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Color name
HEX #582B6C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #582B6C it is the complementary color #A7D493. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #582B6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #582B6C shade: #5D2B67, #6E3D7A, #7F4F8D, #9061A0 and #A173B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #582B6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #582B6C shade: #582B6C, #471959, #360746, #250033 and #140020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #582B6C shade: #592C6D, #6B2C6D, #6D2C5E, #6D2C4C and #6D2C3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #582B6C shade: #592C6D, #472C6D, #362C6D and #2C2C6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #582B6C shade matches the following richer shades: #592C6D, #5E1F7A, #631386 and #670693

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #582B6C shade: #592C6D, #543861, #504455, #4B5148 and #465D3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #582B6C shade: #352C6D, #472C6D, #592C6D, #6A2C6D and #6D2C5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #582B6C shade: #291432, #412050, #592C6D, #71378B and #8943A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #582B6C shade: #582B6C, #6D2C33 and #2C6D3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #582B6C shade: #582B6C, #6D592C and #2C6D59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #582B6C shade: #582B6C, #6D2C33, #406D2C and #2C6D66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #582B6C shade: #582B6C, #6D382C, #406D2C and #2C616D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 60 / 0 / 58

HEX #582B6C

RGB 88 43 108

HSL 281.54, 0.43%, 0.3%

LAB 26.41, 32.58, -29.56

 

Complementary color

CMYK 21 / 0 / 31 / 17

HEX #A7D493

RGB 167 212 147

HSL 101.54, 0.43%, 0.7%

LAB 80.41, -26.59, 27.51

 

CMYK 10 / 58 / 0 / 60

HEX #5D2B67

RGB 93 43 103

HSL 290, 0.41%, 0.29%

LAB 26.83, 32.9, -25.61

 

CMYK 10 / 50 / 0 / 52

HEX #6E3D7A

RGB 110 61 122

HSL 288.2, 0.33%, 0.36%

LAB 34.1, 32.14, -26.07

 

CMYK 10 / 44 / 0 / 45

HEX #7F4F8D

RGB 127 79 141

HSL 286.45, 0.28%, 0.43%

LAB 41.26, 31.3, -26.4

 

CMYK 10 / 39 / 0 / 37

HEX #9061A0

RGB 144 97 160

HSL 284.76, 0.25%, 0.5%

LAB 48.28, 30.49, -26.66

 

CMYK 10 / 36 / 0 / 30

HEX #A173B3

RGB 161 115 179

HSL 283.13, 0.3%, 0.58%

LAB 55.17, 29.71, -26.91

 

CMYK 19 / 60 / 0 / 58

HEX #582B6C

RGB 88 43 108

HSL 281.54, 0.43%, 0.3%

LAB 26.41, 32.58, -29.56

 

CMYK 20 / 72 / 0 / 65

HEX #471959

RGB 71 25 89

HSL 283.13, 0.56%, 0.22%

LAB 19.04, 33.13, -29.01

 

CMYK 23 / 90 / 0 / 73

HEX #360746

RGB 54 7 70

HSL 284.76, 0.82%, 0.15%

LAB 11.81, 32.73, -27.81

 

CMYK 27 / 100 / 0 / 80

HEX #250033

RGB 37 0 51

HSL 283.53, 1%, 0.1%

LAB 5.71, 27.82, -24.17

 

CMYK 38 / 100 / 0 / 87

HEX #140020

RGB 20 0 32

HSL 277.5, 1%, 0.06%

LAB 2.29, 12.65, -15.18

 

CMYK 18 / 60 / 0 / 57

HEX #592C6D

RGB 89 44 109

HSL 281.54, 0.42%, 0.3%

LAB 26.82, 32.54, -29.53

 

CMYK 2 / 60 / 0 / 57

HEX #6B2C6D

RGB 107 44 109

HSL 298.15, 0.42%, 0.3%

LAB 29.49, 37.77, -25.13

 

CMYK 0 / 60 / 14 / 57

HEX #6D2C5E

RGB 109 44 94

HSL 313.85, 0.42%, 0.3%

LAB 29.06, 35.59, -16.12

 

CMYK 0 / 60 / 30 / 57

HEX #6D2C4C

RGB 109 44 76

HSL 330.46, 0.42%, 0.3%

LAB 28.31, 32.7, -5.46

 

CMYK 0 / 60 / 46 / 57

HEX #6D2C3B

RGB 109 44 59

HSL 346.15, 0.42%, 0.3%

LAB 27.76, 30.48, 5.03

 

CMYK 18 / 60 / 0 / 57

HEX #592C6D

RGB 89 44 109

HSL 281.54, 0.42%, 0.3%

LAB 26.82, 32.54, -29.53

 

CMYK 35 / 60 / 0 / 57

HEX #472C6D

RGB 71 44 109

HSL 264.92, 0.42%, 0.3%

LAB 24.47, 27.5, -33.43

 

CMYK 50 / 60 / 0 / 57

HEX #362C6D

RGB 54 44 109

HSL 249.23, 0.42%, 0.3%

LAB 22.62, 23.14, -36.5

 

CMYK 60 / 60 / 0 / 57

HEX #2C2C6D

RGB 44 44 109

HSL 240, 0.42%, 0.3%

LAB 21.73, 20.89, -37.98

 

CMYK 18 / 60 / 0 / 57

HEX #592C6D

RGB 89 44 109

HSL 281.54, 0.42%, 0.3%

LAB 26.82, 32.54, -29.53

 

CMYK 23 / 75 / 0 / 52

HEX #5E1F7A

RGB 94 31 122

HSL 281.54, 0.59%, 0.3%

LAB 26.05, 43.37, -39.02

 

CMYK 26 / 86 / 0 / 47

HEX #631386

RGB 99 19 134

HSL 281.74, 0.75%, 0.3%

LAB 26.27, 51.3, -46.19

 

CMYK 30 / 96 / 0 / 42

HEX #670693

RGB 103 6 147

HSL 281.28, 0.92%, 0.3%

LAB 27.08, 57.44, -52.94

 

CMYK 18 / 60 / 0 / 57

HEX #592C6D

RGB 89 44 109

HSL 281.54, 0.42%, 0.3%

LAB 26.82, 32.54, -29.53

 

CMYK 13 / 42 / 0 / 62

HEX #543861

RGB 84 56 97

HSL 280.98, 0.27%, 0.3%

LAB 28.32, 20.81, -19.49

 

CMYK 6 / 20 / 0 / 67

HEX #504455

RGB 80 68 85

HSL 282.35, 0.11%, 0.3%

LAB 30.63, 8.74, -8.24

 

CMYK 7 / 0 / 11 / 68

HEX #4B5148

RGB 75 81 72

HSL 100, 0.06%, 0.3%

LAB 33.67, -4.36, 4.47

 

CMYK 25 / 0 / 35 / 64

HEX #465D3C

RGB 70 93 60

HSL 101.82, 0.22%, 0.3%

LAB 36.85, -15.7, 16.22

 

CMYK 51 / 60 / 0 / 57

HEX #352C6D

RGB 53 44 109

HSL 248.31, 0.42%, 0.3%

LAB 22.52, 22.9, -36.66

 

CMYK 35 / 60 / 0 / 57

HEX #472C6D

RGB 71 44 109

HSL 264.92, 0.42%, 0.3%

LAB 24.47, 27.5, -33.43

 

CMYK 18 / 60 / 0 / 57

HEX #592C6D

RGB 89 44 109

HSL 281.54, 0.42%, 0.3%

LAB 26.82, 32.54, -29.53

 

CMYK 3 / 60 / 0 / 57

HEX #6A2C6D

RGB 106 44 109

HSL 297.23, 0.42%, 0.3%

LAB 29.34, 37.48, -25.39

 

CMYK 0 / 60 / 13 / 57

HEX #6D2C5F

RGB 109 44 95

HSL 312.92, 0.42%, 0.3%

LAB 29.1, 35.76, -16.7

 

CMYK 18 / 60 / 0 / 80

HEX #291432

RGB 41 20 50

HSL 282, 0.43%, 0.14%

LAB 10.57, 17.25, -15.63

 

CMYK 19 / 60 / 0 / 69

HEX #412050

RGB 65 32 80

HSL 281.25, 0.43%, 0.22%

LAB 18.95, 25.32, -23.15

 

CMYK 18 / 60 / 0 / 57

HEX #592C6D

RGB 89 44 109

HSL 281.54, 0.42%, 0.3%

LAB 26.82, 32.54, -29.53

 

CMYK 19 / 60 / 0 / 45

HEX #71378B

RGB 113 55 139

HSL 281.43, 0.43%, 0.38%

LAB 34.21, 40.13, -36.42

 

CMYK 18 / 60 / 0 / 34

HEX #8943A8

RGB 137 67 168

HSL 281.58, 0.43%, 0.46%

LAB 41.47, 46.64, -42.18

 

CMYK 19 / 60 / 0 / 58

HEX #582B6C

RGB 88 43 108

HSL 281.54, 0.43%, 0.3%

LAB 26.41, 32.58, -29.56

 

CMYK 0 / 60 / 53 / 57

HEX #6D2C33

RGB 109 44 51

HSL 353.54, 0.42%, 0.3%

LAB 27.55, 29.61, 10.06

 

CMYK 60 / 0 / 43 / 57

HEX #2C6D3E

RGB 44 109 62

HSL 136.62, 0.42%, 0.3%

LAB 40.93, -32.11, 20.19

 

CMYK 19 / 60 / 0 / 58

HEX #582B6C

RGB 88 43 108

HSL 281.54, 0.43%, 0.3%

LAB 26.41, 32.58, -29.56

 

CMYK 0 / 18 / 60 / 57

HEX #6D592C

RGB 109 89 44

HSL 41.54, 0.42%, 0.3%

LAB 38.86, 2.17, 28.77

 

CMYK 60 / 0 / 18 / 57

HEX #2C6D59

RGB 44 109 89

HSL 161.54, 0.42%, 0.3%

LAB 41.52, -26.02, 5

 

CMYK 19 / 60 / 0 / 58

HEX #582B6C

RGB 88 43 108

HSL 281.54, 0.43%, 0.3%

LAB 26.41, 32.58, -29.56

 

CMYK 0 / 60 / 53 / 57

HEX #6D2C33

RGB 109 44 51

HSL 353.54, 0.42%, 0.3%

LAB 27.55, 29.61, 10.06

 

CMYK 41 / 0 / 60 / 57

HEX #406D2C

RGB 64 109 44

HSL 101.54, 0.42%, 0.3%

LAB 41.55, -28.58, 31.03

 

CMYK 60 / 0 / 6 / 57

HEX #2C6D66

RGB 44 109 102

HSL 173.54, 0.42%, 0.3%

LAB 41.89, -22.45, -2.32

 

CMYK 19 / 60 / 0 / 58

HEX #582B6C

RGB 88 43 108

HSL 281.54, 0.43%, 0.3%

LAB 26.41, 32.58, -29.56

 

CMYK 0 / 49 / 60 / 57

HEX #6D382C

RGB 109 56 44

HSL 11.08, 0.42%, 0.3%

LAB 30.06, 22.17, 17.95

 

CMYK 41 / 0 / 60 / 57

HEX #406D2C

RGB 64 109 44

HSL 101.54, 0.42%, 0.3%

LAB 41.55, -28.58, 31.03

 

CMYK 60 / 11 / 0 / 57

HEX #2C616D

RGB 44 97 109

HSL 191.08, 0.42%, 0.3%

LAB 38.18, -13.74, -12.15

 

Description

Color code: HEX #582B6C | qconv.com Color code: HEX #582B6C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 43 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 43 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 60 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 60% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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