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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5890C0 it is the complementary color #A76F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5890C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5890C0 shade: #5D90BB, #6EA2CE, #7FB4E1, #90C6F4 and #A1D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5890C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5890C0 shade: #5890C0, #477EAD, #366C9A, #255A87 and #144874

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5890C0 shade: #5990C0, #5974C0, #5959C0, #7559C0 and #9059C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5890C0 shade: #5990C0, #5974C0 and #5959C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5890C0 shade matches the following richer shades: #5990C0, #4692D2, #3393E5 and #2195F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5890C0 shade: #5990C0, #6B8FAD, #7E8D9B, #908C88 and #A38B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5890C0 shade: #59C0B7, #59ADC0, #5991C0, #5976C0 and #595AC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5890C0 shade: #366690, #427CAD, #5990C0, #77A4CB and #94B8D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5890C0 shade: #5890C0, #9C59C0 and #BBC059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5890C0 shade: #5890C0, #C05991 and #91C059

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5890C0 shade: #5890C0, #9C59C0, #C08759 and #7DC059

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5890C0 shade: #5890C0, #BB59C0, #C08759 and #5EC059

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 25 / 0 / 25

HEX #5890C0

RGB 88 144 192

HSL 207.69, 0.45%, 0.55%

LAB 57.87, -4.54, -30.57

 

Complementary color

CMYK 0 / 34 / 62 / 35

HEX #A76F3F

RGB 167 111 63

HSL 27.69, 0.45%, 0.45%

LAB 51.77, 17.26, 35.36

 

CMYK 50 / 23 / 0 / 27

HEX #5D90BB

RGB 93 144 187

HSL 207.45, 0.41%, 0.55%

LAB 57.91, -4.93, -27.66

 

CMYK 47 / 21 / 0 / 19

HEX #6EA2CE

RGB 110 162 206

HSL 207.5, 0.49%, 0.62%

LAB 64.65, -5.36, -27.84

 

CMYK 44 / 20 / 0 / 12

HEX #7FB4E1

RGB 127 180 225

HSL 207.55, 0.62%, 0.69%

LAB 71.28, -5.71, -28.03

 

CMYK 41 / 19 / 0 / 4

HEX #90C6F4

RGB 144 198 244

HSL 207.6, 0.82%, 0.76%

LAB 77.79, -6.01, -28.24

 

CMYK 37 / 15 / 0 / 0

HEX #A1D8FF

RGB 161 216 255

HSL 204.89, 1%, 0.82%

LAB 83.92, -8.29, -24.64

 

CMYK 54 / 25 / 0 / 25

HEX #5890C0

RGB 88 144 192

HSL 207.69, 0.45%, 0.55%

LAB 57.87, -4.54, -30.57

 

CMYK 59 / 27 / 0 / 32

HEX #477EAD

RGB 71 126 173

HSL 207.65, 0.42%, 0.48%

LAB 51.01, -3.84, -30.43

 

CMYK 65 / 30 / 0 / 40

HEX #366C9A

RGB 54 108 154

HSL 207.6, 0.48%, 0.41%

LAB 44.01, -2.92, -30.3

 

CMYK 73 / 33 / 0 / 47

HEX #255A87

RGB 37 90 135

HSL 207.55, 0.57%, 0.34%

LAB 36.85, -1.65, -30.17

 

CMYK 83 / 38 / 0 / 55

HEX #144874

RGB 20 72 116

HSL 207.5, 0.71%, 0.27%

LAB 29.52, 0.15, -30.01

 

CMYK 54 / 25 / 0 / 25

HEX #5990C0

RGB 89 144 192

HSL 207.96, 0.45%, 0.55%

LAB 57.92, -4.32, -30.49

 

CMYK 54 / 40 / 0 / 25

HEX #5974C0

RGB 89 116 192

HSL 224.27, 0.45%, 0.55%

LAB 50, 12.31, -42.91

 

CMYK 54 / 54 / 0 / 25

HEX #5959C0

RGB 89 89 192

HSL 240, 0.45%, 0.55%

LAB 42.88, 29.08, -54.31

 

CMYK 39 / 54 / 0 / 25

HEX #7559C0

RGB 117 89 192

HSL 256.31, 0.45%, 0.55%

LAB 45.27, 35.4, -50.34

 

CMYK 25 / 54 / 0 / 25

HEX #9059C0

RGB 144 89 192

HSL 272.04, 0.45%, 0.55%

LAB 48.11, 42.26, -45.63

 

CMYK 54 / 25 / 0 / 25

HEX #5990C0

RGB 89 144 192

HSL 207.96, 0.45%, 0.55%

LAB 57.92, -4.32, -30.49

 

CMYK 54 / 40 / 0 / 25

HEX #5974C0

RGB 89 116 192

HSL 224.27, 0.45%, 0.55%

LAB 50, 12.31, -42.91

 

CMYK 54 / 54 / 0 / 25

HEX #5959C0

RGB 89 89 192

HSL 240, 0.45%, 0.55%

LAB 42.88, 29.08, -54.31

 

CMYK 54 / 25 / 0 / 25

HEX #5990C0

RGB 89 144 192

HSL 207.96, 0.45%, 0.55%

LAB 57.92, -4.32, -30.49

 

CMYK 67 / 30 / 0 / 18

HEX #4692D2

RGB 70 146 210

HSL 207.43, 0.61%, 0.55%

LAB 58.52, -3.27, -39.75

 

CMYK 78 / 36 / 0 / 10

HEX #3393E5

RGB 51 147 229

HSL 207.64, 0.77%, 0.55%

LAB 59.19, 0.26, -49.34

 

CMYK 87 / 40 / 0 / 3

HEX #2195F8

RGB 33 149 248

HSL 207.63, 0.94%, 0.55%

LAB 60.42, 4.54, -57.88

 

CMYK 54 / 25 / 0 / 25

HEX #5990C0

RGB 89 144 192

HSL 207.96, 0.45%, 0.55%

LAB 57.92, -4.32, -30.49

 

CMYK 38 / 17 / 0 / 32

HEX #6B8FAD

RGB 107 143 173

HSL 207.27, 0.29%, 0.55%

LAB 57.84, -4.75, -19.75

 

CMYK 19 / 9 / 0 / 39

HEX #7E8D9B

RGB 126 141 155

HSL 208.97, 0.13%, 0.55%

LAB 57.9, -2.29, -9.25

 

CMYK 0 / 3 / 6 / 44

HEX #908C88

RGB 144 140 136

HSL 30, 0.03%, 0.55%

LAB 58.47, 0.73, 2.65

 

CMYK 0 / 15 / 28 / 36

HEX #A38B76

RGB 163 139 118

HSL 28, 0.2%, 0.55%

LAB 59.49, 5.75, 14.59

 

CMYK 54 / 0 / 5 / 25

HEX #59C0B7

RGB 89 192 183

HSL 174.76, 0.45%, 0.55%

LAB 71.72, -32.02, -4.57

 

CMYK 54 / 10 / 0 / 25

HEX #59ADC0

RGB 89 173 192

HSL 191.07, 0.45%, 0.55%

LAB 66.38, -20.12, -17.51

 

CMYK 54 / 24 / 0 / 25

HEX #5991C0

RGB 89 145 192

HSL 207.38, 0.45%, 0.55%

LAB 58.21, -4.89, -30.04

 

CMYK 54 / 39 / 0 / 25

HEX #5976C0

RGB 89 118 192

HSL 223.11, 0.45%, 0.55%

LAB 50.55, 11.08, -42.04

 

CMYK 54 / 53 / 0 / 25

HEX #595AC0

RGB 89 90 192

HSL 239.42, 0.45%, 0.55%

LAB 43.13, 28.46, -53.9

 

CMYK 63 / 29 / 0 / 44

HEX #366690

RGB 54 102 144

HSL 208, 0.45%, 0.39%

LAB 41.69, -2.76, -27.97

 

CMYK 62 / 28 / 0 / 32

HEX #427CAD

RGB 66 124 173

HSL 207.48, 0.45%, 0.47%

LAB 50.2, -3.67, -31.7

 

CMYK 54 / 25 / 0 / 25

HEX #5990C0

RGB 89 144 192

HSL 207.96, 0.45%, 0.55%

LAB 57.92, -4.32, -30.49

 

CMYK 41 / 19 / 0 / 20

HEX #77A4CB

RGB 119 164 203

HSL 207.86, 0.45%, 0.63%

LAB 65.58, -5.03, -24.71

 

CMYK 31 / 14 / 0 / 16

HEX #94B8D7

RGB 148 184 215

HSL 207.76, 0.46%, 0.71%

LAB 73.21, -4.84, -19.52

 

CMYK 54 / 25 / 0 / 25

HEX #5890C0

RGB 88 144 192

HSL 207.69, 0.45%, 0.55%

LAB 57.87, -4.54, -30.57

 

CMYK 19 / 54 / 0 / 25

HEX #9C59C0

RGB 156 89 192

HSL 279.03, 0.45%, 0.55%

LAB 49.52, 45.45, -43.3

 

CMYK 3 / 0 / 54 / 25

HEX #BBC059

RGB 187 192 89

HSL 62.91, 0.45%, 0.55%

LAB 75.44, -15.91, 50.52

 

CMYK 54 / 25 / 0 / 25

HEX #5890C0

RGB 88 144 192

HSL 207.69, 0.45%, 0.55%

LAB 57.87, -4.54, -30.57

 

CMYK 0 / 54 / 24 / 25

HEX #C05991

RGB 192 89 145

HSL 327.38, 0.45%, 0.55%

LAB 52.28, 47.7, -11.13

 

CMYK 24 / 0 / 54 / 25

HEX #91C059

RGB 145 192 89

HSL 87.38, 0.45%, 0.55%

LAB 72.52, -32.53, 46.37

 

CMYK 54 / 25 / 0 / 25

HEX #5890C0

RGB 88 144 192

HSL 207.69, 0.45%, 0.55%

LAB 57.87, -4.54, -30.57

 

CMYK 19 / 54 / 0 / 25

HEX #9C59C0

RGB 156 89 192

HSL 279.03, 0.45%, 0.55%

LAB 49.52, 45.45, -43.3

 

CMYK 0 / 30 / 54 / 25

HEX #C08759

RGB 192 135 89

HSL 26.8, 0.45%, 0.55%

LAB 61.01, 16.65, 33.29

 

CMYK 35 / 0 / 54 / 25

HEX #7DC059

RGB 125 192 89

HSL 99.03, 0.45%, 0.55%

LAB 71.41, -39.72, 44.78

 

CMYK 54 / 25 / 0 / 25

HEX #5890C0

RGB 88 144 192

HSL 207.69, 0.45%, 0.55%

LAB 57.87, -4.54, -30.57

 

CMYK 3 / 54 / 0 / 25

HEX #BB59C0

RGB 187 89 192

HSL 297.09, 0.45%, 0.55%

LAB 53.51, 53.86, -36.74

 

CMYK 0 / 30 / 54 / 25

HEX #C08759

RGB 192 135 89

HSL 26.8, 0.45%, 0.55%

LAB 61.01, 16.65, 33.29

 

CMYK 51 / 0 / 54 / 25

HEX #5EC059

RGB 94 192 89

HSL 117.09, 0.45%, 0.55%

LAB 70.04, -49.34, 42.81

 

Description

Color code: HEX #5890C0 | qconv.com Color code: HEX #5890C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 144 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 144 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 25 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 25% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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