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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58576C it is the complementary color #A7A893. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58576C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58576C shade: #5D5767, #6E697A, #7F7B8D, #908DA0 and #A19FB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58576C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58576C shade: #58576C, #474559, #363346, #252133 and #140F20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58576C shade: #57566C, #5D566C, #63566C, #69566C and #6C5669

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58576C shade: #57566C and #56566C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58576C shade matches the following richer shades: #57566C, #49477B, #3B378B, #2D279B and #1F18AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58576C shade: #57566C, #65665C, #74764C, #82853D and #90952D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58576C shade: #56616C, #565B6C, #57566C, #5D566C and #62566C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58576C shade: #32323E, #454455, #57566C, #6A6982 and #7F7D97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58576C shade: #58576C, #6C5667 and #5E6C56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58576C shade: #58576C, #6C5756 and #566C57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58576C shade: #58576C, #6C5667, #6B6C56 and #566C5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58576C shade: #58576C, #6C5660, #6B6C56 and #566C62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 19 / 0 / 58

HEX #58576C

RGB 88 87 108

HSL 242.86, 0.11%, 0.38%

LAB 37.8, 5.26, -11.85

 

Complementary color

CMYK 1 / 0 / 13 / 34

HEX #A7A893

RGB 167 168 147

HSL 62.86, 0.11%, 0.62%

LAB 68.26, -4.11, 10.74

 

CMYK 10 / 16 / 0 / 60

HEX #5D5767

RGB 93 87 103

HSL 262.5, 0.08%, 0.37%

LAB 38.06, 5.9, -8.31

 

CMYK 10 / 14 / 0 / 52

HEX #6E697A

RGB 110 105 122

HSL 257.65, 0.07%, 0.45%

LAB 45.39, 5.55, -8.75

 

CMYK 10 / 13 / 0 / 45

HEX #7F7B8D

RGB 127 123 141

HSL 253.33, 0.07%, 0.52%

LAB 52.51, 5.25, -9.19

 

CMYK 10 / 12 / 0 / 37

HEX #908DA0

RGB 144 141 160

HSL 249.47, 0.09%, 0.59%

LAB 59.45, 4.97, -9.64

 

CMYK 10 / 11 / 0 / 30

HEX #A19FB3

RGB 161 159 179

HSL 246, 0.12%, 0.66%

LAB 66.23, 4.72, -10.08

 

CMYK 19 / 19 / 0 / 58

HEX #58576C

RGB 88 87 108

HSL 242.86, 0.11%, 0.38%

LAB 37.8, 5.26, -11.85

 

CMYK 20 / 22 / 0 / 65

HEX #474559

RGB 71 69 89

HSL 246, 0.13%, 0.31%

LAB 30.2, 5.65, -11.55

 

CMYK 23 / 27 / 0 / 73

HEX #363346

RGB 54 51 70

HSL 249.47, 0.16%, 0.24%

LAB 22.28, 6.12, -11.3

 

CMYK 27 / 35 / 0 / 80

HEX #252133

RGB 37 33 51

HSL 253.33, 0.21%, 0.16%

LAB 13.94, 6.73, -11.13

 

CMYK 38 / 53 / 0 / 87

HEX #140F20

RGB 20 15 32

HSL 257.65, 0.36%, 0.09%

LAB 5.37, 6.34, -10.49

 

CMYK 19 / 20 / 0 / 58

HEX #57566C

RGB 87 86 108

HSL 242.73, 0.11%, 0.38%

LAB 37.42, 5.52, -12.44

 

CMYK 14 / 20 / 0 / 58

HEX #5D566C

RGB 93 86 108

HSL 259.09, 0.11%, 0.38%

LAB 37.96, 7.7, -11.56

 

CMYK 8 / 20 / 0 / 58

HEX #63566C

RGB 99 86 108

HSL 275.45, 0.11%, 0.38%

LAB 38.54, 9.92, -10.64

 

CMYK 3 / 20 / 0 / 58

HEX #69566C

RGB 105 86 108

HSL 291.82, 0.11%, 0.38%

LAB 39.14, 12.18, -9.66

 

CMYK 0 / 20 / 3 / 58

HEX #6C5669

RGB 108 86 105

HSL 308.18, 0.11%, 0.38%

LAB 39.35, 12.69, -7.46

 

CMYK 19 / 20 / 0 / 58

HEX #57566C

RGB 87 86 108

HSL 242.73, 0.11%, 0.38%

LAB 37.42, 5.52, -12.44

 

CMYK 20 / 20 / 0 / 58

HEX #56566C

RGB 86 86 108

HSL 240, 0.11%, 0.38%

LAB 37.33, 5.17, -12.58

 

CMYK 19 / 20 / 0 / 58

HEX #57566C

RGB 87 86 108

HSL 242.73, 0.11%, 0.38%

LAB 37.42, 5.52, -12.44

 

CMYK 41 / 42 / 0 / 52

HEX #49477B

RGB 73 71 123

HSL 242.31, 0.27%, 0.38%

LAB 32.6, 14.79, -29.34

 

CMYK 58 / 60 / 0 / 45

HEX #3B378B

RGB 59 55 139

HSL 242.86, 0.43%, 0.38%

LAB 28.18, 27.11, -46.42

 

CMYK 71 / 75 / 0 / 39

HEX #2D279B

RGB 45 39 155

HSL 243.1, 0.6%, 0.38%

LAB 24.88, 40.39, -61.73

 

CMYK 82 / 86 / 0 / 33

HEX #1F18AA

RGB 31 24 170

HSL 242.88, 0.75%, 0.38%

LAB 23.16, 51.67, -73.72

 

CMYK 19 / 20 / 0 / 58

HEX #57566C

RGB 87 86 108

HSL 242.73, 0.11%, 0.38%

LAB 37.42, 5.52, -12.44

 

CMYK 1 / 0 / 10 / 60

HEX #65665C

RGB 101 102 92

HSL 66, 0.05%, 0.38%

LAB 42.83, -2.38, 5.52

HEX #65665C

CMYK 2 / 0 / 36 / 54

HEX #74764C

RGB 116 118 76

HSL 62.86, 0.22%, 0.38%

LAB 48.5, -7.91, 22.92

HEX #74764C

CMYK 2 / 0 / 54 / 48

HEX #82853D

RGB 130 133 61

HSL 62.5, 0.37%, 0.38%

LAB 53.88, -11.76, 37.9

HEX #82853D

CMYK 3 / 0 / 70 / 42

HEX #90952D

RGB 144 149 45

HSL 62.88, 0.54%, 0.38%

LAB 59.54, -15.27, 51.61

HEX #90952D

CMYK 20 / 10 / 0 / 58

HEX #56616C

RGB 86 97 108

HSL 210, 0.11%, 0.38%

LAB 40.59, -1.6, -7.66

 

CMYK 20 / 16 / 0 / 58

HEX #565B6C

RGB 86 91 108

HSL 226.36, 0.11%, 0.38%

LAB 38.8, 2.06, -10.35

 

CMYK 19 / 20 / 0 / 58

HEX #57566C

RGB 87 86 108

HSL 242.73, 0.11%, 0.38%

LAB 37.42, 5.52, -12.44

 

CMYK 14 / 20 / 0 / 58

HEX #5D566C

RGB 93 86 108

HSL 259.09, 0.11%, 0.38%

LAB 37.96, 7.7, -11.56

 

CMYK 9 / 20 / 0 / 58

HEX #62566C

RGB 98 86 108

HSL 272.73, 0.11%, 0.38%

LAB 38.44, 9.55, -10.79

 

CMYK 19 / 19 / 0 / 76

HEX #32323E

RGB 50 50 62

HSL 240, 0.11%, 0.22%

LAB 21.23, 3.04, -7.52

 

CMYK 19 / 20 / 0 / 67

HEX #454455

RGB 69 68 85

HSL 243.53, 0.11%, 0.3%

LAB 29.55, 4.51, -9.98

 

CMYK 19 / 20 / 0 / 58

HEX #57566C

RGB 87 86 108

HSL 242.73, 0.11%, 0.38%

LAB 37.42, 5.52, -12.44

 

CMYK 18 / 19 / 0 / 49

HEX #6A6982

RGB 106 105 130

HSL 242.4, 0.11%, 0.46%

LAB 45.33, 6, -13.68

 

CMYK 16 / 17 / 0 / 41

HEX #7F7D97

RGB 127 125 151

HSL 244.62, 0.11%, 0.54%

LAB 53.4, 6.33, -13.69

 

CMYK 19 / 19 / 0 / 58

HEX #58576C

RGB 88 87 108

HSL 242.86, 0.11%, 0.38%

LAB 37.8, 5.26, -11.85

 

CMYK 0 / 20 / 5 / 58

HEX #6C5667

RGB 108 86 103

HSL 313.64, 0.11%, 0.38%

LAB 39.28, 12.28, -6.33

 

CMYK 13 / 0 / 20 / 58

HEX #5E6C56

RGB 94 108 86

HSL 98.18, 0.11%, 0.38%

LAB 43.91, -9.81, 10.58

 

CMYK 19 / 19 / 0 / 58

HEX #58576C

RGB 88 87 108

HSL 242.86, 0.11%, 0.38%

LAB 37.8, 5.26, -11.85

 

CMYK 0 / 19 / 20 / 58

HEX #6C5756

RGB 108 87 86

HSL 2.73, 0.11%, 0.38%

LAB 39.03, 8.46, 3.84

 

CMYK 20 / 0 / 19 / 58

HEX #566C57

RGB 86 108 87

HSL 122.73, 0.11%, 0.38%

LAB 43.35, -12.73, 9.1

 

CMYK 19 / 19 / 0 / 58

HEX #58576C

RGB 88 87 108

HSL 242.86, 0.11%, 0.38%

LAB 37.8, 5.26, -11.85

 

CMYK 0 / 20 / 5 / 58

HEX #6C5667

RGB 108 86 103

HSL 313.64, 0.11%, 0.38%

LAB 39.28, 12.28, -6.33

 

CMYK 1 / 0 / 20 / 58

HEX #6B6C56

RGB 107 108 86

HSL 62.73, 0.11%, 0.38%

LAB 44.97, -4.51, 12.21

 

CMYK 20 / 0 / 16 / 58

HEX #566C5B

RGB 86 108 91

HSL 133.64, 0.11%, 0.38%

LAB 43.45, -11.92, 6.84

 

CMYK 19 / 19 / 0 / 58

HEX #58576C

RGB 88 87 108

HSL 242.86, 0.11%, 0.38%

LAB 37.8, 5.26, -11.85

 

CMYK 0 / 20 / 11 / 58

HEX #6C5660

RGB 108 86 96

HSL 332.73, 0.11%, 0.38%

LAB 39.05, 10.9, -2.33

 

CMYK 1 / 0 / 20 / 58

HEX #6B6C56

RGB 107 108 86

HSL 62.73, 0.11%, 0.38%

LAB 44.97, -4.51, 12.21

 

CMYK 20 / 0 / 9 / 58

HEX #566C62

RGB 86 108 98

HSL 152.73, 0.11%, 0.38%

LAB 43.63, -10.42, 2.9

 

Description

Color code: HEX #58576C | qconv.com Color code: HEX #58576C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 87 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 87 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 19 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 19% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - Schreibbüro | Schrei...
Link: http://www.tintenfass-dessau.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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