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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #583E7B it is the complementary color #A7C184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #583E7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #583E7B shade: #5D3E76, #6E5089, #7F629C, #9074AF and #A186C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #583E7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #583E7B shade: #583E7B, #472C68, #361A55, #250842 and #14002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #583E7B shade: #573D7A, #673D7A, #783D7A, #7A3D6B and #7A3D5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #583E7B shade: #573D7A, #463D7A and #3D3D7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #583E7B shade matches the following richer shades: #573D7A, #552E88, #521F97, #5010A6 and #4E02B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #583E7B shade: #573D7A, #594C6B, #5B5B5C, #5D6A4D and #60783E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #583E7B shade: #3D447A, #463D7A, #563D7A, #663D7A and #773D7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #583E7B shade: #302143, #432F5E, #573D7A, #6A4B95 and #7F5CAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #583E7B shade: #583E7B, #7A3D54 and #3D7A3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #583E7B shade: #583E7B, #7A563D and #3D7A56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #583E7B shade: #583E7B, #7A3D54, #607A3D and #3D7A62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #583E7B shade: #583E7B, #7A3D42, #607A3D and #3D7A75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 50 / 0 / 52

HEX #583E7B

RGB 88 62 123

HSL 265.57, 0.33%, 0.36%

LAB 31.69, 25.01, -30.68

 

Complementary color

CMYK 13 / 0 / 32 / 24

HEX #A7C184

RGB 167 193 132

HSL 85.57, 0.33%, 0.64%

LAB 74.84, -19.46, 27.89

 

CMYK 21 / 47 / 0 / 54

HEX #5D3E76

RGB 93 62 118

HSL 273.21, 0.31%, 0.35%

LAB 31.99, 25.25, -27.04

 

CMYK 20 / 42 / 0 / 46

HEX #6E5089

RGB 110 80 137

HSL 271.58, 0.26%, 0.43%

LAB 39.34, 24.35, -27.11

 

CMYK 19 / 37 / 0 / 39

HEX #7F629C

RGB 127 98 156

HSL 270, 0.23%, 0.5%

LAB 46.51, 23.54, -27.2

 

CMYK 18 / 34 / 0 / 31

HEX #9074AF

RGB 144 116 175

HSL 268.47, 0.27%, 0.57%

LAB 53.51, 22.81, -27.31

 

CMYK 17 / 31 / 0 / 24

HEX #A186C2

RGB 161 134 194

HSL 267, 0.33%, 0.64%

LAB 60.36, 22.15, -27.44

 

CMYK 28 / 50 / 0 / 52

HEX #583E7B

RGB 88 62 123

HSL 265.57, 0.33%, 0.36%

LAB 31.69, 25.01, -30.68

 

CMYK 32 / 58 / 0 / 59

HEX #472C68

RGB 71 44 104

HSL 267, 0.41%, 0.29%

LAB 24.13, 26.09, -30.73

 

CMYK 36 / 69 / 0 / 67

HEX #361A55

RGB 54 26 85

HSL 268.47, 0.53%, 0.22%

LAB 16.4, 27.17, -30.7

 

CMYK 44 / 88 / 0 / 74

HEX #250842

RGB 37 8 66

HSL 270, 0.78%, 0.15%

LAB 8.66, 27.81, -30.25

 

CMYK 57 / 100 / 0 / 82

HEX #14002F

RGB 20 0 47

HSL 265.53, 1%, 0.09%

LAB 3.2, 19.05, -25.33

 

CMYK 29 / 50 / 0 / 52

HEX #573D7A

RGB 87 61 122

HSL 265.57, 0.33%, 0.36%

LAB 31.27, 25.07, -30.72

 

CMYK 16 / 50 / 0 / 52

HEX #673D7A

RGB 103 61 122

HSL 281.31, 0.33%, 0.36%

LAB 33.19, 29.96, -27.57

 

CMYK 2 / 50 / 0 / 52

HEX #783D7A

RGB 120 61 122

HSL 298.03, 0.33%, 0.36%

LAB 35.47, 35.28, -23.83

 

CMYK 0 / 50 / 12 / 52

HEX #7A3D6B

RGB 122 61 107

HSL 314.75, 0.33%, 0.36%

LAB 35.08, 33.08, -15.02

 

CMYK 0 / 50 / 25 / 52

HEX #7A3D5B

RGB 122 61 91

HSL 330.49, 0.33%, 0.36%

LAB 34.46, 30.4, -5.8

 

CMYK 29 / 50 / 0 / 52

HEX #573D7A

RGB 87 61 122

HSL 265.57, 0.33%, 0.36%

LAB 31.27, 25.07, -30.72

 

CMYK 43 / 50 / 0 / 52

HEX #463D7A

RGB 70 61 122

HSL 248.85, 0.33%, 0.36%

LAB 29.53, 20.19, -33.61

 

CMYK 50 / 50 / 0 / 52

HEX #3D3D7A

RGB 61 61 122

HSL 240, 0.33%, 0.36%

LAB 28.73, 17.82, -34.92

 

CMYK 29 / 50 / 0 / 52

HEX #573D7A

RGB 87 61 122

HSL 265.57, 0.33%, 0.36%

LAB 31.27, 25.07, -30.72

 

CMYK 38 / 66 / 0 / 47

HEX #552E88

RGB 85 46 136

HSL 266, 0.49%, 0.36%

LAB 28.55, 37.29, -43.85

 

CMYK 46 / 79 / 0 / 41

HEX #521F97

RGB 82 31 151

HSL 265.5, 0.66%, 0.36%

LAB 26.76, 48.19, -56.05

 

CMYK 52 / 90 / 0 / 35

HEX #5010A6

RGB 80 16 166

HSL 265.6, 0.82%, 0.36%

LAB 26.24, 56.89, -66.05

 

CMYK 57 / 99 / 0 / 29

HEX #4E02B5

RGB 78 2 181

HSL 265.47, 0.98%, 0.36%

LAB 26.73, 63.14, -74.27

 

CMYK 29 / 50 / 0 / 52

HEX #573D7A

RGB 87 61 122

HSL 265.57, 0.33%, 0.36%

LAB 31.27, 25.07, -30.72

 

CMYK 17 / 29 / 0 / 58

HEX #594C6B

RGB 89 76 107

HSL 265.16, 0.17%, 0.36%

LAB 34.71, 12.3, -15.93

 

CMYK 1 / 1 / 0 / 64

HEX #5B5B5C

RGB 91 91 92

HSL 240, 0.01%, 0.36%

LAB 38.69, 0.21, -0.58

 

CMYK 12 / 0 / 27 / 58

HEX #5D6A4D

RGB 93 106 77

HSL 86.9, 0.16%, 0.36%

LAB 43.02, -10.68, 14.69

 

CMYK 20 / 0 / 48 / 53

HEX #60783E

RGB 96 120 62

HSL 84.83, 0.32%, 0.36%

LAB 47.32, -19.29, 28.89

 

CMYK 50 / 44 / 0 / 52

HEX #3D447A

RGB 61 68 122

HSL 233.11, 0.33%, 0.36%

LAB 30.72, 13.14, -31.76

 

CMYK 43 / 50 / 0 / 52

HEX #463D7A

RGB 70 61 122

HSL 248.85, 0.33%, 0.36%

LAB 29.53, 20.19, -33.61

 

CMYK 30 / 50 / 0 / 52

HEX #563D7A

RGB 86 61 122

HSL 264.59, 0.33%, 0.36%

LAB 31.16, 24.77, -30.9

 

CMYK 16 / 50 / 0 / 52

HEX #663D7A

RGB 102 61 122

HSL 280.33, 0.33%, 0.36%

LAB 33.07, 29.65, -27.77

 

CMYK 2 / 50 / 0 / 52

HEX #773D7A

RGB 119 61 122

HSL 297.05, 0.33%, 0.36%

LAB 35.33, 34.97, -24.06

 

CMYK 28 / 51 / 0 / 74

HEX #302143

RGB 48 33 67

HSL 266.47, 0.34%, 0.2%

LAB 16.11, 15.57, -18.89

 

CMYK 29 / 50 / 0 / 63

HEX #432F5E

RGB 67 47 94

HSL 265.53, 0.33%, 0.28%

LAB 23.79, 20.15, -24.8

 

CMYK 29 / 50 / 0 / 52

HEX #573D7A

RGB 87 61 122

HSL 265.57, 0.33%, 0.36%

LAB 31.27, 25.07, -30.72

 

CMYK 29 / 50 / 0 / 42

HEX #6A4B95

RGB 106 75 149

HSL 265.14, 0.33%, 0.44%

LAB 38.32, 29.21, -36.03

 

CMYK 27 / 47 / 0 / 32

HEX #7F5CAD

RGB 127 92 173

HSL 265.93, 0.33%, 0.52%

LAB 45.88, 31.26, -38.2

 

CMYK 28 / 50 / 0 / 52

HEX #583E7B

RGB 88 62 123

HSL 265.57, 0.33%, 0.36%

LAB 31.69, 25.01, -30.68

 

CMYK 0 / 50 / 31 / 52

HEX #7A3D54

RGB 122 61 84

HSL 337.38, 0.33%, 0.36%

LAB 34.22, 29.35, -1.67

 

CMYK 50 / 0 / 49 / 52

HEX #3D7A3E

RGB 61 122 62

HSL 120.98, 0.33%, 0.36%

LAB 45.99, -33.1, 26.8

 

CMYK 28 / 50 / 0 / 52

HEX #583E7B

RGB 88 62 123

HSL 265.57, 0.33%, 0.36%

LAB 31.69, 25.01, -30.68

 

CMYK 0 / 30 / 50 / 52

HEX #7A563D

RGB 122 86 61

HSL 24.59, 0.33%, 0.36%

LAB 39.8, 11.68, 20.44

 

CMYK 50 / 0 / 30 / 52

HEX #3D7A56

RGB 61 122 86

HSL 144.59, 0.33%, 0.36%

LAB 46.42, -28.67, 13.76

 

CMYK 28 / 50 / 0 / 52

HEX #583E7B

RGB 88 62 123

HSL 265.57, 0.33%, 0.36%

LAB 31.69, 25.01, -30.68

 

CMYK 0 / 50 / 31 / 52

HEX #7A3D54

RGB 122 61 84

HSL 337.38, 0.33%, 0.36%

LAB 34.22, 29.35, -1.67

 

CMYK 21 / 0 / 50 / 52

HEX #607A3D

RGB 96 122 61

HSL 85.57, 0.33%, 0.36%

LAB 47.93, -20.46, 30.18

 

CMYK 50 / 0 / 20 / 52

HEX #3D7A62

RGB 61 122 98

HSL 156.39, 0.33%, 0.36%

LAB 46.7, -25.95, 7.12

 

CMYK 28 / 50 / 0 / 52

HEX #583E7B

RGB 88 62 123

HSL 265.57, 0.33%, 0.36%

LAB 31.69, 25.01, -30.68

 

CMYK 0 / 50 / 46 / 52

HEX #7A3D42

RGB 122 61 66

HSL 355.08, 0.33%, 0.36%

LAB 33.71, 27.01, 9.13

 

CMYK 21 / 0 / 50 / 52

HEX #607A3D

RGB 96 122 61

HSL 85.57, 0.33%, 0.36%

LAB 47.93, -20.46, 30.18

 

CMYK 50 / 0 / 4 / 52

HEX #3D7A75

RGB 61 122 117

HSL 175.08, 0.33%, 0.36%

LAB 47.23, -21.05, -3.37

 

Description

Color code: HEX #583E7B | qconv.com Color code: HEX #583E7B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 62 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 62 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 50 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 50% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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