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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #588DAF it is the complementary color #A77250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #588DAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #588DAF shade: #5D8DAA, #6E9FBD, #7FB1D0, #90C3E3 and #A1D5F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #588DAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #588DAF shade: #588DAF, #477B9C, #366989, #255776 and #144563

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #588DAF shade: #5A8EAF, #5A77AF, #5A60AF, #6B5AAF and #825AAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #588DAF shade: #5A8EAF, #5A77AF, #5A60AF and #5A5AAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #588DAF shade matches the following richer shades: #5A8EAF, #4692C3, #3297D7, #1E9BEB and #0B9FFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #588DAF shade: #5A8EAF, #6E8A9C, #818588, #958174 and #A97D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #588DAF shade: #5AAFA3, #5AA5AF, #5A8FAF, #5A78AF and #5A61AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #588DAF shade: #3B627B, #497997, #5A8EAF, #76A1BD and #91B4CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #588DAF shade: #588DAF, #8C5AAF and #AFAE5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #588DAF shade: #588DAF, #AF5A8F and #8FAF5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #588DAF shade: #588DAF, #8C5AAF, #AF7B5A and #7DAF5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #588DAF shade: #588DAF, #A55AAF, #AF7B5A and #64AF5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 19 / 0 / 31

HEX #588DAF

RGB 88 141 175

HSL 203.45, 0.35%, 0.52%

LAB 56.31, -8.02, -23.32

 

Complementary color

CMYK 0 / 32 / 52 / 35

HEX #A77250

RGB 167 114 80

HSL 23.45, 0.35%, 0.48%

LAB 52.76, 16.99, 27.2

 

CMYK 45 / 17 / 0 / 33

HEX #5D8DAA

RGB 93 141 170

HSL 202.6, 0.31%, 0.52%

LAB 56.37, -8.24, -20.35

 

CMYK 42 / 16 / 0 / 26

HEX #6E9FBD

RGB 110 159 189

HSL 202.78, 0.37%, 0.59%

LAB 63.17, -8.48, -20.64

 

CMYK 39 / 15 / 0 / 18

HEX #7FB1D0

RGB 127 177 208

HSL 202.96, 0.46%, 0.66%

LAB 69.83, -8.67, -20.94

 

CMYK 37 / 14 / 0 / 11

HEX #90C3E3

RGB 144 195 227

HSL 203.13, 0.6%, 0.73%

LAB 76.38, -8.83, -21.24

 

CMYK 35 / 13 / 0 / 4

HEX #A1D5F6

RGB 161 213 246

HSL 203.29, 0.83%, 0.8%

LAB 82.82, -8.96, -21.55

 

CMYK 50 / 19 / 0 / 31

HEX #588DAF

RGB 88 141 175

HSL 203.45, 0.35%, 0.52%

LAB 56.31, -8.02, -23.32

 

CMYK 54 / 21 / 0 / 39

HEX #477B9C

RGB 71 123 156

HSL 203.29, 0.37%, 0.45%

LAB 49.38, -7.58, -23.07

 

CMYK 61 / 23 / 0 / 46

HEX #366989

RGB 54 105 137

HSL 203.13, 0.43%, 0.37%

LAB 42.3, -6.97, -22.82

 

CMYK 69 / 26 / 0 / 54

HEX #255776

RGB 37 87 118

HSL 202.96, 0.52%, 0.3%

LAB 35.04, -6.1, -22.56

 

CMYK 80 / 30 / 0 / 61

HEX #144563

RGB 20 69 99

HSL 202.78, 0.66%, 0.23%

LAB 27.59, -4.77, -22.26

 

CMYK 49 / 19 / 0 / 31

HEX #5A8EAF

RGB 90 142 175

HSL 203.29, 0.35%, 0.52%

LAB 56.7, -8.1, -22.71

 

CMYK 49 / 32 / 0 / 31

HEX #5A77AF

RGB 90 119 175

HSL 219.53, 0.35%, 0.52%

LAB 50.05, 5.32, -33.01

 

CMYK 49 / 45 / 0 / 31

HEX #5A60AF

RGB 90 96 175

HSL 235.76, 0.35%, 0.52%

LAB 43.7, 19.52, -43.04

 

CMYK 39 / 49 / 0 / 31

HEX #6B5AAF

RGB 107 90 175

HSL 252, 0.35%, 0.52%

LAB 43.56, 27.51, -43.19

 

CMYK 26 / 49 / 0 / 31

HEX #825AAF

RGB 130 90 175

HSL 268.24, 0.35%, 0.52%

LAB 45.84, 33.77, -39.42

 

CMYK 49 / 19 / 0 / 31

HEX #5A8EAF

RGB 90 142 175

HSL 203.29, 0.35%, 0.52%

LAB 56.7, -8.1, -22.71

 

CMYK 49 / 32 / 0 / 31

HEX #5A77AF

RGB 90 119 175

HSL 219.53, 0.35%, 0.52%

LAB 50.05, 5.32, -33.01

 

CMYK 49 / 45 / 0 / 31

HEX #5A60AF

RGB 90 96 175

HSL 235.76, 0.35%, 0.52%

LAB 43.7, 19.52, -43.04

 

CMYK 49 / 49 / 0 / 31

HEX #5A5AAF

RGB 90 90 175

HSL 240, 0.35%, 0.52%

LAB 42.13, 23.28, -45.56

 

CMYK 49 / 19 / 0 / 31

HEX #5A8EAF

RGB 90 142 175

HSL 203.29, 0.35%, 0.52%

LAB 56.7, -8.1, -22.71

 

CMYK 64 / 25 / 0 / 24

HEX #4692C3

RGB 70 146 195

HSL 203.52, 0.51%, 0.52%

LAB 57.85, -8.29, -32.36

 

CMYK 77 / 30 / 0 / 16

HEX #3297D7

RGB 50 151 215

HSL 203.27, 0.67%, 0.52%

LAB 59.63, -7.16, -40.84

 

CMYK 87 / 34 / 0 / 8

HEX #1E9BEB

RGB 30 155 235

HSL 203.41, 0.84%, 0.52%

LAB 61.41, -3.96, -49.16

 

CMYK 96 / 38 / 0 / 0

HEX #0B9FFF

RGB 11 159 255

HSL 203.61, 1%, 0.52%

LAB 63.42, 0.33, -56.96

 

CMYK 49 / 19 / 0 / 31

HEX #5A8EAF

RGB 90 142 175

HSL 203.29, 0.35%, 0.52%

LAB 56.7, -8.1, -22.71

 

CMYK 29 / 12 / 0 / 39

HEX #6E8A9C

RGB 110 138 156

HSL 203.48, 0.19%, 0.52%

LAB 55.98, -5.51, -12.81

 

CMYK 5 / 2 / 0 / 47

HEX #818588

RGB 129 133 136

HSL 205.71, 0.03%, 0.52%

LAB 55.3, -0.86, -2.13

 

CMYK 0 / 13 / 22 / 42

HEX #958174

RGB 149 129 116

HSL 23.64, 0.13%, 0.52%

LAB 55.43, 5.46, 9.86

 

CMYK 0 / 26 / 43 / 34

HEX #A97D60

RGB 169 125 96

HSL 23.84, 0.3%, 0.52%

LAB 56.03, 13.28, 22.47

 

CMYK 49 / 0 / 7 / 31

HEX #5AAFA3

RGB 90 175 163

HSL 171.53, 0.35%, 0.52%

LAB 66.12, -28.73, -1.8

 

CMYK 49 / 6 / 0 / 31

HEX #5AA5AF

RGB 90 165 175

HSL 187.06, 0.35%, 0.52%

LAB 63.49, -20.53, -12.39

 

CMYK 49 / 18 / 0 / 31

HEX #5A8FAF

RGB 90 143 175

HSL 202.59, 0.35%, 0.52%

LAB 56.99, -8.66, -22.26

 

CMYK 49 / 31 / 0 / 31

HEX #5A78AF

RGB 90 120 175

HSL 218.82, 0.35%, 0.52%

LAB 50.34, 4.72, -32.57

 

CMYK 49 / 45 / 0 / 31

HEX #5A61AF

RGB 90 97 175

HSL 235.06, 0.35%, 0.52%

LAB 43.97, 18.89, -42.62

 

CMYK 52 / 20 / 0 / 52

HEX #3B627B

RGB 59 98 123

HSL 203.44, 0.35%, 0.36%

LAB 39.74, -6.23, -18.28

 

CMYK 52 / 20 / 0 / 41

HEX #497997

RGB 73 121 151

HSL 203.08, 0.35%, 0.44%

LAB 48.67, -7.52, -21.23

 

CMYK 49 / 19 / 0 / 31

HEX #5A8EAF

RGB 90 142 175

HSL 203.29, 0.35%, 0.52%

LAB 56.7, -8.1, -22.71

 

CMYK 38 / 15 / 0 / 26

HEX #76A1BD

RGB 118 161 189

HSL 203.66, 0.35%, 0.6%

LAB 64.17, -7.42, -19.06

 

CMYK 28 / 11 / 0 / 21

HEX #91B4CA

RGB 145 180 202

HSL 203.16, 0.35%, 0.68%

LAB 71.51, -6.72, -15.01

 

CMYK 50 / 19 / 0 / 31

HEX #588DAF

RGB 88 141 175

HSL 203.45, 0.35%, 0.52%

LAB 56.31, -8.02, -23.32

 

CMYK 20 / 49 / 0 / 31

HEX #8C5AAF

RGB 140 90 175

HSL 275.29, 0.35%, 0.52%

LAB 46.95, 36.62, -37.59

 

CMYK 0 / 1 / 49 / 31

HEX #AFAE5A

RGB 175 174 90

HSL 59.29, 0.35%, 0.52%

LAB 69.56, -11.56, 42.88

 

CMYK 50 / 19 / 0 / 31

HEX #588DAF

RGB 88 141 175

HSL 203.45, 0.35%, 0.52%

LAB 56.31, -8.02, -23.32

 

CMYK 0 / 49 / 18 / 31

HEX #AF5A8F

RGB 175 90 143

HSL 322.59, 0.35%, 0.52%

LAB 49.99, 41.36, -13.64

 

CMYK 18 / 0 / 49 / 31

HEX #8FAF5A

RGB 143 175 90

HSL 82.59, 0.35%, 0.52%

LAB 67.46, -25.05, 39.78

 

CMYK 50 / 19 / 0 / 31

HEX #588DAF

RGB 88 141 175

HSL 203.45, 0.35%, 0.52%

LAB 56.31, -8.02, -23.32

 

CMYK 20 / 49 / 0 / 31

HEX #8C5AAF

RGB 140 90 175

HSL 275.29, 0.35%, 0.52%

LAB 46.95, 36.62, -37.59

 

CMYK 0 / 30 / 49 / 31

HEX #AF7B5A

RGB 175 123 90

HSL 23.29, 0.35%, 0.52%

LAB 56.11, 16.28, 26.08

 

CMYK 29 / 0 / 49 / 31

HEX #7DAF5A

RGB 125 175 90

HSL 95.29, 0.35%, 0.52%

LAB 66.33, -31.85, 38.15

 

CMYK 50 / 19 / 0 / 31

HEX #588DAF

RGB 88 141 175

HSL 203.45, 0.35%, 0.52%

LAB 56.31, -8.02, -23.32

 

CMYK 6 / 49 / 0 / 31

HEX #A55AAF

RGB 165 90 175

HSL 292.94, 0.35%, 0.52%

LAB 49.99, 43.9, -32.61

 

CMYK 0 / 30 / 49 / 31

HEX #AF7B5A

RGB 175 123 90

HSL 23.29, 0.35%, 0.52%

LAB 56.11, 16.28, 26.08

 

CMYK 43 / 0 / 49 / 31

HEX #64AF5A

RGB 100 175 90

HSL 112.94, 0.35%, 0.52%

LAB 65.05, -40.36, 36.27

 

Description

Color code: HEX #588DAF | qconv.com Color code: HEX #588DAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 141 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 141 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 19 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 19% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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