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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #587CDD4C it is the complementary color #A783224C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #587CDD4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #587CDD4C shade: #5D7CD84C, #6E8EEB4C, #7FA0FE4C, #90B2FF4C and #A1C4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #587CDD4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #587CDD4C shade: #587CDD4C, #476ACA4C, #3658B74C, #2546A44C and #1434914C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #587CDD4C shade: #5A7DDD, #5A5ADD, #7D5ADD, #A15ADD and #C45ADD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #587CDD4C shade: #5A7DDD and #5A5ADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #587CDD4C shade matches the following richer shades: #5A7DDD, #4A76ED and #3A6FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #587CDD4C shade: #5A7DDD, #6A85CD, #7A8CBD, #8A94AD and #9A9B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #587CDD4C shade: #5AC5DD, #5AA2DD, #5A7FDD, #5A5CDD and #7B5ADD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #587CDD4C shade: #2750BE, #3863D6, #5A7DDD, #7C98E4 and #9EB3EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #587CDD4C shade: #587CDD, #D25ADD and #B4DD5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #587CDD4C shade: #587CDD, #DD5A7F and #7FDD5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #587CDD4C shade: #587CDD, #D25ADD, #DDB85A and #65DD5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #587CDD4C shade: #587CDD, #DD5AC1, #DDB85A and #5ADD76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 13 / 0 / 4

HEX #587CDD4C

RGBA 88 124 221 0.3

HSLA 223.76, 0.66%, 0.61%, 0.3

LABA 53.72, 16.76, -53.49, 0.3

 

Complementary color

CMYK 0 / 6 / 24 / 10

HEX #A783224C

RGBA 167 131 34 0.3

HSLA 43.76, 0.66%, 0.39%, 0.3

LABA 56.65, 4.38, 53.77, 0.3

 

CMYK 17 / 13 / 0 / 5

HEX #5D7CD84C

RGBA 93 124 216 0.3

HSLA 224.88, 0.61%, 0.61%, 0.3

LABA 53.71, 16.08, -50.67, 0.3

 

CMYK 16 / 12 / 0 / 2

HEX #6E8EEB4C

RGBA 110 142 235 0.3

HSLA 224.64, 0.76%, 0.68%, 0.3

LABA 60.48, 14.89, -50.46, 0.3

 

CMYK 15 / 11 / 0 / 0

HEX #7FA0FE4C

RGBA 127 160 254 0.3

HSLA 224.41, 0.98%, 0.75%, 0.3

LABA 67.13, 13.88, -50.29, 0.3

 

CMYK 13 / 9 / 0 / 0

HEX #90B2FF4C

RGBA 144 178 255 0.3

HSLA 221.62, 1%, 0.78%, 0.3

LABA 72.89, 7.93, -41.73, 0.3

 

CMYK 11 / 7 / 0 / 0

HEX #A1C4FF4C

RGBA 161 196 255 0.3

HSLA 217.66, 1%, 0.82%, 0.3

LABA 78.62, 2.36, -32.75, 0.3

 

CMYK 18 / 13 / 0 / 4

HEX #587CDD4C

RGBA 88 124 221 0.3

HSLA 223.76, 0.66%, 0.61%, 0.3

LABA 53.72, 16.76, -53.49, 0.3

 

CMYK 19 / 14 / 0 / 6

HEX #476ACA4C

RGBA 71 106 202 0.3

HSLA 223.97, 0.55%, 0.54%, 0.3

LABA 46.86, 18.37, -53.73, 0.3

 

CMYK 21 / 16 / 0 / 8

HEX #3658B74C

RGBA 54 88 183 0.3

HSLA 224.19, 0.54%, 0.46%, 0.3

LABA 39.89, 20.36, -53.98, 0.3

 

CMYK 23 / 17 / 0 / 11

HEX #2546A44C

RGBA 37 70 164 0.3

HSLA 224.41, 0.63%, 0.39%, 0.3

LABA 32.82, 22.86, -54.19, 0.3

 

CMYK 26 / 19 / 0 / 13

HEX #1434914C

RGBA 20 52 145 0.3

HSLA 224.64, 0.76%, 0.32%, 0.3

LABA 25.71, 26.01, -54.26, 0.3

 

CMYK 59 / 43 / 0 / 13

HEX #5A7DDD

RGB 90 125 221

HSL 223.97, 0.66%, 0.61%

LAB 54.09, 16.53, -52.88

 

CMYK 59 / 59 / 0 / 13

HEX #5A5ADD

RGB 90 90 221

HSL 240, 0.66%, 0.61%

LAB 45.23, 37.98, -67.16

 

CMYK 43 / 59 / 0 / 13

HEX #7D5ADD

RGB 125 90 221

HSL 256.03, 0.66%, 0.61%

LAB 48.12, 44.66, -62.33

 

CMYK 27 / 59 / 0 / 13

HEX #A15ADD

RGB 161 90 221

HSL 272.52, 0.66%, 0.61%

LAB 51.96, 52.73, -55.96

 

CMYK 11 / 59 / 0 / 13

HEX #C45ADD

RGB 196 90 221

HSL 288.55, 0.66%, 0.61%

LAB 56.36, 61.16, -48.69

 

CMYK 59 / 43 / 0 / 13

HEX #5A7DDD

RGB 90 125 221

HSL 223.97, 0.66%, 0.61%

LAB 54.09, 16.53, -52.88

 

CMYK 59 / 59 / 0 / 13

HEX #5A5ADD

RGB 90 90 221

HSL 240, 0.66%, 0.61%

LAB 45.23, 37.98, -67.16

 

CMYK 59 / 43 / 0 / 13

HEX #5A7DDD

RGB 90 125 221

HSL 223.97, 0.66%, 0.61%

LAB 54.09, 16.53, -52.88

 

CMYK 69 / 50 / 0 / 7

HEX #4A76ED

RGB 74 118 237

HSL 223.8, 0.82%, 0.61%

LAB 52.43, 23.64, -64.56

 

CMYK 77 / 56 / 0 / 1

HEX #3A6FFD

RGB 58 111 253

HSL 223.69, 0.98%, 0.61%

LAB 51.11, 31.79, -75.64

 

CMYK 59 / 43 / 0 / 13

HEX #5A7DDD

RGB 90 125 221

HSL 223.97, 0.66%, 0.61%

LAB 54.09, 16.53, -52.88

 

CMYK 48 / 35 / 0 / 20

HEX #6A85CD

RGB 106 133 205

HSL 223.64, 0.5%, 0.61%

LAB 56.33, 10.07, -40.25

 

CMYK 35 / 26 / 0 / 26

HEX #7A8CBD

RGB 122 140 189

HSL 223.88, 0.34%, 0.61%

LAB 58.57, 5.58, -27.63

 

CMYK 20 / 14 / 0 / 32

HEX #8A94AD

RGB 138 148 173

HSL 222.86, 0.18%, 0.61%

LAB 61.31, 1.88, -14.28

 

CMYK 2 / 1 / 0 / 38

HEX #9A9B9D

RGB 154 155 157

HSL 220, 0.02%, 0.61%

LAB 63.96, 0.03, -1.18

 

CMYK 59 / 11 / 0 / 13

HEX #5AC5DD

RGB 90 197 221

HSL 190.99, 0.66%, 0.61%

LAB 74.4, -23.8, -21.22

 

CMYK 59 / 27 / 0 / 13

HEX #5AA2DD

RGB 90 162 221

HSL 207.02, 0.66%, 0.61%

LAB 64.35, -5.2, -36.69

 

CMYK 59 / 43 / 0 / 13

HEX #5A7FDD

RGB 90 127 221

HSL 223.05, 0.66%, 0.61%

LAB 54.63, 15.31, -52.03

 

CMYK 59 / 58 / 0 / 13

HEX #5A5CDD

RGB 90 92 221

HSL 239.08, 0.66%, 0.61%

LAB 45.7, 36.78, -66.4

 

CMYK 44 / 59 / 0 / 13

HEX #7B5ADD

RGB 123 90 221

HSL 255.11, 0.66%, 0.61%

LAB 47.94, 44.24, -62.65

 

CMYK 79 / 58 / 0 / 25

HEX #2750BE

RGB 39 80 190

HSL 223.71, 0.66%, 0.45%

LAB 37.64, 26.42, -61.76

 

CMYK 74 / 54 / 0 / 16

HEX #3863D6

RGB 56 99 214

HSL 223.67, 0.66%, 0.53%

LAB 45.11, 24.95, -63.46

 

CMYK 59 / 43 / 0 / 13

HEX #5A7DDD

RGB 90 125 221

HSL 223.97, 0.66%, 0.61%

LAB 54.09, 16.53, -52.88

 

CMYK 46 / 33 / 0 / 11

HEX #7C98E4

RGB 124 152 228

HSL 223.85, 0.66%, 0.69%

LAB 63.63, 10.13, -41.57

 

CMYK 33 / 24 / 0 / 8

HEX #9EB3EB

RGB 158 179 235

HSL 223.64, 0.66%, 0.77%

LAB 73.22, 5.73, -30.32

 

CMYK 60 / 44 / 0 / 13

HEX #587CDD

RGB 88 124 221

HSL 223.76, 0.66%, 0.61%

LAB 53.72, 16.76, -53.49

 

CMYK 5 / 59 / 0 / 13

HEX #D25ADD

RGB 210 90 221

HSL 294.96, 0.66%, 0.61%

LAB 58.26, 64.6, -45.55

 

CMYK 19 / 0 / 59 / 13

HEX #B4DD5A

RGB 180 221 90

HSL 78.78, 0.66%, 0.61%

LAB 83, -32.66, 58.49

 

CMYK 60 / 44 / 0 / 13

HEX #587CDD

RGB 88 124 221

HSL 223.76, 0.66%, 0.61%

LAB 53.72, 16.76, -53.49

 

CMYK 0 / 59 / 43 / 13

HEX #DD5A7F

RGB 221 90 127

HSL 343.05, 0.66%, 0.61%

LAB 56.3, 54.43, 5.92

 

CMYK 43 / 0 / 59 / 13

HEX #7FDD5A

RGB 127 221 90

HSL 103.05, 0.66%, 0.61%

LAB 80.16, -51.2, 54.53

 

CMYK 60 / 44 / 0 / 13

HEX #587CDD

RGB 88 124 221

HSL 223.76, 0.66%, 0.61%

LAB 53.72, 16.76, -53.49

 

CMYK 5 / 59 / 0 / 13

HEX #D25ADD

RGB 210 90 221

HSL 294.96, 0.66%, 0.61%

LAB 58.26, 64.6, -45.55

 

CMYK 0 / 17 / 59 / 13

HEX #DDB85A

RGB 221 184 90

HSL 43.05, 0.66%, 0.61%

LAB 76.31, 2.5, 51.83

 

CMYK 54 / 0 / 59 / 13

HEX #65DD5A

RGB 101 221 90

HSL 114.96, 0.66%, 0.61%

LAB 79.17, -58.54, 53.13

 

CMYK 60 / 44 / 0 / 13

HEX #587CDD

RGB 88 124 221

HSL 223.76, 0.66%, 0.61%

LAB 53.72, 16.76, -53.49

 

CMYK 0 / 59 / 13 / 13

HEX #DD5AC1

RGB 221 90 193

HSL 312.82, 0.66%, 0.61%

LAB 58.54, 62.84, -29.11

 

CMYK 0 / 17 / 59 / 13

HEX #DDB85A

RGB 221 184 90

HSL 43.05, 0.66%, 0.61%

LAB 76.31, 2.5, 51.83

 

CMYK 59 / 0 / 47 / 13

HEX #5ADD76

RGB 90 221 118

HSL 132.82, 0.66%, 0.61%

LAB 79.15, -57.51, 39.92

 

Description

Color code: HEX #587CDD4C | qconv.com Color code: HEX #587CDD4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 124 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 124 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 13 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 13% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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