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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58A64C it is the complementary color #A759B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58A64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58A64C shade: #5DA647, #6EB85A, #7FCA6D, #90DC80 and #A1EE93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58A64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58A64C shade: #58A64C, #479439, #368226, #257013 and #145E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58A64C shade: #57A44C, #6FA44C, #87A44C, #9FA44C and #A4914C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58A64C shade: #57A44C, #4CA458, #4CA470, #4CA487 and #4CA49F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58A64C shade matches the following richer shades: #57A44C, #49B838, #3BCB25 and #2DDE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58A64C shade: #57A44C, #66915F, #747D72, #826A86 and #905799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58A64C shade: #87A44C, #6FA44C, #57A44C, #4CA457 and #4CA46F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58A64C shade: #396C32, #48883F, #57A44C, #6DB762 and #88C47E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58A64C shade: #58A64C, #4C9EA4 and #A44C7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58A64C shade: #58A64C, #4C57A4 and #A44C57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58A64C shade: #58A64C, #4C9EA4, #984CA4 and #A4514C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58A64C shade: #58A64C, #4C84A4, #984CA4 and #A46C4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 54 / 35

HEX #58A64C

RGB 88 166 76

HSL 112, 0.37%, 0.47%

LAB 61.54, -42.05, 38.87

 

Complementary color

CMYK 7 / 50 / 0 / 30

HEX #A759B3

RGB 167 89 179

HSL 292, 0.37%, 0.53%

LAB 50.23, 45.79, -34.54

 

CMYK 44 / 0 / 57 / 35

HEX #5DA647

RGB 93 166 71

HSL 106.11, 0.4%, 0.46%

LAB 61.7, -41.1, 41.54

 

CMYK 40 / 0 / 51 / 28

HEX #6EB85A

RGB 110 184 90

HSL 107.23, 0.4%, 0.54%

LAB 68.27, -41.09, 40.34

 

CMYK 37 / 0 / 46 / 21

HEX #7FCA6D

RGB 127 202 109

HSL 108.39, 0.47%, 0.61%

LAB 74.73, -40.98, 39.11

 

CMYK 35 / 0 / 42 / 14

HEX #90DC80

RGB 144 220 128

HSL 109.57, 0.57%, 0.68%

LAB 81.11, -40.82, 37.89

 

CMYK 32 / 0 / 38 / 7

HEX #A1EE93

RGB 161 238 147

HSL 110.77, 0.73%, 0.75%

LAB 87.4, -40.63, 36.72

 

CMYK 47 / 0 / 54 / 35

HEX #58A64C

RGB 88 166 76

HSL 112, 0.37%, 0.47%

LAB 61.54, -42.05, 38.87

 

CMYK 52 / 0 / 61 / 42

HEX #479439

RGB 71 148 57

HSL 110.77, 0.44%, 0.4%

LAB 54.88, -41.92, 40.08

 

CMYK 58 / 0 / 71 / 49

HEX #368226

RGB 54 130 38

HSL 109.57, 0.55%, 0.33%

LAB 48.12, -41.49, 41.03

 

CMYK 67 / 0 / 83 / 56

HEX #257013

RGB 37 112 19

HSL 108.39, 0.71%, 0.26%

LAB 41.26, -40.53, 41.24

 

CMYK 79 / 0 / 100 / 63

HEX #145E00

RGB 20 94 0

HSL 107.23, 1%, 0.18%

LAB 34.3, -38.78, 40.46

 

CMYK 47 / 0 / 54 / 36

HEX #57A44C

RGB 87 164 76

HSL 112.5, 0.37%, 0.47%

LAB 60.87, -41.51, 38.05

 

CMYK 32 / 0 / 54 / 36

HEX #6FA44C

RGB 111 164 76

HSL 96.14, 0.37%, 0.47%

LAB 62.04, -33.47, 39.74

 

CMYK 18 / 0 / 54 / 36

HEX #87A44C

RGB 135 164 76

HSL 79.77, 0.37%, 0.47%

LAB 63.53, -24.27, 41.86

 

CMYK 3 / 0 / 54 / 36

HEX #9FA44C

RGB 159 164 76

HSL 63.41, 0.37%, 0.47%

LAB 65.31, -14.35, 44.4

 

CMYK 0 / 12 / 54 / 36

HEX #A4914C

RGB 164 145 76

HSL 47.05, 0.37%, 0.47%

LAB 60.48, -2.05, 38.83

 

CMYK 47 / 0 / 54 / 36

HEX #57A44C

RGB 87 164 76

HSL 112.5, 0.37%, 0.47%

LAB 60.87, -41.51, 38.05

 

CMYK 54 / 0 / 46 / 36

HEX #4CA458

RGB 76 164 88

HSL 128.18, 0.37%, 0.47%

LAB 60.6, -42.94, 31.5

 

CMYK 54 / 0 / 32 / 36

HEX #4CA470

RGB 76 164 112

HSL 144.55, 0.37%, 0.47%

LAB 61.01, -38.65, 19.15

 

CMYK 54 / 0 / 18 / 36

HEX #4CA487

RGB 76 164 135

HSL 160.23, 0.37%, 0.47%

LAB 61.51, -33.63, 7.08

 

CMYK 54 / 0 / 3 / 36

HEX #4CA49F

RGB 76 164 159

HSL 176.59, 0.37%, 0.47%

LAB 62.16, -27.53, -5.46

 

CMYK 47 / 0 / 54 / 36

HEX #57A44C

RGB 87 164 76

HSL 112.5, 0.37%, 0.47%

LAB 60.87, -41.51, 38.05

 

CMYK 60 / 0 / 70 / 28

HEX #49B838

RGB 73 184 56

HSL 112.03, 0.53%, 0.47%

LAB 66.51, -55.28, 53.23

 

CMYK 71 / 0 / 82 / 20

HEX #3BCB25

RGB 59 203 37

HSL 112.05, 0.69%, 0.47%

LAB 72.08, -65.86, 64.86

 

CMYK 80 / 0 / 92 / 13

HEX #2DDE11

RGB 45 222 17

HSL 111.8, 0.86%, 0.47%

LAB 77.78, -74.31, 73.64

 

CMYK 47 / 0 / 54 / 36

HEX #57A44C

RGB 87 164 76

HSL 112.5, 0.37%, 0.47%

LAB 60.87, -41.51, 38.05

 

CMYK 30 / 0 / 34 / 43

HEX #66915F

RGB 102 145 95

HSL 111.6, 0.21%, 0.47%

LAB 55.99, -24.93, 21.97

 

CMYK 7 / 0 / 9 / 51

HEX #747D72

RGB 116 125 114

HSL 109.09, 0.05%, 0.47%

LAB 51.38, -5.57, 4.85

 

CMYK 3 / 21 / 0 / 47

HEX #826A86

RGB 130 106 134

HSL 291.43, 0.12%, 0.47%

LAB 47.98, 14.86, -11.85

 

CMYK 6 / 43 / 0 / 40

HEX #905799

RGB 144 87 153

HSL 291.82, 0.28%, 0.47%

LAB 45.7, 34.7, -26.53

 

CMYK 18 / 0 / 54 / 36

HEX #87A44C

RGB 135 164 76

HSL 79.77, 0.37%, 0.47%

LAB 63.53, -24.27, 41.86

 

CMYK 32 / 0 / 54 / 36

HEX #6FA44C

RGB 111 164 76

HSL 96.14, 0.37%, 0.47%

LAB 62.04, -33.47, 39.74

 

CMYK 47 / 0 / 54 / 36

HEX #57A44C

RGB 87 164 76

HSL 112.5, 0.37%, 0.47%

LAB 60.87, -41.51, 38.05

 

CMYK 54 / 0 / 47 / 36

HEX #4CA457

RGB 76 164 87

HSL 127.5, 0.37%, 0.47%

LAB 60.58, -43.09, 32.01

 

CMYK 54 / 0 / 32 / 36

HEX #4CA46F

RGB 76 164 111

HSL 143.86, 0.37%, 0.47%

LAB 60.99, -38.85, 19.67

 

CMYK 47 / 0 / 54 / 58

HEX #396C32

RGB 57 108 50

HSL 112.76, 0.37%, 0.31%

LAB 40.94, -29.77, 27.04

 

CMYK 47 / 0 / 54 / 47

HEX #48883F

RGB 72 136 63

HSL 112.6, 0.37%, 0.39%

LAB 51.09, -35.76, 32.66

 

CMYK 47 / 0 / 54 / 36

HEX #57A44C

RGB 87 164 76

HSL 112.5, 0.37%, 0.47%

LAB 60.87, -41.51, 38.05

 

CMYK 40 / 0 / 46 / 28

HEX #6DB762

RGB 109 183 98

HSL 112.24, 0.37%, 0.55%

LAB 68.02, -39.91, 36.02

 

CMYK 31 / 0 / 36 / 23

HEX #88C47E

RGB 136 196 126

HSL 111.43, 0.37%, 0.63%

LAB 73.69, -32.84, 29.16

 

CMYK 47 / 0 / 54 / 35

HEX #58A64C

RGB 88 166 76

HSL 112, 0.37%, 0.47%

LAB 61.54, -42.05, 38.87

 

CMYK 54 / 4 / 0 / 36

HEX #4C9EA4

RGB 76 158 164

HSL 184.09, 0.37%, 0.47%

LAB 60.49, -23.13, -10.76

 

CMYK 0 / 54 / 25 / 36

HEX #A44C7B

RGB 164 76 123

HSL 327.95, 0.37%, 0.47%

LAB 44.93, 41.88, -9.4

 

CMYK 47 / 0 / 54 / 35

HEX #58A64C

RGB 88 166 76

HSL 112, 0.37%, 0.47%

LAB 61.54, -42.05, 38.87

 

CMYK 54 / 47 / 0 / 36

HEX #4C57A4

RGB 76 87 164

HSL 232.5, 0.37%, 0.47%

LAB 39.64, 18.39, -43.09

 

CMYK 0 / 54 / 47 / 36

HEX #A44C57

RGB 164 76 87

HSL 352.5, 0.37%, 0.47%

LAB 43.87, 37.41, 11.11

 

CMYK 47 / 0 / 54 / 35

HEX #58A64C

RGB 88 166 76

HSL 112, 0.37%, 0.47%

LAB 61.54, -42.05, 38.87

 

CMYK 54 / 4 / 0 / 36

HEX #4C9EA4

RGB 76 158 164

HSL 184.09, 0.37%, 0.47%

LAB 60.49, -23.13, -10.76

 

CMYK 7 / 54 / 0 / 36

HEX #984CA4

RGB 152 76 164

HSL 291.82, 0.37%, 0.47%

LAB 44.98, 45.25, -34.12

 

CMYK 0 / 51 / 54 / 36

HEX #A4514C

RGB 164 81 76

HSL 3.41, 0.37%, 0.47%

LAB 44.66, 33.72, 18.88

 

CMYK 47 / 0 / 54 / 35

HEX #58A64C

RGB 88 166 76

HSL 112, 0.37%, 0.47%

LAB 61.54, -42.05, 38.87

 

CMYK 54 / 20 / 0 / 36

HEX #4C84A4

RGB 76 132 164

HSL 201.82, 0.37%, 0.47%

LAB 52.64, -9.09, -22.68

 

CMYK 7 / 54 / 0 / 36

HEX #984CA4

RGB 152 76 164

HSL 291.82, 0.37%, 0.47%

LAB 44.98, 45.25, -34.12

 

CMYK 0 / 34 / 54 / 36

HEX #A46C4C

RGB 164 108 76

HSL 21.82, 0.37%, 0.47%

LAB 50.85, 18.74, 26.95

 

Description

Color code: HEX #58A64C | qconv.com Color code: HEX #58A64C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 166 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 166 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 54 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 54% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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