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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58771C it is the complementary color #A788E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58771C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58771C shade: #5D7717, #6E892A, #7F9B3D, #90AD50 and #A1BF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58771C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58771C shade: #58771C, #476509, #365300, #254100 and #142F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58771C shade: #59781C, #71781C, #78661C, #784D1C and #78341C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58771C shade: #59781C, #40781C, #27781C, #1C782A and #1C7843

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58771C shade matches the following richer shades: #59781C, #5C8410 and #609004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58771C shade: #59781C, #556C28, #516034, #4D5440 and #49484C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58771C shade: #78651C, #72781C, #59781C, #41781C and #28781C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58771C shade: #27350C, #405614, #59781C, #719924 and #8ABB2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58771C shade: #58771C, #1C784D and #721C78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58771C shade: #58771C, #1C5978 and #781C59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58771C shade: #58771C, #1C784D, #3B1C78 and #781C47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58771C shade: #58771C, #1C7869, #3B1C78 and #781C2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 76 / 53

HEX #58771C

RGB 88 119 28

HSL 80.44, 0.62%, 0.29%

LAB 46.11, -25.32, 43.55

 

Complementary color

CMYK 26 / 40 / 0 / 11

HEX #A788E3

RGB 167 136 227

HSL 260.44, 0.62%, 0.71%

LAB 62.82, 30.55, -42.05

 

CMYK 22 / 0 / 81 / 53

HEX #5D7717

RGB 93 119 23

HSL 76.25, 0.68%, 0.28%

LAB 46.42, -23.45, 45.75

 

CMYK 20 / 0 / 69 / 46

HEX #6E892A

RGB 110 137 42

HSL 77.05, 0.53%, 0.35%

LAB 53.36, -24.06, 45.72

 

CMYK 18 / 0 / 61 / 39

HEX #7F9B3D

RGB 127 155 61

HSL 77.87, 0.44%, 0.42%

LAB 60.15, -24.46, 44.98

 

CMYK 17 / 0 / 54 / 32

HEX #90AD50

RGB 144 173 80

HSL 78.71, 0.37%, 0.5%

LAB 66.82, -24.72, 43.95

 

CMYK 16 / 0 / 48 / 25

HEX #A1BF63

RGB 161 191 99

HSL 79.57, 0.42%, 0.57%

LAB 73.38, -24.89, 42.81

 

CMYK 26 / 0 / 76 / 53

HEX #58771C

RGB 88 119 28

HSL 80.44, 0.62%, 0.29%

LAB 46.11, -25.32, 43.55

 

CMYK 30 / 0 / 91 / 60

HEX #476509

RGB 71 101 9

HSL 79.57, 0.84%, 0.22%

LAB 39.01, -24.58, 42.68

 

CMYK 35 / 0 / 100 / 67

HEX #365300

RGB 54 83 0

HSL 80.96, 1%, 0.16%

LAB 31.74, -23.37, 39.05

 

CMYK 43 / 0 / 100 / 75

HEX #254100

RGB 37 65 0

HSL 85.85, 1%, 0.13%

LAB 24.24, -21.76, 32.27

 

CMYK 57 / 0 / 100 / 82

HEX #142F00

RGB 20 47 0

HSL 94.47, 1%, 0.09%

LAB 16.41, -19.99, 23.26

 

CMYK 26 / 0 / 77 / 53

HEX #59781C

RGB 89 120 28

HSL 80.22, 0.62%, 0.29%

LAB 46.5, -25.39, 43.95

 

CMYK 6 / 0 / 77 / 53

HEX #71781C

RGB 113 120 28

HSL 64.57, 0.62%, 0.29%

LAB 48.29, -14.74, 46.3

 

CMYK 0 / 15 / 77 / 53

HEX #78661C

RGB 120 102 28

HSL 48.26, 0.62%, 0.29%

LAB 43.62, -1.34, 42.06

 

CMYK 0 / 36 / 77 / 53

HEX #784D1C

RGB 120 77 28

HSL 31.96, 0.62%, 0.29%

LAB 36.71, 13.52, 35.2

 

CMYK 0 / 57 / 77 / 53

HEX #78341C

RGB 120 52 28

HSL 15.65, 0.62%, 0.29%

LAB 30.72, 28.06, 28.9

 

CMYK 26 / 0 / 77 / 53

HEX #59781C

RGB 89 120 28

HSL 80.22, 0.62%, 0.29%

LAB 46.5, -25.39, 43.95

 

CMYK 47 / 0 / 77 / 53

HEX #40781C

RGB 64 120 28

HSL 96.52, 0.62%, 0.29%

LAB 45.09, -35.09, 42.09

 

CMYK 68 / 0 / 77 / 53

HEX #27781C

RGB 39 120 28

HSL 112.83, 0.62%, 0.29%

LAB 44.16, -42.37, 40.85

 

CMYK 77 / 0 / 65 / 53

HEX #1C782A

RGB 28 120 42

HSL 129.13, 0.62%, 0.29%

LAB 44.01, -43.14, 34.52

 

CMYK 77 / 0 / 44 / 53

HEX #1C7843

RGB 28 120 67

HSL 145.43, 0.62%, 0.29%

LAB 44.35, -39.14, 21.73

 

CMYK 26 / 0 / 77 / 53

HEX #59781C

RGB 89 120 28

HSL 80.22, 0.62%, 0.29%

LAB 46.5, -25.39, 43.95

 

CMYK 30 / 0 / 88 / 48

HEX #5C8410

RGB 92 132 16

HSL 80.69, 0.78%, 0.29%

LAB 50.47, -30.5, 51.32

 

CMYK 33 / 0 / 97 / 44

HEX #609004

RGB 96 144 4

HSL 80.57, 0.95%, 0.29%

LAB 54.49, -34.74, 56.96

 

CMYK 26 / 0 / 77 / 53

HEX #59781C

RGB 89 120 28

HSL 80.22, 0.62%, 0.29%

LAB 46.5, -25.39, 43.95

 

CMYK 21 / 0 / 63 / 58

HEX #556C28

RGB 85 108 40

HSL 80.29, 0.46%, 0.29%

LAB 42.47, -20.07, 34.45

 

CMYK 16 / 0 / 46 / 62

HEX #516034

RGB 81 96 52

HSL 80.45, 0.3%, 0.29%

LAB 38.49, -13.96, 23.21

 

CMYK 8 / 0 / 24 / 67

HEX #4D5440

RGB 77 84 64

HSL 81, 0.14%, 0.29%

LAB 34.58, -6.87, 10.79

 

CMYK 4 / 5 / 0 / 70

HEX #49484C

RGB 73 72 76

HSL 255, 0.03%, 0.29%

LAB 30.81, 1.31, -2.24

 

CMYK 0 / 16 / 77 / 53

HEX #78651C

RGB 120 101 28

HSL 47.61, 0.62%, 0.29%

LAB 43.34, -0.76, 41.78

 

CMYK 5 / 0 / 77 / 53

HEX #72781C

RGB 114 120 28

HSL 63.91, 0.62%, 0.29%

LAB 48.38, -14.28, 46.41

 

CMYK 26 / 0 / 77 / 53

HEX #59781C

RGB 89 120 28

HSL 80.22, 0.62%, 0.29%

LAB 46.5, -25.39, 43.95

 

CMYK 46 / 0 / 77 / 53

HEX #41781C

RGB 65 120 28

HSL 95.87, 0.62%, 0.29%

LAB 45.14, -34.74, 42.16

 

CMYK 67 / 0 / 77 / 53

HEX #28781C

RGB 40 120 28

HSL 112.17, 0.62%, 0.29%

LAB 44.19, -42.13, 40.89

 

CMYK 26 / 0 / 77 / 79

HEX #27350C

RGB 39 53 12

HSL 80.49, 0.63%, 0.13%

LAB 20.06, -13.45, 22.96

 

CMYK 26 / 0 / 77 / 66

HEX #405614

RGB 64 86 20

HSL 80, 0.62%, 0.21%

LAB 33.55, -19.4, 33.81

 

CMYK 26 / 0 / 77 / 53

HEX #59781C

RGB 89 120 28

HSL 80.22, 0.62%, 0.29%

LAB 46.5, -25.39, 43.95

 

CMYK 26 / 0 / 76 / 40

HEX #719924

RGB 113 153 36

HSL 80.51, 0.62%, 0.37%

LAB 58.43, -30.97, 53.11

 

CMYK 26 / 0 / 76 / 27

HEX #8ABB2C

RGB 138 187 44

HSL 80.56, 0.62%, 0.45%

LAB 70.26, -36.36, 62.23

 

CMYK 26 / 0 / 76 / 53

HEX #58771C

RGB 88 119 28

HSL 80.44, 0.62%, 0.29%

LAB 46.11, -25.32, 43.55

 

CMYK 77 / 0 / 36 / 53

HEX #1C784D

RGB 28 120 77

HSL 151.96, 0.62%, 0.29%

LAB 44.54, -37.05, 16.25

 

CMYK 5 / 77 / 0 / 53

HEX #721C78

RGB 114 28 120

HSL 296.09, 0.62%, 0.29%

LAB 28.81, 48.62, -33.15

 

CMYK 26 / 0 / 76 / 53

HEX #58771C

RGB 88 119 28

HSL 80.44, 0.62%, 0.29%

LAB 46.11, -25.32, 43.55

 

CMYK 77 / 26 / 0 / 53

HEX #1C5978

RGB 28 89 120

HSL 200.22, 0.62%, 0.29%

LAB 35.49, -8.06, -23.11

 

CMYK 0 / 77 / 26 / 53

HEX #781C59

RGB 120 28 89

HSL 320.22, 0.62%, 0.29%

LAB 28.23, 45.1, -13.96

 

CMYK 26 / 0 / 76 / 53

HEX #58771C

RGB 88 119 28

HSL 80.44, 0.62%, 0.29%

LAB 46.11, -25.32, 43.55

 

CMYK 77 / 0 / 36 / 53

HEX #1C784D

RGB 28 120 77

HSL 151.96, 0.62%, 0.29%

LAB 44.54, -37.05, 16.25

 

CMYK 51 / 77 / 0 / 53

HEX #3B1C78

RGB 59 28 120

HSL 260.22, 0.62%, 0.29%

LAB 20.5, 37.32, -46.98

 

CMYK 0 / 77 / 41 / 53

HEX #781C47

RGB 120 28 71

HSL 331.96, 0.62%, 0.29%

LAB 27.51, 42.83, -3.1

 

CMYK 26 / 0 / 76 / 53

HEX #58771C

RGB 88 119 28

HSL 80.44, 0.62%, 0.29%

LAB 46.11, -25.32, 43.55

 

CMYK 77 / 0 / 13 / 53

HEX #1C7869

RGB 28 120 105

HSL 170.22, 0.62%, 0.29%

LAB 45.22, -29.86, 0.7

 

CMYK 51 / 77 / 0 / 53

HEX #3B1C78

RGB 59 28 120

HSL 260.22, 0.62%, 0.29%

LAB 20.5, 37.32, -46.98

 

CMYK 0 / 77 / 64 / 53

HEX #781C2B

RGB 120 28 43

HSL 350.22, 0.62%, 0.29%

LAB 26.73, 40.27, 14.66

 

Description

Color code: HEX #58771C | qconv.com Color code: HEX #58771C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 119 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 119 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 76 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 76% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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