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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #588202CE it is the complementary color #A77DFDCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #588202CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #588202CE shade: #5D8200CE, #6E9410CE, #7FA623CE, #90B836CE and #A1CA49CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #588202CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #588202CE shade: #588202CE, #477000CE, #365E00CE, #254C00CE and #143A00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #588202CE shade: #588302, #7B8302, #836702, #834502 and #832202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #588202CE shade: #588302, #368302, #138302, #028314 and #028336

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #588202CE shade matches the following richer shades: #588302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #588202CE shade: #588302, #55780D, #516D17, #4D6222 and #4A582D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #588202CE shade: #836702, #7C8302, #5A8302, #388302 and #158302

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #588202CE shade: #213101, #3D5A01, #588302, #74AB03 and #8FD403

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #588202CE shade: #588202, #028344 and #780283

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #588202CE shade: #588202, #025A83 and #83025A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #588202CE shade: #588202, #028344, #2B0283 and #830240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #588202CE shade: #588202, #02836B, #2B0283 and #83021A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 80 / 40

HEX #588202CE

RGBA 88 130 2 0.81

HSLA 79.69, 0.97%, 0.26%, 0.81

LABA 49.55, -31.58, 53.24, 0.81

 

Complementary color

CMYK 28 / 41 / 0 / 1

HEX #A77DFDCE

RGBA 167 125 253 0.81

HSLA 259.69, 0.97%, 0.74%, 0.81

LABA 61.63, 43.17, -58.3, 0.81

 

CMYK 23 / 0 / 81 / 40

HEX #5D8200CE

RGBA 93 130 0 0.81

HSLA 77.08, 1%, 0.25%, 0.81

LABA 49.85, -29.58, 54, 0.81

 

CMYK 21 / 0 / 72 / 34

HEX #6E9410CE

RGBA 110 148 16 0.81

HSLA 77.27, 0.8%, 0.32%, 0.81

LABA 56.62, -30.66, 56.97, 0.81

 

CMYK 19 / 0 / 64 / 28

HEX #7FA623CE

RGBA 127 166 35 0.81

HSLA 77.86, 0.65%, 0.39%, 0.81

LABA 63.26, -31.48, 58.29, 0.81

 

CMYK 18 / 0 / 57 / 23

HEX #90B836CE

RGBA 144 184 54 0.81

HSLA 78.46, 0.55%, 0.47%, 0.81

LABA 69.81, -32.07, 58.44, 0.81

 

CMYK 16 / 0 / 52 / 17

HEX #A1CA49CE

RGBA 161 202 73 0.81

HSLA 79.07, 0.55%, 0.54%, 0.81

LABA 76.25, -32.49, 57.96, 0.81

 

CMYK 26 / 0 / 80 / 40

HEX #588202CE

RGBA 88 130 2 0.81

HSLA 79.69, 0.97%, 0.26%, 0.81

LABA 49.55, -31.58, 53.24, 0.81

 

CMYK 30 / 0 / 81 / 45

HEX #477000CE

RGBA 71 112 0 0.81

HSLA 81.96, 1%, 0.22%, 0.81

LABA 42.65, -30.17, 47.9, 0.81

 

CMYK 34 / 0 / 81 / 51

HEX #365E00CE

RGBA 54 94 0 0.81

HSLA 85.53, 1%, 0.18%, 0.81

LABA 35.58, -28.64, 42.01, 0.81

 

CMYK 42 / 0 / 81 / 57

HEX #254C00CE

RGBA 37 76 0 0.81

HSLA 90.79, 1%, 0.15%, 0.81

LABA 28.28, -26.97, 35.93, 0.81

 

CMYK 53 / 0 / 81 / 63

HEX #143A00CE

RGBA 20 58 0 0.81

HSLA 99.31, 1%, 0.11%, 0.81

LABA 20.73, -25.01, 28.34, 0.81

 

CMYK 33 / 0 / 98 / 49

HEX #588302

RGB 88 131 2

HSL 80, 0.97%, 0.26%

LAB 49.87, -32.05, 53.49

 

CMYK 6 / 0 / 98 / 49

HEX #7B8302

RGB 123 131 2

HSL 63.72, 0.97%, 0.26%

LAB 52.34, -16.8, 56.46

 

CMYK 0 / 21 / 98 / 49

HEX #836702

RGB 131 103 2

HSL 46.98, 0.97%, 0.26%

LAB 44.98, 2.58, 51.4

 

CMYK 0 / 47 / 98 / 49

HEX #834502

RGB 131 69 2

HSL 31.16, 0.97%, 0.26%

LAB 36.15, 22.51, 45.34

 

CMYK 0 / 74 / 98 / 49

HEX #832202

RGB 131 34 2

HSL 14.88, 0.97%, 0.26%

LAB 29.35, 40.14, 40.78

 

CMYK 33 / 0 / 98 / 49

HEX #588302

RGB 88 131 2

HSL 80, 0.97%, 0.26%

LAB 49.87, -32.05, 53.49

 

CMYK 59 / 0 / 98 / 49

HEX #368302

RGB 54 131 2

HSL 95.81, 0.97%, 0.26%

LAB 48.29, -43.85, 51.57

 

CMYK 85 / 0 / 98 / 49

HEX #138302

RGB 19 131 2

HSL 112.09, 0.97%, 0.26%

LAB 47.46, -50.87, 50.56

 

CMYK 98 / 0 / 85 / 49

HEX #028314

RGB 2 131 20

HSL 128.37, 0.97%, 0.26%

LAB 47.36, -51.57, 46.44

 

CMYK 98 / 0 / 59 / 49

HEX #028336

RGB 2 131 54

HSL 144.19, 0.97%, 0.26%

LAB 47.64, -48.05, 32.73

 

CMYK 33 / 0 / 98 / 49

HEX #588302

RGB 88 131 2

HSL 80, 0.97%, 0.26%

LAB 49.87, -32.05, 53.49

 

CMYK 33 / 0 / 98 / 49

HEX #588302

RGB 88 131 2

HSL 80, 0.97%, 0.26%

LAB 49.87, -32.05, 53.49

 

CMYK 29 / 0 / 89 / 53

HEX #55780D

RGB 85 120 13

HSL 79.63, 0.8%, 0.26%

LAB 46.17, -27.78, 48.18

 

CMYK 26 / 0 / 79 / 57

HEX #516D17

RGB 81 109 23

HSL 79.53, 0.65%, 0.26%

LAB 42.38, -23.61, 41.65

 

CMYK 21 / 0 / 65 / 62

HEX #4D6222

RGB 77 98 34

HSL 79.69, 0.48%, 0.26%

LAB 38.6, -18.84, 32.94

 

CMYK 16 / 0 / 49 / 65

HEX #4A582D

RGB 74 88 45

HSL 79.53, 0.32%, 0.26%

LAB 35.25, -13.47, 23.07

 

CMYK 0 / 21 / 98 / 49

HEX #836702

RGB 131 103 2

HSL 46.98, 0.97%, 0.26%

LAB 44.98, 2.58, 51.4

 

CMYK 5 / 0 / 98 / 49

HEX #7C8302

RGB 124 131 2

HSL 63.26, 0.97%, 0.26%

LAB 52.42, -16.34, 56.56

 

CMYK 31 / 0 / 98 / 49

HEX #5A8302

RGB 90 131 2

HSL 79.07, 0.97%, 0.26%

LAB 49.99, -31.24, 53.64

 

CMYK 57 / 0 / 98 / 49

HEX #388302

RGB 56 131 2

HSL 94.88, 0.97%, 0.26%

LAB 48.36, -43.28, 51.65

 

CMYK 84 / 0 / 98 / 49

HEX #158302

RGB 21 131 2

HSL 111.16, 0.97%, 0.26%

LAB 47.49, -50.63, 50.59

 

CMYK 33 / 0 / 98 / 81

HEX #213101

RGB 33 49 1

HSL 80, 0.96%, 0.1%

LAB 18.02, -15.08, 25

 

CMYK 32 / 0 / 99 / 65

HEX #3D5A01

RGB 61 90 1

HSL 79.55, 0.98%, 0.18%

LAB 34.61, -23.76, 41.12

 

CMYK 33 / 0 / 98 / 49

HEX #588302

RGB 88 131 2

HSL 80, 0.97%, 0.26%

LAB 49.87, -32.05, 53.49

 

CMYK 32 / 0 / 98 / 33

HEX #74AB03

RGB 116 171 3

HSL 79.64, 0.97%, 0.34%

LAB 64.04, -39, 65.07

 

CMYK 33 / 0 / 99 / 17

HEX #8FD403

RGB 143 212 3

HSL 79.81, 0.97%, 0.42%

LAB 77.84, -46.47, 76.43

 

CMYK 32 / 0 / 98 / 49

HEX #588202

RGB 88 130 2

HSL 79.69, 0.97%, 0.26%

LAB 49.55, -31.58, 53.24

 

CMYK 98 / 0 / 48 / 49

HEX #028344

RGB 2 131 68

HSL 150.7, 0.97%, 0.26%

LAB 47.83, -45.69, 25.59

 

CMYK 8 / 98 / 0 / 49

HEX #780283

RGB 120 2 131

HSL 294.88, 0.97%, 0.26%

LAB 28.58, 57.74, -40.4

 

CMYK 32 / 0 / 98 / 49

HEX #588202

RGB 88 130 2

HSL 79.69, 0.97%, 0.26%

LAB 49.55, -31.58, 53.24

 

CMYK 98 / 31 / 0 / 49

HEX #025A83

RGB 2 90 131

HSL 199.07, 0.97%, 0.26%

LAB 35.91, -6.69, -29.24

 

CMYK 0 / 98 / 31 / 49

HEX #83025A

RGB 131 2 90

HSL 319.07, 0.97%, 0.26%

LAB 28.4, 53.96, -14.18

 

CMYK 32 / 0 / 98 / 49

HEX #588202

RGB 88 130 2

HSL 79.69, 0.97%, 0.26%

LAB 49.55, -31.58, 53.24

 

CMYK 98 / 0 / 48 / 49

HEX #028344

RGB 2 131 68

HSL 150.7, 0.97%, 0.26%

LAB 47.83, -45.69, 25.59

 

CMYK 67 / 98 / 0 / 49

HEX #2B0283

RGB 43 2 131

HSL 259.07, 0.97%, 0.26%

LAB 16.48, 48.76, -60.69

 

CMYK 0 / 98 / 51 / 49

HEX #830240

RGB 131 2 64

HSL 331.16, 0.97%, 0.26%

LAB 27.4, 51.35, 1.73

 

CMYK 32 / 0 / 98 / 49

HEX #588202

RGB 88 130 2

HSL 79.69, 0.97%, 0.26%

LAB 49.55, -31.58, 53.24

 

CMYK 98 / 0 / 18 / 49

HEX #02836B

RGB 2 131 107

HSL 168.84, 0.97%, 0.26%

LAB 48.64, -36.5, 4.44

 

CMYK 67 / 98 / 0 / 49

HEX #2B0283

RGB 43 2 131

HSL 259.07, 0.97%, 0.26%

LAB 16.48, 48.76, -60.69

 

CMYK 0 / 98 / 80 / 49

HEX #83021A

RGB 131 2 26

HSL 348.84, 0.97%, 0.26%

LAB 26.57, 49.09, 26.25

 

Description

Color code: HEX #588202CE | qconv.com Color code: HEX #588202CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 130 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 130 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 80 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 80% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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