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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58389C it is the complementary color #A7C763. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58389C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58389C shade: #5D3897, #6E4AAA, #7F5CBD, #906ED0 and #A180E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58389C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58389C shade: #58389C, #472689, #361476, #250263 and #140050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58389C shade: #59399D, #74399D, #8F399D, #9D3990 and #9D3975

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58389C shade: #59399D, #3E399D and #39399D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58389C shade matches the following richer shades: #59399D, #5327AF, #4D16C0 and #4605D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58389C shade: #59399D, #5F4A8C, #655B7B, #6C6D69 and #727E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58389C shade: #394F9D, #3E399D, #59399D, #73399D and #8E399D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58389C shade: #372361, #482E7F, #59399D, #6A44BC and #8262C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58389C shade: #58389C, #9D3969 and #419D39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58389C shade: #58389C, #9D5939 and #399D59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58389C shade: #58389C, #9D3969, #7E9D39 and #399D6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58389C shade: #58389C, #9D394B, #7E9D39 and #399D8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 64 / 0 / 39

HEX #58389C

RGB 88 56 156

HSL 259.2, 0.47%, 0.42%

LAB 32.49, 37.87, -49.73

 

Complementary color

CMYK 16 / 0 / 50 / 22

HEX #A7C763

RGB 167 199 99

HSL 79.2, 0.47%, 0.58%

LAB 76.05, -26.44, 46.13

 

CMYK 38 / 63 / 0 / 41

HEX #5D3897

RGB 93 56 151

HSL 263.37, 0.46%, 0.41%

LAB 32.68, 37.58, -46.35

 

CMYK 35 / 56 / 0 / 33

HEX #6E4AAA

RGB 110 74 170

HSL 262.5, 0.39%, 0.48%

LAB 39.77, 36.45, -46.27

 

CMYK 33 / 51 / 0 / 26

HEX #7F5CBD

RGB 127 92 189

HSL 261.65, 0.42%, 0.55%

LAB 46.76, 35.36, -46.14

 

CMYK 31 / 47 / 0 / 18

HEX #906ED0

RGB 144 110 208

HSL 260.82, 0.51%, 0.62%

LAB 53.64, 34.35, -46.02

 

CMYK 29 / 44 / 0 / 11

HEX #A180E3

RGB 161 128 227

HSL 260, 0.64%, 0.7%

LAB 60.39, 33.43, -45.91

 

CMYK 44 / 64 / 0 / 39

HEX #58389C

RGB 88 56 156

HSL 259.2, 0.47%, 0.42%

LAB 32.49, 37.87, -49.73

 

CMYK 48 / 72 / 0 / 46

HEX #472689

RGB 71 38 137

HSL 260, 0.57%, 0.34%

LAB 25.36, 39.08, -49.73

 

CMYK 54 / 83 / 0 / 54

HEX #361476

RGB 54 20 118

HSL 260.82, 0.71%, 0.27%

LAB 18.33, 39.88, -49.29

 

CMYK 63 / 98 / 0 / 61

HEX #250263

RGB 37 2 99

HSL 261.65, 0.96%, 0.2%

LAB 11.54, 39.97, -48.15

 

CMYK 75 / 100 / 0 / 69

HEX #140050

RGB 20 0 80

HSL 255, 1%, 0.16%

LAB 6.58, 34.38, -43.56

 

CMYK 43 / 64 / 0 / 38

HEX #59399D

RGB 89 57 157

HSL 259.2, 0.47%, 0.42%

LAB 32.89, 37.79, -49.69

 

CMYK 26 / 64 / 0 / 38

HEX #74399D

RGB 116 57 157

HSL 275.4, 0.47%, 0.42%

LAB 36.13, 44.02, -44.3

 

CMYK 9 / 64 / 0 / 38

HEX #8F399D

RGB 143 57 157

HSL 291.6, 0.47%, 0.42%

LAB 39.92, 50.7, -38.03

 

CMYK 0 / 64 / 8 / 38

HEX #9D3990

RGB 157 57 144

HSL 307.8, 0.47%, 0.42%

LAB 41.39, 52.01, -27.7

 

CMYK 0 / 64 / 25 / 38

HEX #9D3975

RGB 157 57 117

HSL 324, 0.47%, 0.42%

LAB 40.21, 47.89, -12.95

 

CMYK 43 / 64 / 0 / 38

HEX #59399D

RGB 89 57 157

HSL 259.2, 0.47%, 0.42%

LAB 32.89, 37.79, -49.69

 

CMYK 61 / 64 / 0 / 38

HEX #3E399D

RGB 62 57 157

HSL 243, 0.47%, 0.42%

LAB 30.36, 32.49, -53.9

 

CMYK 64 / 64 / 0 / 38

HEX #39399D

RGB 57 57 157

HSL 240, 0.47%, 0.42%

LAB 29.99, 31.66, -54.53

 

CMYK 43 / 64 / 0 / 38

HEX #59399D

RGB 89 57 157

HSL 259.2, 0.47%, 0.42%

LAB 32.89, 37.79, -49.69

 

CMYK 53 / 78 / 0 / 31

HEX #5327AF

RGB 83 39 175

HSL 259.41, 0.64%, 0.42%

LAB 30.36, 51.2, -64.67

 

CMYK 60 / 89 / 0 / 25

HEX #4D16C0

RGB 77 22 192

HSL 259.41, 0.79%, 0.42%

LAB 29.3, 61.42, -76.54

 

CMYK 67 / 98 / 0 / 18

HEX #4605D1

RGB 70 5 209

HSL 259.12, 0.95%, 0.42%

LAB 29.45, 68.72, -86.28

 

CMYK 43 / 64 / 0 / 38

HEX #59399D

RGB 89 57 157

HSL 259.2, 0.47%, 0.42%

LAB 32.89, 37.79, -49.69

 

CMYK 32 / 47 / 0 / 45

HEX #5F4A8C

RGB 95 74 140

HSL 259.09, 0.31%, 0.42%

LAB 36.41, 24.23, -33.66

 

CMYK 18 / 26 / 0 / 52

HEX #655B7B

RGB 101 91 123

HSL 258.75, 0.15%, 0.42%

LAB 40.7, 11.1, -16.54

 

CMYK 1 / 0 / 4 / 57

HEX #6C6D69

RGB 108 109 105

HSL 75, 0.02%, 0.42%

LAB 45.83, -1.19, 2.09

 

CMYK 10 / 0 / 30 / 51

HEX #727E58

RGB 114 126 88

HSL 78.95, 0.18%, 0.42%

LAB 50.92, -11.46, 19.27

 

CMYK 64 / 50 / 0 / 38

HEX #394F9D

RGB 57 79 157

HSL 226.8, 0.47%, 0.42%

LAB 35.78, 17.23, -45.14

 

CMYK 61 / 64 / 0 / 38

HEX #3E399D

RGB 62 57 157

HSL 243, 0.47%, 0.42%

LAB 30.36, 32.49, -53.9

 

CMYK 43 / 64 / 0 / 38

HEX #59399D

RGB 89 57 157

HSL 259.2, 0.47%, 0.42%

LAB 32.89, 37.79, -49.69

 

CMYK 27 / 64 / 0 / 38

HEX #73399D

RGB 115 57 157

HSL 274.8, 0.47%, 0.42%

LAB 35.99, 43.78, -44.51

 

CMYK 10 / 64 / 0 / 38

HEX #8E399D

RGB 142 57 157

HSL 291, 0.47%, 0.42%

LAB 39.77, 50.45, -38.27

 

CMYK 43 / 64 / 0 / 62

HEX #372361

RGB 55 35 97

HSL 259.35, 0.47%, 0.26%

LAB 19.55, 25.42, -33.62

 

CMYK 43 / 64 / 0 / 50

HEX #482E7F

RGB 72 46 127

HSL 259.26, 0.47%, 0.34%

LAB 26.34, 31.75, -41.85

 

CMYK 43 / 64 / 0 / 38

HEX #59399D

RGB 89 57 157

HSL 259.2, 0.47%, 0.42%

LAB 32.89, 37.79, -49.69

 

CMYK 44 / 64 / 0 / 26

HEX #6A44BC

RGB 106 68 188

HSL 259, 0.47%, 0.5%

LAB 39.29, 43.87, -57.69

 

CMYK 34 / 51 / 0 / 22

HEX #8262C6

RGB 130 98 198

HSL 259.2, 0.47%, 0.58%

LAB 48.96, 35.02, -47.83

 

CMYK 44 / 64 / 0 / 39

HEX #58389C

RGB 88 56 156

HSL 259.2, 0.47%, 0.42%

LAB 32.49, 37.87, -49.73

 

CMYK 0 / 64 / 33 / 38

HEX #9D3969

RGB 157 57 105

HSL 331.2, 0.47%, 0.42%

LAB 39.77, 46.3, -6.13

 

CMYK 59 / 0 / 64 / 38

HEX #419D39

RGB 65 157 57

HSL 115.2, 0.47%, 0.42%

LAB 57.59, -47.15, 43.08

 

CMYK 44 / 64 / 0 / 39

HEX #58389C

RGB 88 56 156

HSL 259.2, 0.47%, 0.42%

LAB 32.49, 37.87, -49.73

 

CMYK 0 / 43 / 64 / 38

HEX #9D5939

RGB 157 89 57

HSL 19.2, 0.47%, 0.42%

LAB 45.09, 24.94, 30.38

 

CMYK 64 / 0 / 43 / 38

HEX #399D59

RGB 57 157 89

HSL 139.2, 0.47%, 0.42%

LAB 57.76, -44.46, 27.21

 

CMYK 44 / 64 / 0 / 39

HEX #58389C

RGB 88 56 156

HSL 259.2, 0.47%, 0.42%

LAB 32.49, 37.87, -49.73

 

CMYK 0 / 64 / 33 / 38

HEX #9D3969

RGB 157 57 105

HSL 331.2, 0.47%, 0.42%

LAB 39.77, 46.3, -6.13

 

CMYK 20 / 0 / 64 / 38

HEX #7E9D39

RGB 126 157 57

HSL 78.6, 0.47%, 0.42%

LAB 60.64, -26.19, 47.31

 

CMYK 64 / 0 / 31 / 38

HEX #399D6D

RGB 57 157 109

HSL 151.2, 0.47%, 0.42%

LAB 58.12, -40.53, 16.75

 

CMYK 44 / 64 / 0 / 39

HEX #58389C

RGB 88 56 156

HSL 259.2, 0.47%, 0.42%

LAB 32.49, 37.87, -49.73

 

CMYK 0 / 64 / 52 / 38

HEX #9D394B

RGB 157 57 75

HSL 349.2, 0.47%, 0.42%

LAB 38.9, 43.05, 11.5

 

CMYK 20 / 0 / 64 / 38

HEX #7E9D39

RGB 126 157 57

HSL 78.6, 0.47%, 0.42%

LAB 60.64, -26.19, 47.31

 

CMYK 64 / 0 / 11 / 38

HEX #399D8B

RGB 57 157 139

HSL 169.2, 0.47%, 0.42%

LAB 58.83, -33.29, 0.88

 

Description

Color code: HEX #58389C | qconv.com Color code: HEX #58389C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 56 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 56 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 64 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 64% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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