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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #581F5E it is the complementary color #A7E0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #581F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #581F5E shade: #5D1F59, #6E316C, #7F437F, #905592 and #A167A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #581F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #581F5E shade: #581F5E, #470D4B, #360038, #250025 and #140012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #581F5E shade: #5A2060, #602055, #602043, #602032 and #602021

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #581F5E shade: #5A2060, #482060, #372060, #262060 and #202060

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #581F5E shade matches the following richer shades: #5A2060, #62166A, #6A0B74 and #73017F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #581F5E shade: #5A2060, #512A55, #49354B, #413F41 and #384936

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #581F5E shade: #372060, #482060, #592060, #602055 and #602044

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #581F5E shade: #200B22, #3D1641, #5A2060, #772A7F and #94359E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #581F5E shade: #581F5E, #602620 and #206040

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #581F5E shade: #581F5E, #605920 and #206059

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #581F5E shade: #581F5E, #602620, #266020 and #205960

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #581F5E shade: #581F5E, #603920, #266020 and #204660

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 67 / 0 / 63

HEX #581F5E

RGB 88 31 94

HSL 294.29, 0.5%, 0.25%

LAB 23.21, 35.81, -25.51

 

Complementary color

CMYK 25 / 0 / 28 / 12

HEX #A7E0A1

RGB 167 224 161

HSL 114.29, 0.5%, 0.75%

LAB 84.02, -30.12, 25.14

 

CMYK 0 / 67 / 4 / 64

HEX #5D1F59

RGB 93 31 89

HSL 303.87, 0.5%, 0.24%

LAB 23.77, 36.24, -21.28

 

CMYK 0 / 55 / 2 / 57

HEX #6E316C

RGB 110 49 108

HSL 301.97, 0.38%, 0.31%

LAB 30.86, 35.88, -22.31

 

CMYK 0 / 47 / 0 / 50

HEX #7F437F

RGB 127 67 127

HSL 300, 0.31%, 0.38%

LAB 37.95, 35.19, -23

 

CMYK 1 / 42 / 0 / 43

HEX #905592

RGB 144 85 146

HSL 298.03, 0.26%, 0.45%

LAB 44.94, 34.4, -23.52

 

CMYK 2 / 38 / 0 / 35

HEX #A167A5

RGB 161 103 165

HSL 296.13, 0.26%, 0.53%

LAB 51.83, 33.61, -23.95

 

CMYK 6 / 67 / 0 / 63

HEX #581F5E

RGB 88 31 94

HSL 294.29, 0.5%, 0.25%

LAB 23.21, 35.81, -25.51

 

CMYK 5 / 83 / 0 / 71

HEX #470D4B

RGB 71 13 75

HSL 296.13, 0.7%, 0.17%

LAB 16.18, 35.38, -24.09

 

CMYK 4 / 100 / 0 / 78

HEX #360038

RGB 54 0 56

HSL 297.86, 1%, 0.11%

LAB 9.56, 33.08, -21.46

 

CMYK 0 / 100 / 0 / 85

HEX #250025

RGB 37 0 37

HSL 300, 1%, 0.07%

LAB 4.76, 23.51, -15.1

 

CMYK 0 / 100 / 10 / 92

HEX #140012

RGB 20 0 18

HSL 306, 1%, 0.04%

LAB 1.74, 8.8, -5.42

 

CMYK 6 / 67 / 0 / 62

HEX #5A2060

RGB 90 32 96

HSL 294.38, 0.5%, 0.25%

LAB 23.84, 36.29, -25.81

 

CMYK 0 / 67 / 11 / 62

HEX #602055

RGB 96 32 85

HSL 310.31, 0.5%, 0.25%

LAB 24.24, 35.92, -17.84

 

CMYK 0 / 67 / 30 / 62

HEX #602043

RGB 96 32 67

HSL 327.19, 0.5%, 0.25%

LAB 23.42, 33, -6.99

 

CMYK 0 / 67 / 48 / 62

HEX #602032

RGB 96 32 50

HSL 343.13, 0.5%, 0.25%

LAB 22.83, 30.79, 3.78

 

CMYK 0 / 67 / 66 / 62

HEX #602021

RGB 96 32 33

HSL 359.06, 0.5%, 0.25%

LAB 22.41, 29.18, 14.86

 

CMYK 6 / 67 / 0 / 62

HEX #5A2060

RGB 90 32 96

HSL 294.38, 0.5%, 0.25%

LAB 23.84, 36.29, -25.81

 

CMYK 25 / 67 / 0 / 62

HEX #482060

RGB 72 32 96

HSL 277.5, 0.5%, 0.25%

LAB 21.04, 31.38, -30.45

 

CMYK 43 / 67 / 0 / 62

HEX #372060

RGB 55 32 96

HSL 261.56, 0.5%, 0.25%

LAB 18.76, 27.01, -34.24

 

CMYK 60 / 67 / 0 / 62

HEX #262060

RGB 38 32 96

HSL 245.63, 0.5%, 0.25%

LAB 16.94, 23.21, -37.27

 

CMYK 67 / 67 / 0 / 62

HEX #202060

RGB 32 32 96

HSL 240, 0.5%, 0.25%

LAB 16.43, 22.07, -38.13

 

CMYK 6 / 67 / 0 / 62

HEX #5A2060

RGB 90 32 96

HSL 294.38, 0.5%, 0.25%

LAB 23.84, 36.29, -25.81

 

CMYK 8 / 79 / 0 / 58

HEX #62166A

RGB 98 22 106

HSL 294.29, 0.66%, 0.25%

LAB 24.36, 44.49, -31.44

 

CMYK 9 / 91 / 0 / 55

HEX #6A0B74

RGB 106 11 116

HSL 294.29, 0.83%, 0.25%

LAB 25.46, 51.01, -36.05

 

CMYK 9 / 99 / 0 / 50

HEX #73017F

RGB 115 1 127

HSL 294.29, 0.98%, 0.25%

LAB 27.29, 56.4, -40

 

CMYK 6 / 67 / 0 / 62

HEX #5A2060

RGB 90 32 96

HSL 294.38, 0.5%, 0.25%

LAB 23.84, 36.29, -25.81

 

CMYK 5 / 51 / 0 / 67

HEX #512A55

RGB 81 42 85

HSL 294.42, 0.34%, 0.25%

LAB 23.87, 25.67, -18.6

 

CMYK 3 / 29 / 0 / 71

HEX #49354B

RGB 73 53 75

HSL 294.55, 0.17%, 0.25%

LAB 25.17, 13.45, -10.05

 

CMYK 0 / 3 / 0 / 75

HEX #413F41

RGB 65 63 65

HSL 300, 0.02%, 0.25%

LAB 26.91, 1.3, -0.92

 

CMYK 23 / 0 / 26 / 71

HEX #384936

RGB 56 73 54

HSL 113.68, 0.15%, 0.25%

LAB 29.09, -11.09, 9.23

 

CMYK 43 / 67 / 0 / 62

HEX #372060

RGB 55 32 96

HSL 261.56, 0.5%, 0.25%

LAB 18.76, 27.01, -34.24

 

CMYK 25 / 67 / 0 / 62

HEX #482060

RGB 72 32 96

HSL 277.5, 0.5%, 0.25%

LAB 21.04, 31.38, -30.45

 

CMYK 7 / 67 / 0 / 62

HEX #592060

RGB 89 32 96

HSL 293.44, 0.5%, 0.25%

LAB 23.68, 36.02, -26.09

 

CMYK 0 / 67 / 11 / 62

HEX #602055

RGB 96 32 85

HSL 310.31, 0.5%, 0.25%

LAB 24.24, 35.92, -17.84

 

CMYK 0 / 67 / 29 / 62

HEX #602044

RGB 96 32 68

HSL 326.25, 0.5%, 0.25%

LAB 23.46, 33.15, -7.61

 

CMYK 6 / 68 / 0 / 87

HEX #200B22

RGB 32 11 34

HSL 294.78, 0.51%, 0.09%

LAB 5.98, 14.97, -10.97

 

CMYK 6 / 66 / 0 / 75

HEX #3D1641

RGB 61 22 65

HSL 294.42, 0.49%, 0.17%

LAB 15.21, 26.34, -18.8

 

CMYK 6 / 67 / 0 / 62

HEX #5A2060

RGB 90 32 96

HSL 294.38, 0.5%, 0.25%

LAB 23.84, 36.29, -25.81

 

CMYK 6 / 67 / 0 / 50

HEX #772A7F

RGB 119 42 127

HSL 294.35, 0.5%, 0.33%

LAB 32.06, 45.54, -32.34

 

CMYK 6 / 66 / 0 / 38

HEX #94359E

RGB 148 53 158

HSL 294.29, 0.5%, 0.41%

LAB 40.1, 53.88, -38.29

 

CMYK 6 / 67 / 0 / 63

HEX #581F5E

RGB 88 31 94

HSL 294.29, 0.5%, 0.25%

LAB 23.21, 35.81, -25.51

 

CMYK 0 / 60 / 67 / 62

HEX #602620

RGB 96 38 32

HSL 5.63, 0.5%, 0.25%

LAB 23.6, 25.92, 17.04

 

CMYK 67 / 0 / 33 / 62

HEX #206040

RGB 32 96 64

HSL 150, 0.5%, 0.25%

LAB 36.07, -28.67, 12.43

 

CMYK 6 / 67 / 0 / 63

HEX #581F5E

RGB 88 31 94

HSL 294.29, 0.5%, 0.25%

LAB 23.21, 35.81, -25.51

 

CMYK 0 / 7 / 67 / 62

HEX #605920

RGB 96 89 32

HSL 53.44, 0.5%, 0.25%

LAB 37.36, -5.05, 33.05

 

CMYK 67 / 0 / 7 / 62

HEX #206059

RGB 32 96 89

HSL 173.44, 0.5%, 0.25%

LAB 36.73, -21.97, -2

 

CMYK 6 / 67 / 0 / 63

HEX #581F5E

RGB 88 31 94

HSL 294.29, 0.5%, 0.25%

LAB 23.21, 35.81, -25.51

 

CMYK 0 / 60 / 67 / 62

HEX #602620

RGB 96 38 32

HSL 5.63, 0.5%, 0.25%

LAB 23.6, 25.92, 17.04

 

CMYK 60 / 0 / 67 / 62

HEX #266020

RGB 38 96 32

HSL 114.38, 0.5%, 0.25%

LAB 35.76, -32.75, 30.17

 

CMYK 67 / 7 / 0 / 62

HEX #205960

RGB 32 89 96

HSL 186.56, 0.5%, 0.25%

LAB 34.59, -15.94, -9.55

 

CMYK 6 / 67 / 0 / 63

HEX #581F5E

RGB 88 31 94

HSL 294.29, 0.5%, 0.25%

LAB 23.21, 35.81, -25.51

 

CMYK 0 / 41 / 67 / 62

HEX #603920

RGB 96 57 32

HSL 23.44, 0.5%, 0.25%

LAB 28.16, 14.62, 22.62

 

CMYK 60 / 0 / 67 / 62

HEX #266020

RGB 38 96 32

HSL 114.38, 0.5%, 0.25%

LAB 35.76, -32.75, 30.17

 

CMYK 67 / 27 / 0 / 62

HEX #204660

RGB 32 70 96

HSL 204.38, 0.5%, 0.25%

LAB 28.2, -4.46, -19.35

 

Description

Color code: HEX #581F5E | qconv.com Color code: HEX #581F5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 31 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 31 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 67 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 67% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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