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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #587C31 it is the complementary color #A783CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #587C31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #587C31 shade: #5D7C2C, #6E8E3F, #7FA052, #90B265 and #A1C478

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #587C31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #587C31 shade: #587C31, #476A1E, #36580B, #254600 and #143400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #587C31 shade: #587C31, #6C7C31, #7C7831, #7C6331 and #7C4F31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #587C31 shade: #587C31, #447C31, #317C33, #317C47 and #317C5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #587C31 shade matches the following richer shades: #587C31, #598A23, #599815 and #5AA607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #587C31 shade: #587C31, #586E3F, #57604D, #57525C and #56446A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #587C31 shade: #7C7731, #6D7C31, #597C31, #457C31 and #317C31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #587C31 shade: #2E411A, #435E26, #587C31, #6D993D and #82B749

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #587C31 shade: #587C31, #317C63 and #7C3177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #587C31 shade: #587C31, #31597C and #7C3159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #587C31 shade: #587C31, #317C63, #54317C and #7C314A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #587C31 shade: #587C31, #317C79, #54317C and #7C3134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

Complementary color

CMYK 19 / 36 / 0 / 19

HEX #A783CE

RGB 167 131 206

HSL 268.8, 0.43%, 0.66%

LAB 60.7, 28.45, -33.64

 

CMYK 25 / 0 / 65 / 51

HEX #5D7C2C

RGB 93 124 44

HSL 83.25, 0.48%, 0.33%

LAB 48.16, -24.51, 38.97

 

CMYK 23 / 0 / 56 / 44

HEX #6E8E3F

RGB 110 142 63

HSL 84.3, 0.39%, 0.4%

LAB 55.09, -24.72, 37.94

 

CMYK 21 / 0 / 49 / 37

HEX #7FA052

RGB 127 160 82

HSL 85.38, 0.32%, 0.47%

LAB 61.88, -24.81, 36.76

 

CMYK 19 / 0 / 43 / 30

HEX #90B265

RGB 144 178 101

HSL 86.49, 0.33%, 0.55%

LAB 68.54, -24.83, 35.56

 

CMYK 18 / 0 / 39 / 23

HEX #A1C478

RGB 161 196 120

HSL 87.63, 0.39%, 0.62%

LAB 75.08, -24.82, 34.38

 

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

CMYK 33 / 0 / 72 / 58

HEX #476A1E

RGB 71 106 30

HSL 87.63, 0.56%, 0.27%

LAB 40.8, -25.83, 37.04

 

CMYK 39 / 0 / 88 / 65

HEX #36580B

RGB 54 88 11

HSL 86.49, 0.78%, 0.19%

LAB 33.54, -25.29, 36.91

 

CMYK 47 / 0 / 100 / 73

HEX #254600

RGB 37 70 0

HSL 88.29, 1%, 0.14%

LAB 26.08, -24.19, 34.01

 

CMYK 62 / 0 / 100 / 80

HEX #143400

RGB 20 52 0

HSL 96.92, 1%, 0.1%

LAB 18.39, -22.34, 25.65

 

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

CMYK 13 / 0 / 60 / 51

HEX #6C7C31

RGB 108 124 49

HSL 72.8, 0.43%, 0.34%

LAB 49.28, -17.67, 38.13

 

CMYK 0 / 3 / 60 / 51

HEX #7C7831

RGB 124 120 49

HSL 56.8, 0.43%, 0.34%

LAB 49.42, -8.34, 38.66

 

CMYK 0 / 20 / 60 / 51

HEX #7C6331

RGB 124 99 49

HSL 40, 0.43%, 0.34%

LAB 43.4, 3.71, 31.79

 

CMYK 0 / 36 / 60 / 51

HEX #7C4F31

RGB 124 79 49

HSL 24, 0.43%, 0.34%

LAB 38.02, 15.62, 25.34

 

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

CMYK 45 / 0 / 60 / 51

HEX #447C31

RGB 68 124 49

HSL 104.8, 0.43%, 0.34%

LAB 46.8, -33.5, 34.64

 

CMYK 60 / 0 / 59 / 51

HEX #317C33

RGB 49 124 51

HSL 121.6, 0.43%, 0.34%

LAB 46.05, -38.97, 32.57

 

CMYK 60 / 0 / 43 / 51

HEX #317C47

RGB 49 124 71

HSL 137.6, 0.43%, 0.34%

LAB 46.34, -35.77, 22.18

 

CMYK 60 / 0 / 27 / 51

HEX #317C5B

RGB 49 124 91

HSL 153.6, 0.43%, 0.34%

LAB 46.74, -31.58, 11.22

 

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

CMYK 36 / 0 / 75 / 46

HEX #598A23

RGB 89 138 35

HSL 88.54, 0.6%, 0.34%

LAB 52.31, -33.49, 47.03

 

CMYK 41 / 0 / 86 / 40

HEX #599815

RGB 89 152 21

HSL 88.85, 0.76%, 0.34%

LAB 56.72, -40.36, 55.48

 

CMYK 46 / 0 / 96 / 35

HEX #5AA607

RGB 90 166 7

HSL 88.68, 0.92%, 0.34%

LAB 61.19, -46.15, 61.73

 

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

CMYK 20 / 0 / 43 / 57

HEX #586E3F

RGB 88 110 63

HSL 88.09, 0.27%, 0.34%

LAB 43.63, -17.14, 23.58

 

CMYK 9 / 0 / 20 / 62

HEX #57604D

RGB 87 96 77

HSL 88.42, 0.11%, 0.34%

LAB 39.46, -7.39, 9.7

 

CMYK 5 / 11 / 0 / 64

HEX #57525C

RGB 87 82 92

HSL 270, 0.06%, 0.34%

LAB 35.66, 4.2, -5.09

 

CMYK 19 / 36 / 0 / 58

HEX #56446A

RGB 86 68 106

HSL 268.42, 0.22%, 0.34%

LAB 32.15, 16.09, -19.27

 

CMYK 0 / 4 / 60 / 51

HEX #7C7731

RGB 124 119 49

HSL 56, 0.43%, 0.34%

LAB 49.13, -7.78, 38.33

 

CMYK 12 / 0 / 60 / 51

HEX #6D7C31

RGB 109 124 49

HSL 72, 0.43%, 0.34%

LAB 49.36, -17.24, 38.24

 

CMYK 28 / 0 / 60 / 51

HEX #597C31

RGB 89 124 49

HSL 88, 0.43%, 0.34%

LAB 47.96, -25.67, 36.27

 

CMYK 44 / 0 / 60 / 51

HEX #457C31

RGB 69 124 49

HSL 104, 0.43%, 0.34%

LAB 46.85, -33.16, 34.71

 

CMYK 60 / 0 / 60 / 51

HEX #317C31

RGB 49 124 49

HSL 120, 0.43%, 0.34%

LAB 46.03, -39.23, 33.55

 

CMYK 29 / 0 / 60 / 75

HEX #2E411A

RGB 46 65 26

HSL 89.23, 0.43%, 0.18%

LAB 25.06, -15.49, 21.16

 

CMYK 29 / 0 / 60 / 63

HEX #435E26

RGB 67 94 38

HSL 88.93, 0.42%, 0.26%

LAB 36.63, -20.64, 28.48

 

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

CMYK 29 / 0 / 60 / 40

HEX #6D993D

RGB 109 153 61

HSL 88.7, 0.43%, 0.42%

LAB 58.39, -30.66, 42.68

 

CMYK 29 / 0 / 60 / 28

HEX #82B749

RGB 130 183 73

HSL 88.91, 0.43%, 0.5%

LAB 68.82, -35.53, 49.28

 

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

CMYK 60 / 0 / 20 / 51

HEX #317C63

RGB 49 124 99

HSL 160, 0.43%, 0.34%

LAB 46.93, -29.64, 6.79

 

CMYK 0 / 60 / 4 / 51

HEX #7C3177

RGB 124 49 119

HSL 304, 0.43%, 0.34%

LAB 33.59, 42.13, -24.85

 

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

CMYK 60 / 28 / 0 / 51

HEX #31597C

RGB 49 89 124

HSL 208, 0.43%, 0.34%

LAB 36.47, -2.76, -24

 

CMYK 0 / 60 / 28 / 51

HEX #7C3159

RGB 124 49 89

HSL 328, 0.43%, 0.34%

LAB 32.26, 37.19, -7.77

 

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

CMYK 60 / 0 / 20 / 51

HEX #317C63

RGB 49 124 99

HSL 160, 0.43%, 0.34%

LAB 46.93, -29.64, 6.79

 

CMYK 32 / 60 / 0 / 51

HEX #54317C

RGB 84 49 124

HSL 268, 0.43%, 0.34%

LAB 28.21, 32.08, -36.88

 

CMYK 0 / 60 / 40 / 51

HEX #7C314A

RGB 124 49 74

HSL 340, 0.43%, 0.34%

LAB 31.75, 35.19, 1.22

 

CMYK 29 / 0 / 60 / 51

HEX #587C31

RGB 88 124 49

HSL 88.8, 0.43%, 0.34%

LAB 47.89, -26.07, 36.19

 

CMYK 60 / 0 / 2 / 51

HEX #317C79

RGB 49 124 121

HSL 177.6, 0.43%, 0.34%

LAB 47.56, -23.64, -5.3

 

CMYK 32 / 60 / 0 / 51

HEX #54317C

RGB 84 49 124

HSL 268, 0.43%, 0.34%

LAB 28.21, 32.08, -36.88

 

CMYK 0 / 60 / 58 / 51

HEX #7C3134

RGB 124 49 52

HSL 357.6, 0.43%, 0.34%

LAB 31.18, 32.9, 14.76

 

Description

Color code: HEX #587C31 | qconv.com Color code: HEX #587C31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 124 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 124 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 60 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 60% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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