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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58591F it is the complementary color #A7A6E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58591F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58591F shade: #5D591A, #6E6B2D, #7F7D40, #908F53 and #A1A166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58591F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58591F shade: #58591F, #47470C, #363500, #252300 and #141100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58591F shade: #5A5B20, #5B4C20, #5B3C20, #5B2C20 and #5B2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58591F shade: #5A5B20, #4A5B20, #3A5B20, #2A5B20 and #205B25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58591F shade matches the following richer shades: #5A5B20, #636416, #6D6E0C and #767802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58591F shade: #5A5B20, #50512A, #464734, #3D3D3E and #333347

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58591F shade: #5B3C20, #5B4C20, #5A5B20, #4A5B20 and #3A5B20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58591F shade: #1D1E0A, #3B3C15, #5A5B20, #78792B and #969835

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58591F shade: #58591F, #205B2D and #44205B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58591F shade: #58591F, #205A5B and #5B205A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58591F shade: #58591F, #205B2D, #21205B and #5B204E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58591F shade: #58591F, #205B3E, #21205B and #5B203C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 65 / 65

HEX #58591F

RGB 88 89 31

HSL 61.03, 0.48%, 0.24%

LAB 36.59, -8.99, 32.48

 

Complementary color

CMYK 25 / 26 / 0 / 12

HEX #A7A6E0

RGB 167 166 224

HSL 241.03, 0.48%, 0.76%

LAB 70.08, 12.86, -29.1

 

CMYK 0 / 4 / 72 / 64

HEX #5D591A

RGB 93 89 26

HSL 56.42, 0.56%, 0.23%

LAB 37.02, -6.93, 35.46

 

CMYK 0 / 3 / 59 / 57

HEX #6E6B2D

RGB 110 107 45

HSL 57.23, 0.42%, 0.3%

LAB 44.26, -7.79, 34.51

 

CMYK 0 / 2 / 50 / 50

HEX #7F7D40

RGB 127 125 64

HSL 58.1, 0.33%, 0.37%

LAB 51.32, -8.41, 33.27

 

CMYK 0 / 1 / 42 / 44

HEX #908F53

RGB 144 143 83

HSL 59.02, 0.27%, 0.45%

LAB 58.23, -8.88, 31.99

 

CMYK 0 / 0 / 37 / 37

HEX #A1A166

RGB 161 161 102

HSL 60, 0.24%, 0.52%

LAB 64.98, -9.24, 30.75

 

CMYK 1 / 0 / 65 / 65

HEX #58591F

RGB 88 89 31

HSL 61.03, 0.48%, 0.24%

LAB 36.59, -8.99, 32.48

 

CMYK 0 / 0 / 83 / 72

HEX #47470C

RGB 71 71 12

HSL 60, 0.71%, 0.16%

LAB 29.09, -8.03, 32.96

 

CMYK 0 / 2 / 100 / 79

HEX #363500

RGB 54 53 0

HSL 58.89, 1%, 0.11%

LAB 21.32, -6.55, 29.67

 

CMYK 0 / 5 / 100 / 85

HEX #252300

RGB 37 35 0

HSL 56.76, 1%, 0.07%

LAB 13.2, -4.37, 19.39

 

CMYK 0 / 15 / 100 / 92

HEX #141100

RGB 20 17 0

HSL 51, 1%, 0.04%

LAB 4.96, -1.37, 7.41

 

CMYK 1 / 0 / 65 / 64

HEX #5A5B20

RGB 90 91 32

HSL 61.02, 0.48%, 0.24%

LAB 37.41, -9.11, 32.93

 

CMYK 0 / 16 / 65 / 64

HEX #5B4C20

RGB 91 76 32

HSL 44.75, 0.48%, 0.24%

LAB 32.91, 0.33, 27.98

 

CMYK 0 / 34 / 65 / 64

HEX #5B3C20

RGB 91 60 32

HSL 28.47, 0.48%, 0.24%

LAB 28.27, 10.34, 22.59

 

CMYK 0 / 52 / 65 / 64

HEX #5B2C20

RGB 91 44 32

HSL 12.2, 0.48%, 0.24%

LAB 24.1, 20.28, 17.48

 

CMYK 0 / 65 / 65 / 64

HEX #5B2020

RGB 91 32 32

HSL 0, 0.48%, 0.24%

LAB 21.44, 27.12, 14.1

 

CMYK 1 / 0 / 65 / 64

HEX #5A5B20

RGB 90 91 32

HSL 61.02, 0.48%, 0.24%

LAB 37.41, -9.11, 32.93

 

CMYK 19 / 0 / 65 / 64

HEX #4A5B20

RGB 74 91 32

HSL 77.29, 0.48%, 0.24%

LAB 36.07, -16.59, 31.07

 

CMYK 36 / 0 / 65 / 64

HEX #3A5B20

RGB 58 91 32

HSL 93.56, 0.48%, 0.24%

LAB 34.98, -23.48, 29.56

 

CMYK 54 / 0 / 65 / 64

HEX #2A5B20

RGB 42 91 32

HSL 109.83, 0.48%, 0.24%

LAB 34.15, -29.34, 28.39

 

CMYK 65 / 0 / 59 / 64

HEX #205B25

RGB 32 91 37

HSL 125.08, 0.48%, 0.24%

LAB 33.82, -31.61, 25.27

 

CMYK 1 / 0 / 65 / 64

HEX #5A5B20

RGB 90 91 32

HSL 61.02, 0.48%, 0.24%

LAB 37.41, -9.11, 32.93

 

CMYK 1 / 0 / 78 / 61

HEX #636416

RGB 99 100 22

HSL 60.77, 0.64%, 0.24%

LAB 40.94, -10.58, 41.15

 

CMYK 1 / 0 / 89 / 57

HEX #6D6E0C

RGB 109 110 12

HSL 60.61, 0.8%, 0.24%

LAB 44.84, -11.78, 48.03

 

CMYK 2 / 0 / 98 / 53

HEX #767802

RGB 118 120 2

HSL 61.02, 0.97%, 0.24%

LAB 48.62, -13.24, 53.49

 

CMYK 1 / 0 / 65 / 64

HEX #5A5B20

RGB 90 91 32

HSL 61.02, 0.48%, 0.24%

LAB 37.41, -9.11, 32.93

 

CMYK 1 / 0 / 48 / 68

HEX #50512A

RGB 80 81 42

HSL 61.54, 0.32%, 0.24%

LAB 33.47, -7.02, 22.71

 

CMYK 1 / 0 / 27 / 72

HEX #464734

RGB 70 71 52

HSL 63.16, 0.15%, 0.24%

LAB 29.55, -4.15, 11.33

 

CMYK 2 / 2 / 0 / 76

HEX #3D3D3E

RGB 61 61 62

HSL 240, 0.01%, 0.24%

LAB 25.8, 0.23, -0.62

 

CMYK 28 / 28 / 0 / 72

HEX #333347

RGB 51 51 71

HSL 240, 0.16%, 0.24%

LAB 22.04, 5.29, -12.37

 

CMYK 0 / 34 / 65 / 64

HEX #5B3C20

RGB 91 60 32

HSL 28.47, 0.48%, 0.24%

LAB 28.27, 10.34, 22.59

 

CMYK 0 / 16 / 65 / 64

HEX #5B4C20

RGB 91 76 32

HSL 44.75, 0.48%, 0.24%

LAB 32.91, 0.33, 27.98

 

CMYK 1 / 0 / 65 / 64

HEX #5A5B20

RGB 90 91 32

HSL 61.02, 0.48%, 0.24%

LAB 37.41, -9.11, 32.93

 

CMYK 19 / 0 / 65 / 64

HEX #4A5B20

RGB 74 91 32

HSL 77.29, 0.48%, 0.24%

LAB 36.07, -16.59, 31.07

 

CMYK 36 / 0 / 65 / 64

HEX #3A5B20

RGB 58 91 32

HSL 93.56, 0.48%, 0.24%

LAB 34.98, -23.48, 29.56

 

CMYK 3 / 0 / 67 / 88

HEX #1D1E0A

RGB 29 30 10

HSL 63, 0.5%, 0.08%

LAB 10.64, -4.35, 11.67

 

CMYK 2 / 0 / 65 / 76

HEX #3B3C15

RGB 59 60 21

HSL 61.54, 0.48%, 0.16%

LAB 24.37, -6.81, 23.48

 

CMYK 1 / 0 / 65 / 64

HEX #5A5B20

RGB 90 91 32

HSL 61.02, 0.48%, 0.24%

LAB 37.41, -9.11, 32.93

 

CMYK 1 / 0 / 64 / 53

HEX #78792B

RGB 120 121 43

HSL 60.77, 0.48%, 0.32%

LAB 49.3, -11.17, 41.27

 

CMYK 1 / 0 / 65 / 40

HEX #969835

RGB 150 152 53

HSL 61.21, 0.48%, 0.4%

LAB 60.96, -13.72, 49.92

 

CMYK 1 / 0 / 65 / 65

HEX #58591F

RGB 88 89 31

HSL 61.03, 0.48%, 0.24%

LAB 36.59, -8.99, 32.48

 

CMYK 65 / 0 / 51 / 64

HEX #205B2D

RGB 32 91 45

HSL 133.22, 0.48%, 0.24%

LAB 33.94, -30.3, 20.92

 

CMYK 25 / 65 / 0 / 64

HEX #44205B

RGB 68 32 91

HSL 276.61, 0.48%, 0.24%

LAB 20.11, 29.01, -28.65

 

CMYK 1 / 0 / 65 / 65

HEX #58591F

RGB 88 89 31

HSL 61.03, 0.48%, 0.24%

LAB 36.59, -8.99, 32.48

 

CMYK 65 / 1 / 0 / 64

HEX #205A5B

RGB 32 90 91

HSL 181.02, 0.48%, 0.24%

LAB 34.75, -18.13, -6.18

 

CMYK 0 / 65 / 1 / 64

HEX #5B205A

RGB 91 32 90

HSL 301.02, 0.48%, 0.24%

LAB 23.66, 35.37, -22.14

 

CMYK 1 / 0 / 65 / 65

HEX #58591F

RGB 88 89 31

HSL 61.03, 0.48%, 0.24%

LAB 36.59, -8.99, 32.48

 

CMYK 65 / 0 / 51 / 64

HEX #205B2D

RGB 32 91 45

HSL 133.22, 0.48%, 0.24%

LAB 33.94, -30.3, 20.92

 

CMYK 64 / 65 / 0 / 64

HEX #21205B

RGB 33 32 91

HSL 241.02, 0.48%, 0.24%

LAB 16.06, 20.37, -35.39

 

CMYK 0 / 65 / 14 / 64

HEX #5B204E

RGB 91 32 78

HSL 313.22, 0.48%, 0.24%

LAB 23.02, 33.13, -15.12

 

CMYK 1 / 0 / 65 / 65

HEX #58591F

RGB 88 89 31

HSL 61.03, 0.48%, 0.24%

LAB 36.59, -8.99, 32.48

 

CMYK 65 / 0 / 32 / 64

HEX #205B3E

RGB 32 91 62

HSL 150.51, 0.48%, 0.24%

LAB 34.27, -26.78, 11.18

 

CMYK 64 / 65 / 0 / 64

HEX #21205B

RGB 33 32 91

HSL 241.02, 0.48%, 0.24%

LAB 16.06, 20.37, -35.39

 

CMYK 0 / 65 / 34 / 64

HEX #5B203C

RGB 91 32 60

HSL 331.53, 0.48%, 0.24%

LAB 22.24, 30.25, -4.07

 

Description

Color code: HEX #58591F | qconv.com Color code: HEX #58591F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 89 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 89 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 65 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 65% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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