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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #587D2ACE it is the complementary color #A782D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #587D2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #587D2ACE shade: #5D7D25CE, #6E8F38CE, #7FA14BCE, #90B35ECE and #A1C571CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #587D2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #587D2ACE shade: #587D2ACE, #476B17CE, #365904CE, #254700CE and #143500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #587D2ACE shade: #597E2A, #6F7E2A, #7E762A, #7E602A and #7E492A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #587D2ACE shade: #597E2A, #427E2A, #2B7E2A, #2A7E40 and #2A7E56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #587D2ACE shade matches the following richer shades: #597E2A, #5A8C1C, #5C990F and #5DA701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #587D2ACE shade: #597E2A, #577138, #566345, #545553 and #534861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #587D2ACE shade: #7E762A, #707E2A, #5A7E2A, #437E2A and #2D7E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #587D2ACE shade: #2D4015, #435F20, #597E2A, #6E9D34 and #84BC3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #587D2ACE shade: #587D2A, #2A7E5F and #7E2A7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #587D2ACE shade: #587D2A, #2A5A7E and #7E2A5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #587D2ACE shade: #587D2A, #2A7E5F, #4F2A7E and #7E2A49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #587D2ACE shade: #587D2A, #2A7E79, #4F2A7E and #7E2A30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 54 / 41

HEX #587D2ACE

RGBA 88 125 42 0.81

HSLA 86.75, 0.5%, 0.33%, 0.81

LABA 48.15, -27.23, 39.78, 0.81

 

Complementary color

CMYK 17 / 32 / 0 / 13

HEX #A782D5CE

RGBA 167 130 213 0.81

HSLA 266.75, 0.5%, 0.67%, 0.81

LABA 60.77, 30.63, -37.46, 0.81

 

CMYK 21 / 0 / 57 / 41

HEX #5D7D25CE

RGBA 93 125 37 0.81

HSLA 81.82, 0.54%, 0.32%, 0.81

LABA 48.42, -25.58, 42.36, 0.81

 

CMYK 19 / 0 / 49 / 36

HEX #6E8F38CE

RGBA 110 143 56 0.81

HSLA 82.76, 0.44%, 0.39%, 0.81

LABA 55.32, -25.9, 41.6, 0.81

 

CMYK 17 / 0 / 43 / 30

HEX #7FA14BCE

RGBA 127 161 75 0.81

HSLA 83.72, 0.36%, 0.46%, 0.81

LABA 62.09, -26.08, 40.53, 0.81

 

CMYK 16 / 0 / 38 / 24

HEX #90B35ECE

RGBA 144 179 94 0.81

HSLA 84.71, 0.36%, 0.54%, 0.81

LABA 68.74, -26.16, 39.36, 0.81

 

CMYK 15 / 0 / 35 / 18

HEX #A1C571CE

RGBA 161 197 113 0.81

HSLA 85.71, 0.42%, 0.61%, 0.81

LABA 75.27, -26.19, 38.18, 0.81

 

CMYK 24 / 0 / 54 / 41

HEX #587D2ACE

RGBA 88 125 42 0.81

HSLA 86.75, 0.5%, 0.33%, 0.81

LABA 48.15, -27.23, 39.78, 0.81

 

CMYK 27 / 0 / 64 / 47

HEX #476B17CE

RGBA 71 107 23 0.81

HSLA 85.71, 0.65%, 0.25%, 0.81

LABA 41.08, -26.83, 40.18, 0.81

 

CMYK 32 / 0 / 77 / 53

HEX #365904CE

RGBA 54 89 4 0.81

HSLA 84.71, 0.91%, 0.18%, 0.81

LABA 33.85, -26.1, 39.35, 0.81

 

CMYK 39 / 0 / 81 / 58

HEX #254700CE

RGBA 37 71 0 0.81

HSLA 88.73, 1%, 0.14%, 0.81

LABA 26.45, -24.66, 34.35, 0.81

 

CMYK 50 / 0 / 81 / 64

HEX #143500CE

RGBA 20 53 0 0.81

HSLA 97.36, 1%, 0.1%, 0.81

LABA 18.78, -22.8, 26.11, 0.81

 

CMYK 29 / 0 / 67 / 51

HEX #597E2A

RGB 89 126 42

HSL 86.43, 0.5%, 0.33%

LAB 48.53, -27.31, 40.21

 

CMYK 12 / 0 / 67 / 51

HEX #6F7E2A

RGB 111 126 42

HSL 70.71, 0.5%, 0.33%

LAB 50.06, -17.98, 42.3

 

CMYK 0 / 6 / 67 / 51

HEX #7E762A

RGB 126 118 42

HSL 54.29, 0.5%, 0.33%

LAB 48.96, -6.82, 41.53

 

CMYK 0 / 24 / 67 / 51

HEX #7E602A

RGB 126 96 42

HSL 38.57, 0.5%, 0.33%

LAB 42.72, 5.88, 34.76

 

CMYK 0 / 42 / 67 / 51

HEX #7E492A

RGB 126 73 42

HSL 22.14, 0.5%, 0.33%

LAB 36.68, 19.53, 27.87

 

CMYK 29 / 0 / 67 / 51

HEX #597E2A

RGB 89 126 42

HSL 86.43, 0.5%, 0.33%

LAB 48.53, -27.31, 40.21

 

CMYK 48 / 0 / 67 / 51

HEX #427E2A

RGB 66 126 42

HSL 102.86, 0.5%, 0.33%

LAB 47.3, -35.81, 38.52

 

CMYK 66 / 0 / 67 / 51

HEX #2B7E2A

RGB 43 126 42

HSL 119.29, 0.5%, 0.33%

LAB 46.45, -42.34, 37.34

 

CMYK 67 / 0 / 49 / 51

HEX #2A7E40

RGB 42 126 64

HSL 135.71, 0.5%, 0.33%

LAB 46.69, -39.48, 26.45

 

CMYK 67 / 0 / 32 / 51

HEX #2A7E56

RGB 42 126 86

HSL 151.43, 0.5%, 0.33%

LAB 47.09, -35.14, 14.57

 

CMYK 29 / 0 / 67 / 51

HEX #597E2A

RGB 89 126 42

HSL 86.43, 0.5%, 0.33%

LAB 48.53, -27.31, 40.21

 

CMYK 36 / 0 / 80 / 45

HEX #5A8C1C

RGB 90 140 28

HSL 86.79, 0.67%, 0.33%

LAB 52.96, -34.44, 50.13

 

CMYK 40 / 0 / 90 / 40

HEX #5C990F

RGB 92 153 15

HSL 86.52, 0.82%, 0.33%

LAB 57.17, -39.92, 57.22

 

CMYK 44 / 0 / 99 / 35

HEX #5DA701

RGB 93 167 1

HSL 86.75, 0.99%, 0.33%

LAB 61.63, -45.67, 62.96

 

CMYK 29 / 0 / 67 / 51

HEX #597E2A

RGB 89 126 42

HSL 86.43, 0.5%, 0.33%

LAB 48.53, -27.31, 40.21

 

CMYK 23 / 0 / 50 / 56

HEX #577138

RGB 87 113 56

HSL 87.37, 0.34%, 0.33%

LAB 44.41, -20.09, 28.42

 

CMYK 13 / 0 / 30 / 61

HEX #566345

RGB 86 99 69

HSL 86, 0.18%, 0.33%

LAB 40.13, -10.95, 15.45

 

CMYK 1 / 0 / 2 / 67

HEX #545553

RGB 84 85 83

HSL 90, 0.01%, 0.33%

LAB 36, -0.83, 1.02

 

CMYK 14 / 26 / 0 / 62

HEX #534861

RGB 83 72 97

HSL 266.4, 0.15%, 0.33%

LAB 32.56, 10.19, -12.96

 

CMYK 0 / 6 / 67 / 51

HEX #7E762A

RGB 126 118 42

HSL 54.29, 0.5%, 0.33%

LAB 48.96, -6.82, 41.53

 

CMYK 11 / 0 / 67 / 51

HEX #707E2A

RGB 112 126 42

HSL 70, 0.5%, 0.33%

LAB 50.14, -17.53, 42.41

 

CMYK 29 / 0 / 67 / 51

HEX #5A7E2A

RGB 90 126 42

HSL 85.71, 0.5%, 0.33%

LAB 48.59, -26.91, 40.29

 

CMYK 47 / 0 / 67 / 51

HEX #437E2A

RGB 67 126 42

HSL 102.14, 0.5%, 0.33%

LAB 47.34, -35.47, 38.58

 

CMYK 64 / 0 / 67 / 51

HEX #2D7E2A

RGB 45 126 42

HSL 117.86, 0.5%, 0.33%

LAB 46.51, -41.86, 37.42

 

CMYK 30 / 0 / 67 / 75

HEX #2D4015

RGB 45 64 21

HSL 86.51, 0.51%, 0.17%

LAB 24.57, -15.98, 23.38

 

CMYK 29 / 0 / 66 / 63

HEX #435F20

RGB 67 95 32

HSL 86.67, 0.5%, 0.25%

LAB 36.9, -21.79, 31.85

 

CMYK 29 / 0 / 67 / 51

HEX #597E2A

RGB 89 126 42

HSL 86.43, 0.5%, 0.33%

LAB 48.53, -27.31, 40.21

 

CMYK 30 / 0 / 67 / 38

HEX #6E9D34

RGB 110 157 52

HSL 86.86, 0.5%, 0.41%

LAB 59.6, -32.94, 48.05

 

CMYK 30 / 0 / 66 / 26

HEX #84BC3F

RGB 132 188 63

HSL 86.88, 0.5%, 0.49%

LAB 70.34, -37.89, 55.25

 

CMYK 30 / 0 / 66 / 51

HEX #587D2A

RGB 88 125 42

HSL 86.75, 0.5%, 0.33%

LAB 48.15, -27.23, 39.78

 

CMYK 67 / 0 / 25 / 51

HEX #2A7E5F

RGB 42 126 95

HSL 157.86, 0.5%, 0.33%

LAB 47.29, -33.02, 9.61

 

CMYK 0 / 67 / 2 / 51

HEX #7E2A7B

RGB 126 42 123

HSL 302.14, 0.5%, 0.33%

LAB 32.97, 46.6, -28.32

 

CMYK 30 / 0 / 66 / 51

HEX #587D2A

RGB 88 125 42

HSL 86.75, 0.5%, 0.33%

LAB 48.15, -27.23, 39.78

 

CMYK 67 / 29 / 0 / 51

HEX #2A5A7E

RGB 42 90 126

HSL 205.71, 0.5%, 0.33%

LAB 36.58, -4.11, -25.08

 

CMYK 0 / 67 / 29 / 51

HEX #7E2A5A

RGB 126 42 90

HSL 325.71, 0.5%, 0.33%

LAB 31.42, 41.32, -9.66

 

CMYK 30 / 0 / 66 / 51

HEX #587D2A

RGB 88 125 42

HSL 86.75, 0.5%, 0.33%

LAB 48.15, -27.23, 39.78

 

CMYK 67 / 0 / 25 / 51

HEX #2A7E5F

RGB 42 126 95

HSL 157.86, 0.5%, 0.33%

LAB 47.29, -33.02, 9.61

 

CMYK 37 / 67 / 0 / 51

HEX #4F2A7E

RGB 79 42 126

HSL 266.43, 0.5%, 0.33%

LAB 26.23, 35.43, -41.37

 

CMYK 0 / 67 / 42 / 51

HEX #7E2A49

RGB 126 42 73

HSL 337.86, 0.5%, 0.33%

LAB 30.81, 39.15, 0.55

 

CMYK 30 / 0 / 66 / 51

HEX #587D2A

RGB 88 125 42

HSL 86.75, 0.5%, 0.33%

LAB 48.15, -27.23, 39.78

 

CMYK 67 / 0 / 4 / 51

HEX #2A7E79

RGB 42 126 121

HSL 176.43, 0.5%, 0.33%

LAB 48, -25.96, -4.67

 

CMYK 37 / 67 / 0 / 51

HEX #4F2A7E

RGB 79 42 126

HSL 266.43, 0.5%, 0.33%

LAB 26.23, 35.43, -41.37

 

CMYK 0 / 67 / 62 / 51

HEX #7E2A30

RGB 126 42 48

HSL 355.71, 0.5%, 0.33%

LAB 30.17, 36.77, 16.08

 

Description

Color code: HEX #587D2ACE | qconv.com Color code: HEX #587D2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 125 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 125 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 54 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 54% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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