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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #583387 it is the complementary color #A7CC78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #583387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #583387 shade: #5D3382, #6E4595, #7F57A8, #9069BB and #A17BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #583387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #583387 shade: #583387, #472174, #360F61, #25004E and #14003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #583387 shade: #573285, #6D3285, #833285, #853270 and #85325A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #583387 shade: #573285, #413285 and #323285

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #583387 shade matches the following richer shades: #573285, #552494, #5315A3 and #5206B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #583387 shade: #573285, #594176, #5A5067, #5C5F59 and #5E6E4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #583387 shade: #323B85, #403285, #563285, #6C3285 and #823285

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #583387 shade: #301C49, #432767, #573285, #6A3EA3 and #7F4EBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #583387 shade: #583387, #853251 and #328535

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #583387 shade: #583387, #855632 and #328556

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #583387 shade: #583387, #853251, #618532 and #328567

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #583387 shade: #583387, #853238, #618532 and #328580

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 62 / 0 / 47

HEX #583387

RGB 88 51 135

HSL 266.43, 0.45%, 0.36%

LAB 29.89, 34.9, -41.04

 

Complementary color

CMYK 18 / 0 / 41 / 20

HEX #A7CC78

RGB 167 204 120

HSL 86.43, 0.45%, 0.64%

LAB 77.73, -26.47, 37.85

 

CMYK 28 / 61 / 0 / 49

HEX #5D3382

RGB 93 51 130

HSL 271.9, 0.44%, 0.35%

LAB 30.17, 34.86, -37.44

 

CMYK 26 / 54 / 0 / 42

HEX #6E4595

RGB 110 69 149

HSL 270.75, 0.37%, 0.43%

LAB 37.37, 33.89, -37.5

 

CMYK 24 / 48 / 0 / 34

HEX #7F57A8

RGB 127 87 168

HSL 269.63, 0.32%, 0.5%

LAB 44.46, 32.94, -37.52

 

CMYK 23 / 44 / 0 / 27

HEX #9069BB

RGB 144 105 187

HSL 268.54, 0.38%, 0.57%

LAB 51.41, 32.04, -37.52

 

CMYK 22 / 40 / 0 / 19

HEX #A17BCE

RGB 161 123 206

HSL 267.47, 0.46%, 0.65%

LAB 58.23, 31.2, -37.54

 

CMYK 35 / 62 / 0 / 47

HEX #583387

RGB 88 51 135

HSL 266.43, 0.45%, 0.36%

LAB 29.89, 34.9, -41.04

 

CMYK 39 / 72 / 0 / 55

HEX #472174

RGB 71 33 116

HSL 267.47, 0.56%, 0.29%

LAB 22.61, 35.86, -40.92

 

CMYK 44 / 85 / 0 / 62

HEX #360F61

RGB 54 15 97

HSL 268.54, 0.73%, 0.22%

LAB 15.43, 36.24, -40.32

 

CMYK 53 / 100 / 0 / 69

HEX #25004E

RGB 37 0 78

HSL 268.46, 1%, 0.15%

LAB 8.51, 35.5, -38.9

 

CMYK 66 / 100 / 0 / 77

HEX #14003B

RGB 20 0 59

HSL 260.34, 1%, 0.12%

LAB 4.2, 25.29, -32.6

 

CMYK 35 / 62 / 0 / 48

HEX #573285

RGB 87 50 133

HSL 266.75, 0.45%, 0.36%

LAB 29.41, 34.69, -40.56

 

CMYK 18 / 62 / 0 / 48

HEX #6D3285

RGB 109 50 133

HSL 282.65, 0.45%, 0.36%

LAB 32.32, 40.33, -35.76

 

CMYK 2 / 62 / 0 / 48

HEX #833285

RGB 131 50 133

HSL 298.55, 0.45%, 0.36%

LAB 35.6, 46.2, -30.35

 

CMYK 0 / 62 / 16 / 48

HEX #853270

RGB 133 50 112

HSL 315.18, 0.45%, 0.36%

LAB 34.88, 43.1, -18.33

 

CMYK 0 / 62 / 32 / 48

HEX #85325A

RGB 133 50 90

HSL 331.08, 0.45%, 0.36%

LAB 34, 39.85, -5.66

 

CMYK 35 / 62 / 0 / 48

HEX #573285

RGB 87 50 133

HSL 266.75, 0.45%, 0.36%

LAB 29.41, 34.69, -40.56

 

CMYK 51 / 62 / 0 / 48

HEX #413285

RGB 65 50 133

HSL 250.84, 0.45%, 0.36%

LAB 27.01, 29.57, -44.56

 

CMYK 62 / 62 / 0 / 48

HEX #323285

RGB 50 50 133

HSL 240, 0.45%, 0.36%

LAB 25.72, 26.6, -46.72

 

CMYK 35 / 62 / 0 / 48

HEX #573285

RGB 87 50 133

HSL 266.75, 0.45%, 0.36%

LAB 29.41, 34.69, -40.56

 

CMYK 43 / 76 / 0 / 42

HEX #552494

RGB 85 36 148

HSL 266.25, 0.61%, 0.36%

LAB 27.66, 45.66, -52.71

 

CMYK 49 / 87 / 0 / 36

HEX #5315A3

RGB 83 21 163

HSL 266.2, 0.77%, 0.36%

LAB 26.79, 55.06, -63.32

 

CMYK 54 / 97 / 0 / 30

HEX #5206B2

RGB 82 6 178

HSL 266.51, 0.93%, 0.36%

LAB 27.13, 61.99, -71.81

 

CMYK 35 / 62 / 0 / 48

HEX #573285

RGB 87 50 133

HSL 266.75, 0.45%, 0.36%

LAB 29.41, 34.69, -40.56

 

CMYK 25 / 45 / 0 / 54

HEX #594176

RGB 89 65 118

HSL 267.17, 0.29%, 0.36%

LAB 32.29, 22.11, -26.6

 

CMYK 13 / 22 / 0 / 60

HEX #5A5067

RGB 90 80 103

HSL 266.09, 0.13%, 0.36%

LAB 35.77, 9.16, -11.79

 

CMYK 3 / 0 / 6 / 63

HEX #5C5F59

RGB 92 95 89

HSL 90, 0.03%, 0.36%

LAB 39.88, -2.43, 3.02

 

CMYK 15 / 0 / 33 / 57

HEX #5E6E4A

RGB 94 110 74

HSL 86.67, 0.2%, 0.36%

LAB 44.27, -13, 18.16

 

CMYK 62 / 56 / 0 / 48

HEX #323B85

RGB 50 59 133

HSL 233.49, 0.45%, 0.36%

LAB 28.11, 20.56, -42.84

 

CMYK 52 / 62 / 0 / 48

HEX #403285

RGB 64 50 133

HSL 250.12, 0.45%, 0.36%

LAB 26.92, 29.36, -44.72

 

CMYK 35 / 62 / 0 / 48

HEX #563285

RGB 86 50 133

HSL 266.02, 0.45%, 0.36%

LAB 29.29, 34.44, -40.77

 

CMYK 19 / 62 / 0 / 48

HEX #6C3285

RGB 108 50 133

HSL 281.93, 0.45%, 0.36%

LAB 32.17, 40.07, -35.99

 

CMYK 2 / 62 / 0 / 48

HEX #823285

RGB 130 50 133

HSL 297.83, 0.45%, 0.36%

LAB 35.44, 45.93, -30.6

 

CMYK 34 / 62 / 0 / 71

HEX #301C49

RGB 48 28 73

HSL 266.67, 0.45%, 0.2%

LAB 15.17, 20.75, -24.54

 

CMYK 35 / 62 / 0 / 60

HEX #432767

RGB 67 39 103

HSL 266.25, 0.45%, 0.28%

LAB 22.39, 27.8, -32.91

 

CMYK 35 / 62 / 0 / 48

HEX #573285

RGB 87 50 133

HSL 266.75, 0.45%, 0.36%

LAB 29.41, 34.69, -40.56

 

CMYK 35 / 62 / 0 / 36

HEX #6A3EA3

RGB 106 62 163

HSL 266.14, 0.45%, 0.44%

LAB 36.28, 40.45, -47.73

 

CMYK 32 / 59 / 0 / 26

HEX #7F4EBC

RGB 127 78 188

HSL 266.73, 0.45%, 0.52%

LAB 43.64, 43.04, -50.56

 

CMYK 35 / 62 / 0 / 47

HEX #583387

RGB 88 51 135

HSL 266.43, 0.45%, 0.36%

LAB 29.89, 34.9, -41.04

 

CMYK 0 / 62 / 39 / 48

HEX #853251

RGB 133 50 81

HSL 337.59, 0.45%, 0.36%

LAB 33.69, 38.7, -0.31

 

CMYK 62 / 0 / 60 / 48

HEX #328535

RGB 50 133 53

HSL 122.17, 0.45%, 0.36%

LAB 49.14, -42.06, 35.2

 

CMYK 35 / 62 / 0 / 47

HEX #583387

RGB 88 51 135

HSL 266.43, 0.45%, 0.36%

LAB 29.89, 34.9, -41.04

 

CMYK 0 / 35 / 62 / 48

HEX #855632

RGB 133 86 50

HSL 26.02, 0.45%, 0.36%

LAB 41.01, 15.62, 28.67

 

CMYK 62 / 0 / 35 / 48

HEX #328556

RGB 50 133 86

HSL 146.02, 0.45%, 0.36%

LAB 49.65, -36.51, 18.09

 

CMYK 35 / 62 / 0 / 47

HEX #583387

RGB 88 51 135

HSL 266.43, 0.45%, 0.36%

LAB 29.89, 34.9, -41.04

 

CMYK 0 / 62 / 39 / 48

HEX #853251

RGB 133 50 81

HSL 337.59, 0.45%, 0.36%

LAB 33.69, 38.7, -0.31

 

CMYK 27 / 0 / 62 / 48

HEX #618532

RGB 97 133 50

HSL 86.02, 0.45%, 0.36%

LAB 51.32, -26.79, 39.72

 

CMYK 62 / 0 / 23 / 48

HEX #328567

RGB 50 133 103

HSL 158.31, 0.45%, 0.36%

LAB 50.02, -32.67, 8.84

 

CMYK 35 / 62 / 0 / 47

HEX #583387

RGB 88 51 135

HSL 266.43, 0.45%, 0.36%

LAB 29.89, 34.9, -41.04

 

CMYK 0 / 62 / 58 / 48

HEX #853238

RGB 133 50 56

HSL 355.66, 0.45%, 0.36%

LAB 33.03, 36.14, 14.93

 

CMYK 27 / 0 / 62 / 48

HEX #618532

RGB 97 133 50

HSL 86.02, 0.45%, 0.36%

LAB 51.32, -26.79, 39.72

 

CMYK 62 / 0 / 4 / 48

HEX #328580

RGB 50 133 128

HSL 176.39, 0.45%, 0.36%

LAB 50.7, -25.99, -4.75

 

Description

Color code: HEX #583387 | qconv.com Color code: HEX #583387 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 51 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 51 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 62 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 62% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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