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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #584DB84C it is the complementary color #A7B2474C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #584DB84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #584DB84C shade: #5D4DB34C, #6E5FC64C, #7F71D94C, #9083EC4C and #A195FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #584DB84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #584DB84C shade: #584DB84C, #473BA54C, #3629924C, #25177F4C and #14056C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #584DB84C shade: #574CB8, #744CB8, #914CB8, #AE4CB8 and #B84CA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #584DB84C shade: #574CB8 and #4C4CB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #584DB84C shade matches the following richer shades: #574CB8, #4738CC, #3724E0 and #2710F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #584DB84C shade: #574CB8, #6761A4, #77758F, #88897B and #989D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #584DB84C shade: #4C7BB8, #4C5EB8, #574CB8, #744CB8 and #904CB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #584DB84C shade: #3A337F, #483E9C, #574CB8, #736AC4 and #8F87CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #584DB84C shade: #584DB8, #B84C98 and #6DB84C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #584DB84C shade: #584DB8, #B8574C and #4CB857

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #584DB84C shade: #584DB8, #B84C98, #ADB84C and #4CB86D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #584DB84C shade: #584DB8, #B84C77, #ADB84C and #4CB88D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 17 / 0 / 8

HEX #584DB84C

RGBA 88 77 184 0.3

HSLA 246.17, 0.43%, 0.51%, 0.3

LABA 39.32, 33.74, -55.38, 0.3

 

Complementary color

CMYK 2 / 0 / 18 / 9

HEX #A7B2474C

RGBA 167 178 71 0.3

HSLA 66.17, 0.43%, 0.49%, 0.3

LABA 69.83, -18.57, 51.99, 0.3

 

CMYK 14 / 17 / 0 / 9

HEX #5D4DB34C

RGBA 93 77 179 0.3

HSLA 249.41, 0.4%, 0.5%, 0.3

LABA 39.39, 33.25, -52.29, 0.3

 

CMYK 13 / 16 / 0 / 7

HEX #6E5FC64C

RGBA 110 95 198 0.3

HSLA 248.74, 0.47%, 0.57%, 0.3

LABA 46.41, 31.87, -52, 0.3

 

CMYK 12 / 14 / 0 / 4

HEX #7F71D94C

RGBA 127 113 217 0.3

HSLA 248.08, 0.58%, 0.65%, 0.3

LABA 53.31, 30.67, -51.73, 0.3

 

CMYK 12 / 13 / 0 / 2

HEX #9083EC4C

RGBA 144 131 236 0.3

HSLA 247.43, 0.73%, 0.72%, 0.3

LABA 60.09, 29.6, -51.5, 0.3

 

CMYK 11 / 12 / 0 / 0

HEX #A195FF4C

RGBA 161 149 255 0.3

HSLA 246.79, 1%, 0.79%, 0.3

LABA 66.74, 28.66, -51.31, 0.3

 

CMYK 16 / 17 / 0 / 8

HEX #584DB84C

RGBA 88 77 184 0.3

HSLA 246.17, 0.43%, 0.51%, 0.3

LABA 39.32, 33.74, -55.38, 0.3

 

CMYK 17 / 19 / 0 / 11

HEX #473BA54C

RGBA 71 59 165 0.3

HSLA 246.79, 0.47%, 0.44%, 0.3

LABA 32.22, 35.47, -55.67, 0.3

 

CMYK 19 / 22 / 0 / 13

HEX #3629924C

RGBA 54 41 146 0.3

HSLA 247.43, 0.56%, 0.37%, 0.3

LABA 25.09, 37.36, -55.81, 0.3

 

CMYK 21 / 25 / 0 / 15

HEX #25177F4C

RGBA 37 23 127 0.3

HSLA 248.08, 0.69%, 0.29%, 0.3

LABA 18.09, 39.15, -55.5, 0.3

 

CMYK 24 / 29 / 0 / 17

HEX #14056C4C

RGBA 20 5 108 0.3

HSLA 248.74, 0.91%, 0.22%, 0.3

LABA 11.55, 40.12, -54.12, 0.3

 

CMYK 53 / 59 / 0 / 28

HEX #574CB8

RGB 87 76 184

HSL 246.11, 0.43%, 0.51%

LAB 38.99, 34.15, -55.91

 

CMYK 37 / 59 / 0 / 28

HEX #744CB8

RGB 116 76 184

HSL 262.22, 0.43%, 0.51%

LAB 41.76, 40.5, -51.31

 

CMYK 21 / 59 / 0 / 28

HEX #914CB8

RGB 145 76 184

HSL 278.33, 0.43%, 0.51%

LAB 45.15, 47.61, -45.68

 

CMYK 5 / 59 / 0 / 28

HEX #AE4CB8

RGB 174 76 184

HSL 294.44, 0.43%, 0.51%

LAB 49.04, 55.06, -39.26

 

CMYK 0 / 59 / 11 / 28

HEX #B84CA4

RGB 184 76 164

HSL 311.11, 0.43%, 0.51%

LAB 49.54, 54.29, -26.65

 

CMYK 53 / 59 / 0 / 28

HEX #574CB8

RGB 87 76 184

HSL 246.11, 0.43%, 0.51%

LAB 38.99, 34.15, -55.91

 

CMYK 59 / 59 / 0 / 28

HEX #4C4CB8

RGB 76 76 184

HSL 240, 0.43%, 0.51%

LAB 38.14, 32.06, -57.33

 

CMYK 53 / 59 / 0 / 28

HEX #574CB8

RGB 87 76 184

HSL 246.11, 0.43%, 0.51%

LAB 38.99, 34.15, -55.91

 

CMYK 65 / 73 / 0 / 20

HEX #4738CC

RGB 71 56 204

HSL 246.08, 0.59%, 0.51%

LAB 35.06, 49.59, -74.08

 

CMYK 75 / 84 / 0 / 12

HEX #3724E0

RGB 55 36 224

HSL 246.06, 0.75%, 0.51%

LAB 32.82, 63.67, -89.36

 

CMYK 84 / 93 / 0 / 4

HEX #2710F4

RGB 39 16 244

HSL 246.05, 0.91%, 0.51%

LAB 32.55, 74.35, -101.22

 

CMYK 53 / 59 / 0 / 28

HEX #574CB8

RGB 87 76 184

HSL 246.11, 0.43%, 0.51%

LAB 38.99, 34.15, -55.91

 

CMYK 37 / 41 / 0 / 36

HEX #6761A4

RGB 103 97 164

HSL 245.37, 0.27%, 0.51%

LAB 44.39, 18.99, -35.4

 

CMYK 17 / 18 / 0 / 44

HEX #77758F

RGB 119 117 143

HSL 244.62, 0.1%, 0.51%

LAB 50.25, 6.42, -13.84

 

CMYK 1 / 0 / 10 / 46

HEX #88897B

RGB 136 137 123

HSL 64.29, 0.06%, 0.51%

LAB 56.64, -3, 7.38

 

CMYK 3 / 0 / 34 / 38

HEX #989D67

RGB 152 157 103

HSL 65.56, 0.22%, 0.51%

LAB 63.15, -10.65, 27.69

 

CMYK 59 / 33 / 0 / 28

HEX #4C7BB8

RGB 76 123 184

HSL 213.89, 0.43%, 0.51%

LAB 50.88, 2.62, -36.97

 

CMYK 59 / 49 / 0 / 28

HEX #4C5EB8

RGB 76 94 184

HSL 230, 0.43%, 0.51%

LAB 42.77, 20.65, -49.86

 

CMYK 53 / 59 / 0 / 28

HEX #574CB8

RGB 87 76 184

HSL 246.11, 0.43%, 0.51%

LAB 38.99, 34.15, -55.91

 

CMYK 37 / 59 / 0 / 28

HEX #744CB8

RGB 116 76 184

HSL 262.22, 0.43%, 0.51%

LAB 41.76, 40.5, -51.31

 

CMYK 22 / 59 / 0 / 28

HEX #904CB8

RGB 144 76 184

HSL 277.78, 0.43%, 0.51%

LAB 45.02, 47.35, -45.89

 

CMYK 54 / 60 / 0 / 50

HEX #3A337F

RGB 58 51 127

HSL 245.53, 0.43%, 0.35%

LAB 26.16, 25.45, -42.22

 

CMYK 54 / 60 / 0 / 39

HEX #483E9C

RGB 72 62 156

HSL 246.38, 0.43%, 0.43%

LAB 32.31, 30.88, -50.09

 

CMYK 53 / 59 / 0 / 28

HEX #574CB8

RGB 87 76 184

HSL 246.11, 0.43%, 0.51%

LAB 38.99, 34.15, -55.91

 

CMYK 41 / 46 / 0 / 23

HEX #736AC4

RGB 115 106 196

HSL 246, 0.43%, 0.59%

LAB 49.42, 25.88, -46.02

 

CMYK 31 / 35 / 0 / 19

HEX #8F87CF

RGB 143 135 207

HSL 246.67, 0.43%, 0.67%

LAB 59.59, 19.29, -36.08

 

CMYK 52 / 58 / 0 / 28

HEX #584DB8

RGB 88 77 184

HSL 246.17, 0.43%, 0.51%

LAB 39.32, 33.74, -55.38

 

CMYK 0 / 59 / 17 / 28

HEX #B84C98

RGB 184 76 152

HSL 317.78, 0.43%, 0.51%

LAB 49.04, 52.43, -20.32

 

CMYK 41 / 0 / 59 / 28

HEX #6DB84C

RGB 109 184 76

HSL 101.67, 0.43%, 0.51%

LAB 68.06, -43.03, 46.76

 

CMYK 52 / 58 / 0 / 28

HEX #584DB8

RGB 88 77 184

HSL 246.17, 0.43%, 0.51%

LAB 39.32, 33.74, -55.38

 

CMYK 0 / 53 / 59 / 28

HEX #B8574C

RGB 184 87 76

HSL 6.11, 0.43%, 0.51%

LAB 48.92, 38.3, 25.03

 

CMYK 59 / 0 / 53 / 28

HEX #4CB857

RGB 76 184 87

HSL 126.11, 0.43%, 0.51%

LAB 66.9, -51.09, 39.85

 

CMYK 52 / 58 / 0 / 28

HEX #584DB8

RGB 88 77 184

HSL 246.17, 0.43%, 0.51%

LAB 39.32, 33.74, -55.38

 

CMYK 0 / 59 / 17 / 28

HEX #B84C98

RGB 184 76 152

HSL 317.78, 0.43%, 0.51%

LAB 49.04, 52.43, -20.32

 

CMYK 6 / 0 / 59 / 28

HEX #ADB84C

RGB 173 184 76

HSL 66.11, 0.43%, 0.51%

LAB 72.02, -18.71, 52.3

 

CMYK 59 / 0 / 41 / 28

HEX #4CB86D

RGB 76 184 109

HSL 138.33, 0.43%, 0.51%

LAB 67.22, -47.66, 29.06

 

CMYK 52 / 58 / 0 / 28

HEX #584DB8

RGB 88 77 184

HSL 246.17, 0.43%, 0.51%

LAB 39.32, 33.74, -55.38

 

CMYK 0 / 59 / 35 / 28

HEX #B84C77

RGB 184 76 119

HSL 336.11, 0.43%, 0.51%

LAB 47.87, 47.95, -2.27

 

CMYK 6 / 0 / 59 / 28

HEX #ADB84C

RGB 173 184 76

HSL 66.11, 0.43%, 0.51%

LAB 72.02, -18.71, 52.3

 

CMYK 59 / 0 / 23 / 28

HEX #4CB88D

RGB 76 184 141

HSL 156.11, 0.43%, 0.51%

LAB 67.83, -41.28, 12.72

 

Description

Color code: HEX #584DB84C | qconv.com Color code: HEX #584DB84C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 77 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 77 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 17 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 17% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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