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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #588CD1 it is the complementary color #A7732E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #588CD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #588CD1 shade: #5D8CCC, #6E9EDF, #7FB0F2, #90C2FF and #A1D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #588CD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #588CD1 shade: #588CD1, #477ABE, #3668AB, #255698 and #144485

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #588CD1 shade: #578BD1, #576AD1, #6457D1, #8557D1 and #A657D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #588CD1 shade: #578BD1, #576AD1 and #5757D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #588CD1 shade matches the following richer shades: #578BD1, #4689E2 and #3486F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #588CD1 shade: #578BD1, #688EC0, #7A90AE, #8B939D and #9C958C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #588CD1 shade: #57CDD1, #57ACD1, #578CD1, #576BD1 and #6357D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #588CD1 shade: #2E62A7, #3775C8, #578BD1, #77A2DA and #98B8E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #588CD1 shade: #588CD1, #B457D1 and #BDD157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #588CD1 shade: #588CD1, #D1578C and #8CD157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #588CD1 shade: #588CD1, #B457D1, #D19C57 and #73D157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #588CD1 shade: #588CD1, #D157C9, #D19C57 and #57D15F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 33 / 0 / 18

HEX #588CD1

RGB 88 140 209

HSL 214.21, 0.57%, 0.58%

LAB 57.5, 3.19, -40.74

 

Complementary color

CMYK 0 / 31 / 72 / 35

HEX #A7732E

RGB 167 115 46

HSL 34.21, 0.57%, 0.42%

LAB 52.59, 13.93, 44.84

 

CMYK 54 / 31 / 0 / 20

HEX #5D8CCC

RGB 93 140 204

HSL 214.59, 0.52%, 0.58%

LAB 57.5, 2.64, -37.9

 

CMYK 51 / 29 / 0 / 13

HEX #6E9EDF

RGB 110 158 223

HSL 214.51, 0.64%, 0.65%

LAB 64.24, 1.89, -37.91

 

CMYK 48 / 27 / 0 / 5

HEX #7FB0F2

RGB 127 176 242

HSL 214.43, 0.82%, 0.72%

LAB 70.85, 1.28, -37.94

 

CMYK 44 / 24 / 0 / 0

HEX #90C2FF

RGB 144 194 255

HSL 212.97, 1%, 0.78%

LAB 77.12, -0.89, -35.15

 

CMYK 37 / 17 / 0 / 0

HEX #A1D4FF

RGB 161 212 255

HSL 207.45, 1%, 0.82%

LAB 82.85, -6.19, -26.27

 

CMYK 58 / 33 / 0 / 18

HEX #588CD1

RGB 88 140 209

HSL 214.21, 0.57%, 0.58%

LAB 57.5, 3.19, -40.74

 

CMYK 63 / 36 / 0 / 25

HEX #477ABE

RGB 71 122 190

HSL 214.29, 0.48%, 0.51%

LAB 50.66, 4.27, -40.78

 

CMYK 68 / 39 / 0 / 33

HEX #3668AB

RGB 54 104 171

HSL 214.36, 0.52%, 0.44%

LAB 43.69, 5.65, -40.84

 

CMYK 76 / 43 / 0 / 40

HEX #255698

RGB 37 86 152

HSL 214.43, 0.61%, 0.37%

LAB 36.59, 7.46, -40.89

 

CMYK 85 / 49 / 0 / 48

HEX #144485

RGB 20 68 133

HSL 214.51, 0.74%, 0.3%

LAB 29.35, 9.91, -40.91

 

CMYK 58 / 33 / 0 / 18

HEX #578BD1

RGB 87 139 209

HSL 214.43, 0.57%, 0.58%

LAB 57.17, 3.57, -41.26

 

CMYK 58 / 49 / 0 / 18

HEX #576AD1

RGB 87 106 209

HSL 230.66, 0.57%, 0.58%

LAB 48.18, 23.66, -55.56

 

CMYK 52 / 58 / 0 / 18

HEX #6457D1

RGB 100 87 209

HSL 246.39, 0.57%, 0.58%

LAB 44.42, 37.83, -61.59

 

CMYK 36 / 58 / 0 / 18

HEX #8557D1

RGB 133 87 209

HSL 262.62, 0.57%, 0.58%

LAB 47.5, 44.88, -56.45

 

CMYK 21 / 58 / 0 / 18

HEX #A657D1

RGB 166 87 209

HSL 278.85, 0.57%, 0.58%

LAB 51.3, 52.77, -50.16

 

CMYK 58 / 33 / 0 / 18

HEX #578BD1

RGB 87 139 209

HSL 214.43, 0.57%, 0.58%

LAB 57.17, 3.57, -41.26

 

CMYK 58 / 49 / 0 / 18

HEX #576AD1

RGB 87 106 209

HSL 230.66, 0.57%, 0.58%

LAB 48.18, 23.66, -55.56

 

CMYK 58 / 58 / 0 / 18

HEX #5757D1

RGB 87 87 209

HSL 240, 0.57%, 0.58%

LAB 43.43, 35.41, -63.24

 

CMYK 58 / 33 / 0 / 18

HEX #578BD1

RGB 87 139 209

HSL 214.43, 0.57%, 0.58%

LAB 57.17, 3.57, -41.26

 

CMYK 69 / 39 / 0 / 11

HEX #4689E2

RGB 70 137 226

HSL 214.23, 0.73%, 0.58%

LAB 56.77, 7.56, -51.47

 

CMYK 79 / 45 / 0 / 4

HEX #3486F4

RGB 52 134 244

HSL 214.38, 0.9%, 0.58%

LAB 56.4, 13.63, -62.1

 

CMYK 58 / 33 / 0 / 18

HEX #578BD1

RGB 87 139 209

HSL 214.43, 0.57%, 0.58%

LAB 57.17, 3.57, -41.26

 

CMYK 46 / 26 / 0 / 25

HEX #688EC0

RGB 104 142 192

HSL 214.09, 0.41%, 0.58%

LAB 58.13, 0.4, -30.11

 

CMYK 30 / 17 / 0 / 32

HEX #7A90AE

RGB 122 144 174

HSL 214.62, 0.24%, 0.58%

LAB 59.1, -0.66, -18.3

 

CMYK 11 / 6 / 0 / 38

HEX #8B939D

RGB 139 147 157

HSL 213.33, 0.08%, 0.58%

LAB 60.6, -0.8, -6.26

 

CMYK 0 / 4 / 10 / 39

HEX #9C958C

RGB 156 149 140

HSL 33.75, 0.07%, 0.58%

LAB 62.05, 0.94, 5.66

 

CMYK 58 / 2 / 0 / 18

HEX #57CDD1

RGB 87 205 209

HSL 181.97, 0.57%, 0.58%

LAB 76.25, -31.65, -11.96

 

CMYK 58 / 18 / 0 / 18

HEX #57ACD1

RGB 87 172 209

HSL 198.2, 0.57%, 0.58%

LAB 66.62, -14.98, -26.56

 

CMYK 58 / 33 / 0 / 18

HEX #578CD1

RGB 87 140 209

HSL 213.93, 0.57%, 0.58%

LAB 57.45, 2.98, -40.82

 

CMYK 58 / 49 / 0 / 18

HEX #576BD1

RGB 87 107 209

HSL 230.16, 0.57%, 0.58%

LAB 48.44, 23.04, -55.14

 

CMYK 53 / 58 / 0 / 18

HEX #6357D1

RGB 99 87 209

HSL 245.9, 0.57%, 0.58%

LAB 44.34, 37.63, -61.72

 

CMYK 72 / 41 / 0 / 35

HEX #2E62A7

RGB 46 98 167

HSL 214.21, 0.57%, 0.42%

LAB 41.38, 6.72, -42.17

 

CMYK 73 / 42 / 0 / 22

HEX #3775C8

RGB 55 117 200

HSL 214.34, 0.57%, 0.5%

LAB 49.14, 8.29, -48.97

 

CMYK 58 / 33 / 0 / 18

HEX #578BD1

RGB 87 139 209

HSL 214.43, 0.57%, 0.58%

LAB 57.17, 3.57, -41.26

 

CMYK 45 / 26 / 0 / 15

HEX #77A2DA

RGB 119 162 218

HSL 213.94, 0.57%, 0.66%

LAB 65.61, 0.29, -32.97

 

CMYK 33 / 19 / 0 / 11

HEX #98B8E3

RGB 152 184 227

HSL 214.4, 0.57%, 0.74%

LAB 73.87, -0.72, -25.02

 

CMYK 58 / 33 / 0 / 18

HEX #588CD1

RGB 88 140 209

HSL 214.21, 0.57%, 0.58%

LAB 57.5, 3.19, -40.74

 

CMYK 14 / 58 / 0 / 18

HEX #B457D1

RGB 180 87 209

HSL 285.74, 0.57%, 0.58%

LAB 53.08, 56.25, -47.21

 

CMYK 10 / 0 / 58 / 18

HEX #BDD157

RGB 189 209 87

HSL 69.84, 0.57%, 0.58%

LAB 80.24, -23.67, 56.9

 

CMYK 58 / 33 / 0 / 18

HEX #588CD1

RGB 88 140 209

HSL 214.21, 0.57%, 0.58%

LAB 57.5, 3.19, -40.74

 

CMYK 0 / 58 / 33 / 18

HEX #D1578C

RGB 209 87 140

HSL 333.93, 0.57%, 0.58%

LAB 54.31, 53.4, -4.89

 

CMYK 33 / 0 / 58 / 18

HEX #8CD157

RGB 140 209 87

HSL 93.93, 0.57%, 0.58%

LAB 77.2, -42.2, 52.65

 

CMYK 58 / 33 / 0 / 18

HEX #588CD1

RGB 88 140 209

HSL 214.21, 0.57%, 0.58%

LAB 57.5, 3.19, -40.74

 

CMYK 14 / 58 / 0 / 18

HEX #B457D1

RGB 180 87 209

HSL 285.74, 0.57%, 0.58%

LAB 53.08, 56.25, -47.21

 

CMYK 0 / 25 / 58 / 18

HEX #D19C57

RGB 209 156 87

HSL 33.93, 0.57%, 0.58%

LAB 68.04, 12.17, 43.34

 

CMYK 45 / 0 / 58 / 18

HEX #73D157

RGB 115 209 87

HSL 106.23, 0.57%, 0.58%

LAB 76.03, -50.33, 51

 

CMYK 58 / 33 / 0 / 18

HEX #588CD1

RGB 88 140 209

HSL 214.21, 0.57%, 0.58%

LAB 57.5, 3.19, -40.74

 

CMYK 0 / 58 / 4 / 18

HEX #D157C9

RGB 209 87 201

HSL 303.93, 0.57%, 0.58%

LAB 56.67, 62.22, -36.72

 

CMYK 0 / 25 / 58 / 18

HEX #D19C57

RGB 209 156 87

HSL 33.93, 0.57%, 0.58%

LAB 68.04, 12.17, 43.34

 

CMYK 58 / 0 / 55 / 18

HEX #57D15F

RGB 87 209 95

HSL 123.93, 0.57%, 0.58%

LAB 75.11, -56.9, 45.99

 

Description

Color code: HEX #588CD1 | qconv.com Color code: HEX #588CD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 140 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 140 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 33 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 33% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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