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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #586574 it is the complementary color #A79A8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #586574. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #586574 shade: #5D656F, #6E7782, #7F8995, #909BA8 and #A1ADBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #586574. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #586574 shade: #586574, #475361, #36414E, #252F3B and #141D28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #586574 shade: #586574, #585D74, #5A5874, #625874 and #695874

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #586574 shade: #586574, #585D74 and #585874

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #586574 shade matches the following richer shades: #586574, #476485, #376395, #2661A6 and #1660B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #586574 shade: #586574, #686664, #796753, #896943 and #9A6A32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #586574 shade: #587474, #586D74, #586574, #585D74 and #5A5874

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #586574 shade: #343C45, #46515D, #586574, #69798C and #808E9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #586574 shade: #586574, #6D5874 and #707458

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #586574 shade: #586574, #745865 and #657458

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #586574 shade: #586574, #6D5874, #746758 and #5F7458

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #586574 shade: #586574, #745873, #746758 and #587459

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

Complementary color

CMYK 0 / 8 / 17 / 35

HEX #A79A8B

RGB 167 154 139

HSL 32.14, 0.14%, 0.6%

LAB 64.32, 2.2, 9.59

 

CMYK 16 / 9 / 0 / 56

HEX #5D656F

RGB 93 101 111

HSL 213.33, 0.09%, 0.4%

LAB 42.43, -0.78, -6.68

 

CMYK 15 / 8 / 0 / 49

HEX #6E7782

RGB 110 119 130

HSL 213, 0.08%, 0.47%

LAB 49.64, -0.91, -7.16

 

CMYK 15 / 8 / 0 / 42

HEX #7F8995

RGB 127 137 149

HSL 212.73, 0.09%, 0.54%

LAB 56.66, -1.05, -7.64

 

CMYK 14 / 8 / 0 / 34

HEX #909BA8

RGB 144 155 168

HSL 212.5, 0.12%, 0.61%

LAB 63.51, -1.17, -8.12

 

CMYK 14 / 7 / 0 / 27

HEX #A1ADBB

RGB 161 173 187

HSL 212.31, 0.16%, 0.68%

LAB 70.21, -1.3, -8.59

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 27 / 14 / 0 / 62

HEX #475361

RGB 71 83 97

HSL 212.31, 0.15%, 0.33%

LAB 34.78, -1.14, -9.69

 

CMYK 31 / 17 / 0 / 69

HEX #36414E

RGB 54 65 78

HSL 212.5, 0.18%, 0.26%

LAB 27.06, -0.96, -9.33

 

CMYK 37 / 20 / 0 / 77

HEX #252F3B

RGB 37 47 59

HSL 212.73, 0.23%, 0.19%

LAB 18.98, -0.72, -9

 

CMYK 50 / 28 / 0 / 84

HEX #141D28

RGB 20 29 40

HSL 213, 0.33%, 0.12%

LAB 10.41, -0.38, -8.74

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 24 / 20 / 0 / 55

HEX #585D74

RGB 88 93 116

HSL 229.29, 0.14%, 0.4%

LAB 39.86, 3.58, -13.65

 

CMYK 22 / 24 / 0 / 55

HEX #5A5874

RGB 90 88 116

HSL 244.29, 0.14%, 0.4%

LAB 38.58, 7.37, -15.59

 

CMYK 16 / 24 / 0 / 55

HEX #625874

RGB 98 88 116

HSL 261.43, 0.14%, 0.4%

LAB 39.3, 10.19, -14.41

 

CMYK 9 / 24 / 0 / 55

HEX #695874

RGB 105 88 116

HSL 276.43, 0.14%, 0.4%

LAB 39.99, 12.72, -13.31

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 24 / 20 / 0 / 55

HEX #585D74

RGB 88 93 116

HSL 229.29, 0.14%, 0.4%

LAB 39.86, 3.58, -13.65

 

CMYK 24 / 24 / 0 / 55

HEX #585874

RGB 88 88 116

HSL 240, 0.14%, 0.4%

LAB 38.4, 6.68, -15.87

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 47 / 25 / 0 / 48

HEX #476485

RGB 71 100 133

HSL 211.94, 0.3%, 0.4%

LAB 41.45, -1.12, -21.65

 

CMYK 63 / 34 / 0 / 42

HEX #376395

RGB 55 99 149

HSL 211.91, 0.46%, 0.4%

LAB 41.07, 1.05, -31.94

 

CMYK 77 / 42 / 0 / 35

HEX #2661A6

RGB 38 97 166

HSL 212.34, 0.63%, 0.4%

LAB 40.76, 5.88, -42.59

 

CMYK 88 / 47 / 0 / 29

HEX #1660B6

RGB 22 96 182

HSL 212.25, 0.78%, 0.4%

LAB 41.08, 11.3, -51.52

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 0 / 2 / 4 / 59

HEX #686664

RGB 104 102 100

HSL 30, 0.02%, 0.4%

LAB 43.31, 0.38, 1.4

 

CMYK 0 / 15 / 31 / 53

HEX #796753

RGB 121 103 83

HSL 31.58, 0.19%, 0.4%

LAB 44.79, 3.9, 13.95

 

CMYK 0 / 23 / 51 / 46

HEX #896943

RGB 137 105 67

HSL 32.57, 0.34%, 0.4%

LAB 46.75, 7.79, 26.19

 

CMYK 0 / 31 / 68 / 40

HEX #9A6A32

RGB 154 106 50

HSL 32.31, 0.51%, 0.4%

LAB 48.77, 13.46, 38.31

 

CMYK 24 / 0 / 0 / 55

HEX #587474

RGB 88 116 116

HSL 180, 0.14%, 0.4%

LAB 46.75, -10.08, -3.32

 

CMYK 24 / 6 / 0 / 55

HEX #586D74

RGB 88 109 116

HSL 195, 0.14%, 0.4%

LAB 44.62, -6.05, -6.47

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 24 / 20 / 0 / 55

HEX #585D74

RGB 88 93 116

HSL 229.29, 0.14%, 0.4%

LAB 39.86, 3.58, -13.65

 

CMYK 22 / 24 / 0 / 55

HEX #5A5874

RGB 90 88 116

HSL 244.29, 0.14%, 0.4%

LAB 38.58, 7.37, -15.59

 

CMYK 25 / 13 / 0 / 73

HEX #343C45

RGB 52 60 69

HSL 211.76, 0.14%, 0.24%

LAB 24.93, -0.96, -6.64

 

CMYK 25 / 13 / 0 / 64

HEX #46515D

RGB 70 81 93

HSL 211.3, 0.14%, 0.32%

LAB 33.94, -1.32, -8.45

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 25 / 14 / 0 / 45

HEX #69798C

RGB 105 121 140

HSL 212.57, 0.14%, 0.48%

LAB 50.18, -1.38, -12.28

 

CMYK 19 / 11 / 0 / 38

HEX #808E9F

RGB 128 142 159

HSL 212.9, 0.14%, 0.56%

LAB 58.45, -1.26, -10.69

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 6 / 24 / 0 / 55

HEX #6D5874

RGB 109 88 116

HSL 285, 0.14%, 0.4%

LAB 40.4, 14.19, -12.65

 

CMYK 3 / 0 / 24 / 55

HEX #707458

RGB 112 116 88

HSL 68.57, 0.14%, 0.4%

LAB 47.8, -6.69, 15

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 0 / 24 / 13 / 55

HEX #745865

RGB 116 88 101

HSL 332.14, 0.14%, 0.4%

LAB 40.63, 13.81, -3

 

CMYK 13 / 0 / 24 / 55

HEX #657458

RGB 101 116 88

HSL 92.14, 0.14%, 0.4%

LAB 46.92, -11.17, 13.66

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 6 / 24 / 0 / 55

HEX #6D5874

RGB 109 88 116

HSL 285, 0.14%, 0.4%

LAB 40.4, 14.19, -12.65

 

CMYK 0 / 11 / 24 / 55

HEX #746758

RGB 116 103 88

HSL 32.14, 0.14%, 0.4%

LAB 44.4, 2.53, 10.35

 

CMYK 18 / 0 / 24 / 55

HEX #5F7458

RGB 95 116 88

HSL 105, 0.14%, 0.4%

LAB 46.48, -13.53, 12.98

 

CMYK 24 / 13 / 0 / 55

HEX #586574

RGB 88 101 116

HSL 212.14, 0.14%, 0.4%

LAB 42.22, -1.3, -10.07

 

CMYK 0 / 24 / 1 / 55

HEX #745873

RGB 116 88 115

HSL 302.14, 0.14%, 0.4%

LAB 41.11, 16.57, -10.89

 

CMYK 0 / 11 / 24 / 55

HEX #746758

RGB 116 103 88

HSL 32.14, 0.14%, 0.4%

LAB 44.4, 2.53, 10.35

 

CMYK 24 / 0 / 23 / 55

HEX #587459

RGB 88 116 89

HSL 122.14, 0.14%, 0.4%

LAB 46.02, -16.01, 11.68

 

Description

Color code: HEX #586574 | qconv.com Color code: HEX #586574 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 101 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 101 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 13 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 13% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - AgenceMe - Obsessed ...
Link: http://agence-me.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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