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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #586CB3CE it is the complementary color #A7934CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #586CB3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #586CB3CE shade: #5D6CAECE, #6E7EC1CE, #7F90D4CE, #90A2E7CE and #A1B4FACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #586CB3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #586CB3CE shade: #586CB3CE, #475AA0CE, #36488DCE, #25367ACE and #142467CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #586CB3CE shade: #576BB2, #5C57B2, #7457B2, #8D57B2 and #A557B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #586CB3CE shade: #576BB2 and #5757B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #586CB3CE shade matches the following richer shades: #576BB2, #4460C6, #3055D9 and #1C4AED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #586CB3CE shade: #576BB2, #6B769E, #7F818A, #938D76 and #A79863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #586CB3CE shade: #579DB2, #5785B2, #576CB2, #5A57B2 and #7257B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #586CB3CE shade: #3A487D, #475999, #576BB2, #7484BF and #909DCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #586CB3CE shade: #586CB3, #AF57B2 and #91B257

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #586CB3CE shade: #586CB3, #B2576C and #6CB257

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #586CB3CE shade: #586CB3, #AF57B2, #B29D57 and #5AB257

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #586CB3CE shade: #586CB3, #B2579A, #B29D57 and #57B26F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 32 / 0 / 24

HEX #586CB3CE

RGBA 88 108 179 0.81

HSLA 226.81, 0.37%, 0.52%, 0.81

LABA 47.05, 12.83, -40.08, 0.81

 

Complementary color

CMYK 0 / 10 / 44 / 28

HEX #A7934CCE

RGBA 167 147 76 0.81

HSLA 46.81, 0.37%, 0.48%, 0.81

LABA 61.31, -1.84, 39.89, 0.81

 

CMYK 38 / 31 / 0 / 26

HEX #5D6CAECE

RGBA 93 108 174 0.81

HSLA 228.89, 0.33%, 0.52%, 0.81

LABA 47.12, 12.49, -37.03, 0.81

 

CMYK 35 / 28 / 0 / 20

HEX #6E7EC1CE

RGBA 110 126 193 0.81

HSLA 228.43, 0.4%, 0.59%, 0.81

LABA 54.12, 11.66, -36.9, 0.81

 

CMYK 32 / 26 / 0 / 14

HEX #7F90D4CE

RGBA 127 144 212 0.81

HSLA 228, 0.5%, 0.66%, 0.81

LABA 60.97, 10.96, -36.82, 0.81

 

CMYK 31 / 24 / 0 / 8

HEX #90A2E7CE

RGBA 144 162 231 0.81

HSLA 227.59, 0.64%, 0.74%, 0.81

LABA 67.68, 10.37, -36.79, 0.81

 

CMYK 29 / 23 / 0 / 2

HEX #A1B4FACE

RGBA 161 180 250 0.81

HSLA 227.19, 0.9%, 0.81%, 0.81

LABA 74.27, 9.85, -36.8, 0.81

 

CMYK 41 / 32 / 0 / 24

HEX #586CB3CE

RGBA 88 108 179 0.81

HSLA 226.81, 0.37%, 0.52%, 0.81

LABA 47.05, 12.83, -40.08, 0.81

 

CMYK 45 / 35 / 0 / 30

HEX #475AA0CE

RGBA 71 90 160 0.81

HSLA 227.19, 0.39%, 0.45%, 0.81

LABA 39.9, 14, -40.3, 0.81

 

CMYK 50 / 40 / 0 / 36

HEX #36488DCE

RGBA 54 72 141 0.81

HSLA 227.59, 0.45%, 0.38%, 0.81

LABA 32.57, 15.5, -40.59, 0.81

 

CMYK 56 / 45 / 0 / 42

HEX #25367ACE

RGBA 37 54 122 0.81

HSLA 228, 0.53%, 0.31%, 0.81

LABA 25.07, 17.49, -40.91, 0.81

 

CMYK 65 / 53 / 0 / 48

HEX #142467CE

RGBA 20 36 103 0.81

HSLA 228.43, 0.67%, 0.24%, 0.81

LABA 17.41, 20.2, -41.17, 0.81

 

CMYK 51 / 40 / 0 / 30

HEX #576BB2

RGB 87 107 178

HSL 226.81, 0.37%, 0.52%

LAB 46.65, 12.89, -40.12

 

CMYK 48 / 51 / 0 / 30

HEX #5C57B2

RGB 92 87 178

HSL 243.3, 0.37%, 0.52%

LAB 41.7, 26.56, -48

 

CMYK 35 / 51 / 0 / 30

HEX #7457B2

RGB 116 87 178

HSL 259.12, 0.37%, 0.52%

LAB 43.86, 32.5, -44.41

 

CMYK 21 / 51 / 0 / 30

HEX #8D57B2

RGB 141 87 178

HSL 275.6, 0.37%, 0.52%

LAB 46.57, 39.28, -39.95

 

CMYK 7 / 51 / 0 / 30

HEX #A557B2

RGB 165 87 178

HSL 291.43, 0.37%, 0.52%

LAB 49.53, 46.06, -35.08

 

CMYK 51 / 40 / 0 / 30

HEX #576BB2

RGB 87 107 178

HSL 226.81, 0.37%, 0.52%

LAB 46.65, 12.89, -40.12

 

CMYK 51 / 51 / 0 / 30

HEX #5757B2

RGB 87 87 178

HSL 240, 0.37%, 0.52%

LAB 41.31, 25.42, -48.65

 

CMYK 51 / 40 / 0 / 30

HEX #576BB2

RGB 87 107 178

HSL 226.81, 0.37%, 0.52%

LAB 46.65, 12.89, -40.12

 

CMYK 66 / 52 / 0 / 22

HEX #4460C6

RGB 68 96 198

HSL 227.08, 0.53%, 0.52%

LAB 43.76, 22.8, -56.42

 

CMYK 78 / 61 / 0 / 15

HEX #3055D9

RGB 48 85 217

HSL 226.86, 0.69%, 0.52%

LAB 41.43, 34.12, -71.17

 

CMYK 88 / 69 / 0 / 7

HEX #1C4AED

RGB 28 74 237

HSL 226.79, 0.85%, 0.52%

LAB 40.01, 46.83, -84.89

 

CMYK 51 / 40 / 0 / 30

HEX #576BB2

RGB 87 107 178

HSL 226.81, 0.37%, 0.52%

LAB 46.65, 12.89, -40.12

 

CMYK 32 / 25 / 0 / 38

HEX #6B769E

RGB 107 118 158

HSL 227.06, 0.21%, 0.52%

LAB 50.16, 5.71, -22.86

 

CMYK 8 / 7 / 0 / 46

HEX #7F818A

RGB 127 129 138

HSL 229.09, 0.04%, 0.52%

LAB 54.08, 1.12, -5.11

 

CMYK 0 / 4 / 20 / 42

HEX #938D76

RGB 147 141 118

HSL 47.59, 0.12%, 0.52%

LAB 58.57, -1.78, 13.09

 

CMYK 0 / 9 / 41 / 35

HEX #A79863

RGB 167 152 99

HSL 46.76, 0.28%, 0.52%

LAB 62.99, -2.25, 29.89

 

CMYK 51 / 12 / 0 / 30

HEX #579DB2

RGB 87 157 178

HSL 193.85, 0.37%, 0.52%

LAB 61.09, -16.17, -17.71

 

CMYK 51 / 25 / 0 / 30

HEX #5785B2

RGB 87 133 178

HSL 209.67, 0.37%, 0.52%

LAB 54.04, -2.77, -28.54

 

CMYK 51 / 39 / 0 / 30

HEX #576CB2

RGB 87 108 178

HSL 226.15, 0.37%, 0.52%

LAB 46.93, 12.27, -39.69

 

CMYK 49 / 51 / 0 / 30

HEX #5A57B2

RGB 90 87 178

HSL 241.98, 0.37%, 0.52%

LAB 41.54, 26.1, -48.26

 

CMYK 36 / 51 / 0 / 30

HEX #7257B2

RGB 114 87 178

HSL 257.8, 0.37%, 0.52%

LAB 43.67, 31.98, -44.74

 

CMYK 54 / 42 / 0 / 51

HEX #3A487D

RGB 58 72 125

HSL 227.46, 0.37%, 0.36%

LAB 31.84, 10.74, -31.86

 

CMYK 54 / 42 / 0 / 40

HEX #475999

RGB 71 89 153

HSL 226.83, 0.37%, 0.44%

LAB 39.21, 12.28, -37.2

 

CMYK 51 / 40 / 0 / 30

HEX #576BB2

RGB 87 107 178

HSL 226.81, 0.37%, 0.52%

LAB 46.65, 12.89, -40.12

 

CMYK 39 / 31 / 0 / 25

HEX #7484BF

RGB 116 132 191

HSL 227.2, 0.37%, 0.6%

LAB 56.06, 9.13, -32.69

 

CMYK 29 / 23 / 0 / 20

HEX #909DCC

RGB 144 157 204

HSL 227, 0.37%, 0.68%

LAB 65.28, 6.17, -25.59

 

CMYK 51 / 40 / 0 / 30

HEX #586CB3

RGB 88 108 179

HSL 226.81, 0.37%, 0.52%

LAB 47.05, 12.83, -40.08

 

CMYK 2 / 51 / 0 / 30

HEX #AF57B2

RGB 175 87 178

HSL 298.02, 0.37%, 0.52%

LAB 50.86, 48.91, -32.91

 

CMYK 19 / 0 / 51 / 30

HEX #91B257

RGB 145 178 87

HSL 81.76, 0.37%, 0.52%

LAB 68.42, -26.06, 42.47

 

CMYK 51 / 40 / 0 / 30

HEX #586CB3

RGB 88 108 179

HSL 226.81, 0.37%, 0.52%

LAB 47.05, 12.83, -40.08

 

CMYK 0 / 51 / 39 / 30

HEX #B2576C

RGB 178 87 108

HSL 346.15, 0.37%, 0.52%

LAB 48.72, 39.15, 5.49

 

CMYK 39 / 0 / 51 / 30

HEX #6CB257

RGB 108 178 87

HSL 106.15, 0.37%, 0.52%

LAB 66.3, -39.5, 39.41

 

CMYK 51 / 40 / 0 / 30

HEX #586CB3

RGB 88 108 179

HSL 226.81, 0.37%, 0.52%

LAB 47.05, 12.83, -40.08

 

CMYK 2 / 51 / 0 / 30

HEX #AF57B2

RGB 175 87 178

HSL 298.02, 0.37%, 0.52%

LAB 50.86, 48.91, -32.91

 

CMYK 0 / 12 / 51 / 30

HEX #B29D57

RGB 178 157 87

HSL 46.15, 0.37%, 0.52%

LAB 65.17, -1.56, 39.16

 

CMYK 49 / 0 / 51 / 30

HEX #5AB257

RGB 90 178 87

HSL 118.02, 0.37%, 0.52%

LAB 65.52, -45.03, 38.26

 

CMYK 51 / 40 / 0 / 30

HEX #586CB3

RGB 88 108 179

HSL 226.81, 0.37%, 0.52%

LAB 47.05, 12.83, -40.08

 

CMYK 0 / 51 / 13 / 30

HEX #B2579A

RGB 178 87 154

HSL 315.82, 0.37%, 0.52%

LAB 50.23, 45.62, -19.75

 

CMYK 0 / 12 / 51 / 30

HEX #B29D57

RGB 178 157 87

HSL 46.15, 0.37%, 0.52%

LAB 65.17, -1.56, 39.16

 

CMYK 51 / 0 / 38 / 30

HEX #57B26F

RGB 87 178 111

HSL 135.82, 0.37%, 0.52%

LAB 65.76, -42.11, 26.15

 

Description

Color code: HEX #586CB3CE | qconv.com Color code: HEX #586CB3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 108 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 108 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 32 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 32% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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