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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5873B1 it is the complementary color #A78C4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5873B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5873B1 shade: #5D73AC, #6E85BF, #7F97D2, #90A9E5 and #A1BBF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5873B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5873B1 shade: #5873B1, #47619E, #364F8B, #253D78 and #142B65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5873B1 shade: #5973B1, #595CB1, #6D59B1, #8559B1 and #9D59B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5873B1 shade: #5973B1, #595CB1 and #5959B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5873B1 shade matches the following richer shades: #5973B1, #456BC4, #3164D8 and #1D5CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5873B1 shade: #5973B1, #6C7B9D, #808389, #948B75 and #A89261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5873B1 shade: #59A3B1, #598CB1, #5974B1, #595DB1 and #6C59B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5873B1 shade: #3A4E7C, #486098, #5973B1, #758BBE and #91A2CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5873B1 shade: #5873B1, #A659B1 and #98B159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5873B1 shade: #5873B1, #B15974 and #74B159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5873B1 shade: #5873B1, #A659B1, #B19559 and #63B159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5873B1 shade: #5873B1, #B159A1, #B19559 and #59B169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 35 / 0 / 31

HEX #5873B1

RGB 88 115 177

HSL 221.8, 0.36%, 0.52%

LAB 48.9, 7.89, -36

 

Complementary color

CMYK 0 / 16 / 53 / 35

HEX #A78C4E

RGB 167 140 78

HSL 41.8, 0.36%, 0.48%

LAB 59.45, 2.19, 36.63

 

CMYK 46 / 33 / 0 / 33

HEX #5D73AC

RGB 93 115 172

HSL 223.29, 0.32%, 0.52%

LAB 48.97, 7.59, -32.96

 

CMYK 42 / 30 / 0 / 25

HEX #6E85BF

RGB 110 133 191

HSL 222.96, 0.39%, 0.59%

LAB 55.94, 6.92, -32.91

 

CMYK 40 / 28 / 0 / 18

HEX #7F97D2

RGB 127 151 210

HSL 222.65, 0.48%, 0.66%

LAB 62.76, 6.36, -32.92

 

CMYK 37 / 26 / 0 / 10

HEX #90A9E5

RGB 144 169 229

HSL 222.35, 0.62%, 0.73%

LAB 69.44, 5.88, -32.96

 

CMYK 35 / 25 / 0 / 3

HEX #A1BBF8

RGB 161 187 248

HSL 222.07, 0.86%, 0.8%

LAB 76, 5.47, -33.04

 

CMYK 50 / 35 / 0 / 31

HEX #5873B1

RGB 88 115 177

HSL 221.8, 0.36%, 0.52%

LAB 48.9, 7.89, -36

 

CMYK 55 / 39 / 0 / 38

HEX #47619E

RGB 71 97 158

HSL 222.07, 0.38%, 0.45%

LAB 41.78, 8.86, -36.13

 

CMYK 61 / 43 / 0 / 45

HEX #364F8B

RGB 54 79 139

HSL 222.35, 0.44%, 0.38%

LAB 34.48, 10.13, -36.32

 

CMYK 69 / 49 / 0 / 53

HEX #253D78

RGB 37 61 120

HSL 222.65, 0.53%, 0.31%

LAB 26.98, 11.83, -36.56

 

CMYK 80 / 57 / 0 / 60

HEX #142B65

RGB 20 43 101

HSL 222.96, 0.67%, 0.24%

LAB 19.29, 14.25, -36.8

 

CMYK 50 / 35 / 0 / 31

HEX #5973B1

RGB 89 115 177

HSL 222.27, 0.36%, 0.52%

LAB 48.96, 8.13, -35.9

 

CMYK 50 / 48 / 0 / 31

HEX #595CB1

RGB 89 92 177

HSL 237.95, 0.36%, 0.52%

LAB 42.69, 22.42, -45.84

 

CMYK 38 / 50 / 0 / 31

HEX #6D59B1

RGB 109 89 177

HSL 253.64, 0.36%, 0.52%

LAB 43.61, 29.2, -44.27

 

CMYK 25 / 50 / 0 / 31

HEX #8559B1

RGB 133 89 177

HSL 270, 0.36%, 0.52%

LAB 46.05, 35.68, -40.24

 

CMYK 11 / 50 / 0 / 31

HEX #9D59B1

RGB 157 89 177

HSL 286.36, 0.36%, 0.52%

LAB 48.87, 42.51, -35.61

 

CMYK 50 / 35 / 0 / 31

HEX #5973B1

RGB 89 115 177

HSL 222.27, 0.36%, 0.52%

LAB 48.96, 8.13, -35.9

 

CMYK 50 / 48 / 0 / 31

HEX #595CB1

RGB 89 92 177

HSL 237.95, 0.36%, 0.52%

LAB 42.69, 22.42, -45.84

 

CMYK 50 / 50 / 0 / 31

HEX #5959B1

RGB 89 89 177

HSL 240, 0.36%, 0.52%

LAB 41.91, 24.3, -47.08

 

CMYK 50 / 35 / 0 / 31

HEX #5973B1

RGB 89 115 177

HSL 222.27, 0.36%, 0.52%

LAB 48.96, 8.13, -35.9

 

CMYK 65 / 45 / 0 / 23

HEX #456BC4

RGB 69 107 196

HSL 222.05, 0.52%, 0.52%

LAB 46.67, 15.28, -50.59

 

CMYK 77 / 54 / 0 / 15

HEX #3164D8

RGB 49 100 216

HSL 221.68, 0.68%, 0.52%

LAB 45.26, 24.26, -64.37

 

CMYK 88 / 61 / 0 / 7

HEX #1D5CEC

RGB 29 92 236

HSL 221.74, 0.84%, 0.52%

LAB 44.19, 35.32, -77.46

 

CMYK 50 / 35 / 0 / 31

HEX #5973B1

RGB 89 115 177

HSL 222.27, 0.36%, 0.52%

LAB 48.96, 8.13, -35.9

 

CMYK 31 / 22 / 0 / 38

HEX #6C7B9D

RGB 108 123 157

HSL 221.63, 0.2%, 0.52%

LAB 51.6, 2.79, -20.06

 

CMYK 7 / 4 / 0 / 46

HEX #808389

RGB 128 131 137

HSL 220, 0.04%, 0.52%

LAB 54.69, 0.13, -3.62

 

CMYK 0 / 6 / 21 / 42

HEX #948B75

RGB 148 139 117

HSL 42.58, 0.13%, 0.52%

LAB 58.08, -0.43, 12.99

 

CMYK 0 / 13 / 42 / 34

HEX #A89261

RGB 168 146 97

HSL 41.41, 0.29%, 0.52%

LAB 61.43, 1.23, 28.98

 

CMYK 50 / 8 / 0 / 31

HEX #59A3B1

RGB 89 163 177

HSL 189.55, 0.36%, 0.52%

LAB 62.92, -19.17, -14.38

 

CMYK 50 / 21 / 0 / 31

HEX #598CB1

RGB 89 140 177

HSL 205.23, 0.36%, 0.52%

LAB 56.14, -6.62, -24.71

 

CMYK 50 / 34 / 0 / 31

HEX #5974B1

RGB 89 116 177

HSL 221.59, 0.36%, 0.52%

LAB 49.24, 7.52, -35.45

 

CMYK 50 / 47 / 0 / 31

HEX #595DB1

RGB 89 93 177

HSL 237.27, 0.36%, 0.52%

LAB 42.95, 21.79, -45.42

 

CMYK 39 / 50 / 0 / 31

HEX #6C59B1

RGB 108 89 177

HSL 252.95, 0.36%, 0.52%

LAB 43.52, 28.95, -44.42

 

CMYK 53 / 37 / 0 / 51

HEX #3A4E7C

RGB 58 78 124

HSL 221.82, 0.36%, 0.36%

LAB 33.57, 6.43, -28.5

 

CMYK 53 / 37 / 0 / 40

HEX #486098

RGB 72 96 152

HSL 222, 0.36%, 0.44%

LAB 41.23, 7.73, -33.41

 

CMYK 50 / 35 / 0 / 31

HEX #5973B1

RGB 89 115 177

HSL 222.27, 0.36%, 0.52%

LAB 48.96, 8.13, -35.9

 

CMYK 38 / 27 / 0 / 25

HEX #758BBE

RGB 117 139 190

HSL 221.92, 0.36%, 0.6%

LAB 58, 5.02, -29.1

 

CMYK 29 / 20 / 0 / 20

HEX #91A2CB

RGB 145 162 203

HSL 222.41, 0.36%, 0.68%

LAB 66.65, 3.41, -22.93

 

CMYK 50 / 35 / 0 / 31

HEX #5873B1

RGB 88 115 177

HSL 221.8, 0.36%, 0.52%

LAB 48.9, 7.89, -36

 

CMYK 6 / 50 / 0 / 31

HEX #A659B1

RGB 166 89 177

HSL 292.5, 0.36%, 0.52%

LAB 50.01, 45.11, -33.74

 

CMYK 14 / 0 / 50 / 31

HEX #98B159

RGB 152 177 89

HSL 77.05, 0.36%, 0.52%

LAB 68.64, -22.59, 41.85

 

CMYK 50 / 35 / 0 / 31

HEX #5873B1

RGB 88 115 177

HSL 221.8, 0.36%, 0.52%

LAB 48.9, 7.89, -36

 

CMYK 0 / 50 / 34 / 31

HEX #B15974

RGB 177 89 116

HSL 341.59, 0.36%, 0.52%

LAB 49.19, 38.73, 1.35

 

CMYK 34 / 0 / 50 / 31

HEX #74B159

RGB 116 177 89

HSL 101.59, 0.36%, 0.52%

LAB 66.43, -36.1, 38.65

 

CMYK 50 / 35 / 0 / 31

HEX #5873B1

RGB 88 115 177

HSL 221.8, 0.36%, 0.52%

LAB 48.9, 7.89, -36

 

CMYK 6 / 50 / 0 / 31

HEX #A659B1

RGB 166 89 177

HSL 292.5, 0.36%, 0.52%

LAB 50.01, 45.11, -33.74

 

CMYK 0 / 16 / 50 / 31

HEX #B19559

RGB 177 149 89

HSL 40.91, 0.36%, 0.52%

LAB 62.98, 2.56, 35.4

 

CMYK 44 / 0 / 50 / 31

HEX #63B159

RGB 99 177 89

HSL 113.18, 0.36%, 0.52%

LAB 65.61, -41.67, 37.46

 

CMYK 50 / 35 / 0 / 31

HEX #5873B1

RGB 88 115 177

HSL 221.8, 0.36%, 0.52%

LAB 48.9, 7.89, -36

 

CMYK 0 / 50 / 9 / 31

HEX #B159A1

RGB 177 89 161

HSL 310.91, 0.36%, 0.52%

LAB 50.76, 45.46, -23.08

 

CMYK 0 / 16 / 50 / 31

HEX #B19559

RGB 177 149 89

HSL 40.91, 0.36%, 0.52%

LAB 62.98, 2.56, 35.4

 

CMYK 50 / 0 / 41 / 31

HEX #59B169

RGB 89 177 105

HSL 130.91, 0.36%, 0.52%

LAB 65.43, -42.17, 28.9

 

Description

Color code: HEX #5873B1 | qconv.com Color code: HEX #5873B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 115 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 115 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 35 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 35% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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