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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #581769 it is the complementary color #A7E896. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #581769. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #581769 shade: #5D1764, #6E2977, #7F3B8A, #904D9D and #A15FB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #581769. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #581769 shade: #581769, #470556, #360043, #250030 and #14001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #581769 shade: #581769, #691763, #69174D, #691737 and #691721

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #581769 shade: #581769, #421769, #2C1769 and #171769

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #581769 shade matches the following richer shades: #581769, #5E0D73 and #64027D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #581769 shade: #581769, #52215E, #4C2C54, #46364A and #3F403F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #581769 shade: #2B1769, #411769, #571769, #691764 and #69174F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #581769 shade: #1F0825, #3B1047, #581769, #741E8A and #9026AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #581769 shade: #581769, #691718 and #176936

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #581769 shade: #581769, #695717 and #176957

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #581769 shade: #581769, #691718, #296917 and #176967

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #581769 shade: #581769, #692E17, #296917 and #175169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

Complementary color

CMYK 28 / 0 / 35 / 9

HEX #A7E896

RGB 167 232 150

HSL 107.56, 0.64%, 0.75%

LAB 86.07, -35.54, 33.52

 

CMYK 7 / 77 / 0 / 61

HEX #5D1764

RGB 93 23 100

HSL 294.55, 0.63%, 0.24%

LAB 23.2, 41.8, -29.42

 

CMYK 8 / 66 / 0 / 53

HEX #6E2977

RGB 110 41 119

HSL 293.08, 0.49%, 0.31%

LAB 29.99, 42.07, -30.67

 

CMYK 8 / 57 / 0 / 46

HEX #7F3B8A

RGB 127 59 138

HSL 291.65, 0.4%, 0.39%

LAB 36.88, 41.68, -31.43

 

CMYK 8 / 51 / 0 / 38

HEX #904D9D

RGB 144 77 157

HSL 290.25, 0.34%, 0.46%

LAB 43.76, 41.01, -31.95

 

CMYK 9 / 46 / 0 / 31

HEX #A15FB0

RGB 161 95 176

HSL 288.89, 0.34%, 0.53%

LAB 50.57, 40.24, -32.33

 

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

CMYK 17 / 94 / 0 / 66

HEX #470556

RGB 71 5 86

HSL 288.89, 0.89%, 0.18%

LAB 16.1, 40.23, -31.72

 

CMYK 19 / 100 / 0 / 74

HEX #360043

RGB 54 0 67

HSL 288.36, 1%, 0.13%

LAB 10.48, 35.24, -27.85

 

CMYK 23 / 100 / 0 / 81

HEX #250030

RGB 37 0 48

HSL 286.25, 1%, 0.09%

LAB 5.48, 26.88, -22.31

 

CMYK 31 / 100 / 0 / 89

HEX #14001D

RGB 20 0 29

HSL 281.38, 1%, 0.06%

LAB 2.14, 11.66, -12.99

 

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

CMYK 0 / 78 / 6 / 59

HEX #691763

RGB 105 23 99

HSL 304.39, 0.64%, 0.25%

LAB 25.31, 44.51, -25.28

 

CMYK 0 / 78 / 27 / 59

HEX #69174D

RGB 105 23 77

HSL 320.49, 0.64%, 0.25%

LAB 24.17, 41.05, -12.47

 

CMYK 0 / 78 / 48 / 59

HEX #691737

RGB 105 23 55

HSL 336.59, 0.64%, 0.25%

LAB 23.31, 38.35, 1.26

 

CMYK 0 / 78 / 69 / 59

HEX #691721

RGB 105 23 33

HSL 352.68, 0.64%, 0.25%

LAB 22.74, 36.49, 15.66

 

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

CMYK 37 / 78 / 0 / 59

HEX #421769

RGB 66 23 105

HSL 271.46, 0.64%, 0.25%

LAB 19.19, 36.96, -39.39

 

CMYK 58 / 78 / 0 / 59

HEX #2C1769

RGB 44 23 105

HSL 255.37, 0.64%, 0.25%

LAB 16.35, 32.96, -44.15

 

CMYK 78 / 78 / 0 / 59

HEX #171769

RGB 23 23 105

HSL 240, 0.64%, 0.25%

LAB 14.48, 30.21, -47.28

 

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

CMYK 18 / 89 / 0 / 55

HEX #5E0D73

RGB 94 13 115

HSL 287.65, 0.8%, 0.25%

LAB 23.36, 48.15, -38.9

 

CMYK 20 / 98 / 0 / 51

HEX #64027D

RGB 100 2 125

HSL 287.8, 0.97%, 0.25%

LAB 24.43, 53.46, -43.5

 

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

CMYK 13 / 65 / 0 / 63

HEX #52215E

RGB 82 33 94

HSL 288.2, 0.48%, 0.25%

LAB 22.62, 33.11, -26.52

 

CMYK 10 / 48 / 0 / 67

HEX #4C2C54

RGB 76 44 84

HSL 288, 0.31%, 0.25%

LAB 23.6, 22.49, -18.41

 

CMYK 5 / 27 / 0 / 71

HEX #46364A

RGB 70 54 74

HSL 288, 0.16%, 0.25%

LAB 25.06, 11.37, -9.58

 

CMYK 2 / 0 / 2 / 75

HEX #3F403F

RGB 63 64 63

HSL 120, 0.01%, 0.25%

LAB 26.97, -0.64, 0.46

 

CMYK 59 / 78 / 0 / 59

HEX #2B1769

RGB 43 23 105

HSL 254.63, 0.64%, 0.25%

LAB 16.24, 32.8, -44.33

 

CMYK 38 / 78 / 0 / 59

HEX #411769

RGB 65 23 105

HSL 270.73, 0.64%, 0.25%

LAB 19.04, 36.76, -39.64

 

CMYK 17 / 78 / 0 / 59

HEX #571769

RGB 87 23 105

HSL 286.83, 0.64%, 0.25%

LAB 22.51, 41.44, -33.85

 

CMYK 0 / 78 / 5 / 59

HEX #691764

RGB 105 23 100

HSL 303.66, 0.64%, 0.25%

LAB 25.37, 44.68, -25.84

 

CMYK 0 / 78 / 25 / 59

HEX #69174F

RGB 105 23 79

HSL 319.02, 0.64%, 0.25%

LAB 24.26, 41.34, -13.67

 

CMYK 16 / 78 / 0 / 85

HEX #1F0825

RGB 31 8 37

HSL 287.59, 0.64%, 0.09%

LAB 5.41, 16.77, -14.17

 

CMYK 17 / 77 / 0 / 72

HEX #3B1047

RGB 59 16 71

HSL 286.91, 0.63%, 0.17%

LAB 14.15, 30.26, -24.7

 

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

CMYK 16 / 78 / 0 / 46

HEX #741E8A

RGB 116 30 138

HSL 287.78, 0.64%, 0.33%

LAB 30.58, 51.8, -41.57

 

CMYK 16 / 78 / 0 / 33

HEX #9026AC

RGB 144 38 172

HSL 287.46, 0.64%, 0.41%

LAB 38.37, 61.27, -49.48

 

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

CMYK 0 / 78 / 77 / 59

HEX #691718

RGB 105 23 24

HSL 359.27, 0.64%, 0.25%

LAB 22.59, 35.98, 21.5

 

CMYK 78 / 0 / 49 / 59

HEX #176936

RGB 23 105 54

HSL 142.68, 0.64%, 0.25%

LAB 38.81, -36.4, 21.91

 

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

CMYK 0 / 17 / 78 / 59

HEX #695717

RGB 105 87 23

HSL 46.83, 0.64%, 0.25%

LAB 37.63, -0.03, 37.8

 

CMYK 78 / 0 / 17 / 59

HEX #176957

RGB 23 105 87

HSL 166.83, 0.64%, 0.25%

LAB 39.54, -28.55, 3.29

 

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

CMYK 0 / 78 / 77 / 59

HEX #691718

RGB 105 23 24

HSL 359.27, 0.64%, 0.25%

LAB 22.59, 35.98, 21.5

 

CMYK 61 / 0 / 78 / 59

HEX #296917

RGB 41 105 23

HSL 106.83, 0.64%, 0.25%

LAB 38.96, -36.49, 37.61

 

CMYK 78 / 0 / 2 / 59

HEX #176967

RGB 23 105 103

HSL 178.54, 0.64%, 0.25%

LAB 40.02, -23.7, -5.76

 

CMYK 16 / 78 / 0 / 59

HEX #581769

RGB 88 23 105

HSL 287.56, 0.64%, 0.25%

LAB 22.68, 41.66, -33.57

 

CMYK 0 / 56 / 78 / 59

HEX #692E17

RGB 105 46 23

HSL 16.83, 0.64%, 0.25%

LAB 26.79, 24.72, 26.78

 

CMYK 61 / 0 / 78 / 59

HEX #296917

RGB 41 105 23

HSL 106.83, 0.64%, 0.25%

LAB 38.96, -36.49, 37.61

 

CMYK 78 / 23 / 0 / 59

HEX #175169

RGB 23 81 105

HSL 197.56, 0.64%, 0.25%

LAB 32, -9.55, -19.19

 

Description

Color code: HEX #581769 | qconv.com Color code: HEX #581769 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 23 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 23 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 78 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 78% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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