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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #586FDECE it is the complementary color #A79021CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #586FDECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #586FDECE shade: #5D6FD9CE, #6E81ECCE, #7F93FFCE, #90A5FFCE and #A1B7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #586FDECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #586FDECE shade: #586FDECE, #475DCBCE, #364BB8CE, #2539A5CE and #142792CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #586FDECE shade: #5970DE, #6659DE, #8A59DE, #AE59DE and #D259DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #586FDECE shade: #5970DE and #5959DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #586FDECE shade matches the following richer shades: #5970DE, #4965EE and #395BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #586FDECE shade: #5970DE, #697ACE, #7985BE, #898FAE and #999A9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #586FDECE shade: #59B8DE, #5995DE, #5971DE, #6459DE and #8859DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #586FDECE shade: #2640BF, #3652D7, #5970DE, #7B8EE5 and #9EABEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #586FDECE shade: #586FDE, #DE59DC and #A7DE59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #586FDECE shade: #586FDE, #DE5971 and #71DE59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #586FDECE shade: #586FDE, #DE59DC, #DEC659 and #59DE5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #586FDECE shade: #586FDE, #DE59B4, #DEC659 and #59DE83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 41 / 0 / 10

HEX #586FDECE

RGBA 88 111 222 0.81

HSLA 229.7, 0.67%, 0.61%, 0.81

LABA 50.36, 25.08, -59.44, 0.81

 

Complementary color

CMYK 0 / 11 / 65 / 28

HEX #A79021CE

RGBA 167 144 33 0.81

HSLA 49.7, 0.67%, 0.39%, 0.81

LABA 60.13, -2.82, 57.26, 0.81

 

CMYK 46 / 40 / 0 / 12

HEX #5D6FD9CE

RGBA 93 111 217 0.81

HSLA 231.29, 0.62%, 0.61%, 0.81

LABA 50.34, 24.37, -56.62, 0.81

 

CMYK 43 / 37 / 0 / 6

HEX #6E81ECCE

RGBA 110 129 236 0.81

HSLA 230.95, 0.77%, 0.68%, 0.81

LABA 57.15, 22.95, -56.33, 0.81

 

CMYK 41 / 34 / 0 / 0

HEX #7F93FFCE

RGBA 127 147 255 0.81

HSLA 230.63, 1%, 0.75%, 0.81

LABA 63.84, 21.74, -56.07, 0.81

 

CMYK 35 / 29 / 0 / 0

HEX #90A5FFCE

RGBA 144 165 255 0.81

HSLA 228.65, 1%, 0.78%, 0.81

LABA 69.51, 15.27, -47.02, 0.81

 

CMYK 30 / 23 / 0 / 0

HEX #A1B7FFCE

RGBA 161 183 255 0.81

HSLA 225.96, 1%, 0.82%, 0.81

LABA 75.24, 9.48, -37.98, 0.81

 

CMYK 49 / 41 / 0 / 10

HEX #586FDECE

RGBA 88 111 222 0.81

HSLA 229.7, 0.67%, 0.61%, 0.81

LABA 50.36, 25.08, -59.44, 0.81

 

CMYK 53 / 44 / 0 / 17

HEX #475DCBCE

RGBA 71 93 203 0.81

HSLA 230, 0.56%, 0.54%, 0.81

LABA 43.48, 26.95, -59.76, 0.81

 

CMYK 57 / 48 / 0 / 23

HEX #364BB8CE

RGBA 54 75 184 0.81

HSLA 230.31, 0.55%, 0.47%, 0.81

LABA 36.51, 29.2, -60.04, 0.81

 

CMYK 63 / 53 / 0 / 29

HEX #2539A5CE

RGBA 37 57 165 0.81

HSLA 230.63, 0.63%, 0.4%, 0.81

LABA 29.5, 31.91, -60.21, 0.81

 

CMYK 70 / 59 / 0 / 35

HEX #142792CE

RGBA 20 39 146 0.81

HSLA 230.95, 0.76%, 0.33%, 0.81

LABA 22.57, 35.06, -60.04, 0.81

 

CMYK 60 / 50 / 0 / 13

HEX #5970DE

RGB 89 112 222

HSL 229.62, 0.67%, 0.61%

LAB 50.67, 24.65, -58.93

 

CMYK 54 / 60 / 0 / 13

HEX #6659DE

RGB 102 89 222

HSL 245.86, 0.67%, 0.61%

LAB 45.97, 41, -66.49

 

CMYK 38 / 60 / 0 / 13

HEX #8A59DE

RGB 138 89 222

HSL 262.11, 0.67%, 0.61%

LAB 49.28, 48.27, -60.97

 

CMYK 22 / 60 / 0 / 13

HEX #AE59DE

RGB 174 89 222

HSL 278.35, 0.67%, 0.61%

LAB 53.4, 56.52, -54.13

 

CMYK 5 / 60 / 0 / 13

HEX #D259DE

RGB 210 89 222

HSL 294.59, 0.67%, 0.61%

LAB 58.15, 65.22, -46.29

 

CMYK 60 / 50 / 0 / 13

HEX #5970DE

RGB 89 112 222

HSL 229.62, 0.67%, 0.61%

LAB 50.67, 24.65, -58.93

 

CMYK 60 / 60 / 0 / 13

HEX #5959DE

RGB 89 89 222

HSL 240, 0.67%, 0.61%

LAB 45, 38.74, -68.11

 

CMYK 60 / 50 / 0 / 13

HEX #5970DE

RGB 89 112 222

HSL 229.62, 0.67%, 0.61%

LAB 50.67, 24.65, -58.93

 

CMYK 69 / 58 / 0 / 7

HEX #4965EE

RGB 73 101 238

HSL 229.82, 0.83%, 0.61%

LAB 48.13, 34.4, -72.09

 

CMYK 78 / 64 / 0 / 0

HEX #395BFE

RGB 57 91 254

HSL 229.64, 0.99%, 0.61%

LAB 46.32, 44.38, -84.01

 

CMYK 60 / 50 / 0 / 13

HEX #5970DE

RGB 89 112 222

HSL 229.62, 0.67%, 0.61%

LAB 50.67, 24.65, -58.93

 

CMYK 49 / 41 / 0 / 19

HEX #697ACE

RGB 105 122 206

HSL 229.9, 0.51%, 0.61%

LAB 53.36, 16.73, -45.52

 

CMYK 36 / 30 / 0 / 25

HEX #7985BE

RGB 121 133 190

HSL 229.57, 0.35%, 0.61%

LAB 56.64, 9.65, -31.19

 

CMYK 21 / 18 / 0 / 32

HEX #898FAE

RGB 137 143 174

HSL 230.27, 0.19%, 0.61%

LAB 59.91, 4.63, -16.98

 

CMYK 3 / 3 / 0 / 38

HEX #999A9E

RGB 153 154 158

HSL 228, 0.03%, 0.61%

LAB 63.63, 0.42, -2.22

 

CMYK 60 / 17 / 0 / 13

HEX #59B8DE

RGB 89 184 222

HSL 197.14, 0.67%, 0.61%

LAB 70.65, -17.01, -27.5

 

CMYK 60 / 33 / 0 / 13

HEX #5995DE

RGB 89 149 222

HSL 212.93, 0.67%, 0.61%

LAB 60.69, 2.35, -42.99

 

CMYK 60 / 49 / 0 / 13

HEX #5971DE

RGB 89 113 222

HSL 229.17, 0.67%, 0.61%

LAB 50.93, 24.03, -58.52

 

CMYK 55 / 60 / 0 / 13

HEX #6459DE

RGB 100 89 222

HSL 244.96, 0.67%, 0.61%

LAB 45.81, 40.64, -66.76

 

CMYK 39 / 60 / 0 / 13

HEX #8859DE

RGB 136 89 222

HSL 261.2, 0.67%, 0.61%

LAB 49.07, 47.84, -61.32

 

CMYK 80 / 66 / 0 / 25

HEX #2640BF

RGB 38 64 191

HSL 229.8, 0.67%, 0.45%

LAB 33.65, 37.09, -68.87

 

CMYK 75 / 62 / 0 / 16

HEX #3652D7

RGB 54 82 215

HSL 229.57, 0.67%, 0.53%

LAB 40.78, 35.9, -71.09

 

CMYK 60 / 50 / 0 / 13

HEX #5970DE

RGB 89 112 222

HSL 229.62, 0.67%, 0.61%

LAB 50.67, 24.65, -58.93

 

CMYK 46 / 38 / 0 / 10

HEX #7B8EE5

RGB 123 142 229

HSL 229.25, 0.67%, 0.69%

LAB 60.97, 16.01, -46.31

 

CMYK 33 / 28 / 0 / 7

HEX #9EABEC

RGB 158 171 236

HSL 230, 0.67%, 0.77%

LAB 71.18, 10.43, -34.02

 

CMYK 60 / 50 / 0 / 13

HEX #586FDE

RGB 88 111 222

HSL 229.7, 0.67%, 0.61%

LAB 50.36, 25.08, -59.44

 

CMYK 0 / 60 / 1 / 13

HEX #DE59DC

RGB 222 89 220

HSL 300.9, 0.67%, 0.61%

LAB 59.75, 67.82, -42.53

 

CMYK 25 / 0 / 60 / 13

HEX #A7DE59

RGB 167 222 89

HSL 84.81, 0.67%, 0.61%

LAB 82.48, -38.08, 58.12

 

CMYK 60 / 50 / 0 / 13

HEX #586FDE

RGB 88 111 222

HSL 229.7, 0.67%, 0.61%

LAB 50.36, 25.08, -59.44

 

CMYK 0 / 60 / 49 / 13

HEX #DE5971

RGB 222 89 113

HSL 349.17, 0.67%, 0.61%

LAB 55.95, 53.87, 13.69

 

CMYK 49 / 0 / 60 / 13

HEX #71DE59

RGB 113 222 89

HSL 109.17, 0.67%, 0.61%

LAB 79.88, -55.82, 54.5

 

CMYK 60 / 50 / 0 / 13

HEX #586FDE

RGB 88 111 222

HSL 229.7, 0.67%, 0.61%

LAB 50.36, 25.08, -59.44

 

CMYK 0 / 60 / 1 / 13

HEX #DE59DC

RGB 222 89 220

HSL 300.9, 0.67%, 0.61%

LAB 59.75, 67.82, -42.53

 

CMYK 0 / 11 / 60 / 13

HEX #DEC659

RGB 222 198 89

HSL 49.17, 0.67%, 0.61%

LAB 79.98, -4.43, 56.45

 

CMYK 60 / 0 / 59 / 13

HEX #59DE5B

RGB 89 222 91

HSL 120.9, 0.67%, 0.61%

LAB 79.11, -61.66, 52.53

 

CMYK 60 / 50 / 0 / 13

HEX #586FDE

RGB 88 111 222

HSL 229.7, 0.67%, 0.61%

LAB 50.36, 25.08, -59.44

 

CMYK 0 / 60 / 19 / 13

HEX #DE59B4

RGB 222 89 180

HSL 318.95, 0.67%, 0.61%

LAB 58.01, 61.64, -22.45

 

CMYK 0 / 11 / 60 / 13

HEX #DEC659

RGB 222 198 89

HSL 49.17, 0.67%, 0.61%

LAB 79.98, -4.43, 56.45

 

CMYK 60 / 0 / 41 / 13

HEX #59DE83

RGB 89 222 131

HSL 138.95, 0.67%, 0.61%

LAB 79.62, -56.03, 34.03

 

Description

Color code: HEX #586FDECE | qconv.com Color code: HEX #586FDECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 111 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 111 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 41 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 41% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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