

LAB 63.9, -47.8, 60.65

 

CMYK 43 / 0 / 77 / 25

HEX #6EC02D

RGB 110 192 45

HSL 93.47, 0.62%, 0.46%

LAB 70.32, -48.52, 61.45

 

CMYK 40 / 0 / 70 / 18

HEX #7FD240

RGB 127 210 64

HSL 94.11, 0.62%, 0.54%

LAB 76.66, -48.97, 61.37

 

CMYK 37 / 0 / 64 / 11

HEX #90E453

RGB 144 228 83

HSL 94.76, 0.73%, 0.61%

LAB 82.94, -49.25, 60.8

 

CMYK 35 / 0 / 59 / 4

HEX #A1F666

RGB 161 246 102

HSL 95.42, 0.89%, 0.68%

LAB 89.13, -49.4, 59.95

 

CMYK 49 / 0 / 82 / 32

HEX #58AE1F

RGB 88 174 31

HSL 96.08, 0.7%, 0.4%

LAB 63.71, -49.15, 59.12

 

CMYK 54 / 0 / 92 / 39

HEX #479C0C

RGB 71 156 12

HSL 95.42, 0.86%, 0.33%

LAB 57.21, -48.09, 57.42

 

CMYK 61 / 0 / 100 / 46

HEX #368A00

RGB 54 138 0

HSL 96.52, 1%, 0.27%

LAB 50.64, -46.5, 53.82

 

CMYK 69 / 0 / 100 / 53

HEX #257800

RGB 37 120 0

HSL 101.5, 1%, 0.24%

LAB 43.98, -44.28, 48.34

 

CMYK 80 / 0 / 100 / 60

HEX #146600

RGB 20 102 0

HSL 108.24, 1%, 0.2%

LAB 37.21, -41.51, 42.78

 

CMYK 49 / 0 / 82 / 32

HEX #58AD1F

RGB 88 173 31

HSL 95.92, 0.7%, 0.4%

LAB 63.39, -48.76, 58.83

 

CMYK 27 / 0 / 82 / 32

HEX #7EAD1F

RGB 126 173 31

HSL 79.86, 0.7%, 0.4%

LAB 65.3, -35.29, 61.26

 

CMYK 5 / 0 / 82 / 32

HEX #A5AD1F

RGB 165 173 31

HSL 63.38, 0.7%, 0.4%

LAB 68.01, -19.02, 64.69

 

CMYK 0 / 17 / 82 / 32

HEX #AD901F

RGB 173 144 31

HSL 47.75, 0.7%, 0.4%

LAB 60.72, -0.17, 58.64

 

CMYK 0 / 39 / 82 / 32

HEX #AD691F

RGB 173 105 31

HSL 31.27, 0.7%, 0.4%

LAB 50.79, 21.57, 49.83

 

CMYK 49 / 0 / 82 / 32

HEX #58AD1F

RGB 88 173 31

HSL 95.92, 0.7%, 0.4%

LAB 63.39, -48.76, 58.83

 

CMYK 72 / 0 / 82 / 32

HEX #31AD1F

RGB 49 173 31

HSL 112.39, 0.7%, 0.4%

LAB 62.2, -58.39, 57.3

 

CMYK 82 / 0 / 71 / 32

HEX #1FAD33

RGB 31 173 51

HSL 128.45, 0.7%, 0.4%

LAB 62.01, -59.58, 50.2

 

CMYK 82 / 0 / 49 / 32

HEX #1FAD59

RGB 31 173 89

HSL 144.51, 0.7%, 0.4%

LAB 62.42, -54.6, 33.07

 

CMYK 82 / 0 / 26 / 32

HEX #1FAD80

RGB 31 173 128

HSL 160.99, 0.7%, 0.4%

LAB 63.12, -46.64, 13.1

 

CMYK 49 / 0 / 82 / 32

HEX #58AD1F

RGB 88 173 31

HSL 95.92, 0.7%, 0.4%

LAB 63.39, -48.76, 58.83

 

CMYK 56 / 0 / 93 / 25

HEX #54BE0E

RGB 84 190 14

HSL 96.14, 0.86%, 0.4%

LAB 68.57, -56.82, 66.74

 

CMYK 49 / 0 / 82 / 32

HEX #58AD1F

RGB 88 173 31

HSL 95.92, 0.7%, 0.4%

LAB 63.39, -48.76, 58.83

 

CMYK 42 / 0 / 70 / 38

HEX #5B9D2F

RGB 91 157 47

HSL 96, 0.54%, 0.4%

LAB 58.55, -40.26, 48.71

 

CMYK 33 / 0 / 54 / 45

HEX #5E8C40

RGB 94 140 64

HSL 96.32, 0.37%, 0.4%

LAB 53.5, -29.85, 35.31

 

CMYK 21 / 0 / 35 / 51

HEX #627C50

RGB 98 124 80

HSL 95.45, 0.22%, 0.4%

LAB 49, -18.05, 21.04

 

CMYK 6 / 0 / 9 / 58

HEX #656B61

RGB 101 107 97

HSL 96, 0.05%, 0.4%

LAB 44.44, -4.35, 4.81

 

CMYK 5 / 0 / 82 / 32

HEX #A4AD1F

RGB 164 173 31

HSL 63.8, 0.7%, 0.4%

LAB 67.93, -19.46, 64.59

 

CMYK 27 / 0 / 82 / 32

HEX #7EAD1F

RGB 126 173 31

HSL 79.86, 0.7%, 0.4%

LAB 65.3, -35.29, 61.26

 

CMYK 49 / 0 / 82 / 32

HEX #58AD1F

RGB 88 173 31

HSL 95.92, 0.7%, 0.4%

LAB 63.39, -48.76, 58.83

 

CMYK 71 / 0 / 82 / 32

HEX #32AD1F

RGB 50 173 31

HSL 111.97, 0.7%, 0.4%

LAB 62.22, -58.21, 57.33

 

CMYK 82 / 0 / 71 / 32

HEX #1FAD32

RGB 31 173 50

HSL 128.03, 0.7%, 0.4%

LAB 62.01, -59.67, 50.59

 

CMYK 50 / 0 / 83 / 60

HEX #346712

RGB 52 103 18

HSL 96, 0.7%, 0.24%

LAB 38.68, -32.53, 39.33

 

CMYK 49 / 0 / 83 / 46

HEX #468A18

RGB 70 138 24

HSL 95.79, 0.7%, 0.32%

LAB 51.32, -40.88, 49.49

 

CMYK 49 / 0 / 82 / 32

HEX #58AD1F

RGB 88 173 31

HSL 95.92, 0.7%, 0.4%

LAB 63.39, -48.76, 58.83

 

CMYK 50 / 0 / 82 / 18

HEX #69D025

RGB 105 208 37

HSL 96.14, 0.7%, 0.48%

LAB 74.98, -56.66, 68

 

CMYK 43 / 0 / 71 / 13

HEX #7FDD41

RGB 127 221 65

HSL 96.15, 0.7%, 0.56%

LAB 79.96, -53.32, 64.37

 

CMYK 49 / 0 / 82 / 32

HEX #58AE1F

RGB 88 174 31

HSL 96.08, 0.7%, 0.4%

LAB 63.71, -49.15, 59.12

 

CMYK 82 / 0 / 16 / 32

HEX #1FAD91

RGB 31 173 145

HSL 168.17, 0.7%, 0.4%

LAB 63.53, -42.35, 4.25

 

CMYK 0 / 82 / 16 / 32

HEX #AD1F91

RGB 173 31 145

HSL 311.83, 0.7%, 0.4%

LAB 41.07, 64.84, -28.61

 

CMYK 49 / 0 / 82 / 32

HEX #58AE1F

RGB 88 174 31

HSL 96.08, 0.7%, 0.4%

LAB 63.71, -49.15, 59.12

 

CMYK 82 / 49 / 0 / 32

HEX #1F58AD

RGB 31 88 173

HSL 215.92, 0.7%, 0.4%

LAB 38.35, 13.71, -50.6

 

CMYK 0 / 82 / 49 / 32

HEX #AD1F58

RGB 173 31 88

HSL 335.92, 0.7%, 0.4%

LAB 38.84, 58.42, 3.59

 

CMYK 49 / 0 / 82 / 32

HEX #58AE1F

RGB 88 174 31

HSL 96.08, 0.7%, 0.4%

LAB 63.71, -49.15, 59.12

 

CMYK 82 / 0 / 16 / 32

HEX #1FAD91

RGB 31 173 145

HSL 168.17, 0.7%, 0.4%

LAB 63.53, -42.35, 4.25

 

CMYK 33 / 82 / 0 / 32

HEX #741FAD

RGB 116 31 173

HSL 275.92, 0.7%, 0.4%

LAB 33.37, 58.8, -58.38

 

CMYK 0 / 82 / 66 / 32

HEX #AD1F3B

RGB 173 31 59

HSL 348.17, 0.7%, 0.4%

LAB 38.16, 56.37, 21.16

 

CMYK 49 / 0 / 82 / 32

HEX #58AE1F

RGB 88 174 31

HSL 96.08, 0.7%, 0.4%

LAB 63.71, -49.15, 59.12

 

CMYK 82 / 8 / 0 / 32

HEX #1F9FAD

RGB 31 159 173

HSL 185.92, 0.7%, 0.4%

LAB 59.98, -27.63, -16.72

 

CMYK 33 / 82 / 0 / 32

HEX #741FAD

RGB 116 31 173

HSL 275.92, 0.7%, 0.4%

LAB 33.37, 58.8, -58.38

 

CMYK 0 / 74 / 82 / 32

HEX #AD2D1F

RGB 173 45 31

HSL 5.92, 0.7%, 0.4%

LAB 39.34, 50.79, 39.18

 

Description

Color code: HEX #58AE1F | qconv.com Color code: HEX #58AE1F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 174 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 174 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 82 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 82% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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