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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #586121 it is the complementary color #A79EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #586121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #586121 shade: #5D611C, #6E732F, #7F8542, #909755 and #A1A968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #586121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #586121 shade: #586121, #474F0E, #363D00, #252B00 and #141900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #586121 shade: #565F21, #5F5721, #5F4621, #5F3521 and #5F2421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #586121 shade: #565F21, #455F21, #355F21, #245F21 and #215F2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #586121 shade matches the following richer shades: #565F21, #5E6916, #65740C and #6C7E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #586121 shade: #565F21, #4F552B, #474A35, #40403F and #39364A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #586121 shade: #5F4621, #5F5721, #575F21, #465F21 and #355F21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #586121 shade: #1E220B, #3A4016, #565F21, #727E2B and #8E9C36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #586121 shade: #586121, #215F35 and #4E215F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #586121 shade: #586121, #21575F and #5F2157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #586121 shade: #586121, #215F35, #29215F and #5F214A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #586121 shade: #586121, #215F48, #29215F and #5F2137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 66 / 62

HEX #586121

RGB 88 97 33

HSL 68.44, 0.49%, 0.25%

LAB 39.13, -13.38, 34.25

 

Complementary color

CMYK 25 / 29 / 0 / 13

HEX #A79EDE

RGB 167 158 222

HSL 248.44, 0.49%, 0.75%

LAB 67.98, 16.88, -31.25

 

CMYK 4 / 0 / 71 / 62

HEX #5D611C

RGB 93 97 28

HSL 63.48, 0.55%, 0.25%

LAB 39.51, -11.4, 37.11

 

CMYK 4 / 0 / 59 / 55

HEX #6E732F

RGB 110 115 47

HSL 64.41, 0.42%, 0.32%

LAB 46.69, -12.1, 36.24

 

CMYK 5 / 0 / 50 / 48

HEX #7F8542

RGB 127 133 66

HSL 65.37, 0.34%, 0.39%

LAB 53.69, -12.59, 35.06

 

CMYK 5 / 0 / 44 / 41

HEX #909755

RGB 144 151 85

HSL 66.36, 0.28%, 0.46%

LAB 60.53, -12.94, 33.82

 

CMYK 5 / 0 / 38 / 34

HEX #A1A968

RGB 161 169 104

HSL 67.38, 0.27%, 0.54%

LAB 67.24, -13.21, 32.6

 

CMYK 9 / 0 / 66 / 62

HEX #586121

RGB 88 97 33

HSL 68.44, 0.49%, 0.25%

LAB 39.13, -13.38, 34.25

 

CMYK 10 / 0 / 82 / 69

HEX #474F0E

RGB 71 79 14

HSL 67.38, 0.7%, 0.18%

LAB 31.72, -12.62, 34.65

 

CMYK 11 / 0 / 100 / 76

HEX #363D00

RGB 54 61 0

HSL 66.89, 1%, 0.12%

LAB 24.07, -11.43, 32.53

 

CMYK 14 / 0 / 100 / 83

HEX #252B00

RGB 37 43 0

HSL 68.37, 1%, 0.08%

LAB 16.11, -9.55, 23.15

 

CMYK 20 / 0 / 100 / 90

HEX #141900

RGB 20 25 0

HSL 72, 1%, 0.05%

LAB 7.62, -6.8, 11.29

 

CMYK 9 / 0 / 65 / 63

HEX #565F21

RGB 86 95 33

HSL 68.71, 0.48%, 0.25%

LAB 38.33, -13.2, 33.33

 

CMYK 0 / 8 / 65 / 63

HEX #5F5721

RGB 95 87 33

HSL 52.26, 0.48%, 0.25%

LAB 36.67, -4.28, 31.75

 

CMYK 0 / 26 / 65 / 63

HEX #5F4621

RGB 95 70 33

HSL 35.81, 0.48%, 0.25%

LAB 31.63, 6.1, 26.07

 

CMYK 0 / 44 / 65 / 63

HEX #5F3521

RGB 95 53 33

HSL 19.35, 0.48%, 0.25%

LAB 26.99, 16.71, 20.56

 

CMYK 0 / 62 / 65 / 63

HEX #5F2421

RGB 95 36 33

HSL 2.9, 0.48%, 0.25%

LAB 23.01, 26.68, 15.6

 

CMYK 9 / 0 / 65 / 63

HEX #565F21

RGB 86 95 33

HSL 68.71, 0.48%, 0.25%

LAB 38.33, -13.2, 33.33

 

CMYK 27 / 0 / 65 / 63

HEX #455F21

RGB 69 95 33

HSL 85.16, 0.48%, 0.25%

LAB 37.04, -20.84, 31.55

 

CMYK 44 / 0 / 65 / 63

HEX #355F21

RGB 53 95 33

HSL 100.65, 0.48%, 0.25%

LAB 36.08, -27.25, 30.22

 

CMYK 62 / 0 / 65 / 63

HEX #245F21

RGB 36 95 33

HSL 117.1, 0.48%, 0.25%

LAB 35.34, -32.77, 29.18

 

CMYK 65 / 0 / 52 / 63

HEX #215F2E

RGB 33 95 46

HSL 132.58, 0.48%, 0.25%

LAB 35.41, -31.63, 22.21

 

CMYK 9 / 0 / 65 / 63

HEX #565F21

RGB 86 95 33

HSL 68.71, 0.48%, 0.25%

LAB 38.33, -13.2, 33.33

 

CMYK 10 / 0 / 79 / 59

HEX #5E6916

RGB 94 105 22

HSL 67.95, 0.65%, 0.25%

LAB 42.06, -15.71, 42.06

 

CMYK 13 / 0 / 90 / 55

HEX #65740C

RGB 101 116 12

HSL 68.65, 0.81%, 0.25%

LAB 46.02, -18.76, 48.74

 

CMYK 14 / 0 / 98 / 51

HEX #6C7E02

RGB 108 126 2

HSL 68.71, 0.97%, 0.25%

LAB 49.63, -21.03, 53.89

 

CMYK 9 / 0 / 65 / 63

HEX #565F21

RGB 86 95 33

HSL 68.71, 0.48%, 0.25%

LAB 38.33, -13.2, 33.33

 

CMYK 7 / 0 / 49 / 67

HEX #4F552B

RGB 79 85 43

HSL 68.57, 0.33%, 0.25%

LAB 34.67, -9.73, 23.59

 

CMYK 4 / 0 / 28 / 71

HEX #474A35

RGB 71 74 53

HSL 68.57, 0.17%, 0.25%

LAB 30.63, -5.38, 12.17

 

CMYK 0 / 0 / 2 / 75

HEX #40403F

RGB 64 64 63

HSL 60, 0.01%, 0.25%

LAB 27.06, -0.22, 0.61

 

CMYK 23 / 27 / 0 / 71

HEX #39364A

RGB 57 54 74

HSL 249, 0.16%, 0.25%

LAB 23.68, 6.33, -11.81

 

CMYK 0 / 26 / 65 / 63

HEX #5F4621

RGB 95 70 33

HSL 35.81, 0.48%, 0.25%

LAB 31.63, 6.1, 26.07

 

CMYK 0 / 8 / 65 / 63

HEX #5F5721

RGB 95 87 33

HSL 52.26, 0.48%, 0.25%

LAB 36.67, -4.28, 31.75

 

CMYK 8 / 0 / 65 / 63

HEX #575F21

RGB 87 95 33

HSL 67.74, 0.48%, 0.25%

LAB 38.41, -12.73, 33.45

 

CMYK 26 / 0 / 65 / 63

HEX #465F21

RGB 70 95 33

HSL 84.19, 0.48%, 0.25%

LAB 37.11, -20.41, 31.65

 

CMYK 44 / 0 / 65 / 63

HEX #355F21

RGB 53 95 33

HSL 100.65, 0.48%, 0.25%

LAB 36.08, -27.25, 30.22

 

CMYK 12 / 0 / 68 / 87

HEX #1E220B

RGB 30 34 11

HSL 70.43, 0.51%, 0.09%

LAB 12.25, -6.39, 13.48

 

CMYK 9 / 0 / 66 / 75

HEX #3A4016

RGB 58 64 22

HSL 68.57, 0.49%, 0.17%

LAB 25.64, -9.66, 24.32

 

CMYK 9 / 0 / 65 / 63

HEX #565F21

RGB 86 95 33

HSL 68.71, 0.48%, 0.25%

LAB 38.33, -13.2, 33.33

 

CMYK 10 / 0 / 66 / 51

HEX #727E2B

RGB 114 126 43

HSL 68.67, 0.49%, 0.33%

LAB 50.3, -16.57, 42.18

 

CMYK 9 / 0 / 65 / 39

HEX #8E9C36

RGB 142 156 54

HSL 68.24, 0.49%, 0.41%

LAB 61.48, -19.2, 49.84

 

CMYK 9 / 0 / 66 / 62

HEX #586121

RGB 88 97 33

HSL 68.44, 0.49%, 0.25%

LAB 39.13, -13.38, 34.25

 

CMYK 65 / 0 / 44 / 63

HEX #215F35

RGB 33 95 53

HSL 139.35, 0.48%, 0.25%

LAB 35.53, -30.34, 18.3

 

CMYK 18 / 65 / 0 / 63

HEX #4E215F

RGB 78 33 95

HSL 283.55, 0.48%, 0.25%

LAB 22.07, 32.22, -28.09

 

CMYK 9 / 0 / 66 / 62

HEX #586121

RGB 88 97 33

HSL 68.44, 0.49%, 0.25%

LAB 39.13, -13.38, 34.25

 

CMYK 65 / 8 / 0 / 63

HEX #21575F

RGB 33 87 95

HSL 187.74, 0.48%, 0.25%

LAB 33.91, -14.94, -9.95

 

CMYK 0 / 65 / 8 / 63

HEX #5F2157

RGB 95 33 87

HSL 307.74, 0.48%, 0.25%

LAB 24.35, 35.5, -19.02

 

CMYK 9 / 0 / 66 / 62

HEX #586121

RGB 88 97 33

HSL 68.44, 0.49%, 0.25%

LAB 39.13, -13.38, 34.25

 

CMYK 65 / 0 / 44 / 63

HEX #215F35

RGB 33 95 53

HSL 139.35, 0.48%, 0.25%

LAB 35.53, -30.34, 18.3

 

CMYK 57 / 65 / 0 / 63

HEX #29215F

RGB 41 33 95

HSL 247.74, 0.48%, 0.25%

LAB 17.39, 22.79, -35.86

 

CMYK 0 / 65 / 22 / 63

HEX #5F214A

RGB 95 33 74

HSL 320.32, 0.48%, 0.25%

LAB 23.72, 33.25, -11.29

 

CMYK 9 / 0 / 66 / 62

HEX #586121

RGB 88 97 33

HSL 68.44, 0.49%, 0.25%

LAB 39.13, -13.38, 34.25

 

CMYK 65 / 0 / 24 / 63

HEX #215F48

RGB 33 95 72

HSL 157.74, 0.48%, 0.25%

LAB 35.94, -26.02, 7.37

 

CMYK 57 / 65 / 0 / 63

HEX #29215F

RGB 41 33 95

HSL 247.74, 0.48%, 0.25%

LAB 17.39, 22.79, -35.86

 

CMYK 0 / 65 / 42 / 63

HEX #5F2137

RGB 95 33 55

HSL 338.71, 0.48%, 0.25%

LAB 22.99, 30.52, 0.55

 

Description

Color code: HEX #586121 | qconv.com Color code: HEX #586121 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 97 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 97 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 66 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 66% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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