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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57FB9F it is the complementary color #A80460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57FB9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57FB9F shade: #5CFB9A, #6DFFAD, #7EFFC0, #8FFFD3 and #A0FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57FB9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57FB9F shade: #57FB9F, #46E98C, #35D779, #24C566 and #13B353

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57FB9F shade: #56FB9E, #56FB72, #66FB56, #93FB56 and #BFFB56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57FB9F shade: #56FB9E, #56FBCB, #56FBF7, #56D2FB and #56A5FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57FB9F shade matches the following richer shades: #56FB9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57FB9F shade: #56FB9E, #64EDA0, #72DFA2, #80D1A3 and #8EC3A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57FB9F shade: #66FB56, #56FB71, #56FB9D, #56FBC9 and #56FBF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57FB9F shade: #06F870, #2EFA87, #56FB9E, #7EFCB5 and #A6FDCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57FB9F shade: #57FB9F, #5692FB and #FB5B56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57FB9F shade: #57FB9F, #9D56FB and #FB9D56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57FB9F shade: #57FB9F, #5692FB, #FB56B3 and #FBBE56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57FB9F shade: #57FB9F, #5661FB, #FB56B3 and #FBF056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 37 / 2

HEX #57FB9F

RGB 87 251 159

HSL 146.34, 0.95%, 0.66%

LAB 88.7, -62.49, 31.94

 

Complementary color

CMYK 0 / 98 / 43 / 34

HEX #A80460

RGB 168 4 96

HSL 326.34, 0.95%, 0.34%

LAB 36.47, 62.56, -5.12

 

CMYK 63 / 0 / 39 / 2

HEX #5CFB9A

RGB 92 251 154

HSL 143.4, 0.95%, 0.67%

LAB 88.73, -62.49, 34.5

 

CMYK 57 / 0 / 32 / 0

HEX #6DFFAD

RGB 109 255 173

HSL 146.3, 1%, 0.71%

LAB 90.68, -57.27, 27.67

 

CMYK 51 / 0 / 25 / 0

HEX #7EFFC0

RGB 126 255 192

HSL 150.7, 1%, 0.75%

LAB 91.58, -49.89, 19.33

 

CMYK 44 / 0 / 17 / 0

HEX #8FFFD3

RGB 143 255 211

HSL 156.43, 1%, 0.78%

LAB 92.6, -41.97, 11.12

 

CMYK 37 / 0 / 10 / 0

HEX #A0FFE6

RGB 160 255 230

HSL 164.21, 1%, 0.81%

LAB 93.76, -33.61, 3.07

 

CMYK 65 / 0 / 37 / 2

HEX #57FB9F

RGB 87 251 159

HSL 146.34, 0.95%, 0.66%

LAB 88.7, -62.49, 31.94

 

CMYK 70 / 0 / 40 / 9

HEX #46E98C

RGB 70 233 140

HSL 145.77, 0.79%, 0.59%

LAB 82.63, -62.05, 33.37

 

CMYK 75 / 0 / 44 / 16

HEX #35D779

RGB 53 215 121

HSL 145.19, 0.67%, 0.53%

LAB 76.52, -61.34, 34.9

 

CMYK 82 / 0 / 48 / 23

HEX #24C566

RGB 36 197 102

HSL 144.6, 0.69%, 0.46%

LAB 70.36, -60.26, 36.52

 

CMYK 89 / 0 / 54 / 30

HEX #13B353

RGB 19 179 83

HSL 144, 0.81%, 0.39%

LAB 64.16, -58.67, 38.22

 

CMYK 66 / 0 / 37 / 2

HEX #56FB9E

RGB 86 251 158

HSL 146.18, 0.95%, 0.66%

LAB 88.66, -62.84, 32.38

 

CMYK 66 / 0 / 55 / 2

HEX #56FB72

RGB 86 251 114

HSL 130.18, 0.95%, 0.66%

LAB 88.06, -69.6, 52.73

 

CMYK 59 / 0 / 66 / 2

HEX #66FB56

RGB 102 251 86

HSL 114.18, 0.95%, 0.66%

LAB 88.2, -69.36, 64.85

 

CMYK 41 / 0 / 66 / 2

HEX #93FB56

RGB 147 251 86

HSL 97.82, 0.95%, 0.66%

LAB 89.8, -57.28, 67.03

 

CMYK 24 / 0 / 66 / 2

HEX #BFFB56

RGB 191 251 86

HSL 81.82, 0.95%, 0.66%

LAB 92.02, -42.32, 70.04

 

CMYK 66 / 0 / 37 / 2

HEX #56FB9E

RGB 86 251 158

HSL 146.18, 0.95%, 0.66%

LAB 88.66, -62.84, 32.38

 

CMYK 66 / 0 / 19 / 2

HEX #56FBCB

RGB 86 251 203

HSL 162.55, 0.95%, 0.66%

LAB 89.53, -53.62, 10.62

 

CMYK 66 / 0 / 2 / 2

HEX #56FBF7

RGB 86 251 247

HSL 178.55, 0.95%, 0.66%

LAB 90.64, -42.68, -10.6

 

CMYK 66 / 16 / 0 / 2

HEX #56D2FB

RGB 86 210 251

HSL 194.91, 0.95%, 0.66%

LAB 79.06, -22.09, -30.22

 

CMYK 66 / 34 / 0 / 2

HEX #56A5FB

RGB 86 165 251

HSL 211.27, 0.95%, 0.66%

LAB 66.41, 2.17, -49.93

 

CMYK 66 / 0 / 37 / 2

HEX #56FB9E

RGB 86 251 158

HSL 146.18, 0.95%, 0.66%

LAB 88.66, -62.84, 32.38

 

CMYK 66 / 0 / 37 / 2

HEX #56FB9E

RGB 86 251 158

HSL 146.18, 0.95%, 0.66%

LAB 88.66, -62.84, 32.38

 

CMYK 58 / 0 / 32 / 7

HEX #64EDA0

RGB 100 237 160

HSL 146.28, 0.79%, 0.66%

LAB 84.9, -54.43, 26.38

 

CMYK 49 / 0 / 27 / 13

HEX #72DFA2

RGB 114 223 162

HSL 146.42, 0.63%, 0.66%

LAB 81.27, -45.05, 20.45

 

CMYK 39 / 0 / 22 / 18

HEX #80D1A3

RGB 128 209 163

HSL 145.93, 0.47%, 0.66%

LAB 77.78, -34.86, 15.14

 

CMYK 27 / 0 / 15 / 24

HEX #8EC3A5

RGB 142 195 165

HSL 146.04, 0.31%, 0.66%

LAB 74.51, -23.52, 9.55

 

CMYK 59 / 0 / 66 / 2

HEX #66FB56

RGB 102 251 86

HSL 114.18, 0.95%, 0.66%

LAB 88.2, -69.36, 64.85

 

CMYK 66 / 0 / 55 / 2

HEX #56FB71

RGB 86 251 113

HSL 129.82, 0.95%, 0.66%

LAB 88.05, -69.72, 53.16

 

CMYK 66 / 0 / 37 / 2

HEX #56FB9D

RGB 86 251 157

HSL 145.82, 0.95%, 0.66%

LAB 88.64, -63.02, 32.86

 

CMYK 66 / 0 / 20 / 2

HEX #56FBC9

RGB 86 251 201

HSL 161.82, 0.95%, 0.66%

LAB 89.48, -54.08, 11.59

 

CMYK 66 / 0 / 2 / 2

HEX #56FBF5

RGB 86 251 245

HSL 177.82, 0.95%, 0.66%

LAB 90.58, -43.21, -9.65

 

CMYK 98 / 0 / 55 / 3

HEX #06F870

RGB 6 248 112

HSL 146.28, 0.95%, 0.5%

LAB 86.18, -76.77, 51.15

 

CMYK 82 / 0 / 46 / 2

HEX #2EFA87

RGB 46 250 135

HSL 146.18, 0.95%, 0.58%

LAB 87.34, -71.72, 41.85

 

CMYK 66 / 0 / 37 / 2

HEX #56FB9E

RGB 86 251 158

HSL 146.18, 0.95%, 0.66%

LAB 88.66, -62.84, 32.38

 

CMYK 50 / 0 / 28 / 1

HEX #7EFCB5

RGB 126 252 181

HSL 146.19, 0.95%, 0.74%

LAB 90.5, -50.76, 23.45

 

CMYK 34 / 0 / 19 / 1

HEX #A6FDCC

RGB 166 253 204

HSL 146.21, 0.96%, 0.82%

LAB 92.89, -36.31, 15.26

 

CMYK 65 / 0 / 37 / 2

HEX #57FB9F

RGB 87 251 159

HSL 146.34, 0.95%, 0.66%

LAB 88.7, -62.49, 31.94

 

CMYK 66 / 42 / 0 / 2

HEX #5692FB

RGB 86 146 251

HSL 218.18, 0.95%, 0.66%

LAB 61.22, 13.27, -58.17

 

CMYK 0 / 64 / 66 / 2

HEX #FB5B56

RGB 251 91 86

HSL 1.82, 0.95%, 0.66%

LAB 60.48, 60.62, 36.1

 

CMYK 65 / 0 / 37 / 2

HEX #57FB9F

RGB 87 251 159

HSL 146.34, 0.95%, 0.66%

LAB 88.7, -62.49, 31.94

 

CMYK 37 / 66 / 0 / 2

HEX #9D56FB

RGB 157 86 251

HSL 265.82, 0.95%, 0.66%

LAB 52.72, 60.97, -71.59

 

CMYK 0 / 37 / 66 / 2

HEX #FB9D56

RGB 251 157 86

HSL 25.82, 0.95%, 0.66%

LAB 73.09, 28.9, 50.94

 

CMYK 65 / 0 / 37 / 2

HEX #57FB9F

RGB 87 251 159

HSL 146.34, 0.95%, 0.66%

LAB 88.7, -62.49, 31.94

 

CMYK 66 / 42 / 0 / 2

HEX #5692FB

RGB 86 146 251

HSL 218.18, 0.95%, 0.66%

LAB 61.22, 13.27, -58.17

 

CMYK 0 / 66 / 29 / 2

HEX #FB56B3

RGB 251 86 179

HSL 326.18, 0.95%, 0.66%

LAB 62.01, 70.69, -15.37

 

CMYK 0 / 24 / 66 / 2

HEX #FBBE56

RGB 251 190 86

HSL 37.82, 0.95%, 0.66%

LAB 80.74, 11.63, 59.43

 

CMYK 65 / 0 / 37 / 2

HEX #57FB9F

RGB 87 251 159

HSL 146.34, 0.95%, 0.66%

LAB 88.7, -62.49, 31.94

 

CMYK 66 / 61 / 0 / 2

HEX #5661FB

RGB 86 97 251

HSL 236, 0.95%, 0.66%

LAB 48.88, 42.95, -78.11

 

CMYK 0 / 66 / 29 / 2

HEX #FB56B3

RGB 251 86 179

HSL 326.18, 0.95%, 0.66%

LAB 62.01, 70.69, -15.37

 

CMYK 0 / 4 / 66 / 2

HEX #FBF056

RGB 251 240 86

HSL 56, 0.95%, 0.66%

LAB 93.23, -13.73, 72.61

 

Description

Color code: HEX #57FB9F | qconv.com Color code: HEX #57FB9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 251 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 251 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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