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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #582BE2 it is the complementary color #A7D41D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #582BE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #582BE2 shade: #5D2BDD, #6E3DF0, #7F4FFF, #9061FF and #A173FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #582BE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #582BE2 shade: #582BE2, #4719CF, #3607BC, #2500A9 and #140096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #582BE2 shade: #592CE2, #8A2CE2, #BB2CE2, #E22CD8 and #E22CA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #582BE2 shade: #592CE2 and #2C2CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #582BE2 shade matches the following richer shades: #592CE2 and #4F19F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #582BE2 shade: #592CE2, #633FCF, #6D53BB, #7666A8 and #807A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #582BE2 shade: #2C63E2, #2C32E2, #572CE2, #872CE2 and #B82CE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #582BE2 shade: #3A17A5, #461BCA, #592CE2, #7550E7 and #9275EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #582BE2 shade: #582BE2, #E22C93 and #4AE22C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #582BE2 shade: #582BE2, #E2572C and #2CE257

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #582BE2 shade: #582BE2, #E22C93, #B8E22C and #2CE27B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #582BE2 shade: #582BE2, #E22C5D, #B8E22C and #2CE2B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 81 / 0 / 11

HEX #582BE2

RGB 88 43 226

HSL 254.75, 0.76%, 0.53%

LAB 36.54, 63.89, -84.26

 

Complementary color

CMYK 21 / 0 / 86 / 17

HEX #A7D41D

RGB 167 212 29

HSL 74.75, 0.76%, 0.47%

LAB 79.27, -36.87, 74.74

 

CMYK 58 / 81 / 0 / 13

HEX #5D2BDD

RGB 93 43 221

HSL 256.85, 0.72%, 0.52%

LAB 36.51, 63.06, -81.44

 

CMYK 54 / 75 / 0 / 6

HEX #6E3DF0

RGB 110 61 240

HSL 256.42, 0.86%, 0.59%

LAB 42.68, 62.35, -82.03

 

CMYK 50 / 69 / 0 / 0

HEX #7F4FFF

RGB 127 79 255

HSL 256.36, 1%, 0.65%

LAB 48.67, 60.17, -80.55

 

CMYK 44 / 62 / 0 / 0

HEX #9061FF

RGB 144 97 255

HSL 257.85, 1%, 0.69%

LAB 53.71, 53.87, -72.27

 

CMYK 37 / 55 / 0 / 0

HEX #A173FF

RGB 161 115 255

HSL 259.71, 1%, 0.73%

LAB 59.03, 47.76, -63.6

 

CMYK 61 / 81 / 0 / 11

HEX #582BE2

RGB 88 43 226

HSL 254.75, 0.76%, 0.53%

LAB 36.54, 63.89, -84.26

 

CMYK 66 / 88 / 0 / 19

HEX #4719CF

RGB 71 25 207

HSL 255.16, 0.78%, 0.45%

LAB 30.74, 63.92, -82.97

 

CMYK 71 / 96 / 0 / 26

HEX #3607BC

RGB 54 7 188

HSL 255.58, 0.93%, 0.38%

LAB 25.46, 62.51, -80.62

 

CMYK 78 / 100 / 0 / 34

HEX #2500A9

RGB 37 0 169

HSL 253.14, 1%, 0.33%

LAB 21.05, 58.74, -76.62

 

CMYK 87 / 100 / 0 / 41

HEX #140096

RGB 20 0 150

HSL 248, 1%, 0.29%

LAB 17.23, 53.54, -71.39

 

CMYK 61 / 81 / 0 / 11

HEX #592CE2

RGB 89 44 226

HSL 254.84, 0.76%, 0.53%

LAB 36.77, 63.58, -83.88

 

CMYK 39 / 81 / 0 / 11

HEX #8A2CE2

RGB 138 44 226

HSL 270.99, 0.76%, 0.53%

LAB 42.3, 69.53, -74.59

 

CMYK 17 / 81 / 0 / 11

HEX #BB2CE2

RGB 187 44 226

HSL 287.14, 0.76%, 0.53%

LAB 49.32, 77.24, -62.86

 

CMYK 0 / 81 / 4 / 11

HEX #E22CD8

RGB 226 44 216

HSL 303.3, 0.76%, 0.53%

LAB 55, 82.69, -47.73

 

CMYK 0 / 81 / 26 / 11

HEX #E22CA7

RGB 226 44 167

HSL 319.45, 0.76%, 0.53%

LAB 52.69, 76.25, -23

 

CMYK 61 / 81 / 0 / 11

HEX #592CE2

RGB 89 44 226

HSL 254.84, 0.76%, 0.53%

LAB 36.77, 63.58, -83.88

 

CMYK 81 / 81 / 0 / 11

HEX #2C2CE2

RGB 44 44 226

HSL 240, 0.76%, 0.53%

LAB 33.62, 60.26, -89.2

 

CMYK 61 / 81 / 0 / 11

HEX #592CE2

RGB 89 44 226

HSL 254.84, 0.76%, 0.53%

LAB 36.77, 63.58, -83.88

 

CMYK 68 / 90 / 0 / 4

HEX #4F19F6

RGB 79 25 246

HSL 254.66, 0.92%, 0.53%

LAB 36.01, 74.25, -96.53

 

CMYK 61 / 81 / 0 / 11

HEX #592CE2

RGB 89 44 226

HSL 254.84, 0.76%, 0.53%

LAB 36.77, 63.58, -83.88

 

CMYK 52 / 70 / 0 / 19

HEX #633FCF

RGB 99 63 207

HSL 255, 0.6%, 0.53%

LAB 39.09, 50.65, -69.11

 

CMYK 42 / 56 / 0 / 27

HEX #6D53BB

RGB 109 83 187

HSL 255, 0.43%, 0.53%

LAB 42.8, 35.63, -51.42

 

CMYK 30 / 39 / 0 / 34

HEX #7666A8

RGB 118 102 168

HSL 254.55, 0.28%, 0.53%

LAB 47.21, 21.37, -33.24

 

CMYK 14 / 18 / 0 / 42

HEX #807A95

RGB 128 122 149

HSL 253.33, 0.11%, 0.53%

LAB 52.6, 7.97, -13.73

 

CMYK 81 / 56 / 0 / 11

HEX #2C63E2

RGB 44 99 226

HSL 221.87, 0.76%, 0.53%

LAB 45.57, 28.15, -69.55

 

CMYK 81 / 78 / 0 / 11

HEX #2C32E2

RGB 44 50 226

HSL 238.02, 0.76%, 0.53%

LAB 34.62, 57.37, -87.55

 

CMYK 62 / 81 / 0 / 11

HEX #572CE2

RGB 87 44 226

HSL 254.18, 0.76%, 0.53%

LAB 36.59, 63.39, -84.19

 

CMYK 40 / 81 / 0 / 11

HEX #872CE2

RGB 135 44 226

HSL 270, 0.76%, 0.53%

LAB 41.91, 69.11, -75.24

 

CMYK 19 / 81 / 0 / 11

HEX #B82CE2

RGB 184 44 226

HSL 286.15, 0.76%, 0.53%

LAB 48.86, 76.73, -63.62

 

CMYK 65 / 86 / 0 / 35

HEX #3A17A5

RGB 58 23 165

HSL 254.79, 0.76%, 0.37%

LAB 24.41, 52.36, -68.55

 

CMYK 65 / 87 / 0 / 21

HEX #461BCA

RGB 70 27 202

HSL 254.74, 0.76%, 0.45%

LAB 30.28, 61.9, -80.82

 

CMYK 61 / 81 / 0 / 11

HEX #592CE2

RGB 89 44 226

HSL 254.84, 0.76%, 0.53%

LAB 36.77, 63.58, -83.88

 

CMYK 49 / 65 / 0 / 9

HEX #7550E7

RGB 117 80 231

HSL 254.7, 0.76%, 0.61%

LAB 46.03, 51.41, -71.44

 

CMYK 38 / 50 / 0 / 7

HEX #9275EC

RGB 146 117 236

HSL 254.62, 0.76%, 0.69%

LAB 56.97, 38.16, -56.45

 

CMYK 61 / 81 / 0 / 11

HEX #582BE2

RGB 88 43 226

HSL 254.75, 0.76%, 0.53%

LAB 36.54, 63.89, -84.26

 

CMYK 0 / 81 / 35 / 11

HEX #E22C93

RGB 226 44 147

HSL 326.04, 0.76%, 0.53%

LAB 51.92, 74.05, -12.31

 

CMYK 67 / 0 / 81 / 11

HEX #4AE22C

RGB 74 226 44

HSL 110.11, 0.76%, 0.53%

LAB 79.63, -69.98, 70.09

 

CMYK 61 / 81 / 0 / 11

HEX #582BE2

RGB 88 43 226

HSL 254.75, 0.76%, 0.53%

LAB 36.54, 63.89, -84.26

 

CMYK 0 / 62 / 81 / 11

HEX #E2572C

RGB 226 87 44

HSL 14.18, 0.76%, 0.53%

LAB 55.24, 52.07, 51.22

 

CMYK 81 / 0 / 62 / 11

HEX #2CE257

RGB 44 226 87

HSL 134.18, 0.76%, 0.53%

LAB 79.39, -70.92, 54.36

 

CMYK 61 / 81 / 0 / 11

HEX #582BE2

RGB 88 43 226

HSL 254.75, 0.76%, 0.53%

LAB 36.54, 63.89, -84.26

 

CMYK 0 / 81 / 35 / 11

HEX #E22C93

RGB 226 44 147

HSL 326.04, 0.76%, 0.53%

LAB 51.92, 74.05, -12.31

 

CMYK 19 / 0 / 81 / 11

HEX #B8E22C

RGB 184 226 44

HSL 73.85, 0.76%, 0.53%

LAB 84.36, -36.04, 76.14

 

CMYK 81 / 0 / 46 / 11

HEX #2CE27B

RGB 44 226 123

HSL 146.04, 0.76%, 0.53%

LAB 79.82, -65.86, 38.11

 

CMYK 61 / 81 / 0 / 11

HEX #582BE2

RGB 88 43 226

HSL 254.75, 0.76%, 0.53%

LAB 36.54, 63.89, -84.26

 

CMYK 0 / 81 / 59 / 11

HEX #E22C5D

RGB 226 44 93

HSL 343.85, 0.76%, 0.53%

LAB 50.41, 69.54, 18.15

 

CMYK 19 / 0 / 81 / 11

HEX #B8E22C

RGB 184 226 44

HSL 73.85, 0.76%, 0.53%

LAB 84.36, -36.04, 76.14

 

CMYK 81 / 0 / 21 / 11

HEX #2CE2B2

RGB 44 226 178

HSL 164.18, 0.76%, 0.53%

LAB 80.82, -54.65, 11.17

 

Description

Color code: HEX #582BE2 | qconv.com Color code: HEX #582BE2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 43 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 43 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 81 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 81% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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