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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58601F it is the complementary color #A79FE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58601F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58601F shade: #5D601A, #6E722D, #7F8440, #909653 and #A1A866

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58601F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58601F shade: #58601F, #474E0C, #363C00, #252A00 and #141800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58601F shade: #58601F, #60571F, #60451F, #60341F and #60221F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58601F shade: #58601F, #47601F, #35601F, #24601F and #1F602C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58601F shade matches the following richer shades: #58601F, #606B15, #68750B and #707F00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58601F shade: #58601F, #50562A, #494C34, #41413E and #393748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58601F shade: #60451F, #60571F, #59601F, #47601F and #36601F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58601F shade: #1F220B, #3C4115, #58601F, #757F29 and #919F33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58601F shade: #58601F, #1F6034 and #4E1F60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58601F shade: #58601F, #1F5960 and #601F59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58601F shade: #58601F, #1F6034, #271F60 and #601F4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58601F shade: #58601F, #1F6047, #271F60 and #601F38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

Complementary color

CMYK 25 / 29 / 0 / 12

HEX #A79FE0

RGB 167 159 224

HSL 247.38, 0.51%, 0.75%

LAB 68.31, 16.8, -31.84

 

CMYK 3 / 0 / 73 / 62

HEX #5D601A

RGB 93 96 26

HSL 62.57, 0.57%, 0.24%

LAB 39.19, -10.96, 37.65

 

CMYK 4 / 0 / 61 / 55

HEX #6E722D

RGB 110 114 45

HSL 63.48, 0.43%, 0.31%

LAB 46.36, -11.71, 36.87

 

CMYK 4 / 0 / 52 / 48

HEX #7F8440

RGB 127 132 64

HSL 64.41, 0.35%, 0.38%

LAB 53.37, -12.25, 35.72

 

CMYK 4 / 0 / 45 / 41

HEX #909653

RGB 144 150 83

HSL 65.37, 0.29%, 0.46%

LAB 60.22, -12.63, 34.48

 

CMYK 4 / 0 / 39 / 34

HEX #A1A866

RGB 161 168 102

HSL 66.36, 0.28%, 0.53%

LAB 66.93, -12.93, 33.25

 

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

CMYK 9 / 0 / 85 / 69

HEX #474E0C

RGB 71 78 12

HSL 66.36, 0.73%, 0.18%

LAB 31.38, -12.14, 35.07

 

CMYK 10 / 0 / 100 / 76

HEX #363C00

RGB 54 60 0

HSL 66, 1%, 0.12%

LAB 23.72, -10.84, 32.18

 

CMYK 12 / 0 / 100 / 84

HEX #252A00

RGB 37 42 0

HSL 67.14, 1%, 0.08%

LAB 15.74, -8.93, 22.69

 

CMYK 17 / 0 / 100 / 91

HEX #141800

RGB 20 24 0

HSL 70, 1%, 0.05%

LAB 7.24, -6.03, 10.74

 

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

CMYK 0 / 9 / 68 / 62

HEX #60571F

RGB 96 87 31

HSL 51.69, 0.51%, 0.25%

LAB 36.75, -3.94, 32.88

 

CMYK 0 / 28 / 68 / 62

HEX #60451F

RGB 96 69 31

HSL 35.08, 0.51%, 0.25%

LAB 31.44, 7.05, 27.02

 

CMYK 0 / 46 / 68 / 62

HEX #60341F

RGB 96 52 31

HSL 19.38, 0.51%, 0.25%

LAB 26.85, 17.63, 21.67

 

CMYK 0 / 65 / 68 / 62

HEX #60221F

RGB 96 34 31

HSL 2.77, 0.51%, 0.25%

LAB 22.76, 28, 16.65

 

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

CMYK 26 / 0 / 68 / 62

HEX #47601F

RGB 71 96 31

HSL 83.08, 0.51%, 0.25%

LAB 37.49, -20.69, 33.06

 

CMYK 45 / 0 / 68 / 62

HEX #35601F

RGB 53 96 31

HSL 99.69, 0.51%, 0.25%

LAB 36.41, -27.94, 31.57

 

CMYK 63 / 0 / 68 / 62

HEX #24601F

RGB 36 96 31

HSL 115.38, 0.51%, 0.25%

LAB 35.67, -33.44, 30.55

 

CMYK 68 / 0 / 54 / 62

HEX #1F602C

RGB 31 96 44

HSL 132, 0.51%, 0.25%

LAB 35.67, -32.88, 23.65

 

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

CMYK 10 / 0 / 80 / 58

HEX #606B15

RGB 96 107 21

HSL 67.67, 0.67%, 0.25%

LAB 42.85, -15.92, 43.2

 

CMYK 11 / 0 / 91 / 54

HEX #68750B

RGB 104 117 11

HSL 67.36, 0.83%, 0.25%

LAB 46.56, -17.94, 49.51

 

CMYK 12 / 0 / 100 / 50

HEX #707F00

RGB 112 127 0

HSL 67.09, 1%, 0.25%

LAB 50.24, -19.78, 54.88

 

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

CMYK 7 / 0 / 51 / 66

HEX #50562A

RGB 80 86 42

HSL 68.18, 0.34%, 0.25%

LAB 35.06, -9.96, 24.66

 

CMYK 4 / 0 / 32 / 70

HEX #494C34

RGB 73 76 52

HSL 67.5, 0.19%, 0.25%

LAB 31.42, -5.86, 13.9

 

CMYK 0 / 0 / 5 / 75

HEX #41413E

RGB 65 65 62

HSL 60, 0.02%, 0.25%

LAB 27.44, -0.66, 1.82

 

CMYK 21 / 24 / 0 / 72

HEX #393748

RGB 57 55 72

HSL 247.06, 0.13%, 0.25%

LAB 23.9, 5.1, -10.14

 

CMYK 0 / 28 / 68 / 62

HEX #60451F

RGB 96 69 31

HSL 35.08, 0.51%, 0.25%

LAB 31.44, 7.05, 27.02

 

CMYK 0 / 9 / 68 / 62

HEX #60571F

RGB 96 87 31

HSL 51.69, 0.51%, 0.25%

LAB 36.75, -3.94, 32.88

 

CMYK 7 / 0 / 68 / 62

HEX #59601F

RGB 89 96 31

HSL 66.46, 0.51%, 0.25%

LAB 38.88, -12.51, 34.96

 

CMYK 26 / 0 / 68 / 62

HEX #47601F

RGB 71 96 31

HSL 83.08, 0.51%, 0.25%

LAB 37.49, -20.69, 33.06

 

CMYK 44 / 0 / 68 / 62

HEX #36601F

RGB 54 96 31

HSL 98.77, 0.51%, 0.25%

LAB 36.46, -27.57, 31.64

 

CMYK 9 / 0 / 68 / 87

HEX #1F220B

RGB 31 34 11

HSL 67.83, 0.51%, 0.09%

LAB 12.35, -5.85, 13.63

 

CMYK 8 / 0 / 68 / 75

HEX #3C4115

RGB 60 65 21

HSL 66.82, 0.51%, 0.17%

LAB 26.14, -9.36, 25.47

 

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

CMYK 8 / 0 / 68 / 50

HEX #757F29

RGB 117 127 41

HSL 66.98, 0.51%, 0.33%

LAB 50.83, -15.91, 43.69

 

CMYK 9 / 0 / 68 / 38

HEX #919F33

RGB 145 159 51

HSL 67.78, 0.51%, 0.41%

LAB 62.55, -19.64, 52.28

 

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

CMYK 68 / 0 / 46 / 62

HEX #1F6034

RGB 31 96 52

HSL 139.38, 0.51%, 0.25%

LAB 35.8, -31.45, 19.23

 

CMYK 19 / 68 / 0 / 62

HEX #4E1F60

RGB 78 31 96

HSL 283.38, 0.51%, 0.25%

LAB 21.74, 33.52, -29.27

 

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

CMYK 68 / 7 / 0 / 62

HEX #1F5960

RGB 31 89 96

HSL 186.46, 0.51%, 0.25%

LAB 34.56, -16.13, -9.6

 

CMYK 0 / 68 / 7 / 62

HEX #601F59

RGB 96 31 89

HSL 306.46, 0.51%, 0.25%

LAB 24.28, 37.11, -20.43

 

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

CMYK 68 / 0 / 46 / 62

HEX #1F6034

RGB 31 96 52

HSL 139.38, 0.51%, 0.25%

LAB 35.8, -31.45, 19.23

 

CMYK 59 / 68 / 0 / 62

HEX #271F60

RGB 39 31 96

HSL 247.38, 0.51%, 0.25%

LAB 16.78, 24.08, -37.53

 

CMYK 0 / 68 / 21 / 62

HEX #601F4C

RGB 96 31 76

HSL 318.46, 0.51%, 0.25%

LAB 23.63, 34.87, -12.76

 

CMYK 8 / 0 / 68 / 62

HEX #58601F

RGB 88 96 31

HSL 67.38, 0.51%, 0.25%

LAB 38.79, -12.98, 34.85

 

CMYK 68 / 0 / 26 / 62

HEX #1F6047

RGB 31 96 71

HSL 156.92, 0.51%, 0.25%

LAB 36.2, -27.19, 8.34

 

CMYK 59 / 68 / 0 / 62

HEX #271F60

RGB 39 31 96

HSL 247.38, 0.51%, 0.25%

LAB 16.78, 24.08, -37.53

 

CMYK 0 / 68 / 42 / 62

HEX #601F38

RGB 96 31 56

HSL 336.92, 0.51%, 0.25%

LAB 22.84, 32, -0.34

 

Description

Color code: HEX #58601F | qconv.com Color code: HEX #58601F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 96 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 96 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 68 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 68% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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