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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #586CF03F it is the complementary color #A7930F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #586CF03F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #586CF03F shade: #5D6CEB3F, #6E7EFE3F, #7F90FF3F, #90A2FF3F and #A1B4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #586CF03F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #586CF03F shade: #586CF03F, #475ADD3F, #3648CA3F, #2536B73F and #1424A43F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #586CF03F shade: #566AF0, #6B56F0, #9556F0, #BF56F0 and #E856F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #586CF03F shade: #566AF0 and #5656F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #586CF03F shade matches the following richer shades: #566AF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #586CF03F shade: #566AF0, #6575E1, #7480D3, #838BC4 and #9296B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #586CF03F shade: #56BDF0, #5694F0, #566BF0, #6B56F0 and #9456F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #586CF03F shade: #142EE0, #3049ED, #566AF0, #7C8CF4 and #A2ADF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #586CF03F shade: #586CF0, #F056E6 and #A8F056

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #586CF03F shade: #586CF0, #F0566B and #6BF056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #586CF03F shade: #586CF0, #F056E6, #F0DC56 and #56F060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #586CF03F shade: #586CF0, #F056B8, #F0DC56 and #56F08F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 14 / 0 / 1

HEX #586CF03F

RGBA 88 108 240 0.25

HSLA 232.11, 0.84%, 0.64%, 0.25

LABA 50.79, 32.95, -68.85, 0.25

 

Complementary color

CMYK 0 / 3 / 23 / 9

HEX #A7930F3F

RGBA 167 147 15 0.25

HSLA 52.11, 0.84%, 0.36%, 0.25

LABA 60.89, -4.94, 62.51, 0.25

 

CMYK 15 / 14 / 0 / 2

HEX #5D6CEB3F

RGBA 93 108 235 0.25

HSLA 233.66, 0.78%, 0.64%, 0.25

LABA 50.75, 32.11, -66.11, 0.25

 

CMYK 14 / 13 / 0 / 0

HEX #6E7EFE3F

RGBA 110 126 254 0.25

HSLA 233.33, 0.99%, 0.71%, 0.25

LABA 57.46, 30.42, -65.79, 0.25

 

CMYK 13 / 11 / 0 / 0

HEX #7F90FF3F

RGBA 127 144 255 0.25

HSLA 232.03, 1%, 0.75%, 0.25

LABA 63.08, 23.5, -57.28, 0.25

 

CMYK 11 / 9 / 0 / 0

HEX #90A2FF3F

RGBA 144 162 255 0.25

HSLA 230.27, 1%, 0.78%, 0.25

LABA 68.74, 16.98, -48.23, 0.25

 

CMYK 9 / 7 / 0 / 0

HEX #A1B4FF3F

RGBA 161 180 255 0.25

HSLA 227.87, 1%, 0.82%, 0.25

LABA 74.47, 11.15, -39.18, 0.25

 

CMYK 16 / 14 / 0 / 1

HEX #586CF03F

RGBA 88 108 240 0.25

HSLA 232.11, 0.84%, 0.64%, 0.25

LABA 50.79, 32.95, -68.85, 0.25

 

CMYK 17 / 15 / 0 / 3

HEX #475ADD3F

RGBA 71 90 221 0.25

HSLA 232.4, 0.69%, 0.57%, 0.25

LABA 44.05, 35.08, -69.14, 0.25

 

CMYK 18 / 16 / 0 / 5

HEX #3648CA3F

RGBA 54 72 202 0.25

HSLA 232.7, 0.58%, 0.5%, 0.25

LABA 37.27, 37.56, -69.33, 0.25

 

CMYK 20 / 18 / 0 / 7

HEX #2536B73F

RGBA 37 54 183 0.25

HSLA 233.01, 0.66%, 0.43%, 0.25

LABA 30.52, 40.37, -69.3, 0.25

 

CMYK 22 / 20 / 0 / 9

HEX #1424A43F

RGBA 20 36 164 0.25

HSLA 233.33, 0.78%, 0.36%, 0.25

LABA 23.97, 43.32, -68.75, 0.25

 

CMYK 64 / 56 / 0 / 6

HEX #566AF0

RGB 86 106 240

HSL 232.21, 0.84%, 0.64%

LAB 50.19, 33.86, -69.83

 

CMYK 55 / 64 / 0 / 6

HEX #6B56F0

RGB 107 86 240

HSL 248.18, 0.84%, 0.64%

LAB 47.07, 49.02, -74.85

 

CMYK 38 / 64 / 0 / 6

HEX #9556F0

RGB 149 86 240

HSL 264.55, 0.84%, 0.64%

LAB 51.08, 56.7, -68.15

 

CMYK 20 / 64 / 0 / 6

HEX #BF56F0

RGB 191 86 240

HSL 280.91, 0.84%, 0.64%

LAB 56.11, 65.56, -59.78

 

CMYK 3 / 64 / 0 / 6

HEX #E856F0

RGB 232 86 240

HSL 296.88, 0.84%, 0.64%

LAB 61.74, 74.72, -50.47

 

CMYK 64 / 56 / 0 / 6

HEX #566AF0

RGB 86 106 240

HSL 232.21, 0.84%, 0.64%

LAB 50.19, 33.86, -69.83

 

CMYK 64 / 64 / 0 / 6

HEX #5656F0

RGB 86 86 240

HSL 240, 0.84%, 0.64%

LAB 45.53, 45.87, -77.42

 

CMYK 64 / 56 / 0 / 6

HEX #566AF0

RGB 86 106 240

HSL 232.21, 0.84%, 0.64%

LAB 50.19, 33.86, -69.83

 

CMYK 64 / 56 / 0 / 6

HEX #566AF0

RGB 86 106 240

HSL 232.21, 0.84%, 0.64%

LAB 50.19, 33.86, -69.83

 

CMYK 55 / 48 / 0 / 12

HEX #6575E1

RGB 101 117 225

HSL 232.26, 0.67%, 0.64%

LAB 52.87, 24.87, -57.05

 

CMYK 45 / 39 / 0 / 17

HEX #7480D3

RGB 116 128 211

HSL 232.42, 0.52%, 0.64%

LAB 55.94, 17.28, -44.21

 

CMYK 33 / 29 / 0 / 23

HEX #838BC4

RGB 131 139 196

HSL 232.62, 0.36%, 0.64%

LAB 59.23, 10.62, -30.52

 

CMYK 19 / 17 / 0 / 29

HEX #9296B5

RGB 146 150 181

HSL 233.14, 0.19%, 0.64%

LAB 62.73, 5.21, -16.6

 

CMYK 64 / 21 / 0 / 6

HEX #56BDF0

RGB 86 189 240

HSL 199.87, 0.84%, 0.64%

LAB 72.67, -14.62, -34.17

 

CMYK 64 / 38 / 0 / 6

HEX #5694F0

RGB 86 148 240

HSL 215.84, 0.84%, 0.64%

LAB 61.18, 8.36, -52.19

 

CMYK 64 / 55 / 0 / 6

HEX #566BF0

RGB 86 107 240

HSL 231.82, 0.84%, 0.64%

LAB 50.43, 33.25, -69.44

 

CMYK 55 / 64 / 0 / 6

HEX #6B56F0

RGB 107 86 240

HSL 248.18, 0.84%, 0.64%

LAB 47.07, 49.02, -74.85

 

CMYK 38 / 64 / 0 / 6

HEX #9456F0

RGB 148 86 240

HSL 264.16, 0.84%, 0.64%

LAB 50.97, 56.5, -68.33

 

CMYK 91 / 79 / 0 / 12

HEX #142EE0

RGB 20 46 224

HSL 232.35, 0.84%, 0.48%

LAB 32.89, 57.8, -89.3

 

CMYK 80 / 69 / 0 / 7

HEX #3049ED

RGB 48 73 237

HSL 232.06, 0.84%, 0.56%

LAB 40.42, 48.57, -84.2

 

CMYK 64 / 56 / 0 / 6

HEX #566AF0

RGB 86 106 240

HSL 232.21, 0.84%, 0.64%

LAB 50.19, 33.86, -69.83

 

CMYK 49 / 43 / 0 / 4

HEX #7C8CF4

RGB 124 140 244

HSL 232, 0.85%, 0.72%

LAB 61.28, 21.88, -54.1

 

CMYK 34 / 30 / 0 / 3

HEX #A2ADF7

RGB 162 173 247

HSL 232.24, 0.84%, 0.8%

LAB 72.42, 13.24, -38.05

 

CMYK 63 / 55 / 0 / 6

HEX #586CF0

RGB 88 108 240

HSL 232.11, 0.84%, 0.64%

LAB 50.79, 32.95, -68.85

 

CMYK 0 / 64 / 4 / 6

HEX #F056E6

RGB 240 86 230

HSL 303.9, 0.84%, 0.64%

LAB 62.42, 74.94, -43.75

 

CMYK 30 / 0 / 64 / 6

HEX #A8F056

RGB 168 240 86

HSL 88.05, 0.84%, 0.64%

LAB 87.64, -45.83, 65.02

 

CMYK 63 / 55 / 0 / 6

HEX #586CF0

RGB 88 108 240

HSL 232.11, 0.84%, 0.64%

LAB 50.79, 32.95, -68.85

 

CMYK 0 / 64 / 55 / 6

HEX #F0566B

RGB 240 86 107

HSL 351.82, 0.84%, 0.64%

LAB 58.27, 60.47, 20.85

 

CMYK 55 / 0 / 64 / 6

HEX #6BF056

RGB 107 240 86

HSL 111.82, 0.84%, 0.64%

LAB 85.06, -64.35, 61.47

 

CMYK 63 / 55 / 0 / 6

HEX #586CF0

RGB 88 108 240

HSL 232.11, 0.84%, 0.64%

LAB 50.79, 32.95, -68.85

 

CMYK 0 / 64 / 4 / 6

HEX #F056E6

RGB 240 86 230

HSL 303.9, 0.84%, 0.64%

LAB 62.42, 74.94, -43.75

 

CMYK 0 / 8 / 64 / 6

HEX #F0DC56

RGB 240 220 86

HSL 52.21, 0.84%, 0.64%

LAB 87.18, -8.33, 66.03

 

CMYK 64 / 0 / 60 / 6

HEX #56F060

RGB 86 240 96

HSL 123.9, 0.84%, 0.64%

LAB 84.56, -68, 56.58

 

CMYK 63 / 55 / 0 / 6

HEX #586CF0

RGB 88 108 240

HSL 232.11, 0.84%, 0.64%

LAB 50.79, 32.95, -68.85

 

CMYK 0 / 64 / 23 / 6

HEX #F056B8

RGB 240 86 184

HSL 321.82, 0.84%, 0.64%

LAB 60.46, 68.35, -20.75

 

CMYK 0 / 8 / 64 / 6

HEX #F0DC56

RGB 240 220 86

HSL 52.21, 0.84%, 0.64%

LAB 87.18, -8.33, 66.03

 

CMYK 64 / 0 / 40 / 6

HEX #56F08F

RGB 86 240 143

HSL 142.21, 0.84%, 0.64%

LAB 85.14, -61.39, 35.22

 

Description

Color code: HEX #586CF03F | qconv.com Color code: HEX #586CF03F | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 108 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 108 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 14 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 14% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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