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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58337C it is the complementary color #A7CC83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58337C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58337C shade: #5D3377, #6E458A, #7F579D, #9069B0 and #A17BC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58337C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58337C shade: #58337C, #472169, #360F56, #250043 and #140030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58337C shade: #57327B, #6B327B, #7B3278, #7B3264 and #7B3250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58337C shade: #57327B, #44327B and #32327B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58337C shade matches the following richer shades: #57327B, #572489, #581697 and #5808A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58337C shade: #57327B, #57406D, #574E5F, #575C51 and #566A43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58337C shade: #32357B, #43327B, #57327B, #6A327B and #7B3279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58337C shade: #2E1A41, #42265E, #57327B, #6C3E98 and #814BB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58337C shade: #58337C, #7B3248 and #327B3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58337C shade: #58337C, #7B5732 and #327B57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58337C shade: #58337C, #7B3248, #577B32 and #327B65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58337C shade: #58337C, #7B3232, #577B32 and #327B7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 59 / 0 / 51

HEX #58337C

RGB 88 51 124

HSL 270.41, 0.42%, 0.34%

LAB 29.15, 31.97, -35.35

 

Complementary color

CMYK 18 / 0 / 36 / 20

HEX #A7CC83

RGB 167 204 131

HSL 90.41, 0.42%, 0.66%

LAB 77.9, -25.03, 32.46

 

CMYK 22 / 57 / 0 / 53

HEX #5D3377

RGB 93 51 119

HSL 277.06, 0.4%, 0.33%

LAB 29.48, 32.1, -31.64

 

CMYK 20 / 50 / 0 / 46

HEX #6E458A

RGB 110 69 138

HSL 275.65, 0.33%, 0.41%

LAB 36.75, 31.18, -31.78

 

CMYK 19 / 45 / 0 / 38

HEX #7F579D

RGB 127 87 157

HSL 274.29, 0.29%, 0.48%

LAB 43.89, 30.29, -31.88

 

CMYK 18 / 40 / 0 / 31

HEX #9069B0

RGB 144 105 176

HSL 272.96, 0.31%, 0.55%

LAB 50.88, 29.45, -31.97

 

CMYK 17 / 37 / 0 / 24

HEX #A17BC3

RGB 161 123 195

HSL 271.67, 0.38%, 0.62%

LAB 57.74, 28.67, -32.07

 

CMYK 29 / 59 / 0 / 51

HEX #58337C

RGB 88 51 124

HSL 270.41, 0.42%, 0.34%

LAB 29.15, 31.97, -35.35

 

CMYK 32 / 69 / 0 / 59

HEX #472169

RGB 71 33 105

HSL 271.67, 0.52%, 0.27%

LAB 21.75, 32.89, -35.2

 

CMYK 37 / 83 / 0 / 66

HEX #360F56

RGB 54 15 86

HSL 272.96, 0.7%, 0.2%

LAB 14.39, 33.31, -34.64

 

CMYK 45 / 100 / 0 / 74

HEX #250043

RGB 37 0 67

HSL 273.13, 1%, 0.13%

LAB 7.21, 32.62, -33.32

 

CMYK 58 / 100 / 0 / 81

HEX #140030

RGB 20 0 48

HSL 265, 1%, 0.09%

LAB 3.27, 19.57, -25.97

 

CMYK 29 / 59 / 0 / 52

HEX #57327B

RGB 87 50 123

HSL 270.41, 0.42%, 0.34%

LAB 28.74, 32.02, -35.38

 

CMYK 13 / 59 / 0 / 52

HEX #6B327B

RGB 107 50 123

HSL 286.85, 0.42%, 0.34%

LAB 31.43, 37.57, -30.93

 

CMYK 0 / 59 / 2 / 52

HEX #7B3278

RGB 123 50 120

HSL 302.47, 0.42%, 0.34%

LAB 33.66, 41.54, -25.37

 

CMYK 0 / 59 / 19 / 52

HEX #7B3264

RGB 123 50 100

HSL 318.9, 0.42%, 0.34%

LAB 32.73, 38.05, -14.15

 

CMYK 0 / 59 / 35 / 52

HEX #7B3250

RGB 123 50 80

HSL 335.34, 0.42%, 0.34%

LAB 31.97, 35.09, -2.39

 

CMYK 29 / 59 / 0 / 52

HEX #57327B

RGB 87 50 123

HSL 270.41, 0.42%, 0.34%

LAB 28.74, 32.02, -35.38

 

CMYK 45 / 59 / 0 / 52

HEX #44327B

RGB 68 50 123

HSL 254.79, 0.42%, 0.34%

LAB 26.56, 27.11, -39

 

CMYK 59 / 59 / 0 / 52

HEX #32327B

RGB 50 50 123

HSL 240, 0.42%, 0.34%

LAB 24.92, 23.05, -41.74

 

CMYK 29 / 59 / 0 / 52

HEX #57327B

RGB 87 50 123

HSL 270.41, 0.42%, 0.34%

LAB 28.74, 32.02, -35.38

 

CMYK 36 / 74 / 0 / 46

HEX #572489

RGB 87 36 137

HSL 270.3, 0.58%, 0.34%

LAB 27, 43.19, -46.96

 

CMYK 42 / 85 / 0 / 41

HEX #581697

RGB 88 22 151

HSL 270.7, 0.75%, 0.34%

LAB 26.4, 52.48, -56.6

 

CMYK 47 / 95 / 0 / 35

HEX #5808A5

RGB 88 8 165

HSL 270.57, 0.91%, 0.34%

LAB 26.63, 59.17, -64.76

 

CMYK 29 / 59 / 0 / 52

HEX #57327B

RGB 87 50 123

HSL 270.41, 0.42%, 0.34%

LAB 28.74, 32.02, -35.38

 

CMYK 20 / 41 / 0 / 57

HEX #57406D

RGB 87 64 109

HSL 270.67, 0.26%, 0.34%

LAB 31.34, 19.75, -22.43

 

CMYK 8 / 18 / 0 / 63

HEX #574E5F

RGB 87 78 95

HSL 271.76, 0.1%, 0.34%

LAB 34.6, 7.4, -8.56

 

CMYK 5 / 0 / 12 / 64

HEX #575C51

RGB 87 92 81

HSL 87.27, 0.06%, 0.34%

LAB 38.33, -4.26, 5.66

 

CMYK 19 / 0 / 37 / 58

HEX #566A43

RGB 86 106 67

HSL 90.77, 0.23%, 0.34%

LAB 42.3, -15.19, 19.51

 

CMYK 59 / 57 / 0 / 52

HEX #32357B

RGB 50 53 123

HSL 237.53, 0.42%, 0.34%

LAB 25.73, 21.02, -40.43

 

CMYK 46 / 59 / 0 / 52

HEX #43327B

RGB 67 50 123

HSL 253.97, 0.42%, 0.34%

LAB 26.46, 26.87, -39.17

 

CMYK 29 / 59 / 0 / 52

HEX #57327B

RGB 87 50 123

HSL 270.41, 0.42%, 0.34%

LAB 28.74, 32.02, -35.38

 

CMYK 14 / 59 / 0 / 52

HEX #6A327B

RGB 106 50 123

HSL 286.03, 0.42%, 0.34%

LAB 31.29, 37.29, -31.17

 

CMYK 0 / 59 / 2 / 52

HEX #7B3279

RGB 123 50 121

HSL 301.64, 0.42%, 0.34%

LAB 33.72, 41.73, -25.92

 

CMYK 29 / 60 / 0 / 75

HEX #2E1A41

RGB 46 26 65

HSL 270.77, 0.43%, 0.18%

LAB 13.83, 19.11, -21.12

 

CMYK 30 / 60 / 0 / 63

HEX #42265E

RGB 66 38 94

HSL 270, 0.42%, 0.26%

LAB 21.4, 25.62, -28.59

 

CMYK 29 / 59 / 0 / 52

HEX #57327B

RGB 87 50 123

HSL 270.41, 0.42%, 0.34%

LAB 28.74, 32.02, -35.38

 

CMYK 29 / 59 / 0 / 40

HEX #6C3E98

RGB 108 62 152

HSL 270.67, 0.42%, 0.42%

LAB 35.79, 38.11, -41.86

 

CMYK 29 / 59 / 0 / 29

HEX #814BB5

RGB 129 75 181

HSL 270.57, 0.42%, 0.5%

LAB 42.82, 43.43, -47.77

 

CMYK 29 / 59 / 0 / 51

HEX #58337C

RGB 88 51 124

HSL 270.41, 0.42%, 0.34%

LAB 29.15, 31.97, -35.35

 

CMYK 0 / 59 / 41 / 52

HEX #7B3248

RGB 123 50 72

HSL 341.92, 0.42%, 0.34%

LAB 31.72, 34.08, 2.45

 

CMYK 59 / 0 / 53 / 52

HEX #327B3A

RGB 50 123 58

HSL 126.58, 0.42%, 0.34%

LAB 45.84, -37.29, 28.68

 

CMYK 29 / 59 / 0 / 51

HEX #58337C

RGB 88 51 124

HSL 270.41, 0.42%, 0.34%

LAB 29.15, 31.97, -35.35

 

CMYK 0 / 29 / 59 / 52

HEX #7B5732

RGB 123 87 50

HSL 30.41, 0.42%, 0.34%

LAB 40.01, 10.46, 27.17

 

CMYK 59 / 0 / 29 / 52

HEX #327B57

RGB 50 123 87

HSL 150.41, 0.42%, 0.34%

LAB 46.35, -31.8, 13.02

 

CMYK 29 / 59 / 0 / 51

HEX #58337C

RGB 88 51 124

HSL 270.41, 0.42%, 0.34%

LAB 29.15, 31.97, -35.35

 

CMYK 0 / 59 / 41 / 52

HEX #7B3248

RGB 123 50 72

HSL 341.92, 0.42%, 0.34%

LAB 31.72, 34.08, 2.45

 

CMYK 29 / 0 / 59 / 52

HEX #577B32

RGB 87 123 50

HSL 89.59, 0.42%, 0.34%

LAB 47.52, -25.87, 35.25

 

CMYK 59 / 0 / 18 / 52

HEX #327B65

RGB 50 123 101

HSL 161.92, 0.42%, 0.34%

LAB 46.69, -28.43, 5.27

 

CMYK 29 / 59 / 0 / 51

HEX #58337C

RGB 88 51 124

HSL 270.41, 0.42%, 0.34%

LAB 29.15, 31.97, -35.35

 

CMYK 0 / 59 / 59 / 52

HEX #7B3232

RGB 123 50 50

HSL 0, 0.42%, 0.34%

LAB 31.17, 31.83, 16

 

CMYK 29 / 0 / 59 / 52

HEX #577B32

RGB 87 123 50

HSL 89.59, 0.42%, 0.34%

LAB 47.52, -25.87, 35.25

 

CMYK 59 / 0 / 0 / 52

HEX #327B7B

RGB 50 123 123

HSL 180, 0.42%, 0.34%

LAB 47.33, -22.33, -6.82

 

Description

Color code: HEX #58337C | qconv.com Color code: HEX #58337C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 51 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 51 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 59 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 59% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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