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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #582680 it is the complementary color #A7D97F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #582680. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #582680 shade: #5D267B, #6E388E, #7F4AA1, #905CB4 and #A16EC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #582680. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #582680 shade: #582680, #47146D, #36025A, #250047 and #140034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #582680 shade: #592782, #722782, #822779, #822760 and #822748

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #582680 shade: #592782, #412782, #282782 and #272782

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #582680 shade matches the following richer shades: #592782, #5B198F and #5C0B9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #582680 shade: #592782, #583474, #564266, #555059 and #535D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #582680 shade: #282782, #402782, #592782, #712782 and #82277A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #582680 shade: #2D1442, #431D62, #592782, #6F30A1 and #853AC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #582680 shade: #582680, #82273D and #278234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #582680 shade: #582680, #825927 and #278259

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #582680 shade: #582680, #82273D, #508227 and #27826B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #582680 shade: #582680, #822B27, #508227 and #277D82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 70 / 0 / 50

HEX #582680

RGB 88 38 128

HSL 273.33, 0.54%, 0.33%

LAB 26.79, 40.15, -41.66

 

Complementary color

CMYK 23 / 0 / 41 / 15

HEX #A7D97F

RGB 167 217 127

HSL 93.33, 0.54%, 0.67%

LAB 81.5, -31.76, 39.14

 

CMYK 24 / 69 / 0 / 52

HEX #5D267B

RGB 93 38 123

HSL 278.82, 0.53%, 0.32%

LAB 27.14, 40.1, -37.91

 

CMYK 23 / 61 / 0 / 44

HEX #6E388E

RGB 110 56 142

HSL 277.67, 0.43%, 0.39%

LAB 34.18, 39.49, -38.32

 

CMYK 21 / 54 / 0 / 37

HEX #7F4AA1

RGB 127 74 161

HSL 276.55, 0.37%, 0.46%

LAB 41.19, 38.67, -38.54

 

CMYK 20 / 49 / 0 / 29

HEX #905CB4

RGB 144 92 180

HSL 275.45, 0.37%, 0.53%

LAB 48.11, 37.79, -38.66

 

CMYK 19 / 45 / 0 / 22

HEX #A16EC7

RGB 161 110 199

HSL 274.38, 0.44%, 0.61%

LAB 54.92, 36.93, -38.75

 

CMYK 31 / 70 / 0 / 50

HEX #582680

RGB 88 38 128

HSL 273.33, 0.54%, 0.33%

LAB 26.79, 40.15, -41.66

 

CMYK 35 / 82 / 0 / 57

HEX #47146D

RGB 71 20 109

HSL 274.38, 0.69%, 0.25%

LAB 19.82, 40.27, -40.94

 

CMYK 40 / 98 / 0 / 65

HEX #36025A

RGB 54 2 90

HSL 275.45, 0.96%, 0.18%

LAB 13.02, 39.47, -39.58

 

CMYK 48 / 100 / 0 / 72

HEX #250047

RGB 37 0 71

HSL 271.27, 1%, 0.14%

LAB 7.66, 33.71, -35.42

 

CMYK 62 / 100 / 0 / 80

HEX #140034

RGB 20 0 52

HSL 263.08, 1%, 0.1%

LAB 3.58, 21.7, -28.45

 

CMYK 32 / 70 / 0 / 49

HEX #592782

RGB 89 39 130

HSL 272.97, 0.54%, 0.33%

LAB 27.26, 40.37, -42.15

 

CMYK 12 / 70 / 0 / 49

HEX #722782

RGB 114 39 130

HSL 289.45, 0.54%, 0.33%

LAB 30.97, 46.21, -35.99

 

CMYK 0 / 70 / 7 / 49

HEX #822779

RGB 130 39 121

HSL 305.93, 0.54%, 0.33%

LAB 33.09, 48.54, -26.83

 

CMYK 0 / 70 / 26 / 49

HEX #822760

RGB 130 39 96

HSL 322.42, 0.54%, 0.33%

LAB 31.9, 44.66, -12.74

 

CMYK 0 / 70 / 45 / 49

HEX #822748

RGB 130 39 72

HSL 338.24, 0.54%, 0.33%

LAB 31.03, 41.69, 1.61

 

CMYK 32 / 70 / 0 / 49

HEX #592782

RGB 89 39 130

HSL 272.97, 0.54%, 0.33%

LAB 27.26, 40.37, -42.15

 

CMYK 50 / 70 / 0 / 49

HEX #412782

RGB 65 39 130

HSL 257.14, 0.54%, 0.33%

LAB 24.28, 35.31, -47.13

 

CMYK 69 / 70 / 0 / 49

HEX #282782

RGB 40 39 130

HSL 240.66, 0.54%, 0.33%

LAB 21.99, 31.14, -50.96

 

CMYK 70 / 70 / 0 / 49

HEX #272782

RGB 39 39 130

HSL 240, 0.54%, 0.33%

LAB 21.92, 31, -51.08

 

CMYK 32 / 70 / 0 / 49

HEX #592782

RGB 89 39 130

HSL 272.97, 0.54%, 0.33%

LAB 27.26, 40.37, -42.15

 

CMYK 36 / 83 / 0 / 44

HEX #5B198F

RGB 91 25 143

HSL 273.56, 0.7%, 0.33%

LAB 26.46, 50.02, -51.55

 

CMYK 41 / 93 / 0 / 38

HEX #5C0B9D

RGB 92 11 157

HSL 273.29, 0.87%, 0.33%

LAB 26.59, 57.24, -59.95

 

CMYK 32 / 70 / 0 / 49

HEX #592782

RGB 89 39 130

HSL 272.97, 0.54%, 0.33%

LAB 27.26, 40.37, -42.15

 

CMYK 24 / 55 / 0 / 55

HEX #583474

RGB 88 52 116

HSL 273.75, 0.38%, 0.33%

LAB 28.88, 29.31, -30.73

 

CMYK 16 / 35 / 0 / 60

HEX #564266

RGB 86 66 102

HSL 273.33, 0.21%, 0.33%

LAB 31.43, 16.37, -17.86

 

CMYK 4 / 10 / 0 / 65

HEX #555059

RGB 85 80 89

HSL 273.33, 0.05%, 0.33%

LAB 34.78, 3.99, -4.53

 

CMYK 11 / 0 / 19 / 64

HEX #535D4B

RGB 83 93 75

HSL 93.33, 0.11%, 0.33%

LAB 38.16, -7.65, 9.05

 

CMYK 69 / 70 / 0 / 49

HEX #282782

RGB 40 39 130

HSL 240.66, 0.54%, 0.33%

LAB 21.99, 31.14, -50.96

 

CMYK 51 / 70 / 0 / 49

HEX #402782

RGB 64 39 130

HSL 256.48, 0.54%, 0.33%

LAB 24.17, 35.12, -47.31

 

CMYK 32 / 70 / 0 / 49

HEX #592782

RGB 89 39 130

HSL 272.97, 0.54%, 0.33%

LAB 27.26, 40.37, -42.15

 

CMYK 13 / 70 / 0 / 49

HEX #712782

RGB 113 39 130

HSL 288.79, 0.54%, 0.33%

LAB 30.82, 45.97, -36.25

 

CMYK 0 / 70 / 6 / 49

HEX #82277A

RGB 130 39 122

HSL 305.27, 0.54%, 0.33%

LAB 33.14, 48.71, -27.37

 

CMYK 32 / 70 / 0 / 74

HEX #2D1442

RGB 45 20 66

HSL 272.61, 0.53%, 0.17%

LAB 12.3, 22.98, -24.29

 

CMYK 32 / 70 / 0 / 62

HEX #431D62

RGB 67 29 98

HSL 273.04, 0.54%, 0.25%

LAB 19.86, 32.27, -33.7

 

CMYK 32 / 70 / 0 / 49

HEX #592782

RGB 89 39 130

HSL 272.97, 0.54%, 0.33%

LAB 27.26, 40.37, -42.15

 

CMYK 31 / 70 / 0 / 37

HEX #6F30A1

RGB 111 48 161

HSL 273.45, 0.54%, 0.41%

LAB 34.12, 48.3, -49.98

 

CMYK 31 / 70 / 0 / 24

HEX #853AC1

RGB 133 58 193

HSL 273.33, 0.54%, 0.49%

LAB 41, 55.69, -57.7

 

CMYK 31 / 70 / 0 / 50

HEX #582680

RGB 88 38 128

HSL 273.33, 0.54%, 0.33%

LAB 26.79, 40.15, -41.66

 

CMYK 0 / 70 / 53 / 49

HEX #82273D

RGB 130 39 61

HSL 345.49, 0.54%, 0.33%

LAB 30.72, 40.6, 8.42

 

CMYK 70 / 0 / 60 / 49

HEX #278234

RGB 39 130 52

HSL 128.57, 0.54%, 0.33%

LAB 47.81, -43.49, 34.06

 

CMYK 31 / 70 / 0 / 50

HEX #582680

RGB 88 38 128

HSL 273.33, 0.54%, 0.33%

LAB 26.79, 40.15, -41.66

 

CMYK 0 / 32 / 70 / 49

HEX #825927

RGB 130 89 39

HSL 32.97, 0.54%, 0.33%

LAB 41.27, 11.69, 34.86

 

CMYK 70 / 0 / 32 / 49

HEX #278259

RGB 39 130 89

HSL 152.97, 0.54%, 0.33%

LAB 48.41, -36.78, 14.64

 

CMYK 31 / 70 / 0 / 50

HEX #582680

RGB 88 38 128

HSL 273.33, 0.54%, 0.33%

LAB 26.79, 40.15, -41.66

 

CMYK 0 / 70 / 53 / 49

HEX #82273D

RGB 130 39 61

HSL 345.49, 0.54%, 0.33%

LAB 30.72, 40.6, 8.42

 

CMYK 38 / 0 / 70 / 49

HEX #508227

RGB 80 130 39

HSL 92.97, 0.54%, 0.33%

LAB 49.27, -32.93, 42.16

 

CMYK 70 / 0 / 18 / 49

HEX #27826B

RGB 39 130 107

HSL 164.84, 0.54%, 0.33%

LAB 48.83, -32.34, 4.78

 

CMYK 31 / 70 / 0 / 50

HEX #582680

RGB 88 38 128

HSL 273.33, 0.54%, 0.33%

LAB 26.79, 40.15, -41.66

 

CMYK 0 / 67 / 70 / 49

HEX #822B27

RGB 130 43 39

HSL 2.64, 0.54%, 0.33%

LAB 30.93, 37.16, 22.97

 

CMYK 38 / 0 / 70 / 49

HEX #508227

RGB 80 130 39

HSL 92.97, 0.54%, 0.33%

LAB 49.27, -32.93, 42.16

 

CMYK 70 / 4 / 0 / 49

HEX #277D82

RGB 39 125 130

HSL 183.3, 0.54%, 0.33%

LAB 47.89, -23.18, -10.15

 

Description

Color code: HEX #582680 | qconv.com Color code: HEX #582680 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 38 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 38 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 70 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 70% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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