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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58470ACE it is the complementary color #A7B8F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58470ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58470ACE shade: #5D4705CE, #6E5918CE, #7F6B2BCE, #907D3ECE and #A18F51CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58470ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58470ACE shade: #58470ACE, #473500CE, #362300CE, #251100CE and #140000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58470ACE shade: #57460A, #57310A, #571D0A and #570A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58470ACE shade: #57460A, #53570A, #3E570A, #29570A and #14570A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58470ACE shade matches the following richer shades: #57460A and #5F4B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58470ACE shade: #57460A, #4F4212, #483D19, #403921 and #383529

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58470ACE shade: #571C0A, #57300A, #57450A, #55570A and #40570A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58470ACE shade: #0D0A01, #322806, #57460A, #7C640E and #A18212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58470ACE shade: #58470A, #0C570A and #260A57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58470ACE shade: #58470A, #0A5745 and #450A57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58470ACE shade: #58470A, #0C570A, #0A1C57 and #550A57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58470ACE shade: #58470A, #0A571E, #0A1C57 and #570A43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 72 / 53

HEX #58470ACE

RGBA 88 71 10 0.81

HSLA 46.92, 0.8%, 0.19%, 0.81

LABA 30.89, 0.6, 35.99, 0.81

 

Complementary color

CMYK 26 / 20 / 0 / 3

HEX #A7B8F5CE

RGBA 167 184 245 0.81

HSLA 226.92, 0.8%, 0.81%, 0.81

LABA 75.51, 8.01, -32.16, 0.81

 

CMYK 0 / 19 / 77 / 51

HEX #5D4705CE

RGBA 93 71 5 0.81

HSLA 45, 0.9%, 0.19%, 0.81

LABA 31.45, 2.99, 38.49, 0.81

 

CMYK 0 / 15 / 63 / 46

HEX #6E5918CE

RGBA 110 89 24 0.81

HSLA 45.35, 0.64%, 0.26%, 0.81

LABA 38.77, 1.28, 38.67, 0.81

 

CMYK 0 / 13 / 54 / 41

HEX #7F6B2BCE

RGBA 127 107 43 0.81

HSLA 45.71, 0.49%, 0.33%, 0.81

LABA 45.91, -0.02, 37.81, 0.81

 

CMYK 0 / 11 / 46 / 35

HEX #907D3ECE

RGBA 144 125 62 0.81

HSLA 46.1, 0.4%, 0.4%, 0.81

LABA 52.89, -1.01, 36.57, 0.81

 

CMYK 0 / 9 / 40 / 30

HEX #A18F51CE

RGBA 161 143 81 0.81

HSLA 46.5, 0.33%, 0.47%, 0.81

LABA 59.72, -1.79, 35.25, 0.81

 

CMYK 0 / 16 / 72 / 53

HEX #58470ACE

RGBA 88 71 10 0.81

HSLA 46.92, 0.8%, 0.19%, 0.81

LABA 30.89, 0.6, 35.99, 0.81

 

CMYK 0 / 21 / 81 / 58

HEX #473500CE

RGBA 71 53 0 0.81

HSLA 44.79, 1%, 0.14%, 0.81

LABA 23.29, 2.68, 32.35, 0.81

 

CMYK 0 / 29 / 81 / 64

HEX #362300CE

RGBA 54 35 0 0.81

HSLA 38.89, 1%, 0.11%, 0.81

LABA 15.42, 5.39, 22.69, 0.81

 

CMYK 0 / 44 / 81 / 69

HEX #251100CE

RGBA 37 17 0 0.81

HSLA 27.57, 1%, 0.07%, 0.81

LABA 7.17, 8.32, 10.9, 0.81

 

CMYK 0 / 81 / 81 / 75

HEX #140000CE

RGBA 20 0 0 0.81

HSLA 0, 1%, 0.04%, 0.81

LABA 1.34, 6.03, 2.12, 0.81

 

CMYK 0 / 20 / 89 / 66

HEX #57460A

RGB 87 70 10

HSL 46.75, 0.79%, 0.19%

LAB 30.47, 0.71, 35.58

 

CMYK 0 / 44 / 89 / 66

HEX #57310A

RGB 87 49 10

HSL 30.39, 0.79%, 0.19%

LAB 24.46, 13.97, 30.19

 

CMYK 0 / 67 / 89 / 66

HEX #571D0A

RGB 87 29 10

HSL 14.81, 0.79%, 0.19%

LAB 19.75, 25.78, 25.2

 

CMYK 0 / 89 / 89 / 66

HEX #570A0A

RGB 87 10 10

HSL 0, 0.79%, 0.19%

LAB 16.82, 33.79, 21.73

 

CMYK 0 / 20 / 89 / 66

HEX #57460A

RGB 87 70 10

HSL 46.75, 0.79%, 0.19%

LAB 30.47, 0.71, 35.58

 

CMYK 5 / 0 / 89 / 66

HEX #53570A

RGB 83 87 10

HSL 63.12, 0.79%, 0.19%

LAB 35.36, -11.47, 39.64

 

CMYK 29 / 0 / 89 / 66

HEX #3E570A

RGB 62 87 10

HSL 79.48, 0.79%, 0.19%

LAB 33.69, -21.4, 37.55

 

CMYK 53 / 0 / 89 / 66

HEX #29570A

RGB 41 87 10

HSL 95.84, 0.79%, 0.19%

LAB 32.5, -29.84, 36.03

 

CMYK 77 / 0 / 89 / 66

HEX #14570A

RGB 20 87 10

HSL 112.21, 0.79%, 0.19%

LAB 31.78, -35.7, 35.1

 

CMYK 0 / 20 / 89 / 66

HEX #57460A

RGB 87 70 10

HSL 46.75, 0.79%, 0.19%

LAB 30.47, 0.71, 35.58

 

CMYK 0 / 21 / 98 / 63

HEX #5F4B02

RGB 95 75 2

HSL 47.1, 0.96%, 0.19%

LAB 32.85, 1.44, 40.77

 

CMYK 0 / 20 / 89 / 66

HEX #57460A

RGB 87 70 10

HSL 46.75, 0.79%, 0.19%

LAB 30.47, 0.71, 35.58

 

CMYK 0 / 16 / 77 / 69

HEX #4F4212

RGB 79 66 18

HSL 47.21, 0.63%, 0.19%

LAB 28.39, -0.52, 29.95

 

CMYK 0 / 15 / 65 / 72

HEX #483D19

RGB 72 61 25

HSL 45.96, 0.48%, 0.19%

LAB 26.11, -0.42, 23.57

 

CMYK 0 / 11 / 48 / 75

HEX #403921

RGB 64 57 33

HSL 46.45, 0.32%, 0.19%

LAB 24.08, -1.03, 16.06

 

CMYK 0 / 5 / 27 / 78

HEX #383529

RGB 56 53 41

HSL 48, 0.15%, 0.19%

LAB 22.11, -1.1, 8.06

 

CMYK 0 / 68 / 89 / 66

HEX #571C0A

RGB 87 28 10

HSL 14.03, 0.79%, 0.19%

LAB 19.55, 26.3, 24.97

 

CMYK 0 / 45 / 89 / 66

HEX #57300A

RGB 87 48 10

HSL 29.61, 0.79%, 0.19%

LAB 24.2, 14.6, 29.93

 

CMYK 0 / 21 / 89 / 66

HEX #57450A

RGB 87 69 10

HSL 45.97, 0.79%, 0.19%

LAB 30.17, 1.33, 35.32

 

CMYK 2 / 0 / 89 / 66

HEX #55570A

RGB 85 87 10

HSL 61.56, 0.79%, 0.19%

LAB 35.54, -10.49, 39.87

 

CMYK 26 / 0 / 89 / 66

HEX #40570A

RGB 64 87 10

HSL 77.92, 0.79%, 0.19%

LAB 33.83, -20.5, 37.73

 

CMYK 0 / 23 / 92 / 95

HEX #0D0A01

RGB 13 10 1

HSL 45, 0.86%, 0.03%

LAB 2.75, -0.4, 3.71

 

CMYK 0 / 20 / 88 / 80

HEX #322806

RGB 50 40 6

HSL 46.36, 0.79%, 0.11%

LAB 16.55, 0.17, 21.56

 

CMYK 0 / 20 / 89 / 66

HEX #57460A

RGB 87 70 10

HSL 46.75, 0.79%, 0.19%

LAB 30.47, 0.71, 35.58

 

CMYK 0 / 19 / 89 / 51

HEX #7C640E

RGB 124 100 14

HSL 46.91, 0.8%, 0.27%

LAB 43.41, 1.22, 46.93

 

CMYK 0 / 19 / 89 / 37

HEX #A18212

RGB 161 130 18

HSL 46.99, 0.8%, 0.35%

LAB 55.67, 1.7, 57.51

 

CMYK 0 / 19 / 89 / 65

HEX #58470A

RGB 88 71 10

HSL 46.92, 0.8%, 0.19%

LAB 30.89, 0.6, 35.99

 

CMYK 86 / 0 / 89 / 66

HEX #0C570A

RGB 12 87 10

HSL 118.44, 0.79%, 0.19%

LAB 31.62, -37.1, 34.89

 

CMYK 56 / 89 / 0 / 66

HEX #260A57

RGB 38 10 87

HSL 261.82, 0.79%, 0.19%

LAB 11.4, 33.11, -40.31

 

CMYK 0 / 19 / 89 / 65

HEX #58470A

RGB 88 71 10

HSL 46.92, 0.8%, 0.19%

LAB 30.89, 0.6, 35.99

 

CMYK 89 / 0 / 21 / 66

HEX #0A5745

RGB 10 87 69

HSL 165.97, 0.79%, 0.19%

LAB 32.5, -26.76, 4.28

 

CMYK 21 / 89 / 0 / 66

HEX #450A57

RGB 69 10 87

HSL 285.97, 0.79%, 0.19%

LAB 16.36, 38.46, -32.01

 

CMYK 0 / 19 / 89 / 65

HEX #58470A

RGB 88 71 10

HSL 46.92, 0.8%, 0.19%

LAB 30.89, 0.6, 35.99

 

CMYK 86 / 0 / 89 / 66

HEX #0C570A

RGB 12 87 10

HSL 118.44, 0.79%, 0.19%

LAB 31.62, -37.1, 34.89

 

CMYK 89 / 68 / 0 / 66

HEX #0A1C57

RGB 10 28 87

HSL 225.97, 0.79%, 0.19%

LAB 13.13, 18.25, -37.55

 

CMYK 2 / 89 / 0 / 66

HEX #550A57

RGB 85 10 87

HSL 298.44, 0.79%, 0.19%

LAB 19.38, 41.79, -26.99

 

CMYK 0 / 19 / 89 / 65

HEX #58470A

RGB 88 71 10

HSL 46.92, 0.8%, 0.19%

LAB 30.89, 0.6, 35.99

 

CMYK 89 / 0 / 66 / 66

HEX #0A571E

RGB 10 87 30

HSL 135.58, 0.79%, 0.19%

LAB 31.75, -35.33, 26.44

 

CMYK 89 / 68 / 0 / 66

HEX #0A1C57

RGB 10 28 87

HSL 225.97, 0.79%, 0.19%

LAB 13.13, 18.25, -37.55

 

CMYK 0 / 89 / 23 / 66

HEX #570A43

RGB 87 10 67

HSL 315.58, 0.79%, 0.19%

LAB 18.58, 38.95, -14.56

 

Description

Color code: HEX #58470ACE | qconv.com Color code: HEX #58470ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 71 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 71 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 72 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 72% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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